Title:   The Way of the World

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Author:   William Congreve

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The Way of the World

William Congreve



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Table of Contents

The Way of the World........................................................................................................................................1

William Congreve ....................................................................................................................................1

ACT I.SCENE I. ..................................................................................................................................4

ACT II.SCENE I...............................................................................................................................18

ACT III.SCENE I. .............................................................................................................................33

ACT IV.SCENE I. .............................................................................................................................51

ACT V.SCENE I...............................................................................................................................68


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The Way of the World

William Congreve

Act I 

Act II 

Act III 

Act IV 

Act V  

Audire est operae pretium, prcedere recte

Qui maechis non vultis.HOR. Sat. i. 2, 37.

Metuat doti deprensa.Ibid.

TO THE RIGHT HONOURABLE RALPH, EARL OF MOUNTAGUE, ETC.

My Lord,Whether the world will arraign me of vanity or not, that I

have presumed to dedicate this comedy to your lordship, I am yet in

doubt; though, it may be, it is some degree of vanity even to doubt

of it.  One who has at any time had the honour of your lordship's

conversation, cannot be supposed to think very meanly of that which

he would prefer to your perusal.  Yet it were to incur the

imputation of too much sufficiency to pretend to such a merit as

might abide the test of your lordship's censure.

Whatever value may be wanting to this play while yet it is mine,

will be sufficiently made up to it when it is once become your

lordship's; and it is my security, that I cannot have overrated it

more by my dedication than your lordship will dignify it by your

patronage.

That it succeeded on the stage was almost beyond my expectation; for

but little of it was prepared for that general taste which seems now

to be predominant in the palates of our audience.

Those characters which are meant to be ridiculed in most of our

comedies are of fools so gross, that in my humble opinion they

should rather disturb than divert the wellnatured and reflecting

part of an audience; they are rather objects of charity than

contempt, and instead of moving our mirth, they ought very often to

excite our compassion.

This reflection moved me to design some characters which should

appear ridiculous not so much through a natural folly (which is

incorrigible, and therefore not proper for the stage) as through an

affected wit:  a wit which, at the same time that it is affected, is

also false.  As there is some difficulty in the formation of a

character of this nature, so there is some hazard which attends the

progress of its success upon the stage:  for many come to a play so

overcharged with criticism, that they very often let fly their

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censure, when through their rashness they have mistaken their aim.

This I had occasion lately to observe:  for this play had been acted

two or three days before some of these hasty judges could find the

leisure to distinguish betwixt the character of a Witwoud and a

Truewit.

I must beg your lordship's pardon for this digression from the true

course of this epistle; but that it may not seem altogether

impertinent, I beg that I may plead the occasion of it, in part of

that excuse of which I stand in need, for recommending this comedy

to your protection.  It is only by the countenance of your lordship,

and the FEW so qualified, that such who write with care and pains

can hope to be distinguished:  for the prostituted name of poet

promiscuously levels all that bear it.

Terence, the most correct writer in the world, had a Scipio and a

Lelius, if not to assist him, at least to support him in his

reputation.  And notwithstanding his extraordinary merit, it may be

their countenance was not more than necessary.

The purity of his style, the delicacy of his turns, and the justness

of his characters, were all of them beauties which the greater part

of his audience were incapable of tasting.  Some of the coarsest

strokes of Plautus, so severely censured by Horace, were more likely

to affect the multitude; such, who come with expectation to laugh at

the last act of a play, and are better entertained with two or three

unseasonable jests than with the artful solution of the fable.

As Terence excelled in his performances, so had he great advantages

to encourage his undertakings, for he built most on the foundations

of Menander:  his plots were generally modelled, and his characters

ready drawn to his hand.  He copied Menander; and Menander had no

less light in the formation of his characters from the observations

of Theophrastus, of whom he was a disciple; and Theophrastus, it is

known, was not only the disciple, but the immediate successor of

Aristotle, the first and greatest judge of poetry.  These were great

models to design by; and the further advantage which Terence

possessed towards giving his plays the due ornaments of purity of

style, and justness of manners, was not less considerable from the

freedom of conversation which was permitted him with Lelius and

Scipio, two of the greatest and most polite men of his age.  And,

indeed, the privilege of such a conversation is the only certain

means of attaining to the perfection of dialogue.

If it has happened in any part of this comedy that I have gained a

turn of style or expression more correct, or at least more

corrigible, than in those which I have formerly written, I must,

with equal pride and gratitude, ascribe it to the honour of your

lordship's admitting me into your conversation, and that of a

society where everybody else was so well worthy of you, in your

retirement last summer from the town:  for it was immediately after,

that this comedy was written.  If I have failed in my performance,

it is only to be regretted, where there were so many not inferior

either to a Scipio or a Lelius, that there should be one wanting

equal in capacity to a Terence.

If I am not mistaken, poetry is almost the only art which has not

yet laid claim to your lordship's patronage.  Architecture and

painting, to the great honour of our country, have flourished under

your influence and protection.  In the meantime, poetry, the eldest

sister of all arts, and parent of most, seems to have resigned her

birthright, by having neglected to pay her duty to your lordship,


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and by permitting others of a later extraction to prepossess that

place in your esteem, to which none can pretend a better title.

Poetry, in its nature, is sacred to the good and great:  the

relation between them is reciprocal, and they are ever propitious to

it.  It is the privilege of poetry to address them, and it is their

prerogative alone to give it protection.

This received maxim is a general apology for all writers who

consecrate their labours to great men:  but I could wish, at this

time, that this address were exempted from the common pretence of

all dedications; and that as I can distinguish your lordship even

among the most deserving, so this offering might become remarkable

by some particular instance of respect, which should assure your

lordship that I am, with all due sense of your extreme worthiness

and humanity, my lord, your lordship's most obedient and most

obliged humble servant,

WILL. CONGREVE.

PROLOGUESpoken by Mr. Betterton.

Of those few fools, who with ill stars are curst,

Sure scribbling fools, called poets, fare the worst:

For they're a sort of fools which fortune makes,

And, after she has made 'em fools, forsakes.

With Nature's oafs 'tis quite a diff'rent case,

For Fortune favours all her idiot race.

In her own nest the cuckoo eggs we find,

O'er which she broods to hatch the changeling kind:

No portion for her own she has to spare,

So much she dotes on her adopted care.

Poets are bubbles, by the town drawn in,

Suffered at first some trifling stakes to win:

But what unequal hazards do they run!

Each time they write they venture all they've won:

The Squire that's buttered still, is sure to be undone.

This author, heretofore, has found your favour,

But pleads no merit from his past behaviour.

To build on that might prove a vain presumption,

Should grants to poets made admit resumption,

And in Parnassus he must lose his seat,

If that be found a forfeited estate.

He owns, with toil he wrought the following scenes,

But if they're naught ne'er spare him for his pains:

Damn him the more; have no commiseration

For dulness on mature deliberation.

He swears he'll not resent one hissedoff scene,

Nor, like those peevish wits, his play maintain,

Who, to assert their sense, your taste arraign.

Some plot we think he has, and some new thought;

Some humour too, no farcebut that's a fault.

Satire, he thinks, you ought not to expect;

For so reformed a town who dares correct?

To please, this time, has been his sole pretence,

He'll not instruct, lest it should give offence.

Should he by chance a knave or fool expose,


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That hurts none here, sure here are none of those.

In short, our play shall (with your leave to show it)

Give you one instance of a passive poet,

Who to your judgments yields all resignation:

So save or damn, after your own discretion.

DRAMATIS PERSONAE.

MEN.

FAINALL, in love with Mrs. Marwood,Mr. Betterton

MIRABELL, in love with Mrs. Millamant,Mr. Verbruggen

WITWOUD,  follower of Mrs. Millamant,Mr. Bowen

PETULANT, follower of Mrs. Millamant,Mr. Bowman

SIR WILFULL WITWOUD, half brother to Witwoud, and nephew to Lady

Wishfort,Mr. Underhill

WAITWELL, servant to Mirabell,Mr. Bright

WOMEN.

LADY WISHFORT, enemy to Mirabell, for having falsely pretended love

to her,Mrs. Leigh

MRS. MILLAMANT, a fine lady, niece to Lady Wishfort, and loves

Mirabell,Mrs. Bracegirdle

MRS. MARWOOD, friend to Mr. Fainall, and likes Mirabell,Mrs. Barry

MRS. FAINALL, daughter to Lady Wishfort, and wife to Fainall,

formerly friend to Mirabell,Mrs. Bowman

FOIBLE, woman to Lady Wishfort,Mrs. Willis

MINCING, woman to Mrs. Millamant,Mrs. Prince

DANCERS, FOOTMEN, ATTENDANTS.

SCENE:  London.

The time equal to that of the presentation.

ACT I.SCENE I.

A Chocolatehouse.

MIRABELL and FAINALL rising from cards. BETTY waiting.

MIRA. You are a fortunate man, Mr. Fainall.

FAIN. Have we done?

MIRA. What you please. I'll play on to entertain you.


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FAIN. No, I'll give you your revenge another time, when you are not

so indifferent; you are thinking of something else now, and play too

negligently: the coldness of a losing gamester lessens the pleasure

of the winner. I'd no more play with a man that slighted his ill

fortune than I'd make love to a woman who undervalued the loss of

her reputation.

MIRA. You have a taste extremely delicate, and are for refining on

your pleasures.

FAIN. Prithee, why so reserved? Something has put you out of

humour.

MIRA. Not at all: I happen to be grave today, and you are gay;

that's all.

FAIN. Confess, Millamant and you quarrelled last night, after I

left you; my fair cousin has some humours that would tempt the

patience of a Stoic. What, some coxcomb came in, and was well

received by her, while you were by?

MIRA. Witwoud and Petulant, and what was worse, her aunt, your

wife's mother, my evil geniusor to sum up all in her own name, my

old Lady Wishfort came in.

FAIN. Oh, there it is then: she has a lasting passion for you, and

with reason.What, then my wife was there?

MIRA. Yes, and Mrs. Marwood and three or four more, whom I never

saw before; seeing me, they all put on their grave faces, whispered

one another, then complained aloud of the vapours, and after fell

into a profound silence.

FAIN. They had a mind to be rid of you.

MIRA. For which reason I resolved not to stir. At last the good

old lady broke through her painful taciturnity with an invective

against long visits. I would not have understood her, but Millamant

joining in the argument, I rose and with a constrained smile told

her, I thought nothing was so easy as to know when a visit began to

be troublesome; she reddened and I withdrew, without expecting her

reply.

FAIN. You were to blame to resent what she spoke only in compliance

with her aunt.

MIRA. She is more mistress of herself than to be under the

necessity of such a resignation.

FAIN. What? though half her fortune depends upon her marrying with


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my lady's approbation?

MIRA. I was then in such a humour, that I should have been better

pleased if she had been less discreet.

FAIN. Now I remember, I wonder not they were weary of you; last

night was one of their cabalnights: they have 'em three times a

week and meet by turns at one another's apartments, where they come

together like the coroner's inquest, to sit upon the murdered

reputations of the week. You and I are excluded, and it was once

proposed that all the male sex should be excepted; but somebody

moved that to avoid scandal there might be one man of the community,

upon which motion Witwoud and Petulant were enrolled members.

MIRA. And who may have been the foundress of this sect? My Lady

Wishfort, I warrant, who publishes her detestation of mankind, and

full of the vigour of fiftyfive, declares for a friend and ratafia;

and let posterity shift for itself, she'll breed no more.

FAIN. The discovery of your sham addresses to her, to conceal your

love to her niece, has provoked this separation. Had you dissembled

better, things might have continued in the state of nature.

MIRA. I did as much as man could, with any reasonable conscience; I

proceeded to the very last act of flattery with her, and was guilty

of a song in her commendation. Nay, I got a friend to put her into

a lampoon, and compliment her with the imputation of an affair with

a young fellow, which I carried so far, that I told her the

malicious town took notice that she was grown fat of a sudden; and

when she lay in of a dropsy, persuaded her she was reported to be in

labour. The devil's in't, if an old woman is to be flattered

further, unless a man should endeavour downright personally to

debauch her: and that my virtue forbade me. But for the discovery

of this amour, I am indebted to your friend, or your wife's friend,

Mrs. Marwood.

FAIN. What should provoke her to be your enemy, unless she has made

you advances which you have slighted? Women do not easily forgive

omissions of that nature.

MIRA. She was always civil to me, till of late. I confess I am not

one of those coxcombs who are apt to interpret a woman's good

manners to her prejudice, and think that she who does not refuse 'em

everything can refuse 'em nothing.

FAIN. You are a gallant man, Mirabell; and though you may have

cruelty enough not to satisfy a lady's longing, you have too much

generosity not to be tender of her honour. Yet you speak with an

indifference which seems to be affected, and confesses you are

conscious of a negligence.


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MIRA. You pursue the argument with a distrust that seems to be

unaffected, and confesses you are conscious of a concern for which

the lady is more indebted to you than is your wife.

FAIN. Fie, fie, friend, if you grow censorious I must leave you:

I'll look upon the gamesters in the next room.

MIRA. Who are they?

FAIN. Petulant and Witwoud.Bring me some chocolate.

MIRA. Betty, what says your clock?

BET. Turned of the last canonical hour, sir.

MIRA. How pertinently the jade answers me! Ha! almost one a'

clock! [Looking on his watch.] Oh, y'are come!

SCENE II.

MIRABELL and FOOTMAN.

MIRA. Well, is the grand affair over? You have been something

tedious.

SERV. Sir, there's such coupling at Pancras that they stand behind

one another, as 'twere in a countrydance. Ours was the last couple

to lead up; and no hopes appearing of dispatch, besides, the parson

growing hoarse, we were afraid his lungs would have failed before it

came to our turn; so we drove round to Duke's Place, and there they

were riveted in a trice.

MIRA. So, so; you are sure they are married?

SERV. Married and bedded, sir; I am witness.

MIRA. Have you the certificate?

SERV. Here it is, sir.

MIRA. Has the tailor brought Waitwell's clothes home, and the new

liveries?

SERV. Yes, sir.

MIRA. That's well. Do you go home again, d'ye hear, and adjourn

the consummation till farther order; bid Waitwell shake his ears,

and Dame Partlet rustle up her feathers, and meet me at one a' clock

by Rosamond's pond, that I may see her before she returns to her


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lady. And, as you tender your ears, be secret.

SCENE III.

MIRABELL, FAINALL, BETTY.

FAIN. Joy of your success, Mirabell; you look pleased.

MIRA. Ay; I have been engaged in a matter of some sort of mirth,

which is not yet ripe for discovery. I am glad this is not a cabal

night. I wonder, Fainall, that you who are married, and of

consequence should be discreet, will suffer your wife to be of such

a party.

FAIN. Faith, I am not jealous. Besides, most who are engaged are

women and relations; and for the men, they are of a kind too

contemptible to give scandal.

MIRA. I am of another opinion: the greater the coxcomb, always the

more the scandal; for a woman who is not a fool can have but one

reason for associating with a man who is one.

FAIN. Are you jealous as often as you see Witwoud entertained by

Millamant?

MIRA. Of her understanding I am, if not of her person.

FAIN. You do her wrong; for, to give her her due, she has wit.

MIRA. She has beauty enough to make any man think so, and

complaisance enough not to contradict him who shall tell her so.

FAIN. For a passionate lover methinks you are a man somewhat too

discerning in the failings of your mistress.

MIRA. And for a discerning man somewhat too passionate a lover, for

I like her with all her faults; nay, like her for her faults. Her

follies are so natural, or so artful, that they become her, and

those affectations which in another woman would be odious serve but

to make her more agreeable. I'll tell thee, Fainall, she once used

me with that insolence that in revenge I took her to pieces, sifted

her, and separated her failings: I studied 'em and got 'em by rote.

The catalogue was so large that I was not without hopes, one day or

other, to hate her heartily. To which end I so used myself to think

of 'em, that at length, contrary to my design and expectation, they

gave me every hour less and less disturbance, till in a few days it

became habitual to me to remember 'em without being displeased.

They are now grown as familiar to me as my own frailties, and in all

probability in a little time longer I shall like 'em as well.


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FAIN. Marry her, marry her; be half as well acquainted with her

charms as you are with her defects, and, my life on't, you are your

own man again.

MIRA. Say you so?

FAIN. Ay, ay; I have experience. I have a wife, and so forth.

SCENE IV.

[To them] MESSENGER.

MESS. Is one Squire Witwoud here?

BET. Yes; what's your business?

MESS. I have a letter for him, from his brother Sir Wilfull, which

I am charged to deliver into his own hands.

BET. He's in the next room, friend. That way.

SCENE V.

MIRABELL, FAINALL, BETTY.

MIRA. What, is the chief of that noble family in town, Sir Wilfull

Witwoud?

FAIN. He is expected today. Do you know him?

MIRA. I have seen him; he promises to be an extraordinary person.

I think you have the honour to be related to him.

FAIN. Yes; he is halfbrother to this Witwoud by a former wife, who

was sister to my Lady Wishfort, my wife's mother. If you marry

Millamant, you must call cousins too.

MIRA. I had rather be his relation than his acquaintance.

FAIN. He comes to town in order to equip himself for travel.

MIRA. For travel! Why the man that I mean is above forty.

FAIN. No matter for that; 'tis for the honour of England that all

Europe should know we have blockheads of all ages.


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MIRA. I wonder there is not an act of parliament to save the credit

of the nation and prohibit the exportation of fools.

FAIN. By no means, 'tis better as 'tis; 'tis better to trade with a

little loss, than to be quite eaten up with being overstocked.

MIRA. Pray, are the follies of this knighterrant and those of the

squire, his brother, anything related?

FAIN. Not at all: Witwoud grows by the knight like a medlar

grafted on a crab. One will melt in your mouth and t'other set your

teeth on edge; one is all pulp and the other all core.

MIRA. So one will be rotten before he be ripe, and the other will

be rotten without ever being ripe at all.

FAIN. Sir Wilfull is an odd mixture of bashfulness and obstinacy.

But when he's drunk, he's as loving as the monster in The Tempest,

and much after the same manner. To give bother his due, he has

something of goodnature, and does not always want wit.

