Make a lot of money as an International Art Dealer, importing from the Far East
 
Let us start with the Far East source with the most numerous 
sources for low priced products, Hong Kong.  Some people 
are influenced by a belief that Hong Kong is almost at the end 
of the road as a source for cheep goods.  Don't listen to the 
panic mongers.  The reversion to Chinese communist rule is 
still some years off.  When it does come, do not expect to 
see a sudden and total collapse of the free enterprise 
system.  The Chinese communists know very well which side 
their bread is buttered.  As is already happening, communism 
and capitalism will work hand in hand in the former British 
colony.
So if you want to deal with Hong Kong suppliers, do so with 
confidence.  There is another reason why you can have 
confidence when dealing with Chinese businessmen, whether 
in Hong Kong, Singapore or mainland China.  The vast 
majority are honest and have a sense of honour. 
Inexperienced mail order dealers who order goods from the 
Far East sometimes forget just how long it takes for good to 
come by surface route from the other side of the world.  So 
they sometimes send a nasty letter to Hong Kong 
complaining about delay or even worse. Such a letter would 
be insulting if sent to a firm in this country. It is doubly 
insulting when sent to a place where honour plays such 
an important role in business.
You will notice I said the vast majority of Far East 
businessmen are honest, not all of them.  There are always 
one or two rotten apples in every barrel.  Happily, it does not 
make for a major problem. The Chinese business community 
in the Far East are very anxious to protect their reputation for 
honest and ethical trading and have methods for policing and 
monitoring the activities of their own business communities.  
There are various trade associations whose main purpose is 
to promote the export potential of their own business 
community, but I found them very helpful when checking the 
ethical standards of firms which I proposed to consider for 
listing in this guide.
This book deals with it's subject with a view to being primarily 
of interest to mail order traders.  However, I do realise that 
those who import, usually on a comparatively small scale, 
from the Far East often have other ways of marketing in 
addition to, or instead of, operating by mail order.  At least 
two traders who initially imported original oil paintings from 
Hong Kong with a view to operating purely by mail order 
found other venues of marketing and now only a small part of 
their business is conducted by mail order.  Both these 
traders have made a great deal of money from their business 
activities and as I propose to deal  with oil paintings from 
Hong Kong, I will provide information on these other outlets 
for sale.
The import of paintings from Hong Kong can roughly be 
divided into three groups:
-  Original oil paintings by Chinese artists, usually in the 
western style.
-  Reproductions of famous old masters of the western 
school.
-  Oil paintings, usually portraits of people, based on 
photographs supplied by the customers.
Here I would stress that while a great deal of money can be 
made from any of these categories, there are certain pitfalls 
which the trader inexperienced in importing must avoid and I 
will give considerable  attention to these.
Firstly, and perhaps most importantly, you cannot 
communicate with suppliers in the Far East in the same way 
that so many small scale mail order operators do in this 
country.  You will be dealing with hard-headed businessmen 
who are very much profit motivated.  They will often send 
expensive color catalogues free of charge to those they take 
to be bona-fide importers in this country.  But these 
catalogues and long detailed lists are often expensive to 
produce, apart from the postal costs of sending them to the 
U.S.  So, over the years, Chinese businessmen have become 
used to receiving numerous enquiries and requests for trade 
catalogues from the West.  They have thus developed an 
eagle eye, almost an instinct, for spotting the time waster and 
the curiosity monger.
The practice of so many home-based mail order dealers in 
corresponding with hand-written letters, often with no proper 
printed letter heading, or at best, one of those little adhesive 
gold labels with the name and address printed on it, or a 
rubber stamped heading, all of these are o-u-t OUT.  You are 
unlikely to get a reply by sending an enquiry or request for a 
catalogue in such a cheap, amateurish way.  There is a good 
chance your letter will go straight into the wastepaper bin 
without even being read.  Your letters MUST by typed, never 
hand-written.  
The letters must be sent on properly printed letterheads and 
remember that absence of a telephone number on that 
letterhead is an instant give-away that you are a small timer 
who is not worth bothering about.