MIRA. Not always: but as often as his memory fails him and his

commonplace of comparisons. He is a fool with a good memory and

some few scraps of other folks' wit. He is one whose conversation

can never be approved, yet it is now and then to be endured. He has

indeed one good quality: he is not exceptious, for he so

passionately affects the reputation of understanding raillery that

he will construe an affront into a jest, and call downright rudeness

and ill language satire and fire.

FAIN. If you have a mind to finish his picture, you have an

opportunity to do it at full length. Behold the original.

SCENE VI.

[To them] WITWOUD.

WIT. Afford me your compassion, my dears; pity me, Fainall,

Mirabell, pity me.

MIRA. I do from my soul.

FAIN. Why, what's the matter?

WIT. No letters for me, Betty?

BET. Did not a messenger bring you one but now, sir?

WIT. Ay; but no other?


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BET. No, sir.

WIT. That's hard, that's very hard. A messenger, a mule, a beast

of burden, he has brought me a letter from the fool my brother, as

heavy as a panegyric in a funeral sermon, or a copy of commendatory

verses from one poet to another. And what's worse, 'tis as sure a

forerunner of the author as an epistle dedicatory.

MIRA. A fool, and your brother, Witwoud?

WIT. Ay, ay, my halfbrother. My halfbrother he is, no nearer,

upon honour.

MIRA. Then 'tis possible he may be but half a fool.

WIT. Good, good, Mirabell, LE DROLE! Good, good, hang him, don't

let's talk of him.Fainall, how does your lady? Gad, I say

anything in the world to get this fellow out of my head. I beg

pardon that I should ask a man of pleasure and the town a question

at once so foreign and domestic. But I talk like an old maid at a

marriage, I don't know what I say: but she's the best woman in the

world.

FAIN. 'Tis well you don't know what you say, or else your

commendation would go near to make me either vain or jealous.

WIT. No man in town lives well with a wife but Fainall. Your

judgment, Mirabell?

MIRA. You had better step and ask his wife, if you would be

credibly informed.

WIT. Mirabell!

MIRA. Ay.

WIT. My dear, I ask ten thousand pardons. Gad, I have forgot what

I was going to say to you.

MIRA. I thank you heartily, heartily.

WIT. No, but prithee excuse me: my memory is such a memory.

MIRA. Have a care of such apologies, Witwoud; for I never knew a

fool but he affected to complain either of the spleen or his memory.

FAIN. What have you done with Petulant?

WIT. He's reckoning his money; my money it was: I have no luck to

day.


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FAIN. You may allow him to win of you at play, for you are sure to

be too hard for him at repartee: since you monopolise the wit that

is between you, the fortune must be his of course.

MIRA. I don't find that Petulant confesses the superiority of wit

to be your talent, Witwoud.

WIT. Come, come, you are malicious now, and would breed debates.

Petulant's my friend, and a very honest fellow, and a very pretty

fellow, and has a smatteringfaith and troth, a pretty deal of an

odd sort of a small wit: nay, I'll do him justice. I'm his friend,

I won't wrong him. And if he had any judgment in the world, he

would not be altogether contemptible. Come, come, don't detract

from the merits of my friend.

FAIN. You don't take your friend to be overnicely bred?

WIT. No, no, hang him, the rogue has no manners at all, that I must

own; no more breeding than a bumbaily, that I grant you: 'tis

pity; the fellow has fire and life.

MIRA. What, courage?

WIT. Hum, faith, I don't know as to that, I can't say as to that.

Yes, faith, in a controversy he'll contradict anybody.

MIRA. Though 'twere a man whom he feared or a woman whom he loved.

WIT. Well, well, he does not always think before he speaks. We

have all our failings; you are too hard upon him, you are, faith.

Let me excuse him,I can defend most of his faults, except one or

two; one he has, that's the truth on't,if he were my brother I

could not acquit himthat indeed I could wish were otherwise.

MIRA. Ay, marry, what's that, Witwoud?

WIT. Oh, pardon me. Expose the infirmities of my friend? No, my

dear, excuse me there.

FAIN. What, I warrant he's unsincere, or 'tis some such trifle.

WIT. No, no; what if he be? 'Tis no matter for that, his wit will

excuse that. A wit should no more be sincere than a woman constant:

one argues a decay of parts, as t'other of beauty.

MIRA. Maybe you think him too positive?

WIT. No, no; his being positive is an incentive to argument, and

keeps up conversation.


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FAIN. Too illiterate?

WIT. That? That's his happiness. His want of learning gives him

the more opportunities to show his natural parts.

MIRA. He wants words?

WIT. Ay; but I like him for that now: for his want of words gives

me the pleasure very often to explain his meaning.

FAIN. He's impudent?

WIT. No that's not it.

MIRA. Vain?

WIT. No.

MIRA. What, he speaks unseasonable truths sometimes, because he has

not wit enough to invent an evasion?

WIT. Truths? Ha, ha, ha! No, no, since you will have it, I mean

he never speaks truth at all, that's all. He will lie like a

chambermaid, or a woman of quality's porter. Now that is a fault.

SCENE VII.

[To them] COACHMAN.

COACH. Is Master Petulant here, mistress?

BET. Yes.

COACH. Three gentlewomen in a coach would speak with him.

FAIN. O brave Petulant! Three!

BET. I'll tell him.

COACH. You must bring two dishes of chocolate and a glass of

cinnamon water.

SCENE VIII.

MIRABELL, FAINALL, WITWOUD.

WIT. That should be for two fasting strumpets, and a bawd troubled


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with wind. Now you may know what the three are.

MIRA. You are very free with your friend's acquaintance.

WIT. Ay, ay; friendship without freedom is as dull as love without

enjoyment or wine without toasting: but to tell you a secret, these

are trulls whom he allows coachhire, and something more by the

week, to call on him once a day at public places.

MIRA. How!

WIT. You shall see he won't go to 'em because there's no more

company here to take notice of him. Why, this is nothing to what he

used to do: before he found out this way, I have known him call for

himself 

FAIN. Call for himself? What dost thou mean?

WIT. Mean? Why he would slip you out of this chocolatehouse, just

when you had been talking to him. As soon as your back was turned

whip he was gone; then trip to his lodging, clap on a hood and scarf

and a mask, slap into a hackneycoach, and drive hither to the door

again in a trice; where he would send in for himself; that I mean,

call for himself, wait for himself, nay, and what's more, not

finding himself, sometimes leave a letter for himself.

MIRA. I confess this is something extraordinary. I believe he

waits for himself now, he is so long a coming; oh, I ask his pardon.

SCENE IX.

PETULANT, MIRABELL, FAINALL, WITWOUD, BETTY.

BET. Sir, the coach stays.

PET. Well, well, I come. 'Sbud, a man had as good be a professed

midwife as a professed whoremaster, at this rate; to be knocked up

and raised at all hours, and in all places. Pox on 'em, I won't

come. D'ye hear, tell 'em I won't come. Let 'em snivel and cry

their hearts out.

FAIN. You are very cruel, Petulant.

PET. All's one, let it pass. I have a humour to be cruel.

MIRA. I hope they are not persons of condition that you use at this

rate.

PET. Condition? Condition's a dried fig, if I am not in humour.


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By this hand, if they were youraayour whatd'eecall'ems

themselves, they must wait or rub off, if I want appetite.

MIRA. Whatd'eecall'ems! What are they, Witwoud?

WIT. Empresses, my dear. By your whatd'eecall'ems he means

Sultana Queens.

PET. Ay, Roxolanas.

MIRA. Cry you mercy.

FAIN. Witwoud says they are 

PET. What does he say th'are?

WIT. I? Fine ladies, I say.

PET. Pass on, Witwoud. Harkee, by this light, his relationstwo

coheiresses his cousins, and an old aunt, who loves caterwauling

better than a conventicle.

WIT. Ha, ha, ha! I had a mind to see how the rogue would come off.

Ha, ha, ha! Gad, I can't be angry with him, if he had said they

were my mother and my sisters.

MIRA. No?

WIT. No; the rogue's wit and readiness of invention charm me, dear

Petulant.

BET. They are gone, sir, in great anger.

PET. Enough, let 'em trundle. Anger helps complexion, saves paint.

FAIN. This continence is all dissembled; this is in order to have

something to brag of the next time he makes court to Millamant, and

swear he has abandoned the whole sex for her sake.

MIRA. Have you not left off your impudent pretensions there yet? I

shall cut your throat, sometime or other, Petulant, about that

business.

PET. Ay, ay, let that pass. There are other throats to be cut.

MIRA. Meaning mine, sir?

PET. Not II mean nobodyI know nothing. But there are uncles

and nephews in the worldand they may be rivals. What then? All's

one for that.


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MIRA. How? Harkee, Petulant, come hither. Explain, or I shall

call your interpreter.

PET. Explain? I know nothing. Why, you have an uncle, have you

not, lately come to town, and lodges by my Lady Wishfort's?

MIRA. True.

PET. Why, that's enough. You and he are not friends; and if he

should marry and have a child, yon may be disinherited, ha!

MIRA. Where hast thou stumbled upon all this truth?

PET. All's one for that; why, then, say I know something.

MIRA. Come, thou art an honest fellow, Petulant, and shalt make

love to my mistress, thou shalt, faith. What hast thou heard of my

uncle?

PET. I? Nothing, I. If throats are to be cut, let swords clash.

Snug's the word; I shrug and am silent.

MIRA. Oh, raillery, raillery! Come, I know thou art in the women's

secrets. What, you're a cabalist; I know you stayed at Millamant's

last night after I went. Was there any mention made of my uncle or

me? Tell me; if thou hadst but good nature equal to thy wit,

Petulant, Tony Witwoud, who is now thy competitor in fame, would

show as dim by thee as a dead whiting's eye by a pearl of orient; he

would no more be seen by thee than Mercury is by the sun: come, I'm

sure thou wo't tell me.

PET. If I do, will you grant me common sense, then, for the future?

MIRA. Faith, I'll do what I can for thee, and I'll pray that heav'n

may grant it thee in the meantime.

PET. Well, harkee.

FAIN. Petulant and you both will find Mirabell as warm a rival as a

lover.

WIT. Pshaw, pshaw, that she laughs at Petulant is plain. And for

my part, but that it is almost a fashion to admire her, I should

harkeeto tell you a secret, but let it go no further between

friends, I shall never break my heart for her.

FAIN. How?

WIT. She's handsome; but she's a sort of an uncertain woman.

FAIN. I thought you had died for her.


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WIT. Umhno 

FAIN. She has wit.

WIT. 'Tis what she will hardly allow anybody else. Now, demme, I

should hate that, if she were as handsome as Cleopatra. Mirabell is

not so sure of her as he thinks for.

FAIN. Why do you think so?

WIT. We stayed pretty late there last night, and heard something of

an uncle to Mirabell, who is lately come to town, and is between him

and the best part of his estate. Mirabell and he are at some

distance, as my Lady Wishfort has been told; and you know she hates

Mirabell worse than a quaker hates a parrot, or than a fishmonger

hates a hard frost. Whether this uncle has seen Mrs. Millamant or

not, I cannot say; but there were items of such a treaty being in

embryo; and if it should come to life, poor Mirabell would be in

some sort unfortunately fobbed, i'faith.

FAIN. 'Tis impossible Millamant should hearken to it.

WIT. Faith, my dear, I can't tell; she's a woman and a kind of a

humorist.

MIRA. And this is the sum of what you could collect last night?

PET. The quintessence. Maybe Witwoud knows more; he stayed longer.

Besides, they never mind him; they say anything before him.

MIRA. I thought you had been the greatest favourite.

PET. Ay, teteetete; but not in public, because I make remarks.

MIRA. You do?

PET. Ay, ay, pox, I'm malicious, man. Now he's soft, you know,

they are not in awe of him. The fellow's well bred, he's what you

call awhat d'yecall'ema fine gentleman, but he's silly withal.

MIRA. I thank you, I know as much as my curiosity requires.

Fainall, are you for the Mall?

FAIN. Ay, I'll take a turn before dinner.

WIT. Ay, we'll all walk in the park; the ladies talked of being

there.

MIRA. I thought you were obliged to watch for your brother Sir

Wilfull's arrival.


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WIT. No, no, he comes to his aunt's, my Lady Wishfort; pox on him,

I shall be troubled with him too; what shall I do with the fool?

PET. Beg him for his estate, that I may beg you afterwards, and so

have but one trouble with you both.

WIT. O rare Petulant, thou art as quick as fire in a frosty

morning; thou shalt to the Mall with us, and we'll be very severe.

PET. Enough; I'm in a humour to be severe.

MIRA. Are you? Pray then walk by yourselves. Let not us be

accessory to your putting the ladies out of countenance with your

senseless ribaldry, which you roar out aloud as often as they pass

by you, and when you have made a handsome woman blush, then you

think you have been severe.

PET. What, what? Then let 'em either show their innocence by not

understanding what they hear, or else show their discretion by not

hearing what they would not be thought to understand.

MIRA. But hast not thou then sense enough to know that thou

ought'st to be most ashamed thyself when thou hast put another out

of countenance?

PET. Not I, by this hand: I always take blushing either for a sign

of guilt or illbreeding.

MIRA. I confess you ought to think so. You are in the right, that

you may plead the error of your judgment in defence of your

practice.

Where modesty's ill manners, 'tis but fit

That impudence and malice pass for wit.

ACT II.SCENE I.

St. James's Park.

MRS. FAINALL and MRS. MARWOOD.

MRS. FAIN. Ay, ay, dear Marwood, if we will be happy, we must find

the means in ourselves, and among ourselves. Men are ever in


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extremes; either doting or averse. While they are lovers, if they

have fire and sense, their jealousies are insupportable: and when

they cease to love (we ought to think at least) they loathe, they

look upon us with horror and distaste, they meet us like the ghosts

of what we were, and as from such, fly from us.

MRS. MAR. True, 'tis an unhappy circumstance of life that love

should ever die before us, and that the man so often should outlive

the lover. But say what you will, 'tis better to be left than never

to have been loved. To pass our youth in dull indifference, to

refuse the sweets of life because they once must leave us, is as

preposterous as to wish to have been born old, because we one day

must be old. For my part, my youth may wear and waste, but it shall

never rust in my possession.

MRS. FAIN. Then it seems you dissemble an aversion to mankind only

in compliance to my mother's humour.

MRS. MAR. Certainly. To be free, I have no taste of those insipid

dry discourses with which our sex of force must entertain themselves

apart from men. We may affect endearments to each other, profess

eternal friendships, and seem to dote like lovers; but 'tis not in

our natures long to persevere. Love will resume his empire in our

breasts, and every heart, or soon or late, receive and readmit him

as its lawful tyrant.

MRS. FAIN. Bless me, how have I been deceived! Why, you profess a

libertine.

MRS. MAR. You see my friendship by my freedom. Come, be as

sincere, acknowledge that your sentiments agree with mine.

MRS. FAIN. Never.

MRS. MAR. You hate mankind?

MRS. FAIN. Heartily, inveterately.

MRS. MAR. Your husband?

MRS. FAIN. Most transcendently; ay, though I say it, meritoriously.

MRS. MAR. Give me your hand upon it.

MRS. FAIN. There.

MRS. MAR. I join with you; what I have said has been to try you.

MRS. FAIN. Is it possible? Dost thou hate those vipers, men?

MRS. MAR. I have done hating 'em, and am now come to despise 'em;


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the next thing I have to do is eternally to forget 'em.

MRS. FAIN. There spoke the spirit of an Amazon, a Penthesilea.

MRS. MAR. And yet I am thinking sometimes to carry my aversion

further.

MRS. FAIN. How?

MRS. MAR. Faith, by marrying; if I could but find one that loved me

very well, and would be throughly sensible of ill usage, I think I

should do myself the violence of undergoing the ceremony.

MRS. FAIN. You would not make him a cuckold?

MRS. MAR. No; but I'd make him believe I did, and that's as bad.

MRS. FAIN. Why had not you as good do it?

MRS. MAR. Oh, if he should ever discover it, he would then know the

worst, and be out of his pain; but I would have him ever to continue

upon the rack of fear and jealousy.

MRS. FAIN. Ingenious mischief! Would thou wert married to

Mirabell.

MRS. MAR. Would I were.

MRS. FAIN. You change colour.

MRS. MAR. Because I hate him.

MRS. FAIN. So do I; but I can hear him named. But what reason have

you to hate him in particular?

MRS. MAR. I never loved him; he is, and always was, insufferably

proud.

MRS. FAIN. By the reason you give for your aversion, one would

think it dissembled; for you have laid a fault to his charge, of

which his enemies must acquit him.

MRS. MAR. Oh, then it seems you are one of his favourable enemies.

Methinks you look a little pale, and now you flush again.

MRS. FAIN. Do I? I think I am a little sick o' the sudden.

MRS. MAR. What ails you?

MRS. FAIN. My husband. Don't you see him? He turned short upon me

unawares, and has almost overcome me.


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SCENE II.

[To them] FAINALL and MIRABELL.

MRS. MAR. Ha, ha, ha! he comes opportunely for you.

MRS. FAIN. For you, for he has brought Mirabell with him.

FAIN. My dear.

MRS. FAIN. My soul.

FAIN. You don't look well today, child.

MRS. FAIN. D'ye think so?

MIRA. He is the only man that does, madam.

MRS. FAIN. The only man that would tell me so at least, and the

only man from whom I could hear it without mortification.

FAIN. Oh, my dear, I am satisfied of your tenderness; I know you

cannot resent anything from me; especially what is an effect of my

concern.

MRS. FAIN. Mr. Mirabell, my mother interrupted you in a pleasant

relation last night: I would fain hear it out.

MIRA. The persons concerned in that affair have yet a tolerable

reputation. I am afraid Mr. Fainall will be censorious.

MRS. FAIN. He has a humour more prevailing than his curiosity, and

will willingly dispense with the hearing of one scandalous story, to

avoid giving an occasion to make another by being seen to walk with

his wife. This way, Mr. Mirabell, and I dare promise you will

oblige us both.

SCENE III.

FAINALL, MRS. MARWOOD.

FAIN. Excellent creature! Well, sure, if I should live to be rid

of my wife, I should be a miserable man.

MRS. MAR. Ay?


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FAIN. For having only that one hope, the accomplishment of it of

consequence must put an end to all my hopes, and what a wretch is he

who must survive his hopes! Nothing remains when that day comes but

to sit down and weep like Alexander when he wanted other worlds to

conquer.

MRS. MAR. Will you not follow 'em?

FAIN. Faith, I think not,

MRS. MAR. Pray let us; I have a reason.

FAIN. You are not jealous?

MRS. MAR. Of whom?

FAIN. Of Mirabell.

MRS. MAR. If I am, is it inconsistent with my love to you that I am

tender of your honour?

FAIN. You would intimate then, as if there were a fellowfeeling

between my wife and him?

MRS. MAR. I think she does not hate him to that degree she would be

thought.

FAIN. But he, I fear, is too insensible.

MRS. MAR. It may be you are deceived.

FAIN. It may be so. I do not now begin to apprehend it.

MRS. MAR. What?

FAIN. That I have been deceived, madam, and you are false.

MRS. MAR. That I am false? What mean you?

FAIN. To let you know I see through all your little arts.Come,

you both love him, and both have equally dissembled your aversion.

Your mutual jealousies of one another have made you clash till you

have both struck fire. I have seen the warm confession red'ning on

your cheeks, and sparkling from your eyes.

MRS. MAR. You do me wrong.

FAIN. I do not. 'Twas for my ease to oversee and wilfully neglect

the gross advances made him by my wife, that by permitting her to be

engaged, I might continue unsuspected in my pleasures, and take you

oftener to my arms in full security. But could you think, because


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the nodding husband would not wake, that e'er the watchful lover

slept?

MRS. MAR. And wherewithal can you reproach me?

FAIN. With infidelity, with loving another, with love of Mirabell.

MRS. MAR. 'Tis false. I challenge you to show an instance that can

confirm your groundless accusation. I hate him.

FAIN. And wherefore do you hate him? He is insensible, and your

resentment follows his neglect. An instance? The injuries you have

done him are a proof: your interposing in his love. What cause had

you to make discoveries of his pretended passion? To undeceive the

credulous aunt, and be the officious obstacle of his match with

Millamant?

MRS. MAR. My obligations to my lady urged me: I had professed a

friendship to her, and could not see her easy nature so abused by

that dissembler.

FAIN. What, was it conscience then? Professed a friendship! Oh,

the pious friendships of the female sex!

MRS. MAR. More tender, more sincere, and more enduring, than all

the vain and empty vows of men, whether professing love to us or

mutual faith to one another.

FAIN. Ha, ha, ha! you are my wife's friend too.

MRS. MAR. Shame and ingratitude! Do you reproach me? You, you

upbraid me? Have I been false to her, through strict fidelity to

you, and sacrificed my friendship to keep my love inviolate? And

have you the baseness to charge me with the guilt, unmindful of the

merit? To you it should be meritorious that I have been vicious.

And do you reflect that guilt upon me which should lie buried in

your bosom?

FAIN. You misinterpret my reproof. I meant but to remind you of

the slight account you once could make of strictest ties when set in

competition with your love to me.

MRS. MAR. 'Tis false, you urged it with deliberate malice. 'Twas

spoke in scorn, and I never will forgive it.

FAIN. Your guilt, not your resentment, begets your rage. If yet

you loved, you could forgive a jealousy: but you are stung to find

you are discovered.

MRS. MAR. It shall be all discovered. You too shall be discovered;

be sure you shall. I can but be exposed. If I do it myself I shall


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prevent your baseness.

FAIN. Why, what will you do?

MRS. MAR. Disclose it to your wife; own what has past between us.

FAIN. Frenzy!

MRS. MAR. By all my wrongs I'll do't. I'll publish to the world

the injuries you have done me, both in my fame and fortune: with

both I trusted you, you bankrupt in honour, as indigent of wealth.

FAIN. Your fame I have preserved. Your fortune has been bestowed

as the prodigality of your love would have it, in pleasures which we

both have shared. Yet, had not you been false I had e'er this

repaid it. 'Tis truehad you permitted Mirabell with Millamant to

have stolen their marriage, my lady had been incensed beyond all

means of reconcilement: Millamant had forfeited the moiety of her

fortune, which then would have descended to my wife. And wherefore

did I marry but to make lawful prize of a rich widow's wealth, and

squander it on love and you?

MRS. MAR. Deceit and frivolous pretence!

FAIN. Death, am I not married? What's pretence? Am I not

imprisoned, fettered? Have I not a wife? Nay, a wife that was a

widow, a young widow, a handsome widow, and would be again a widow,

but that I have a heart of proof, and something of a constitution to

bustle through the ways of wedlock and this world. Will you yet be

reconciled to truth and me?

MRS. MAR. Impossible. Truth and you are inconsistent.I hate you,

and shall for ever.

FAIN. For loving you?

MRS. MAR. I loathe the name of love after such usage; and next to

the guilt with which you would asperse me, I scorn you most.

Farewell.

FAIN. Nay, we must not part thus.

MRS. MAR. Let me go.

FAIN. Come, I'm sorry.

MRS. MAR. I care not. Let me go. Break my hands, doI'd leave

'em to get loose.

FAIN. I would not hurt you for the world. Have I no other hold to

keep you here?


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MRS. MAR. Well, I have deserved it all.

FAIN. You know I love you.

MRS. MAR. Poor dissembling! Oh, thatwell, it is not yet 

FAIN. What? What is it not? What is it not yet? It is not yet

too late 

MRS. MAR. No, it is not yet too lateI have that comfort.

FAIN. It is, to love another.

MRS. MAR. But not to loathe, detest, abhor mankind, myself, and the

whole treacherous world.

FAIN. Nay, this is extravagance. Come, I ask your pardon. No

tearsI was to blame, I could not love you and be easy in my

doubts. Pray forbearI believe you; I'm convinced I've done you

wrong; and any way, every way will make amends: I'll hate my wife

yet more, damn her, I'll part with her, rob her of all she's worth,

and we'll retire somewhere, anywhere, to another world; I'll marry

theebe pacified.'Sdeath, they come: hide your face, your tears.

You have a mask: wear it a moment. This way, this way: be

persuaded.

SCENE IV.

MIRABELL and MRS. FAINALL.

MRS. FAIN. They are here yet.

MIRA. They are turning into the other walk.

MRS. FAIN. While I only hated my husband, I could bear to see him;

but since I have despised him, he's too offensive.

MIRA. Oh, you should hate with prudence.

MRS. FAIN. Yes, for I have loved with indiscretion.

MIRA. You should have just so much disgust for your husband as may

be sufficient to make you relish your lover.

MRS. FAIN. You have been the cause that I have loved without

bounds, and would you set limits to that aversion of which you have

been the occasion? Why did you make me marry this man?


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MIRA. Why do we daily commit disagreeable and dangerous actions?

To save that idol, reputation. If the familiarities of our loves

had produced that consequence of which you were apprehensive, where

could you have fixed a father's name with credit but on a husband?

I knew Fainall to be a man lavish of his morals, an interested and

professing friend, a false and a designing lover, yet one whose wit

and outward fair behaviour have gained a reputation with the town,

enough to make that woman stand excused who has suffered herself to

be won by his addresses. A better man ought not to have been

sacrificed to the occasion; a worse had not answered to the purpose.

When you are weary of him you know your remedy.

MRS. FAIN. I ought to stand in some degree of credit with you,

Mirabell.

MIRA. In justice to you, I have made you privy to my whole design,

and put it in your power to ruin or advance my fortune.

MRS. FAIN. Whom have you instructed to represent your pretended

uncle?

MIRA. Waitwell, my servant.

MRS. FAIN. He is an humble servant to Foible, my mother's woman,

and may win her to your interest.

MIRA. Care is taken for that. She is won and worn by this time.

They were married this morning.

MRS. FAIN. Who?

MIRA. Waitwell and Foible. I would not tempt my servant to betray

me by trusting him too far. If your mother, in hopes to ruin me,

should consent to marry my pretended uncle, he might, like Mosca in

the FOX, stand upon terms; so I made him sure beforehand.

MRS. FAIN. So, if my poor mother is caught in a contract, you will

discover the imposture betimes, and release her by producing a

certificate of her gallant's former marriage.

MIRA. Yes, upon condition that she consent to my marriage with her

niece, and surrender the moiety of her fortune in her possession.

MRS. FAIN. She talked last night of endeavouring at a match between

Millamant and your uncle.

MIRA. That was by Foible's direction and my instruction, that she

might seem to carry it more privately.

MRS. FAIN. Well, I have an opinion of your success, for I believe

my lady will do anything to get an husband; and when she has this,


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which you have provided for her, I suppose she will submit to

anything to get rid of him.

MIRA. Yes, I think the good lady would marry anything that

resembled a man, though 'twere no more than what a butler could

pinch out of a napkin.

MRS. FAIN. Female frailty! We must all come to it, if we live to

be old, and feel the craving of a false appetite when the true is

decayed.

MIRA. An old woman's appetite is depraved like that of a girl.

'Tis the greensickness of a second childhood, and, like the faint

offer of a latter spring, serves but to usher in the fall, and

withers in an affected bloom.

MRS. FAIN. Here's your mistress.

SCENE V.

[To them] MRS. MILLAMANT, WITWOUD, MINCING.

MIRA. Here she comes, i'faith, full sail, with her fan spread and

streamers out, and a shoal of fools for tenders.Ha, no, I cry her

mercy.

MRS. FAIN. I see but one poor empty sculler, and he tows her woman

after him.

MIRA. You seem to be unattended, madam. You used to have the BEAU

MONDE throng after you, and a flock of gay fine perukes hovering

round you.

WIT. Like moths about a candle. I had like to have lost my

comparison for want of breath.

MILLA. Oh, I have denied myself airs today. I have walked as fast

through the crowd 

WIT. As a favourite just disgraced, and with as few followers.

MILLA. Dear Mr. Witwoud, truce with your similitudes, for I am as

sick of 'em 

WIT. As a physician of a good air. I cannot help it, madam, though

'tis against myself.

MILLA. Yet again! Mincing, stand between me and his wit.


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WIT. Do, Mrs. Mincing, like a screen before a great fire. I

confess I do blaze today; I am too bright.

MRS. FAIN. But, dear Millamant, why were you so long?

MILLA. Long! Lord, have I not made violent haste? I have asked

every living thing I met for you; I have enquired after you, as

after a new fashion.

WIT. Madam, truce with your similitudes.No, you met her husband,

and did not ask him for her.

MIRA. By your leave, Witwoud, that were like enquiring after an old

fashion to ask a husband for his wife.

WIT. Hum, a hit, a hit, a palpable hit; I confess it.

MRS. FAIN. You were dressed before I came abroad.

MILLA. Ay, that's true. Oh, but then I hadMincing, what had I?

Why was I so long?

MINC. O mem, your laship stayed to peruse a packet of letters.

MILLA. Oh, ay, lettersI had lettersI am persecuted with

lettersI hate letters. Nobody knows how to write letters; and yet

one has 'em, one does not know why. They serve one to pin up one's

hair.

WIT. Is that the way? Pray, madam, do you pin up your hair with

all your letters? I find I must keep copies.

MILLA. Only with those in verse, Mr. Witwoud. I never pin up my

hair with prose. I think I tried once, Mincing.

MINC. O mem, I shall never forget it.

MILLA. Ay, poor Mincing tift and tift all the morning.

MINC. Till I had the cramp in my fingers, I'll vow, mem. And all

to no purpose. But when your laship pins it up with poetry, it fits

so pleasant the next day as anything, and is so pure and so crips.

WIT. Indeed, so crips?

MINC. You're such a critic, Mr. Witwoud.

MILLA. Mirabell, did you take exceptions last night? Oh, ay, and

went away. Now I think on't I'm angryno, now I think on't I'm

pleased: for I believe I gave you some pain.


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MIRA. Does that please you?

MILLA. Infinitely; I love to give pain.

MIRA. You would affect a cruelty which is not in your nature; your

true vanity is in the power of pleasing.

MILLA. Oh, I ask your pardon for that. One's cruelty is one's

power, and when one parts with one's cruelty one parts with one's

power, and when one has parted with that, I fancy one's old and

ugly.

MIRA. Ay, ay; suffer your cruelty to ruin the object of your power,

to destroy your loverand then how vain, how lost a thing you'll

be! Nay, 'tis true; you are no longer handsome when you've lost

your lover: your beauty dies upon the instant. For beauty is the

lover's gift: 'tis he bestows your charms: your glass is all a

cheat. The ugly and the old, whom the lookingglass mortifies, yet

after commendation can be flattered by it, and discover beauties in

it: for that reflects our praises rather than your face.

MILLA. Oh, the vanity of these men! Fainall, d'ye hear him? If

they did not commend us, we were not handsome! Now you must know

they could not commend one if one was not handsome. Beauty the

lover's gift! Lord, what is a lover, that it can give? Why, one

makes lovers as fast as one pleases, and they live as long as one

pleases, and they die as soon as one pleases; and then, if one

pleases, one makes more.

WIT. Very pretty. Why, you make no more of making of lovers,

madam, than of making so many cardmatches.

MILLA. One no more owes one's beauty to a lover than one's wit to

an echo. They can but reflect what we look and say: vain empty

things if we are silent or unseen, and want a being.

MIRA. Yet, to those two vain empty things, you owe two the greatest

pleasures of your life.

MILLA. How so?

MIRA. To your lover you owe the pleasure of hearing yourselves

praised, and to an echo the pleasure of hearing yourselves talk.

WIT. But I know a lady that loves talking so incessantly, she won't

give an echo fair play; she has that everlasting rotation of tongue

that an echo must wait till she dies before it can catch her last

words.

MILLA. Oh, fiction; Fainall, let us leave these men.


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MIRA. Draw off Witwoud. [Aside to MRS. FAINALL.]

MRS. FAIN. Immediately; I have a word or two for Mr. Witwoud.

SCENE VI.

MRS. MILLAMANT, MIRABELL, MINCING.

MIRA. I would beg a little private audience too. You had the

tyranny to deny me last night, though you knew I came to impart a

secret to you that concerned my love.

MILLA. You saw I was engaged.

MIRA. Unkind! You had the leisure to entertain a herd of fools:

things who visit you from their excessive idleness, bestowing on

your easiness that time which is the incumbrance of their lives.

How can you find delight in such society? It is impossible they

should admire you; they are not capable; or, if they were, it should

be to you as a mortification: for, sure, to please a fool is some

degree of folly.

MILLA. I please myself.Besides, sometimes to converse with fools

is for my health.

MIRA. Your health! Is there a worse disease than the conversation

of fools?

MILLA. Yes, the vapours; fools are physic for it, next to

assafoetida.

MIRA. You are not in a course of fools?

MILLA. Mirabell, if you persist in this offensive freedom you'll

displease me. I think I must resolve after all not to have you: we

shan't agree.

MIRA. Not in our physic, it may be.

MILLA. And yet our distemper in all likelihood will be the same;

for we shall be sick of one another. I shan't endure to be

reprimanded nor instructed; 'tis so dull to act always by advice,

and so tedious to be told of one's faults, I can't bear it. Well, I

won't have you, MirabellI'm resolvedI thinkyou may goha, ha,

ha! What would you give that you could help loving me?

MIRA. I would give something that you did not know I could not help

it.


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MILLA. Come, don't look grave then. Well, what do you say to me?

MIRA. I say that a man may as soon make a friend by his wit, or a

fortune by his honesty, as win a woman with plaindealing and

sincerity.

MILLA. Sententious Mirabell! Prithee don't look with that violent

and inflexible wise face, like Solomon at the dividing of the child

in an old tapestry hanging!

MIRA. You are merry, madam, but I would persuade you for a moment

to be serious.

MILLA. What, with that face? No, if you keep your countenance,

'tis impossible I should hold mine. Well, after all, there is

something very moving in a lovesick face. Ha, ha, ha! Well I won't

laugh; don't be peevish. Heigho! Now I'll be melancholy, as

melancholy as a watchlight. Well, Mirabell, if ever you will win

me, woo me now.Nay, if you are so tedious, fare you well: I see

they are walking away.

MIRA. Can you not find in the variety of your disposition one

moment 

MILLA. To hear you tell me Foible's married, and your plot like to

speed? No.

MIRA. But how you came to know it 

MILLA. Without the help of the devil, you can't imagine; unless she

should tell me herself. Which of the two it may have been, I will

leave you to consider; and when you have done thinking of that,

think of me.

SCENE VII.

MIRABELL alone.

MIRA. I have something more.Gone! Think of you? To think of a

whirlwind, though 'twere in a whirlwind, were a case of more steady

contemplation, a very tranquillity of mind and mansion. A fellow

that lives in a windmill has not a more whimsical dwelling than the

heart of a man that is lodged in a woman. There is no point of the

compass to which they cannot turn, and by which they are not turned,

and by one as well as another; for motion, not method, is their

occupation. To know this, and yet continue to be in love, is to be

made wise from the dictates of reason, and yet persevere to play the

fool by the force of instinct.Oh, here come my pair of turtles.

What, billing so sweetly? Is not Valentine's day over with you yet?


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SCENE VIII.

[To him] WAITWELL, FOIBLE.

MIRA. Sirrah, Waitwell, why, sure, you think you were married for

your own recreation and not for my conveniency.

WAIT. Your pardon, sir. With submission, we have indeed been

solacing in lawful delights; but still with an eye to business, sir.

I have instructed her as well as I could. If she can take your

directions as readily as my instructions, sir, your affairs are in a

prosperous way.

MIRA. Give you joy, Mrs. Foible.

FOIB. Olas, sir, I'm so ashamed.I'm afraid my lady has been in

a thousand inquietudes for me. But I protest, sir, I made as much

haste as I could.

WAIT. That she did indeed, sir. It was my fault that she did not

make more.

MIRA. That I believe.

FOIB. But I told my lady as you instructed me, sir, that I had a

prospect of seeing Sir Rowland, your uncle, and that I would put her

ladyship's picture in my pocket to show him, which I'll be sure to

say has made him so enamoured of her beauty, that he burns with

impatience to lie at her ladyship's feet and worship the original.