If you want to deal with Far East sources you had better give 
a professional appearance to your business letters.  Do not 
ever give the impression you are a part-timer operating from 
your kitchen table, even if you are.  Many Far East traders do 
not mind sending small quantities or samples if, I repeat if, 
they think you are a bona-fide businessman or woman who 
may order much larger quantities later on.  So you either 
operate from the start in a professional manner or you forget 
the idea of importing from the Far East.
We will start off by dealing with art imports from Hong Kong, 
dealing in any or all of the categories I have previously listed.  
There are numerous studios in Hong Kong who are eager and 
willing to do business with Western businessmen.  I 
mentioned that there are some pitfalls which need to be 
avoided, so I will deal with these next.
One pitfall is that inexperienced beginners do not realise just 
how far away the Far East is.  Goods coming by sea take a 
considerable time to come from the other side of the world.  
So it is not really a good idea to take orders and then to send 
off the order to Hong Kong. Not, that is, unless you have the 
goods sent airmail and that can be expensive and add greatly 
to the costs.  Far better to build up a stock, however modest, 
before you begin to accept orders.  Orders coming by 
surface mail can take between two and three months, 
sometimes longer.  Experienced importers may use se freight 
instead of surface mail and it is possible thus to cut down on 
journey time, but sea freight is really best for larger orders.  
In the case of oil paintings, (say) a couple of hundred 
canvasses or more.
I will explain the differences between surface mail and sea 
freight and also explain certain common abbreviations which 
are used in export/import when shipping freight.  Let us start 
with the abbreviations which one will come across most 
frequently when importing.  When you receive a quotation 
from the Far East, the quotation will either be F.O.B., C.I.F. 
OR C & F.
F O B  stands for Free On Board
An F.O.B. quotation means the supplier will pay all costs up 
until the goods are safely lodged on the ship.  So the 
quotation includes the actual cost of the goods, plus costs of 
transporting the goods to the ship, plus cost of loading onto 
the ship.
C I F  stands for Cost, Insurance, Freight
This means not only F.O.B. costs but also freight costs up to 
the arrival at the unloading port, plus insurance costs for all 
the journey from the supplier to when you actually receive the 
freight. The goods are usually insured at one hundred and ten 
per cent of actual value.  You have to make arrangements or 
delivery from the loading port to your home or warehouse.  
So if the goods are unloaded at (say) Southampton and you 
live in Birmingham, you will pay the charges of the freight 
forwarder or the Post Office for delivery from Southampton to 
Birmingham.  C.I.F. quotations are often given if freight is 
coming by air.  If sent by airmail parcel it will be delivered 
free to your home.
C. & F.  stands for Cost & Freight
It is the same as C.I.F. except that insurance costs are not 
covered.  You should arrange insurance with the freight 
forwarder.  The same goes for F.O.B. as insurance costs are 
yours once the goods have been loaded at the point of 
departure.
B/L  stands for Bill of Loading
This gives information regarding the weight of the goods, the 
type of packing and actual number of parcels or crates, the 
name of the ship onto which the goods have been loaded and 
the ship's date of departure.  Whatever you do, do not mislay 
that B/L.  It is an important document which you will need to 
collect your goods. It will also be needed to produce to the 
insurance company if a claim has to be made.
I.L.C. stands for Irrevocable Letter of Credit
This will only concern you on larger orders when the value of 
the order is getting close to four figures or beyond that point.  
It is a simple but safe process which protects both the buyer 
and the seller.  The buyer pays sufficient into the bank to 
cover the cost of the order.  The bank then draft a letter of 
credit which is sent to the seller (exporter).  It is confirmation 
from the buyer's bank that they hold the money to pay for the 
goods and form a promise to pay that amount of money to 
the seller immediately proof is given that the goods have 
been dispatched on time and are in accordance with the 
description given on the letter of credit. The seller is thus sure 
of receiving his money once the goods have been 
dispatched, and the buyer is assured of receiving the goods.
But on more modest orders one would not use and I.L.C., but 
instead would use a Banker's Draft.  Having placed your 
order, you will receive a pro-forma invoice from the Far East 
supplier with a request that you pay by Banker's Draft.  Your 
bank will make up the draft and you send it off the supplier.  
The bank charge for this varies from bank to bank, but is 
usually around $10.  If the amount of the order is so small that 
it does not justify this charge, you can always send cash.  In 
Page 5
this case you will get a special envelope from the Post Office 
and thus insure the cash at a cost considerably below that of 
the Bank Draft fee.