MIRA. Excellent Foible! Matrimony has made you eloquent in love.

WAIT. I think she has profited, sir. I think so.

FOIB. You have seen Madam Millamant, sir?

MIRA. Yes.

FOIB. I told her, sir, because I did not know that you might find

an opportunity; she had so much company last night.

MIRA. Your diligence will merit more. In the meantime[gives

money]

FOIB. O dear sir, your humble servant.

WAIT. Spouse 


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MIRA. Stand off, sir, not a penny. Go on and prosper, Foible. The

lease shall be made good and the farm stocked, if we succeed.

FOIB. I don't question your generosity, sir, and you need not doubt

of success. If you have no more commands, sir, I'll be gone; I'm

sure my lady is at her toilet, and can't dress till I come. Oh

dear, I'm sure that [looking out] was Mrs. Marwood that went by in a

mask; if she has seen me with you I m sure she'll tell my lady.

I'll make haste home and prevent her. Your servant, Sir.B'w'y,

Waitwell.

SCENE IX.

MIRABELL, WAITWELL.

WAIT. Sir Rowland, if you please. The jade's so pert upon her

preferment she forgets herself.

MIRA. Come, sir, will you endeavour to forget yourselfand

transform into Sir Rowland?

WAIT. Why, sir, it will be impossible I should remember myself.

Married, knighted, and attended all in one day! 'Tis enough to make

any man forget himself. The difficulty will be how to recover my

acquaintance and familiarity with my former self, and fall from my

transformation to a reformation into Waitwell. Nay, I shan't be

quite the same Waitwell neitherfor now I remember me, I'm married,

and can't be my own man again.

Ay, there's my grief; that's the sad change of life:

To lose my title, and yet keep my wife.

ACT III.SCENE I.

A room in Lady Wishfort's house.

LADY WISHFORT at her toilet, PEG waiting.

LADY. Merciful! No news of Foible yet?

PEG. No, madam.


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LADY. I have no more patience. If I have not fretted myself till I

am pale again, there's no veracity in me. Fetch me the redthe

red, do you hear, sweetheart? An errant ash colour, as I'm a

person. Look you how this wench stirs! Why dost thou not fetch me

a little red? Didst thou not hear me, Mopus?

PEG. The red ratafia, does your ladyship mean, or the cherry

brandy?

LADY. Ratafia, fool? No, fool. Not the ratafia, foolgrant me

patience!I mean the Spanish paper, idiot; complexion, darling.

Paint, paint, paint, dost thou understand that, changeling, dangling

thy hands like bobbins before thee? Why dost thou not stir, puppet?

Thou wooden thing upon wires!

PEG. Lord, madam, your ladyship is so impatient.I cannot come at

the paint, madam: Mrs. Foible has locked it up, and carried the key

with her.

LADY. A pox take you both.Fetch me the cherry brandy then.

SCENE II.

LADY WISHFORT.

I'm as pale and as faint, I look like Mrs. Qualmsick, the curate's

wife, that's always breeding. Wench, come, come, wench, what art

thou doing? Sipping? Tasting? Save thee, dost thou not know the

bottle?

SCENE III.

LADY WISHFORT, PEG with a bottle and china cup.

PEG. Madam, I was looking for a cup.

LADY. A cup, save thee, and what a cup hast thou brought! Dost

thou take me for a fairy, to drink out of an acorn? Why didst thou

not bring thy thimble? Hast thou ne'er a brass thimble clinking in

thy pocket with a bit of nutmeg? I warrant thee. Come, fill, fill.

So, again. See who that is. [One knocks.] Set down the bottle

first. Here, here, under the table: what, wouldst thou go with the

bottle in thy hand like a tapster? As I'm a person, this wench has

lived in an inn upon the road, before she came to me, like

Maritornes the Asturian in Don Quixote. No Foible yet?

PEG. No, madam; Mrs. Marwood.


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LADY. Oh, Marwood: let her come in. Come in, good Marwood.

SCENE IV.

[To them] MRS MARWOOD.

MRS. MAR. I'm surprised to find your ladyship in DESHABILLE at this

time of day.

LADY. Foible's a lost thing; has been abroad since morning, and

never heard of since.

MRS. MAR. I saw her but now, as I came masked through the park, in

conference with Mirabell.

LADY. With Mirabell? You call my blood into my face with

mentioning that traitor. She durst not have the confidence. I sent

her to negotiate an affair, in which if I'm detected I'm undone. If

that wheedling villain has wrought upon Foible to detect me, I'm

ruined. O my dear friend, I'm a wretch of wretches if I'm detected.

MRS. MAR. O madam, you cannot suspect Mrs. Foible's integrity.

LADY. Oh, he carries poison in his tongue that would corrupt

integrity itself. If she has given him an opportunity, she has as

good as put her integrity into his hands. Ah, dear Marwood, what's

integrity to an opportunity? Hark! I hear her. Dear friend,

retire into my closet, that I may examine her with more freedom

you'll pardon me, dear friend, I can make bold with youthere are

books over the chimneyQuarles and Pryn, and the SHORT VIEW OF THE

STAGE, with Bunyan's works to entertain you.Go, you thing, and

send her in. [To PEG.]

SCENE V.

LADY WISHFORT, FOIBLE.

LADY. O Foible, where hast thou been? What hast thou been doing?

FOIB. Madam, I have seen the party.

LADY. But what hast thou done?

FOIB. Nay, 'tis your ladyship has done, and are to do; I have only

promised. But a man so enamouredso transported! Well, if

worshipping of pictures be a sinpoor Sir Rowland, I say.


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LADY. The miniature has been counted like. But hast thou not

betrayed me, Foible? Hast thou not detected me to that faithless

Mirabell? What hast thou to do with him in the park? Answer me,

has he got nothing out of thee?

FOIB. So, the devil has been beforehand with me; what shall I say?

Alas, madam, could I help it, if I met that confident thing? Was I

in fault? If you had heard how he used me, and all upon your

ladyship's account, I'm sure you would not suspect my fidelity.

Nay, if that had been the worst I could have borne: but he had a

fling at your ladyship too, and then I could not hold; but, i'faith

I gave him his own.

LADY. Me? What did the filthy fellow say?

FOIB. O madam, 'tis a shame to say what he said, with his taunts

and his fleers, tossing up his nose. Humh, says he, what, you are

ahatching some plot, says he, you are so early abroad, or catering,

says he, ferreting for some disbanded officer, I warrant. Half pay

is but thin subsistence, says he. Well, what pension does your lady

propose? Let me see, says he, what, she must come down pretty deep

now, she's superannuated, says he, and 

LADY. Ods my life, I'll have himI'll have him murdered. I'll

have him poisoned. Where does he eat? I'll marry a drawer to have

him poisoned in his wine. I'll send for Robin from Locket's

immediately.

FOIB. Poison him? Poisoning's too good for him. Starve him,

madam, starve him; marry Sir Rowland, and get him disinherited. Oh,

you would bless yourself to hear what he said.

LADY. A villain; superannuated?

FOIB. Humh, says he, I hear you are laying designs against me too,

says he, and Mrs. Millamant is to marry my uncle (he does not

suspect a word of your ladyship); but, says he, I'll fit you for

that, I warrant you, says he, I'll hamper you for that, says he, you

and your old frippery too, says he, I'll handle you 

LADY. Audacious villain! Handle me? Would he durst? Frippery?

Old frippery? Was there ever such a foulmouthed fellow? I'll be

married tomorrow, I'll be contracted tonight.

FOIB. The sooner the better, madam.

LADY. Will Sir Rowland be here, say'st thou? When, Foible?

FOIB. Incontinently, madam. No new sheriff's wife expects the

return of her husband after knighthood with that impatience in which


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Sir Rowland burns for the dear hour of kissing your ladyship's hand

after dinner.

LADY. Frippery? Superannuated frippery? I'll frippery the

villain; I'll reduce him to frippery and rags, a tatterdemalion!I

hope to see him hung with tatters, like a Long Lane penthouse, or a

gibbet thief. A slandermouthed railer! I warrant the spendthrift

prodigal's in debt as much as the million lottery, or the whole

court upon a birthday. I'll spoil his credit with his tailor. Yes,

he shall have my niece with her fortune, he shall.

FOIB. He? I hope to see him lodge in Ludgate first, and angle into

Blackfriars for brass farthings with an old mitten.

LADY. Ay, dear Foible; thank thee for that, dear Foible. He has

put me out of all patience. I shall never recompose my features to

receive Sir Rowland with any economy of face. This wretch has

fretted me that I am absolutely decayed. Look, Foible.

FOIB. Your ladyship has frowned a little too rashly, indeed, madam.

There are some cracks discernible in the white vernish.

LADY. Let me see the glass. Cracks, say'st thou? Why, I am

arrantly flayed: I look like an old peeled wall. Thou must repair

me, Foible, before Sir Rowland comes, or I shall never keep up to my

picture.

FOIB. I warrant you, madam: a little art once made your picture

like you, and now a little of the same art must make you like your

picture. Your picture must sit for you, madam.

LADY. But art thou sure Sir Rowland will not fail to come? Or will

a not fail when he does come? Will he be importunate, Foible, and

push? For if he should not be importunate I shall never break

decorums. I shall die with confusion if I am forced to advanceoh

no, I can never advance; I shall swoon if he should expect advances.

No, I hope Sir Rowland is better bred than to put a lady to the

necessity of breaking her forms. I won't be too coy neitherI

won't give him despair. But a little disdain is not amiss; a little

scorn is alluring.

FOIB. A little scorn becomes your ladyship.

LADY. Yes, but tenderness becomes me besta sort of a dyingness.

You see that picture has a sort of aha, Foible? A swimmingness in

the eyes. Yes, I'll look so. My niece affects it; but she wants

features. Is Sir Rowland handsome? Let my toilet be removedI'll

dress above. I'll receive Sir Rowland here. Is he handsome? Don't

answer me. I won't know; I'll be surprised. I'll be taken by

surprise.


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FOIB. By storm, madam. Sir Rowland's a brisk man.

LADY. Is he? Oh, then, he'll importune, if he's a brisk man. I

shall save decorums if Sir Rowland importunes. I have a mortal

terror at the apprehension of offending against decorums. Oh, I'm

glad he's a brisk man. Let my things be removed, good Foible.

SCENE VI.

MRS. FAINALL, FOIBLE.

MRS. FAIN. O Foible, I have been in a fright, lest I should come

too late. That devil, Marwood, saw you in the park with Mirabell,

and I'm afraid will discover it to my lady.

FOIB. Discover what, madam?

MRS. FAIN. Nay, nay, put not on that strange face. I am privy to

the whole design, and know that Waitwell, to whom thou wert this

morning married, is to personate Mirabell's uncle, and, as such

winning my lady, to involve her in those difficulties from which

Mirabell only must release her, by his making his conditions to have

my cousin and her fortune left to her own disposal.

FOIB. O dear madam, I beg your pardon. It was not my confidence in

your ladyship that was deficient; but I thought the former good

correspondence between your ladyship and Mr. Mirabell might have

hindered his communicating this secret.

MRS. FAIN. Dear Foible, forget that.

FOIB. O dear madam, Mr. Mirabell is such a sweet winning gentleman.

But your ladyship is the pattern of generosity. Sweet lady, to be

so good! Mr. Mirabell cannot choose but be grateful. I find your

ladyship has his heart still. Now, madam, I can safely tell your

ladyship our success: Mrs. Marwood had told my lady, but I warrant

I managed myself. I turned it all for the better. I told my lady

that Mr. Mirabell railed at her. I laid horrid things to his

charge, I'll vow; and my lady is so incensed that she'll be

contracted to Sir Rowland tonight, she says; I warrant I worked her

up that he may have her for asking for, as they say of a Welsh

maidenhead.

MRS. FAIN. O rare Foible!

FOIB. Madam, I beg your ladyship to acquaint Mr. Mirabell of his

success. I would be seen as little as possible to speak to him

besides, I believe Madam Marwood watches me. She has a month's

mind; but I know Mr. Mirabell can't abide her. [Calls.] John,


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remove my lady's toilet. Madam, your servant. My lady is so

impatient, I fear she'll come for me, if I stay.

MRS. FAIN. I'll go with you up the back stairs, lest I should meet

her.

SCENE VII.

MRS. MARWOOD alone.

MRS. MAR. Indeed, Mrs. Engine, is it thus with you? Are you become

a gobetween of this importance? Yes, I shall watch you. Why this

wench is the PASSEPARTOUT, a very masterkey to everybody's strong

box. My friend Fainall, have you carried it so swimmingly? I

thought there was something in it; but it seems it's over with you.

Your loathing is not from a want of appetite then, but from a

surfeit. Else you could never be so cool to fall from a principal

to be an assistant, to procure for him! A pattern of generosity,

that I confess. Well, Mr. Fainall, you have met with your match.O

man, man! Woman, woman! The devil's an ass: if I were a painter,

I would draw him like an idiot, a driveller with a bib and bells.

Man should have his head and horns, and woman the rest of him.

Poor, simple fiend! 'Madam Marwood has a month's mind, but he can't

abide her.' 'Twere better for him you had not been his confessor in

that affair, without you could have kept his counsel closer. I

shall not prove another pattern of generosity; he has not obliged me

to that with those excesses of himself, and now I'll have none of

him. Here comes the good lady, panting ripe, with a heart full of

hope, and a head full of care, like any chymist upon the day of

projection.

SCENE VIII.

[To her] LADY WISHFORT.

LADY. O dear Marwood, what shall I say for this rude forgetfulness?

But my dear friend is all goodness.

MRS. MAR. No apologies, dear madam. I have been very well

entertained.

LADY. As I'm a person, I am in a very chaos to think I should so

forget myself. But I have such an olio of affairs, really I know

not what to do. [Calls.] Foible!I expect my nephew Sir Wilfull

ev'ry moment too.Why, Foible!He means to travel for improvement.

MRS. MAR. Methinks Sir Wilfull should rather think of marrying than


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travelling at his years. I hear he is turned of forty.

LADY. Oh, he's in less danger of being spoiled by his travels. I

am against my nephew's marrying too young. It will be time enough

when he comes back, and has acquired discretion to choose for

himself.

MRS. MAR. Methinks Mrs. Millamant and he would make a very fit

match. He may travel afterwards. 'Tis a thing very usual with

young gentlemen.

LADY. I promise you I have thought on'tand since 'tis your

judgment, I'll think on't again. I assure you I will; I value your

judgment extremely. On my word, I'll propose it.

SCENE IX.

[To them] FOIBLE.

LADY. Come, come, FoibleI had forgot my nephew will be here

before dinnerI must make haste.

FOIB. Mr. Witwoud and Mr. Petulant are come to dine with your

ladyship.

LADY. Oh dear, I can't appear till I am dressed. Dear Marwood,

shall I be free with you again, and beg you to entertain em? I'll

make all imaginable haste. Dear friend, excuse me.

SCENE X.

MRS. MARWOOD, MRS. MILLAMANT, MINCING.

MILLA. Sure, never anything was so unbred as that odious man.

Marwood, your servant.

MRS. MAR. You have a colour; what's the matter?

MILLA. That horrid fellow Petulant has provoked me into a flameI

have broke my fanMincing, lend me yours.Is not all the powder

out of my hair?

MRS. MAR. No. What has he done?

MILLA. Nay, he has done nothing; he has only talked. Nay, he has

said nothing neither; but he has contradicted everything that has

been said. For my part, I thought Witwoud and he would have


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quarrelled.

MINC. I vow, mem, I thought once they would have fit.

MILLA. Well, 'tis a lamentable thing, I swear, that one has not the

liberty of choosing one's acquaintance as one does one's clothes.

MRS. MAR. If we had that liberty, we should be as weary of one set

of acquaintance, though never so good, as we are of one suit, though

never so fine. A fool and a doily stuff would now and then find

days of grace, and be worn for variety.

MILLA. I could consent to wear 'em, if they would wear alike; but

fools never wear out. They are such DRAP DE BERRI things! Without

one could give 'em to one's chambermaid after a day or two.

MRS. MAR. 'Twere better so indeed. Or what think you of the

playhouse? A fine gay glossy fool should be given there, like a new

masking habit, after the masquerade is over, and we have done with

the disguise. For a fool's visit is always a disguise, and never

admitted by a woman of wit, but to blind her affair with a lover of

sense. If you would but appear barefaced now, and own Mirabell, you

might as easily put off Petulant and Witwoud as your hood and scarf.

And indeed 'tis time, for the town has found it, the secret is grown

too big for the pretence. 'Tis like Mrs. Primly's great belly: she

may lace it down before, but it burnishes on her hips. Indeed,

Millamant, you can no more conceal it than my Lady Strammel can her

face, that goodly face, which in defiance of her Rhenishwine tea

will not be comprehended in a mask.

MILLA. I'll take my death, Marwood, you are more censorious than a

decayed beauty, or a discarded toast: Mincing, tell the men they

may come up. My aunt is not dressing here; their folly is less

provoking than your malice.

SCENE XI.

MRS. MILLAMANT, MRS. MARWOOD.

MILLA. The town has found it? What has it found? That Mirabell

loves me is no more a secret than it is a secret that you discovered

it to my aunt, or than the reason why you discovered it is a secret.

MRS. MAR. You are nettled.

MILLA. You're mistaken. Ridiculous!

MRS. MAR. Indeed, my dear, you'll tear another fan, if you don't

mitigate those violent airs.


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MILLA. O silly! Ha, ha, ha! I could laugh immoderately. Poor

Mirabell! His constancy to me has quite destroyed his complaisance

for all the world beside. I swear I never enjoined it him to be so

coy. If I had the vanity to think he would obey me, I would command

him to show more gallantry: 'tis hardly wellbred to be so

particular on one hand and so insensible on the other. But I

despair to prevail, and so let him follow his own way. Ha, ha, ha!

Pardon me, dear creature, I must laugh; ha, ha, ha! Though I grant

you 'tis a little barbarous; ha, ha, ha!

MRS. MAR. What pity 'tis so much fine raillery, and delivered with

so significant gesture, should be so unhappily directed to miscarry.

MILLA. Heh? Dear creature, I ask your pardon. I swear I did not

mind you.

MRS. MAR. Mr. Mirabell and you both may think it a thing

impossible, when I shall tell him by telling you 

MILLA. Oh dear, what? For it is the same thing, if I hear it. Ha,

ha, ha!

MRS. MAR. That I detest him, hate him, madam.

MILLA. O madam, why, so do I. And yet the creature loves me, ha,

ha, ha! How can one forbear laughing to think of it? I am a sibyl

if I am not amazed to think what he can see in me. I'll take my

death, I think you are handsomer, and within a year or two as young.

If you could but stay for me, I should overtake youbut that cannot

be. Well, that thought makes me melancholic.Now I'll be sad.

MRS. MAR. Your merry note may be changed sooner than you think.

MILLA. D'ye say so? Then I'm resolved I'll have a song to keep up

my spirits.

SCENE XII.

[To them] MINCING.

MINC. The gentlemen stay but to comb, madam, and will wait on you.

MILLA. Desire Mrs.that is in the next room, to sing the song I

would have learnt yesterday. You shall hear it, madam. Not that

there's any great matter in itbut 'tis agreeable to my humour.

SONG.


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Set by Mr. John Eccles.

I

Love's but the frailty of the mind

When 'tis not with ambition joined;

A sickly flame, which if not fed expires,

And feeding, wastes in selfconsuming fires.

II

'Tis not to wound a wanton boy

Or am'rous youth, that gives the joy;

But 'tis the glory to have pierced a swain

For whom inferior beauties sighed in vain.

III

Then I alone the conquest prize,

When I insult a rival's eyes;

If there's delight in love, 'tis when I see

That heart, which others bleed for, bleed for me.

SCENE XIII.

[To them] PETULANT, WITWOUD.

MILLA. Is your animosity composed, gentlemen?

WIT. Raillery, raillery, madam; we have no animosity. We hit off a

little wit now and then, but no animosity. The falling out of wits

is like the falling out of lovers: we agree in the main, like

treble and bass. Ha, Petulant?

PET. Ay, in the main. But when I have a humour to contradict 

WIT. Ay, when he has a humour to contradict, then I contradict too.

What, I know my cue. Then we contradict one another like two

battledores; for contradictions beget one another like Jews.

PET. If he says black's blackif I have a humour to say 'tis blue

let that passall's one for that. If I have a humour to prove it,

it must be granted.

WIT. Not positively must. But it may; it may.

PET. Yes, it positively must, upon proof positive.


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WIT. Ay, upon proof positive it must; but upon proof presumptive it

only may. That's a logical distinction now, madam.

MRS. MAR. I perceive your debates are of importance, and very

learnedly handled.

PET. Importance is one thing and learning's another; but a debate's

a debate, that I assert.

WIT. Petulant's an enemy to learning; he relies altogether on his

parts.

PET. No, I'm no enemy to learning; it hurts not me.

MRS. MAR. That's a sign, indeed, it's no enemy to you.

PET. No, no, it's no enemy to anybody but them that have it.

MILLA. Well, an illiterate man's my aversion; I wonder at the

impudence of any illiterate man to offer to make love.

WIT. That I confess I wonder at, too.

MILLA. Ah, to marry an ignorant that can hardly read or write!

PET. Why should a man be any further from being married, though he

can't read, than he is from being hanged? The ordinary's paid for

setting the psalm, and the parish priest for reading the ceremony.

And for the rest which is to follow in both cases, a man may do it

without book. So all's one for that.

MILLA. D'ye hear the creature? Lord, here's company; I'll begone.

SCENE XIV.

SIR WILFULL WITWOUD in a riding dress, MRS. MARWOOD, PETULANT,

WITWOUD, FOOTMAN.

WIT. In the name of Bartlemew and his Fair, what have we here?

MRS. MAR. 'Tis your brother, I fancy. Don't you know him?

WIT. Not I: yes, I think it is he. I've almost forgot him; I have

not seen him since the revolution.

FOOT. Sir, my lady's dressing. Here's company, if you please to

walk in, in the meantime.

SIR WIL. Dressing! What, it's but morning here, I warrant, with


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you in London; we should count it towards afternoon in our parts

down in Shropshire: why, then, belike my aunt han't dined yet. Ha,

friend?

FOOT. Your aunt, sir?

SIR WIL. My aunt, sir? Yes my aunt, sir, and your lady, sir; your

lady is my aunt, sir. Why, what dost thou not know me, friend?

Why, then, send somebody hither that does. How long hast thou lived

with thy lady, fellow, ha?

FOOT. A week, sir; longer than anybody in the house, except my

lady's woman.

SIR WIL. Why, then, belike thou dost not know thy lady, if thou

seest her. Ha, friend?

FOOT. Why, truly, sir, I cannot safely swear to her face in a

morning, before she is dressed. 'Tis like I may give a shrewd guess

at her by this time.

SIR WIL. Well, prithee try what thou canst do; if thou canst not

guess, enquire her out, dost hear, fellow? And tell her her nephew,

Sir Wilfull Witwoud, is in the house.

FOOT. I shall, sir.

SIR WIL. Hold ye, hear me, friend, a word with you in your ear:

prithee who are these gallants?

FOOT. Really, sir, I can't tell; here come so many here, 'tis hard

to know 'em all.

SCENE XV.

SIR WILFULL WITWOUD, PETULANT, WITWOUD, MRS. MARWOOD.

SIR WIL. Oons, this fellow knows less than a starling: I don't

think a knows his own name.

MRS. MAR. Mr. Witwoud, your brother is not behindhand in

forgetfulness. I fancy he has forgot you too.

WIT. I hope so. The devil take him that remembers first, I say.

SIR WIL. Save you, gentlemen and lady.

MRS. MAR. For shame, Mr. Witwoud; why won't you speak to him?And

you, sir.


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WIT. Petulant, speak.

PET. And you, sir.

SIR WIL. No offence, I hope? [Salutes MARWOOD.]

MRS. MAR. No, sure, sir.

WIT. This is a vile dog, I see that already. No offence? Ha, ha,

ha. To him, to him, Petulant, smoke him.

PET. It seems as if you had come a journey, sir; hem, hem.

[Surveying him round.]

SIR WIL. Very likely, sir, that it may seem so.

PET. No offence, I hope, sir?

WIT. Smoke the boots, the boots, Petulant, the boots; ha, ha, ha!

SIR WILL. Maybe not, sir; thereafter as 'tis meant, sir.

PET. Sir, I presume upon the information of your boots.

SIR WIL. Why, 'tis like you may, sir: if you are not satisfied

with the information of my boots, sir, if you will step to the

stable, you may enquire further of my horse, sir.

PET. Your horse, sir! Your horse is an ass, sir!

SIR WIL. Do you speak by way of offence, sir?

MRS. MAR. The gentleman's merry, that's all, sir. 'Slife, we shall

have a quarrel betwixt an horse and an ass, before they find one

another out.You must not take anything amiss from your friends,

sir. You are among your friends here, though itmay be you don't

know it. If I am not mistaken, you are Sir Wilfull Witwoud?

SIR WIL. Right, lady; I am Sir Wilfull Witwoud, so I write myself;

no offence to anybody, I hope? and nephew to the Lady Wishfort of

this mansion.

MRS. MAR. Don't you know this gentleman, sir?

SIR WIL. Hum! What, sure 'tis notyea by'r lady but 'tis

'sheart, I know not whether 'tis or no. Yea, but 'tis, by the

Wrekin. Brother Antony! What, Tony, i'faith! What, dost thou not

know me? By'r lady, nor I thee, thou art so becravated and so

beperiwigged. 'Sheart, why dost not speak? Art thou o'erjoyed?


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WIT. Odso, brother, is it you? Your servant, brother.

SIR WIL. Your servant? Why, yours, sir. Your servant again

'sheart, and your friend and servant to thatand a[puff] and a

flapdragon for your service, sir, and a hare's foot and a hare's

scut for your service, sir, an you be so cold and so courtly!

WIT. No offence, I hope, brother?

SIR WIL. 'Sheart, sir, but there is, and much offence. A pox, is

this your inns o' court breeding, not to know your friends and your

relations, your elders, and your betters?

WIT. Why, brother Wilfull of Salop, you may be as short as a

Shrewsbury cake, if you please. But I tell you 'tis not modish to

know relations in town. You think you're in the country, where

great lubberly brothers slabber and kiss one another when they meet,

like a call of sergeants. 'Tis not the fashion here; 'tis not,

indeed, dear brother.

SIR WIL. The fashion's a fool and you're a fop, dear brother.

'Sheart, I've suspected thisby'r lady I conjectured you were a

fop, since you began to change the style of your letters, and write

in a scrap of paper gilt round the edges, no bigger than a subpoena.

I might expect this when you left off 'Honoured brother,' and

'Hoping you are in good health,' and so forth, to begin with a 'Rat

me, knight, I'm so sick of a last night's debauch.' Ods heart, and

then tell a familiar tale of a cock and a bull, and a whore and a

bottle, and so conclude. You could write news before you were out

of your time, when you lived with honest PumpleNose, the attorney

of Furnival's Inn. You could intreat to be remembered then to your

friends round the Wrekin. We could have Gazettes then, and Dawks's

Letter, and the Weekly Bill, till of late days.

PET. 'Slife, Witwoud, were you ever an attorney's clerk? Of the

family of the Furnivals? Ha, ha, ha!

WIT. Ay, ay, but that was but for a while. Not long, not long;

pshaw, I was not in my own power then. An orphan, and this fellow

was my guardian; ay, ay, I was glad to consent to that man to come

to London. He had the disposal of me then. If I had not agreed to

that, I might have been bound prentice to a feltmaker in Shrewsbury:

this fellow would have bound me to a maker of felts.

SIR WIL. 'Sheart, and better than to be bound to a maker of fops,

where, I suppose, you have served your time, and now you may set up

for yourself.

MRS. MAR. You intend to travel, sir, as I'm informed?

SIR WIL. Belike I may, madam. I may chance to sail upon the salt


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seas, if my mind hold.

PET. And the wind serve.

SIR WIL. Serve or not serve, I shan't ask license of you, sir, nor

the weathercock your companion. I direct my discourse to the lady,

sir. 'Tis like my aunt may have told you, madam? Yes, I have

settled my concerns, I may say now, and am minded to see foreign

parts. If an how that the peace holds, whereby, that is, taxes

abate.

MRS. MAR. I thought you had designed for France at all adventures.

SIR WIL. I can't tell that; 'tis like I may, and 'tis like I may

not. I am somewhat dainty in making a resolution, because when I

make it I keep it. I don't stand shill I, shall I, then; if I

say't, I'll do't. But I have thoughts to tarry a small matter in

town, to learn somewhat of your lingo first, before I cross the

seas. I'd gladly have a spice of your French as they say, whereby

to hold discourse in foreign countries.

MRS. MAR. Here's an academy in town for that use.

SIR WIL. There is? 'Tis like there may.

MRS. MAR. No doubt you will return very much improved.

WIT. Yes, refined like a Dutch skipper from a whalefishing.

SCENE XVI.

[To them] LADY WISHFORT and FAINALL.

LADY. Nephew, you are welcome.

SIR WIL. Aunt, your servant.

FAIN. Sir Wilfull, your most faithful servant.

SIR WIL. Cousin Fainall, give me your hand.

LADY. Cousin Witwoud, your servant; Mr. Petulant, your servant.

Nephew, you are welcome again. Will you drink anything after your

journey, nephew, before you eat? Dinner's almost ready.

SIR WIL. I'm very well, I thank you, aunt. However, I thank you

for your courteous offer. 'Sheart, I was afraid you would have been

in the fashion too, and have remembered to have forgot your

relations. Here's your cousin Tony, belike, I mayn't call him


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brother for fear of offence.

LADY. Oh, he's a rallier, nephew. My cousin's a wit: and your

great wits always rally their best friends to choose. When you have

been abroad, nephew, you'll understand raillery better. [FAINALL

and MRS. MARWOOD talk apart.]

SIR WIL. Why, then, let him hold his tongue in the meantime, and

rail when that day comes.

SCENE XVII.

[To them] MINCING.

MINC. Mem, I come to acquaint your laship that dinner is impatient.

SIR WIL. Impatient? Why, then, belike it won't stay till I pull

off my boots. Sweetheart, can you help me to a pair of slippers?

My man's with his horses, I warrant.

LADY. Fie, fie, nephew, you would not pull off your boots here? Go

down into the hall: dinner shall stay for you. My nephew's a

little unbred: you'll pardon him, madam. Gentlemen, will you walk?

Marwood?

MRS. MAR. I'll follow you, madam,before Sir Wilfull is ready.

SCENE XVIII.

MRS. MARWOOD, FAINALL.

FAIN. Why, then, Foible's a bawd, an errant, rank matchmaking

bawd. And I, it seems, am a husband, a rank husband, and my wife a

very errant, rank wife,all in the way of the world. 'Sdeath, to

be a cuckold by anticipation, a cuckold in embryo! Sure I was born

with budding antlers like a young satyr, or a citizen's child,

'sdeath, to be outwitted, to be outjilted, outmatrimonied. If I

had kept my speed like a stag, 'twere somewhat, but to crawl after,

with my horns like a snail, and be outstripped by my wife'tis

scurvy wedlock.

MRS. MAR. Then shake it off: you have often wished for an

opportunity to part, and now you have it. But first prevent their

plot: the half of Millamant's fortune is too considerable to be

parted with to a foe, to Mirabell.

FAIN. Damn him, that had been minehad you not made that fond


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discovery. That had been forfeited, had they been married. My wife

had added lustre to my horns by that increase of fortune: I could

have worn 'em tipt with gold, though my forehead had been furnished

like a deputylieutenant's hall.

MRS. MAR. They may prove a cap of maintenance to you still, if you

can away with your wife. And she's no worse than when you had her:

I dare swear she had given up her game before she was married.

FAIN. Hum! That may be 

MRS. MAR. You married her to keep you; and if you can contrive to

have her keep you better than you expected, why should you not keep

her longer than you intended?

FAIN. The means, the means?

MRS. MAR. Discover to my lady your wife's conduct; threaten to part

with her. My lady loves her, and will come to any composition to

save her reputation. Take the opportunity of breaking it just upon

the discovery of this imposture. My lady will be enraged beyond

bounds, and sacrifice niece, and fortune and all at that

conjuncture. And let me alone to keep her warm: if she should flag

in her part, I will not fail to prompt her.

FAIN. Faith, this has an appearance.

MRS. MAR. I'm sorry I hinted to my lady to endeavour a match

between Millamant and Sir Wilfull; that may be an obstacle.

FAIN. Oh, for that matter, leave me to manage him; I'll disable him

for that, he will drink like a Dane. After dinner I'll set his hand

in.

MRS. MAR. Well, how do you stand affected towards your lady?

FAIN. Why, faith, I'm thinking of it. Let me see. I am married

already; so that's over. My wife has played the jade with me; well,

that's over too. I never loved her, or if I had, why that would

have been over too by this time. Jealous of her I cannot be, for I

am certain; so there's an end of jealousy. Weary of her I am and

shall be. No, there's no end of that; no, no, that were too much to

hope. Thus far concerning my repose. Now for my reputation: as to

my own, I married not for it; so that's out of the question. And as

to my part in my wife'swhy, she had parted with hers before; so,

bringing none to me, she can take none from me: 'tis against all

rule of play that I should lose to one who has not wherewithal to

stake.

MRS. MAR. Besides you forget, marriage is honourable.


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FAIN. Hum! Faith, and that's well thought on: marriage is

honourable, as you say; and if so, wherefore should cuckoldom be a

discredit, being derived from so honourable a root?

MRS. MAR. Nay, I know not; if the root be honourable, why not the

branches?

FAIN. So, so; why this point's clear. Well, how do we proceed?

MRS. MAR. I will contrive a letter which shall be delivered to my

lady at the time when that rascal who is to act Sir Rowland is with

her. It shall come as from an unknown handfor the less I appear

to know of the truth the better I can play the incendiary. Besides,

I would not have Foible provoked if I could help it, because, you

know, she knows some passages. Nay, I expect all will come out.

But let the mine be sprung first, and then I care not if I am

discovered.

FAIN. If the worst come to the worst, I'll turn my wife to grass.

I have already a deed of settlement of the best part of her estate,

which I wheedled out of her, and that you shall partake at least.

MRS. MAR. I hope you are convinced that I hate Mirabell now?

You'll be no more jealous?

FAIN. Jealous? No, by this kiss. Let husbands be jealous, but let

the lover still believe: or if he doubt, let it be only to endear

his pleasure, and prepare the joy that follows, when he proves his

mistress true. But let husbands' doubts convert to endless

jealousy; or if they have belief, let it corrupt to superstition and

blind credulity. I am single and will herd no more with 'em. True,

I wear the badge, but I'll disown the order. And since I take my

leave of 'em, I care not if I leave 'em a common motto to their

common crest.

All husbands must or pain or shame endure;

The wise too jealous are, fools too secure.

ACT IV.SCENE I.

Scene Continues.

LADY WISHFORT and FOIBLE.


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LADY. Is Sir Rowland coming, say'st thou, Foible? And are things

in order?

FOIB. Yes, madam. I have put waxlights in the sconces, and placed

the footmen in a row in the hall, in their best liveries, with the

coachman and postillion to fill up the equipage.

LADY. Have you pulvilled the coachman and postillion, that they may

not stink of the stable when Sir Rowland comes by?

FOIB. Yes, madam.

LADY. And are the dancers and the music ready, that he may be

entertained in all points with correspondence to his passion?

FOIB. All is ready, madam.

LADY. Andwelland how do I look, Foible?

FOIB. Most killing well, madam.

LADY. Well, and how shall I receive him? In what figure shall I

give his heart the first impression? There is a great deal in the

first impression. Shall I sit? No, I won't sit, I'll walk,ay,

I'll walk from the door upon his entrance, and then turn full upon

him. No, that will be too sudden. I'll lie,ay, I'll lie down.