Before leaving the important matter of transportation I would 
like to clarify the differences between mail and freight and 
ensure there is no confusion.  I would also like to clarify the 
difference between sea mail and sea freight.  Freight usually 
only involves orders which are too big to be sent by normal 
methods.
SEA MAIL
Cheapest, but with the longest delivery time.  You will have 
probably heard the song 'Slow Boat to China', but the boat 
from Hong Kong to the USA. can seem to take even longer.  It 
is not just the actual journey time, there are other factors 
involved, not least of which is that there are far less ocean 
going ships than there used to be.  So the frequency of 
sailing from a port like Hong Kong is very much reduced.  
A few years ago such ports would be crammed with deep sea 
vessels, not anymore.  Your Hong Kong supplier will take the 
parcel(s) to his local Post Office where he will obtain a 
Certificate of Posting and he will send you a copy of this.  
Unlike the sea freight, you do not know when your goods will 
be placed on a ship, nor do you know the date of departure.
Your parcel(s), along with many other parcels, will be put in a 
container.  Only when the container is full will it go down to 
the docks to await a suitable ship.  Once on the high seas the 
ship might sail directly to the USA, if you are lucky, but it is 
much more likely that the ship will call in at other ports to 
off-load parcels for that particular country.  So surface mail 
seldom takes less than eight weeks and that would be 
exceptional.  Best to estimate at least twelve weeks for the 
journey time.  There is a surface mail weight limit on parcels 
of fifteen kilograms per parcel.
SEA FREIGHT
Strictly for large orders, but it does have certain advantages 
over sea mail as you are able to be aware of what is 
happening to your order - i.e. actually know the date on which 
the ship left port with your order.  As you get more used to 
dealing with Far East sources, and if the size of your order 
justifies the use of sea freight, you can easily obtain 
information about shipping movements, such as which ships 
are sailing from Hong Kong and when.  You can send 
instructions to your supplier telling him which ship to put your 
order on.  You will receive a Bill of Loading (explained earlier) 
and from this you will see the date of departure of the ship 
carrying your goods.
Airmail is considerably more expensive but so much faster.  
Hong Kong has one of the biggest airports in the Far East, 
even if it is one of the most hair-raising to land at.  With 
aircraft constantly leaving for the USA. there is little or no 
delay.  But you will notice I have refrained from giving airmail 
or other postal costs.  The reason is that postal rates are 
constantly changing (unfortunately always upwards) and any 
information given here on postal rates would quickly become 
outdated.  It is easy enough to find out current postal and 
freight rates from Hong Kong. 
Now to oil paintings and, for the moment, we will exclude oil 
paintings from photographs as this is a subject which 
deserve a separate section.
The importation of oil paintings from Hong Kong can be 
extremely profitable, but anyone who is inexperienced should 
start cautiously and in a small way.  There are hundreds of 
studios in Hong Kong employing artists of varying degrees of 
skill and expertise.  Big is not always best in Hong Kong.  
One of the best is a very small family studio and they all work 
in one room.  What Hong Kong sets as standards are not 
necessarily the same as those in the West. So when you see 
grades given on the literature from Hong Kong, there are 
usually three.  Very good, good and standard.  These grades 
are only relevant to western style paintings and not paintings 
in the classical Chinese style.  I will interpret these gradings 
with my own.
HONG KONG GRADING  -  MY GRADING
VERY GOOD - EXCELLENT TO GOOD
GOOD      - GOOD TO MEDIOCRE
STANDARD  - MEDIOCRE TO PRETTY AWFUL
These grades refer to original oil paintings.  Reproductions of 
oil masters by the better studios are generally of a higher 
standard. Original paintings not in the western style and which 
follow the classical Chinese style are often exceptionally 
good.
The reproduction of oil masters is more expensive, but the 
profit margin is still very good.  It is not usual to buy ready 
framed oil paintings from Hong Kong, yet for retail sales it is 
essential that paintings are framed.  Unless you are an expert 
DIY man I do not recommend that you try to make your own 
frames.  There are plenty of U.S. firms who will supply ready 
made frames.  