I'll receive him in my little dressingroom; there's a couchyes,

yes, I'll give the first impression on a couch. I won't lie

neither, but loll and lean upon one elbow, with one foot a little

dangling off, jogging in a thoughtful way. Yes; and then as soon as

he appears, start, ay, start and be surprised, and rise to meet him

in a pretty disorder. Yes; oh, nothing is more alluring than a

levee from a couch in some confusion. It shows the foot to

advantage, and furnishes with blushes and recomposing airs beyond

comparison. Hark! There's a coach.

FOIB. 'Tis he, madam.

LADY. Oh dear, has my nephew made his addresses to Millamant? I

ordered him.

FOIB. Sir Wilfull is set in to drinking, madam, in the parlour.

LADY. Ods my life, I'll send him to her. Call her down, Foible;

bring her hither. I'll send him as I go. When they are together,

then come to me, Foible, that I may not be too long alone with Sir

Rowland.

SCENE II.


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MRS. MILLAMANT, MRS. FAINALL, FOIBLE.

FOIB. Madam, I stayed here to tell your ladyship that Mr. Mirabell

has waited this half hour for an opportunity to talk with you;

though my lady's orders were to leave you and Sir Wilfull together.

Shall I tell Mr. Mirabell that you are at leisure?

MILLA. No. What would the dear man have? I am thoughtful and

would amuse myself; bid him come another time.

There never yet was woman made,

Nor shall, but to be cursed. [Repeating and walking about.]

That's hard!

MRS. FAIN. You are very fond of Sir John Suckling today,

Millamant, and the poets.

MILLA. He? Ay, and filthy verses. So I am.

FOIB. Sir Wilfull is coming, madam. Shall I send Mr. Mirabell

away?

MILLA. Ay, if you please, Foible, send him away, or send him

hither, just as you will, dear Foible. I think I'll see him. Shall

I? Ay, let the wretch come.

Thyrsis, a youth of the inspired train. [Repeating]

Dear Fainall, entertain Sir Wilfull: thou hast philosophy to

undergo a fool; thou art married and hast patience. I would confer

with my own thoughts.

MRS. FAIN. I am obliged to you that you would make me your proxy in

this affair, but I have business of my own.

SCENE III.

[To them] SIR WILFULL.

MRS. FAIN. O Sir Wilfull, you are come at the critical instant.

There's your mistress up to the ears in love and contemplation;

pursue your point, now or never.


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SIR WIL. Yes, my aunt will have it so. I would gladly have been

encouraged with a bottle or two, because I'm somewhat wary at first,

before I am acquainted. [This while MILLAMANT walks about repeating

to herself.] But I hope, after a time, I shall break my mindthat

is, upon further acquaintance.So for the present, cousin, I'll

take my leave. If so be you'll be so kind to make my excuse, I'll

return to my company 

MRS. FAIN. Oh, fie, Sir Wilfull! What, you must not be daunted.

SIR WIL. Daunted? No, that's not it; it is not so much for that

for if so be that I set on't I'll do't. But only for the present,

'tis sufficient till further acquaintance, that's allyour servant.

MRS. FAIN. Nay, I'll swear you shall never lose so favourable an

opportunity, if I can help it. I'll leave you together and lock the

door.

SCENE IV.

SIR WILFULL, MILLAMANT.

SIR WIL. Nay, nay, cousin. I have forgot my gloves. What d'ye do?

'Sheart, a has locked the door indeed, I think.Nay, cousin

Fainall, open the door. Pshaw, what a vixen trick is this? Nay,

now a has seen me too.Cousin, I made bold to pass through as it

wereI think this door's enchanted.

MILLA. [repeating]:

I prithee spare me, gentle boy,

Press me no more for that slight toy.

SIR WIL. Anan? Cousin, your servant.

MILLA. That foolish trifle of a heart 

Sir Wilfull!

SIR WIL. Yesyour servant. No offence, I hope, cousin?

MILLA. [repeating]:

I swear it will not do its part,

Though thou dost thine, employ'st thy power and art.


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Natural, easy Suckling!

SIR WIL. Anan? Suckling? No such suckling neither, cousin, nor

stripling: I thank heaven I'm no minor.

MILLA. Ah, rustic, ruder than Gothic.

SIR WIL. Well, well, I shall understand your lingo one of these

days, cousin; in the meanwhile I must answer in plain English.

MILLA. Have you any business with me, Sir Wilfull?

SIR WIL. Not at present, cousin. Yes, I made bold to see, to come

and know if that how you were disposed to fetch a walk this evening;

if so be that I might not be troublesome, I would have sought a walk

with you.

MILLA. A walk? What then?

SIR WIL. Nay, nothing. Only for the walk's sake, that's all.

MILLA. I nauseate walking: 'tis a country diversion; I loathe the

country and everything that relates to it.

SIR WIL. Indeed! Hah! Look ye, look ye, you do? Nay, 'tis like

you may. Here are choice of pastimes here in town, as plays and the

like, that must be confessed indeed 

MILLA. Ah, L'ETOURDI! I hate the town too.

SIR WIL. Dear heart, that's much. Hah! that you should hate 'em

both! Hah! 'tis like you may! There are some can't relish the

town, and others can't away with the country, 'tis like you may be

one of those, cousin.

MILLA. Ha, ha, ha! Yes, 'tis like I may. You have nothing further

to say to me?

SIR WIL. Not at present, cousin. 'Tis like when I have an

opportunity to be more privateI may break my mind in some measure

I conjecture you partly guess. However, that's as time shall try.

But spare to speak and spare to speed, as they say.

MILLA. If it is of no great importance, Sir Wilfull, you will

oblige me to leave me: I have just now a little business.

SIR WIL. Enough, enough, cousin. Yes, yes, all a case. When

you're disposed, when you're disposed. Now's as well as another

time; and another time as well as now. All's one for that. Yes,

yes; if your concerns call you, there's no haste: it will keep cold

as they say. Cousin, your servant. I think this door's locked.


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MILLA. You may go this way, sir.

SIR WIL. Your servant; then with your leave I'll return to my

company.

MILLA. Ay, ay; ha, ha, ha!

Like Phoebus sung the no less am'rous boy.

SCENE V.

MRS. MILLAMANT, MIRABELL.

MIRA. Like Daphne she, as lovely and as coy.

Do you lock yourself up from me, to make my search more curious? Or

is this pretty artifice contrived, to signify that here the chase

must end, and my pursuit be crowned, for you can fly no further?

MILLA. Vanity! NoI'll fly and be followed to the last moment;

though I am upon the very verge of matrimony, I expect you should

solicit me as much as if I were wavering at the grate of a

monastery, with one foot over the threshold. I'll be solicited to

the very last; nay, and afterwards.

MIRA. What, after the last?

MILLA. Oh, I should think I was poor and had nothing to bestow if I

were reduced to an inglorious ease, and freed from the agreeable

fatigues of solicitation.

MIRA. But do not you know that when favours are conferred upon

instant and tedious solicitation, that they diminish in their value,

and that both the giver loses the grace, and the receiver lessens

his pleasure?

MILLA. It may be in things of common application, but never, sure,

in love. Oh, I hate a lover that can dare to think he draws a

moment's air independent on the bounty of his mistress. There is

not so impudent a thing in nature as the saucy look of an assured

man confident of success: the pedantic arrogance of a very husband

has not so pragmatical an air. Ah, I'll never marry, unless I am

first made sure of my will and pleasure.

MIRA. Would you have 'em both before marriage? Or will you be

contented with the first now, and stay for the other till after

grace?


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MILLA. Ah, don't be impertinent. My dear liberty, shall I leave

thee? My faithful solitude, my darling contemplation, must I bid

you then adieu? Ayh, adieu. My morning thoughts, agreeable

wakings, indolent slumbers, all ye DOUCEURS, ye SOMMEILS DU MATIN,

adieu. I can't do't, 'tis more than impossiblepositively,

Mirabell, I'll lie abed in a morning as long as I please.

MI RA. Then I'll get up in a morning as early as I please.

MILLA. Ah! Idle creature, get up when you will. And d'ye hear, I

won't be called names after I'm married; positively I won't be

called names.

MIRA. Names?

MILLA. Ay, as wife, spouse, my dear, joy, jewel, love, sweetheart,

and the rest of that nauseous cant, in which men and their wives are

so fulsomely familiarI shall never bear that. Good Mirabell,

don't let us be familiar or fond, nor kiss before folks, like my

Lady Fadler and Sir Francis; nor go to Hyde Park together the first

Sunday in a new chariot, to provoke eyes and whispers, and then

never be seen there together again, as if we were proud of one

another the first week, and ashamed of one another ever after. Let

us never visit together, nor go to a play together, but let us be

very strange and wellbred. Let us be as strange as if we had been

married a great while, and as wellbred as if we were not married at

all.

MIRA. Have you any more conditions to offer? Hitherto your demands

are pretty reasonable.

MILLA. Trifles; as liberty to pay and receive visits to and from

whom I please; to write and receive letters, without interrogatories

or wry faces on your part; to wear what I please, and choose

conversation with regard only to my own taste; to have no obligation

upon me to converse with wits that I don't like, because they are

your acquaintance, or to be intimate with fools, because they may be

your relations. Come to dinner when I please, dine in my dressing

room when I'm out of humour, without giving a reason. To have my

closet inviolate; to be sole empress of my teatable, which you must

never presume to approach without first asking leave. And lastly,

wherever I am, you shall always knock at the door before you come

in. These articles subscribed, if I continue to endure you a little

longer, I may by degrees dwindle into a wife.

MIRA. Your bill of fare is something advanced in this latter

account. Well, have I liberty to offer conditions: that when you

are dwindled into a wife, I may not be beyond measure enlarged into

a husband?


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MILLA. You have free leave: propose your utmost, speak and spare

not.

MIRA. I thank you. IMPRIMIS, then, I covenant that your

acquaintance be general; that you admit no sworn confidant or

intimate of your own sex; no she friend to screen her affairs under

your countenance, and tempt you to make trial of a mutual secrecy.

No decoyduck to wheedle you a FOPSCRAMBLING to the play in a mask,

then bring you home in a pretended fright, when you think you shall

be found out, and rail at me for missing the play, and disappointing

the frolic which you had to pick me up and prove my constancy.

MILLA. Detestable IMPRIMIS! I go to the play in a mask!

MIRA. ITEM, I article, that you continue to like your own face as

long as I shall, and while it passes current with me, that you

endeavour not to new coin it. To which end, together with all

vizards for the day, I prohibit all masks for the night, made of

oiled skins and I know not whathog's bones, hare's gall, pig

water, and the marrow of a roasted cat. In short, I forbid all

commerce with the gentlewomen in whatd'yecallit court. ITEM, I

shut my doors against all bawds with baskets, and pennyworths of

muslin, china, fans, atlases, etc. ITEM, when you shall be breeding

MILLA. Ah, name it not!

MIRA. Which may be presumed, with a blessing on our endeavours 

MILLA. Odious endeavours!

MIRA. I denounce against all strait lacing, squeezing for a shape,

till you mould my boy's head like a sugarloaf, and instead of a

manchild, make me father to a crooked billet. Lastly, to the

dominion of the teatable I submit; but with proviso, that you

exceed not in your province, but restrain yourself to native and

simple teatable drinks, as tea, chocolate, and coffee. As likewise

to genuine and authorised teatable talk, such as mending of

fashions, spoiling reputations, railing at absent friends, and so

forth. But that on no account you encroach upon the men's

prerogative, and presume to drink healths, or toast fellows; for

prevention of which, I banish all foreign forces, all auxiliaries to

the teatable, as orangebrandy, all aniseed, cinnamon, citron, and

Barbadoes waters, together with ratafia and the most noble spirit of

clary. But for cowslipwine, poppywater, and all dormitives, those

I allow. These provisos admitted, in other things I may prove a

tractable and complying husband.

MILLA. Oh, horrid provisos! Filthy strong waters! I toast

fellows, odious men! I hate your odious provisos.


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MIRA. Then we're agreed. Shall I kiss your hand upon the contract?

And here comes one to be a witness to the sealing of the deed.

SCENE VI.

[To them] MRS. FAINALL.

MILLA. Fainall, what shall I do? Shall I have him? I think I must

have him.

MRS. FAIN. Ay, ay, take him, take him, what should you do?

MILLA. Well thenI'll take my death I'm in a horrid fright

Fainall, I shall never say it. WellI thinkI'll endure you.

MRS. FAIN. Fie, fie, have him, and tell him so in plain terms: for

I am sure you have a mind to him.

MILLA. Are you? I think I have; and the horrid man looks as if he

thought so too. Well, you ridiculous thing you, I'll have you. I

won't be kissed, nor I won't be thanked.Here, kiss my hand though,

so hold your tongue now; don't say a word.

MRS. FAIN. Mirabell, there's a necessity for your obedience: you

have neither time to talk nor stay. My mother is coming; and in my

conscience if she should see you, would fall into fits, and maybe

not recover time enough to return to Sir Rowland, who, as Foible

tells me, is in a fair way to succeed. Therefore spare your

ecstasies for another occasion, and slip down the back stairs, where

Foible waits to consult you.

MILLA. Ay, go, go. In the meantime I suppose you have said

something to please me.

MIRA. I am all obedience.

SCENE VII.

MRS. MILLAMANT, MRS. FAINALL.

MRS. FAIN. Yonder Sir Wilfull's drunk, and so noisy that my mother

has been forced to leave Sir Rowland to appease him; but he answers

her only with singing and drinking. What they may have done by this

time I know not, but Petulant and he were upon quarrelling as I came

by.

MILLA. Well, if Mirabell should not make a good husband, I am a


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lost thing: for I find I love him violently.

MRS. FAIN. So it seems; for you mind not what's said to you. If

you doubt him, you had best take up with Sir Wilfull.

MILLA. How can you name that superannuated lubber? foh!

SCENE VIII.

[To them] WITWOUD from drinking.

MRS. FAIN. So, is the fray made up that you have left 'em?

WIT. Left 'em? I could stay no longer. I have laughed like ten

Christ'nings. I am tipsy with laughingif I had stayed any longer

I should have burst,I must have been let out and pieced in the

sides like an unsized camlet. Yes, yes, the fray is composed; my

lady came in like a NOLI PROSEQUI, and stopt the proceedings.

MILLA. What was the dispute?

WIT. That's the jest: there was no dispute. They could neither of

'em speak for rage; and so fell a sputt'ring at one another like two

roasting apples.

SCENE IX.

[To them] PETULANT drunk.

WIT. Now, Petulant? All's over, all's well? Gad, my head begins

to whim it about. Why dost thou not speak? Thou art both as drunk

and as mute as a fish.

PET. Look you, Mrs. Millamant, if you can love me, dear Nymph, say

it, and that's the conclusionpass on, or pass offthat's all.

WIT. Thou hast uttered volumes, folios, in less than decimo sexto,

my dear Lacedemonian. Sirrah, Petulant, thou art an epitomiser of

words.

PET. Witwoud,you are an annihilator of sense.

WIT. Thou art a retailer of phrases, and dost deal in remnants of

remnants, like a maker of pincushions; thou art in truth

(metaphorically speaking) a speaker of shorthand.

PET. Thou art (without a figure) just one half of an ass, and


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Baldwin yonder, thy halfbrother, is the rest. A Gemini of asses

split would make just four of you.

WIT. Thou dost bite, my dear mustardseed; kiss me for that.

PET. Stand offI'll kiss no more malesI have kissed your Twin

yonder in a humour of reconciliation till he [hiccup] rises upon my

stomach like a radish.

MILLA. Eh! filthy creature; what was the quarrel?

PET. There was no quarrel; there might have been a quarrel.

WIT. If there had been words enow between 'em to have expressed

provocation, they had gone together by the ears like a pair of

castanets.

PET. You were the quarrel.

MILLA. Me?

PET. If I have a humour to quarrel, I can make less matters

conclude premises. If you are not handsome, what then? If I have a

humour to prove it? If I shall have my reward, say so; if not,

fight for your face the next time yourselfI'll go sleep.

WIT. Do, wrap thyself up like a woodlouse, and dream revenge. And,

hear me, if thou canst learn to write by tomorrow morning, pen me a

challenge. I'll carry it for thee.

PET. Carry your mistress's monkey a spider; go flea dogs and read

romances. I'll go to bed to my maid.

MRS. FAIN. He's horridly drunkhow came you all in this pickle?

WIT. A plot, a plot, to get rid of the knightyour husband's

advice; but he sneaked off.

SCENE X.

SIR WILFULL, drunk, LADY WISHFORT, WITWOUD, MRS. MILLAMANT, MRS.

FAINALL.

LADY. Out upon't, out upon't, at years of discretion, and comport

yourself at this rantipole rate!

SIR WIL. No offence, aunt.

LADY. Offence? As I'm a person, I'm ashamed of you. Fogh! How


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you stink of wine! D'ye think my niece will ever endure such a

Borachio? You're an absolute Borachio.

SIR WIL. Borachio?

LADY. At a time when you should commence an amour, and put your

best foot foremost 

SIR WIL. 'Sheart, an you grutch me your liquor, make a bill.Give

me more drink, and take my purse. [Sings]:

Prithee fill me the glass,

Till it laugh in my face,

With ale that is potent and mellow;

He that whines for a lass

Is an ignorant ass,

For a bumper has not its fellow.

But if you would have me marry my cousin, say the word, and I'll

do't. Wilfull will do't, that's the word. Wilfull will do't,

that's my crest,my motto I have forgot.

LADY. My nephew's a little overtaken, cousin, but 'tis drinking

your health. O' my word, you are obliged to him 

SIR WIL. IN VINO VERITAS, aunt. If I drunk your health today,

cousin,I am a Borachio.But if you have a mind to be married, say

the word and send for the piper; Wilfull will do't. If not, dust it

away, and let's have t'other round. Tonyodsheart, where's Tony?

Tony's an honest fellow, but he spits after a bumper, and that's a

fault.

We'll drink and we'll never ha' done, boys,

Put the glass then around with the sun, boys,

Let Apollo's example invite us;

For he's drunk every night,

And that makes him so bright,

That he's able next morning to light us.

The sun's a good pimple, an honest soaker, he has a cellar at your

antipodes. If I travel, aunt, I touch at your antipodesyour

antipodes are a good rascally sort of topsyturvy fellows. If I had

a bumper I'd stand upon my head and drink a health to 'em. A match

or no match, cousin with the hard name; aunt, Wilfull will do't. If

she has her maidenhead let her look to 't; if she has not, let her

keep her own counsel in the meantime, and cry out at the nine

months' end.


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MILLA. Your pardon, madam, I can stay no longer. Sir Wilfull grows

very powerful. Egh! how he smells! I shall be overcome if I stay.

Come, cousin.

SCENE XI.

LADY WISHFORT, SIR WILFULL WITWOUD, MR. WITWOUD, FOIBLE.

LADY. Smells? He would poison a tallowchandler and his family.

Beastly creature, I know not what to do with him. Travel, quotha;

ay, travel, travel, get thee gone, get thee but far enough, to the

Saracens, or the Tartars, or the Turksfor thou art not fit to live

in a Christian commonwealth, thou beastly pagan.

SIR WIL. Turks? No; no Turks, aunt. Your Turks are infidels, and

believe not in the grape. Your Mahometan, your Mussulman is a dry

stinkard. No offence, aunt. My map says that your Turk is not so

honest a man as your ChristianI cannot find by the map that your

Mufti is orthodox, whereby it is a plain case that orthodox is a

hard word, aunt, and [hiccup] Greek for claret. [Sings]:

To drink is a Christian diversion,

Unknown to the Turk or the Persian.

Let Mahometan fools

Live by heathenish rules,

And be damned over teacups and coffee.

But let British lads sing,

Crown a health to the King,

And a fig for your Sultan and Sophy.

Ah, Tony! [FOIBLE whispers LADY W.]

LADY. Sir Rowland impatient? Good lack! what shall I do with this

beastly tumbril? Go lie down and sleep, you sot, or as I'm a

person, I'll have you bastinadoed with broomsticks. Call up the

wenches with broomsticks.

SIR WIL. Ahey! Wenches? Where are the wenches?

LADY. Dear Cousin Witwoud, get him away, and you will bind me to

you inviolably. I have an affair of moment that invades me with

some precipitation.You will oblige me to all futurity.

WIT. Come, knight. Pox on him, I don't know what to say to him.

Will you go to a cockmatch?


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SIR WIL. With a wench, Tony? Is she a shakebag, sirrah? Let me

bite your cheek for that.

WIT. Horrible! He has a breath like a bagpipe. Ay, ay; come, will

you march, my Salopian?

SIR WIL. Lead on, little Tony. I'll follow thee, my Anthony, my

Tantony. Sirrah, thou shalt be my Tantony, and I'll be thy pig.

And a fig for your Sultan and Sophy.

LADY. This will never do. It will never make a match,at least

before he has been abroad.

SCENE XII.

LADY WISHFORT, WAITWELL disguised as for SIR ROWLAND.

LADY. Dear Sir Rowland, I am confounded with confusion at the

retrospection of my own rudeness,I have more pardons to ask than

the pope distributes in the year of jubilee. But I hope where there

is likely to be so near an alliance, we may unbend the severity of

decorum, and dispense with a little ceremony.

WAIT. My impatience, madam, is the effect of my transport; and till

I have the possession of your adorable person, I am tantalised on

the rack, and do but hang, madam, on the tenter of expectation.

LADY. You have excess of gallantry, Sir Rowland, and press things

to a conclusion with a most prevailing vehemence. But a day or two

for decency of marriage 

WAIT. For decency of funeral, madam! The delay will break my

heartor if that should fail, I shall be poisoned. My nephew will

get an inkling of my designs and poison meand I would willingly

starve him before I dieI would gladly go out of the world with

that satisfaction. That would be some comfort to me, if I could but

live so long as to be revenged on that unnatural viper.

LADY. Is he so unnatural, say you? Truly I would contribute much

both to the saving of your life and the accomplishment of your

revenge. Not that I respect myself; though he has been a perfidious

wretch to me.

WAIT. Perfidious to you?

LADY. O Sir Rowland, the hours that he has died away at my feet,


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the tears that he has shed, the oaths that he has sworn, the

palpitations that he has felt, the trances and the tremblings, the

ardours and the ecstasies, the kneelings and the risings, the heart

heavings and the handgripings, the pangs and the pathetic regards

of his protesting eyes!Oh, no memory can register.

WAIT. What, my rival? Is the rebel my rival? A dies.

LADY. No, don't kill him at once, Sir Rowland: starve him

gradually, inch by inch.

WAIT. I'll do't. In three weeks he shall be barefoot; in a month

out at knees with begging an alms; he shall starve upward and

upward, 'till he has nothing living but his head, and then go out in

a stink like a candle's end upon a saveall.

LADY. Well, Sir Rowland, you have the way,you are no novice in

the labyrinth of love,you have the clue. But as I am a person,

Sir Rowland, you must not attribute my yielding to any sinister

appetite or indigestion of widowhood; nor impute my complacency to

any lethargy of continence. I hope you do not think me prone to any

iteration of nuptials?

WAIT. Far be it from me 

LADY. If you do, I protest I must recede, or think that I have made

a prostitution of decorums, but in the vehemence of compassion, and

to save the life of a person of so much importance 

WAIT. I esteem it so 

LADY. Or else you wrong my condescension 

WAIT. I do not, I do not 

LADY. Indeed you do.

WAIT. I do not, fair shrine of virtue.

LADY. If you think the least scruple of causality was an ingredient

WAIT. Dear madam, no. You are all camphire and frankincense, all

chastity and odour.

LADY. Or that 

SCENE XIII.


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[To them] FOIBLE.

FOIB. Madam, the dancers are ready, and there's one with a letter,

who must deliver it into your own hands.

LADY. Sir Rowland, will you give me leave? Think favourably, judge

candidly, and conclude you have found a person who would suffer

racks in honour's cause, dear Sir Rowland, and will wait on you

incessantly.

SCENE XIV.

WAITWELL, FOIBLE.

WAIT. Fie, fie! What a slavery have I undergone; spouse, hast thou

any cordial? I want spirits.

FOIB. What a washy rogue art thou, to pant thus for a quarter of an

hour's lying and swearing to a fine lady?

WAIT. Oh, she is the antidote to desire. Spouse, thou wilt fare

the worse for't. I shall have no appetite to iteration of nuptials

this eightandforty hours. By this hand I'd rather be a chairman

in the dogdays than act Sir Rowland till this time tomorrow.

SCENE XV.

[To them] LADY with a letter.

LADY. Call in the dancers; Sir Rowland, we'll sit, if you please,

and see the entertainment. [Dance.] Now, with your permission, Sir

Rowland, I will peruse my letter. I would open it in your presence,

because I would not make you uneasy. If it should make you uneasy,

I would burn itspeak if it doesbut you may see, the

superscription is like a woman's hand.

FOIB. By heaven! Mrs. Marwood's, I know it,my heart achesget

it from her! [To him.]

WAIT. A woman's hand? No madam, that's no woman's hand: I see

that already. That's somebody whose throat must be cut.

LADY. Nay, Sir Rowland, since you give me a proof of your passion

by your jealousy, I promise you I'll make a return by a frank

communication. You shall see itwe'll open it together. Look you

here. [Reads.] MADAM, THOUGH UNKNOWN TO YOU (look you there, 'tis

from nobody that I know.) I HAVE THAT HONOUR FOR YOUR CHARACTER,


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THAT I THINK MYSELF OBLIGED TO LET YOU KNOW YOU ARE ABUSED. HE WHO

PRETENDS TO BE SIR ROWLAND IS A CHEAT AND A RASCAL. O heavens!

what's this?

FOIB. Unfortunate; all's ruined.

WAIT. How, how, let me see, let me see. [Reading.] A RASCAL, AND

DISGUISED AND SUBORNED FOR THAT IMPOSTUREO villainy! O villainy!

BY THE CONTRIVANCE OF 

LADY. I shall faint, I shall die. Oh!

FOIB. Say 'tis your nephew's hand. Quickly, his plot, swear, swear

it! [To him.]

WAIT. Here's a villain! Madam, don't you perceive it? Don't you

see it?

LADY. Too well, too well. I have seen too much.

WAIT. I told you at first I knew the hand. A woman's hand? The

rascal writes a sort of a large hand: your Roman hand.I saw there

was a throat to be cut presently. If he were my son, as he is my

nephew, I'd pistol him.

FOIB. O treachery! But are you sure, Sir Rowland, it is his

writing?

WAIT. Sure? Am I here? Do I live? Do I love this pearl of India?

I have twenty letters in my pocket from him in the same character.

LADY. How?

FOIB. Oh, what luck it is, Sir Rowland, that you were present at

this juncture! This was the business that brought Mr. Mirabell

disguised to Madam Millamant this afternoon. I thought something

was contriving, when he stole by me and would have hid his face.

LADY. How, how? I heard the villain was in the house indeed; and

now I remember, my niece went away abruptly when Sir Wilfull was to

have made his addresses.

FOIB. Then, then, madam, Mr. Mirabell waited for her in her

chamber; but I would not tell your ladyship to discompose you when

you were to receive Sir Rowland.

WAIT. Enough, his date is short.

FOIB. No, good Sir Rowland, don't incur the law.

WAIT. Law? I care not for law. I can but die, and 'tis in a good


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cause. My lady shall be satisfied of my truth and innocence, though

it cost me my life.

LADY. No, dear Sir Rowland, don't fight: if you should be killed I

must never show my face; or hanged,oh, consider my reputation, Sir

Rowland. No, you shan't fight: I'll go in and examine my niece;

I'll make her confess. I conjure you, Sir Rowland, by all your love

not to fight.

WAIT. I am charmed, madam; I obey. But some proof you must let me

give you: I'll go for a black box, which contains the writings of

my whole estate, and deliver that into your hands.

LADY. Ay, dear Sir Rowland, that will be some comfort; bring the

black box.

WAIT. And may I presume to bring a contract to be signed this

night? May I hope so far?

LADY. Bring what you will; but come alive, pray come alive. Oh,

this is a happy discovery.

WAIT. Dead or alive I'll comeand married we will be in spite of

treachery; ay, and get an heir that shall defeat the last remaining

glimpse of hope in my abandoned nephew. Come, my buxom widow:

E'er long you shall substantial proof receive

That I'm an arrant knight 

FOIB. Or arrant knave.

ACT V.SCENE I.

Scene continues.

LADY WISHFORT and FOIBLE.

LADY. Out of my house, out of my house, thou viper, thou serpent

that I have fostered, thou bosom traitress that I raised from

nothing! Begone, begone, begone, go, go; that I took from washing

of old gauze and weaving of dead hair, with a bleak blue nose, over

a chafingdish of starved embers, and dining behind a traver's rag,

in a shop no bigger than a birdcage. Go, go, starve again, do, do!


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FOIB. Dear madam, I'll beg pardon on my knees.

LADY. Away, out, out, go set up for yourself again, do; drive a

trade, do, with your threepennyworth of small ware, flaunting upon a

packthread, under a brandyseller's bulk, or against a dead wall by

a balladmonger. Go, hang out an old frisoneergorget, with a yard

of yellow colberteen again, do; an old gnawed mask, two rows of

pins, and a child's fiddle; a glass necklace with the beads broken,

and a quilted nightcap with one ear. Go, go, drive a trade. These

were your commodities, you treacherous trull; this was the

merchandise you dealt in, when I took you into my house, placed you

next myself, and made you governant of my whole family. You have

forgot this, have you, now you have feathered your nest?

FOIB. No, no, dear madam. Do but hear me, have but a moment's

patienceI'll confess all. Mr. Mirabell seduced me; I am not the

first that he has wheedled with his dissembling tongue. Your

ladyship's own wisdom has been deluded by him; then how should I, a

poor ignorant, defend myself? O madam, if you knew but what he

promised me, and how he assured me your ladyship should come to no

damage, or else the wealth of the Indies should not have bribed me

to conspire against so good, so sweet, so kind a lady as you have

been to me.

LADY. No damage? What, to betray me, to marry me to a cast

servingman; to make me a receptacle, an hospital for a decayed

pimp? No damage? O thou frontless impudence, more than a big

bellied actress!

FOIB. Pray do but hear me, madam; he could not marry your ladyship,

madam. No indeed, his marriage was to have been void in law; for he

was married to me first, to secure your ladyship. He could not have

bedded your ladyship, for if he had consummated with your ladyship,

he must have run the risk of the law, and been put upon his clergy.

Yes indeed, I enquired of the law in that case before I would meddle

or make.

LADY. What? Then I have been your property, have I? I have been

convenient to you, it seems, while you were catering for Mirabell; I

have been broker for you? What, have you made a passive bawd of me?

This exceeds all precedent. I am brought to fine uses, to become a

botcher of secondhand marriages between Abigails and Andrews! I'll

couple you. Yes, I'll baste you together, you and your Philander.

I'll Duke's Place you, as I'm a person. Your turtle is in custody

already. You shall coo in the same cage, if there be constable or

warrant in the parish.

FOIB. Oh, that ever I was born! Oh, that I was ever married! A

bride? Ay, I shall be a Bridewell bride. Oh!


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SCENE II.

MRS. FAINALL, FOIBLE.

MRS. FAIN. Poor Foible, what's the matter?

FOIB. O madam, my lady's gone for a constable; I shall be had to a

justice, and put to Bridewell to beat hemp. Poor Waitwell's gone to

prison already.

MRS. FAIN. Have a good heart, Foible: Mirabell's gone to give

security for him. This is all Marwood's and my husband's doing.

FOIB. Yes, yes; I know it, madam: she was in my lady's closet, and

overheard all that you said to me before dinner. She sent the

letter to my lady, and that missing effect, Mr. Fainall laid this

plot to arrest Waitwell, when he pretended to go for the papers; and

in the meantime Mrs. Marwood declared all to my lady.

MRS. FAIN. Was there no mention made of me in the letter? My

mother does not suspect my being in the confederacy? I fancy

Marwood has not told her, though she has told my husband.

FOIB. Yes, madam; but my lady did not see that part. We stifled

the letter before she read so far. Has that mischievous devil told

Mr. Fainall of your ladyship then?

MRS. FAIN. Ay, all's out: my affair with Mirabell, everything

discovered. This is the last day of our living together; that's my

comfort.

FOIB. Indeed, madam, and so 'tis a comfort, if you knew all. He

has been even with your ladyship; which I could have told you long

enough since, but I love to keep peace and quietness by my good

will. I had rather bring friends together than set 'em at distance.

But Mrs. Marwood and he are nearer related than ever their parents

thought for.

MRS. FAIN. Say'st thou so, Foible? Canst thou prove this?

FOIB. I can take my oath of it, madam; so can Mrs. Mincing. We

have had many a fair word from Madam Marwood to conceal something

that passed in our chamber one evening when you were at Hyde Park,

and we were thought to have gone awalking. But we went up

unawaresthough we were sworn to secrecy too: Madam Marwood took a

book and swore us upon it: but it was but a book of poems. So long

as it was not a bible oath, we may break it with a safe conscience.

MRS. FAIN. This discovery is the most opportune thing I could wish.


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Now, Mincing?

SCENE III.

[To them] MINCING.

MINC. My lady would speak with Mrs. Foible, mem. Mr. Mirabell is

with her; he has set your spouse at liberty, Mrs. Foible, and would

have you hide yourself in my lady's closet till my old lady's anger

is abated. Oh, my old lady is in a perilous passion at something

Mr. Fainall has said; he swears, and my old lady cries. There's a

fearful hurricane, I vow. He says, mem, how that he'll have my

lady's fortune made over to him, or he'll be divorced.

MRS. FAIN. Does your lady or Mirabell know that?

MINC. Yes mem; they have sent me to see if Sir Wilfull be sober,

and to bring him to them. My lady is resolved to have him, I think,

rather than lose such a vast sum as six thousand pound. Oh, come,

Mrs. Foible, I hear my old lady.

MRS. FAIN. Foible, you must tell Mincing that she must prepare to

vouch when I call her.

FOIB. Yes, yes, madam.

MINC. Oh, yes mem, I'll vouch anything for your ladyship's service,

be what it will.

SCENE IV.

MRS. FAINALL, LADY WISHFORT, MRS. MARWOOD.

LADY. O my dear friend, how can I enumerate the benefits that I

have received from your goodness? To you I owe the timely discovery

of the false vows of Mirabell; to you I owe the detection of the

impostor Sir Rowland. And now you are become an intercessor with my

soninlaw, to save the honour of my house and compound for the

frailties of my daughter. Well, friend, you are enough to reconcile

me to the bad world, or else I would retire to deserts and

solitudes, and feed harmless sheep by groves and purling streams.

Dear Marwood, let us leave the world, and retire by ourselves and be

shepherdesses.

MRS. MAR. Let us first dispatch the affair in hand, madam. We

shall have leisure to think of retirement afterwards. Here is one

who is concerned in the treaty.


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LADY. O daughter, daughter, is it possible thou shouldst be my

child, bone of my bone, and flesh of my flesh, and as I may say,

another me, and yet transgress the most minute particle of severe

virtue? Is it possible you should lean aside to iniquity, who have

been cast in the direct mould of virtue? I have not only been a

mould but a pattern for you, and a model for you, after you were

brought into the world.

MRS. FAIN. I don't understand your ladyship.

LADY. Not understand? Why, have you not been naught? Have you not

been sophisticated? Not understand? Here I am ruined to compound

for your caprices and your cuckoldoms. I must pawn my plate and my

jewels, and ruin my niece, and all little enough 

MRS. FAIN. I am wronged and abused, and so are you. 'Tis a false

accusation, as false as hell, as false as your friend there; ay, or

your friend's friend, my false husband.

MRS. MAR. My friend, Mrs. Fainall? Your husband my friend, what do

you mean?

MRS. FAIN. I know what I mean, madam, and so do you; and so shall

the world at a time convenient.

MRS. MAR. I am sorry to see you so passionate, madam. More temper

would look more like innocence. But I have done. I am sorry my

zeal to serve your ladyship and family should admit of

misconstruction, or make me liable to affronts. You will pardon me,

madam, if I meddle no more with an affair in which I am not

personally concerned.