If you are going to sell retail you will need canvas stretchers 
which  you can buy at almost any art shop.  The people in the 
art shop will probably show you how to use them if you don't 
already know.  The canvas is placed on the stretcher prior to 
being framed.
Those who have imported oil paintings from Hong Kong have 
found several lucrative methods of marketing which do not 
involve mail order trading.  A favorite method is to hire a hall 
or a large room at a hotel and hold an art exhibition.  Finding 
the right venue and the best methods of advertising such an 
event are often part of a trial and error process, but very fat 
profits have been made by some of those who have imported 
these original paintings from Hong Kong. 
One thing I must mention, because at some stage you may 
be asked about it.  Many of these Hong Kong artists are 
incredibly good and are very well known, not only in Hong 
Kong but throughout the Far East.  Yet when painting for the 
Western market they usually use a Western nom-de-plume.  
Thus Lin Yong Chuen becomes Harry Brown, or whatever.  
There is nothing wrong with this practice.  Many creative 
people use nom-de-plumes or pen names.  The top 
professional writers may have several.  Peter Head has at 
least six to my knowledge. You may get asked why an 
original painting by a Hong Kong artist has an Anglo-Saxon 
signature.  Now you know the reason.
Paintings from photographs is something which is extremely 
profitable and the best sources for this work are in Hong 
Kong.  But past experience has shown that many of those in 
this country who operate this service are often unfair to the 
Hong Kong studios who undertake this work in that they often 
ask them to accept the impossible. If you operate this service 
you must insist the customer supplies you with a photograph 
which will give the artist a chance to reproduce a good 
likeness.  I suggest you do not accept Polaroid photos and it 
is best to insist that photographs are at least postcard size.  
Even then, do not accept if the person is a considerable 
distance away from the camera.  Remember you are asking 
the artist to make a comparatively large painting from a 
photograph, so it is no use sending a photograph of 
somebody standing at the other side of the garden.
Reject any photograph sent to you which is blurred or out of 
focus.  It is essential that the facial features of the subject are 
clear and distinct.  This will enable the artist to produce a 
painting which will delight your customer.  Asking the artist to 
do the impossible will only bring complaints from customers.  
Of course, not all the orders for this work are for paintings in 
which a person is the subject.  A relative of mine used this 
Hong Kong service for a painting of her Yorkshire Terrier.  
The resultant painting was (in her own words) "absolutely 
fabulous", but she did supply a large, good photograph of 
the dog.  She also supplied a photograph of her very 
attractive cottage which resulted in another brilliant painting.  
But mention of painting from photographs which are not of 
the actual customer brings me to a very important pint, and 
this is the thorny matter of copyright.  Any person running a 
'paintings from photographs' business may run up against 
occasional copyright problems.  If someone sent you a 
postcard photograph for a painting to be made of a 
photograph of (say) a Pop Star or other prominent figure, or 
perhaps a postcard featuring a famous building, scrutinise 
the postcard carefully because most of them are copyright.  
Of course there is nothing to stop your customer taking his 
own photographs of some familiar building or person and 
then there are no copyright problems.  But this is something 
you need to be very careful about.
Before I close the subject of importing art from Hong Kong, 
there are a few further points I must mention, though they 
apply to all imports from the Far East.  Remember that you 
will have to pay import duty.  Small samples might get 
through Customs with no duty payable, but generally you can 
expect to pay between 15% and 20% of the value of the bill or 
invoice.  Remember to allow for this when working out your 
own prices.  The other relates to a normal practice of 
business courtesy.  If you write to the Far East and you are 
hoping to get literature sent to you, perhaps even an 
expensive color catalogue, then you should at least have 
the courtesy to send postage.  The international equivalent to 
the S.A.E. is the International Reply Coupon, available from 
Post Offices.  The person you write to can exchange these 
I.R.C.s for stamps to answer your enquiry or request for 
information.  They can exchange each I.R.C. for stamps to 
cover a reply at normal surface rate.  So if you want an 
airmail reply you should send several I.R.C.s.
Earlier, I mentioned using an International Bankers Draft 
instead of an I.L.C. when buying small quantities of goods.  
To avoid confusion, the drafts are also known as International 
Money Orders.