LADY. O dear friend, I am so ashamed that you should meet with such

returns. You ought to ask pardon on your knees, ungrateful

creature; she deserves more from you than all your life can

accomplish. Oh, don't leave me destitute in this perplexity! No,

stick to me, my good genius.

MRS. FAIN. I tell you, madam, you're abused. Stick to you? Ay,

like a leech, to suck your best blood; she'll drop off when she's

full. Madam, you shan't pawn a bodkin, nor part with a brass

counter, in composition for me. I defy 'em all. Let 'em prove

their aspersions: I know my own innocence, and dare stand a trial.

SCENE V.

LADY WISHFORT, MRS. MARWOOD.


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LADY. Why, if she should be innocent, if she should be wronged

after all, ha? I don't know what to think, and I promise you, her

education has been unexceptionable. I may say it, for I chiefly

made it my own care to initiate her very infancy in the rudiments of

virtue, and to impress upon her tender years a young odium and

aversion to the very sight of men; ay, friend, she would ha'

shrieked if she had but seen a man till she was in her teens. As

I'm a person, 'tis true. She was never suffered to play with a male

child, though but in coats. Nay, her very babies were of the

feminine gender. Oh, she never looked a man in the face but her own

father or the chaplain, and him we made a shift to put upon her for

a woman, by the help of his long garments, and his sleek face, till

she was going in her fifteen.

MRS. MAR. 'Twas much she should be deceived so long.

LADY. I warrant you, or she would never have borne to have been

catechised by him, and have heard his long lectures against singing

and dancing and such debaucheries, and going to filthy plays, and

profane music meetings, where the lewd trebles squeak nothing but

bawdy, and the basses roar blasphemy. Oh, she would have swooned at

the sight or name of an obscene playbookand can I think after all

this that my daughter can be naught? What, a whore? And thought it

excommunication to set her foot within the door of a playhouse. O

dear friend, I can't believe it. No, no; as she says, let him prove

it, let him prove it.

MRS. MAR. Prove it, madam? What, and have your name prostituted in

a public court; yours and your daughter's reputation worried at the

bar by a pack of bawling lawyers? To be ushered in with an OH YES

of scandal, and have your case opened by an old fumbling leacher in

a quoif like a man midwife; to bring your daughter's infamy to

light; to be a theme for legal punsters and quibblers by the

statute; and become a jest, against a rule of court, where there is

no precedent for a jest in any record, not even in Doomsday Book.

To discompose the gravity of the bench, and provoke naughty

interrogatories in more naughty law Latin; while the good judge,

tickled with the proceeding, simpers under a grey beard, and fidges

off and on his cushion as if he had swallowed cantharides, or sate

upon cowitch.

LADY. Oh, 'tis very hard!

MRS. MAR. And then to have my young revellers of the Temple take

notes, like prentices at a conventicle; and after talk it over again

in Commons, or before drawers in an eatinghouse.

LADY. Worse and worse.

MRS. MAR. Nay, this is nothing; if it would end here 'twere well.

But it must after this be consigned by the shorthand writers to the


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public press; and from thence be transferred to the hands, nay, into

the throats and lungs, of hawkers, with voices more licentious than

the loud flounderman's. And this you must hear till you are

stunned; nay, you must hear nothing else for some days.

LADY. Oh 'tis insupportable. No, no, dear friend, make it up, make

it up; ay, ay, I'll compound. I'll give up all, myself and my all,

my niece and her all, anything, everything, for composition.

MRS. MAR. Nay, madam, I advise nothing, I only lay before you, as a

friend, the inconveniences which perhaps you have overseen. Here

comes Mr. Fainall; if he will be satisfied to huddle up all in

silence, I shall be glad. You must think I would rather

congratulate than condole with you.

SCENE VI.

FAINALL, LADY WISHFORT, MRS. MARWOOD.

LADY. Ay, ay, I do not doubt it, dear Marwood. No, no, I do not

doubt it.

FAIN. Well, madam, I have suffered myself to be overcome by the

importunity of this lady, your friend, and am content you shall

enjoy your own proper estate during life, on condition you oblige

yourself never to marry, under such penalty as I think convenient.

LADY. Never to marry?

FAIN. No more Sir Rowlands,the next imposture may not be so

timely detected.

MRS. MAR. That condition, I dare answer, my lady will consent to,

without difficulty; she has already but too much experienced the

perfidiousness of men. Besides, madam, when we retire to our

pastoral solitude, we shall bid adieu to all other thoughts.

LADY. Ay, that's true; but in case of necessity, as of health, or

some such emergency 

FAIN. Oh, if you are prescribed marriage, you shall be considered;

I will only reserve to myself the power to choose for you. If your

physic be wholesome, it matters not who is your apothecary. Next,

my wife shall settle on me the remainder of her fortune, not made

over already; and for her maintenance depend entirely on my

discretion.

LADY. This is most inhumanly savage: exceeding the barbarity of a

Muscovite husband.


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FAIN. I learned it from his Czarish Majesty's retinue, in a winter

evening's conference over brandy and pepper, amongst other secrets

of matrimony and policy, as they are at present practised in the

northern hemisphere. But this must be agreed unto, and that

positively. Lastly, I will be endowed, in right of my wife, with

that six thousand pound, which is the moiety of Mrs. Millamant's

fortune in your possession, and which she has forfeited (as will

appear by the last will and testament of your deceased husband, Sir

Jonathan Wishfort) by her disobedience in contracting herself

against your consent or knowledge, and by refusing the offered match

with Sir Wilfull Witwoud, which you, like a careful aunt, had

provided for her.

LADY. My nephew was NON COMPOS, and could not make his addresses.

FAIN. I come to make demandsI'll hear no objections.

LADY. You will grant me time to consider?

FAIN. Yes, while the instrument is drawing, to which you must set

your hand till more sufficient deeds can be perfected: which I will

take care shall be done with all possible speed. In the meanwhile I

will go for the said instrument, and till my return you may balance

this matter in your own discretion.

SCENE VII.

LADY WISHFORT, MRS. MARWOOD.

LADY. This insolence is beyond all precedent, all parallel. Must I

be subject to this merciless villain?

MRS. MAR. 'Tis severe indeed, madam, that you should smart for your

daughter's wantonness.

LADY. 'Twas against my consent that she married this barbarian, but

she would have him, though her year was not out. Ah! her first

husband, my son Languish, would not have carried it thus. Well,

that was my choice, this is hers; she is matched now with a witness

I shall be mad, dear friend; is there no comfort for me? Must I

live to be confiscated at this rebelrate? Here come two more of my

Egyptian plagues too.

SCENE VIII.

[To them] MRS. MILLAMANT, SIR WILFULL.


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SIR WIL. Aunt, your servant.

LADY. Out, caterpillar, call not me aunt; I know thee not.

SIR WIL. I confess I have been a little in disguise, as they say.

'Sheart! and I'm sorry for't. What would you have? I hope I

committed no offence, auntand if I did I am willing to make

satisfaction; and what can a man say fairer? If I have broke

anything I'll pay for't, an it cost a pound. And so let that

content for what's past, and make no more words. For what's to

come, to pleasure you I'm willing to marry my cousin. So, pray,

let's all be friends, she and I are agreed upon the matter before a

witness.

LADY. How's this, dear niece? Have I any comfort? Can this be

true?

MILLA. I am content to be a sacrifice to your repose, madam, and to

convince you that I had no hand in the plot, as you were

misinformed. I have laid my commands on Mirabell to come in person,

and be a witness that I give my hand to this flower of knighthood;

and for the contract that passed between Mirabell and me, I have

obliged him to make a resignation of it in your ladyship's presence.

He is without and waits your leave for admittance.

LADY. Well, I'll swear I am something revived at this testimony of

your obedience; but I cannot admit that traitor,I fear I cannot

fortify myself to support his appearance. He is as terrible to me

as a Gorgon: if I see him I swear I shall turn to stone, petrify

incessantly.

MILLA. If you disoblige him he may resent your refusal, and insist

upon the contract still. Then 'tis the last time he will be

offensive to you.

LADY. Are you sure it will be the last time? If I were sure of

thatshall I never see him again?

MILLA. Sir Wilfull, you and he are to travel together, are you not?

SIR WIL. 'Sheart, the gentleman's a civil gentleman, aunt, let him

come in; why, we are sworn brothers and fellowtravellers. We are

to be Pylades and Orestes, he and I. He is to be my interpreter in

foreign parts. He has been overseas once already; and with proviso

that I marry my cousin, will cross 'em once again, only to bear me

company. 'Sheart, I'll call him in,an I set on't once, he shall

come in; and see who'll hinder him. [Goes to the door and hems.]

MRS. MAR. This is precious fooling, if it would pass; but I'll know

the bottom of it.


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LADY. O dear Marwood, you are not going?

MRS. MAR. Not far, madam; I'll return immediately.

SCENE IX.

LADY WISHFORT, MRS. MILLAMANT, SIR WILFULL, MIRABELL.

SIR WIL. Look up, man, I'll stand by you; 'sbud, an she do frown,

she can't kill you. Besidesharkee, she dare not frown

desperately, because her face is none of her own. 'Sheart, an she

should, her forehead would wrinkle like the coat of a cream cheese;

but mum for that, fellowtraveller.

MIRA. If a deep sense of the many injuries I have offered to so

good a lady, with a sincere remorse and a hearty contrition, can but

obtain the least glance of compassion. I am too happy. Ah, madam,

there was a timebut let it be forgotten. I confess I have

deservedly forfeited the high place I once held, of sighing at your

feet; nay, kill me not by turning from me in disdain, I come not to

plead for favour. Nay, not for pardon: I am a suppliant only for

pity: I am going where I never shall behold you more.

SIR WIL. How, fellowtraveller? You shall go by yourself then.

MIRA. Let me be pitied first, and afterwards forgotten. I ask no

more.

SIR WIL. By'r lady, a very reasonable request, and will cost you

nothing, aunt. Come, come, forgive and forget, aunt. Why you must

an you are a Christian.

MIRA. Consider, madam; in reality you could not receive much

prejudice: it was an innocent device, though I confess it had a

face of guiltinessit was at most an artifice which love contrived

and errors which love produces have ever been accounted venial. At

least think it is punishment enough that I have lost what in my

heart I hold most dear, that to your cruel indignation I have

offered up this beauty, and with her my peace and quiet; nay, all my

hopes of future comfort.

SIR WIL. An he does not move me, would I may never be o' the

quorum. An it were not as good a deed as to drink, to give her to

him again, I would I might never take shipping. Aunt, if you don't

forgive quickly, I shall melt, I can tell you that. My contract

went no farther than a little mouthglue, and that's hardly dry; one

doleful sigh more from my fellowtraveller and 'tis dissolved.


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LADY. Well, nephew, upon your account. Ah, he has a false

insinuating tongue. Well, sir, I will stifle my just resentment at

my nephew's request. I will endeavour what I can to forget, but on

proviso that you resign the contract with my niece immediately.

MIRA. It is in writing and with papers of concern; but I have sent

my servant for it, and will deliver it to you, with all

acknowledgments for your transcendent goodness.

LADY. Oh, he has witchcraft in his eyes and tongue; when I did not

see him I could have bribed a villain to his assassination; but his

appearance rakes the embers which have so long lain smothered in my

breast. [Aside.]

SCENE X.

[To them] FAINALL, MRS. MARWOOD.

FAIN. Your date of deliberation, madam, is expired. Here is the

instrument; are you prepared to sign?

LADY. If I were prepared, I am not impowered. My niece exerts a

lawful claim, having matched herself by my direction to Sir Wilfull.

FAIN. That sham is too gross to pass on me, though 'tis imposed on

you, madam.

MILLA. Sir, I have given my consent.

MIRA. And, sir, I have resigned my pretensions.

SIR WIL. And, sir, I assert my right; and will maintain it in

defiance of you, sir, and of your instrument. 'Sheart, an you talk

of an instrument sir, I have an old fox by my thigh shall hack your

instrument of ram vellum to shreds, sir. It shall not be sufficient

for a Mittimus or a tailor's measure; therefore withdraw your

instrument, sir, or, by'r lady, I shall draw mine.

LADY. Hold, nephew, hold.

MILLA. Good Sir Wilfull, respite your valour.

FAIN. Indeed? Are you provided of your guard, with your single

beefeater there? But I'm prepared for you, and insist upon my

first proposal. You shall submit your own estate to my management,

and absolutely make over my wife's to my sole use, as pursuant to

the purport and tenor of this other covenant. I suppose, madam,

your consent is not requisite in this case; nor, Mr. Mirabell, your

resignation; nor, Sir Wilfull, your right. You may draw your fox if


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you please, sir, and make a beargarden flourish somewhere else; for

here it will not avail. This, my Lady Wishfort, must be subscribed,

or your darling daughter's turned adrift, like a leaky hulk to sink

or swim, as she and the current of this lewd town can agree.

LADY. Is there no means, no remedy, to stop my ruin? Ungrateful

wretch! Dost thou not owe thy being, thy subsistance, to my

daughter's fortune?

FAIN. I'll answer you when I have the rest of it in my possession.

MIRA. But that you would not accept of a remedy from my handsI

own I have not deserved you should owe any obligation to me; or

else, perhaps, I could devise 

LADY. Oh, what? what? To save me and my child from ruin, from

want, I'll forgive all that's past; nay, I'll consent to anything to

come, to be delivered from this tyranny.

MIRA. Ay, madam; but that is too late, my reward is intercepted.

You have disposed of her who only could have made me a compensation

for all my services. But be it as it may, I am resolved I'll serve

you; you shall not be wronged in this savage manner.

LADY. How? Dear Mr. Mirabell, can you be so generous at last? But

it is not possible. Harkee, I'll break my nephew's match; you shall

have my niece yet, and all her fortune, if you can but save me from

this imminent danger.

MIRA. Will you? I take you at your word. I ask no more. I must

have leave for two criminals to appear.

LADY. Ay, ay, anybody, anybody.

MIRA. Foible is one, and a penitent.

SCENE XI.

[To them] MRS. FAINALL, FOIBLE, MINCING.

MRS. MAR. O my shame! [MIRABELL and LADY go to MRS. FAINALL and

FOIBLE.] These currupt things are brought hither to expose me. [To

FAINALL.]

FAIN. If it must all come out, why let 'em know it, 'tis but the

way of the world. That shall not urge me to relinquish or abate one

tittle of my terms; no, I will insist the more.

FOIB. Yes, indeed, madam; I'll take my bibleoath of it.


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MINC. And so will I, mem.

LADY. O Marwood, Marwood, art thou false? My friend deceive me?

Hast thou been a wicked accomplice with that profligate man?

MRS. MAR. Have you so much ingratitude and injustice to give

credit, against your friend, to the aspersions of two such mercenary

trulls?

MINC. Mercenary, mem? I scorn your words. 'Tis true we found you

and Mr. Fainall in the blue garret; by the same token, you swore us

to secrecy upon Messalinas's poems. Mercenary? No, if we would

have been mercenary, we should have held our tongues; you would have

bribed us sufficiently.

FAIN. Go, you are an insignificant thing. Well, what are you the

better for this? Is this Mr. Mirabell's expedient? I'll be put off

no longer. You, thing, that was a wife, shall smart for this. I

will not leave thee wherewithal to hide thy shame: your body shall

be naked as your reputation.

MRS. FAIN. I despise you and defy your malice. You have aspersed

me wrongfullyI have proved your falsehood. Go, you and your

treacherousI will not name it, but starve together. Perish.

FAIN. Not while you are worth a groat, indeed, my dear. Madam,

I'll be fooled no longer.

LADY. Ah, Mr. Mirabell, this is small comfort, the detection of

this affair.

MIRA. Oh, in good time. Your leave for the other offender and

penitent to appear, madam.

SCENE XII.

[To them] WAITWELL with a box of writings.

LADY. O Sir Rowland! Well, rascal?

WAIT. What your ladyship pleases. I have brought the black box at

last, madam.

MIRA. Give it me. Madam, you remember your promise.

LADY. Ay, dear sir.

MIRA. Where are the gentlemen?


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WAIT. At hand, sir, rubbing their eyes,just risen from sleep.

FAIN. 'Sdeath, what's this to me? I'll not wait your private

concerns.

SCENE XIII.

[To them] PETULANT, WITWOUD.

PET. How now? What's the matter? Whose hand's out?

WIT. Hey day! What, are you all got together, like players at the

end of the last act?

MIRA. You may remember, gentlemen, I once requested your hands as

witnesses to a certain parchment.

WIT. Ay, I do, my hand I rememberPetulant set his mark.

MIRA. You wrong him; his name is fairly written, as shall appear.

You do not remember, gentlemen, anything of what that parchment

contained? [Undoing the box.]

WIT. No.

PET. Not I. I writ; I read nothing.

MIRA. Very well, now you shall know. Madam, your promise.

LADY. Ay, ay, sir, upon my honour.

MIRA. Mr. Fainall, it is now time that you should know that your

lady, while she was at her own disposal, and before you had by your

insinuations wheedled her out of a pretended settlement of the

greatest part of her fortune 

FAIN. Sir! Pretended?

MIRA. Yes, sir. I say that this lady, while a widow, having, it

seems, received some cautions respecting your inconstancy and

tyranny of temper, which from her own partial opinion and fondness

of you she could never have suspectedshe did, I say, by the

wholesome advice of friends and of sages learned in the laws of this

land, deliver this same as her act and deed to me in trust, and to

the uses within mentioned. You may read if you please [holding out

the parchment], though perhaps what is written on the back may serve

your occasions.


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FAIN. Very likely, sir. What's here? Damnation! [Reads] A DEED

OF CONVEYANCE OF THE WHOLE ESTATE REAL OF ARABELLA LANGUISH, WIDOW,

IN TRUST TO EDWARD MIRABELL. Confusion!

MIRA. Even so, sir: 'tis the way of the world, sir; of the widows

of the world. I suppose this deed may bear an elder date than what

you have obtained from your lady.

FAIN. Perfidious fiend! Then thus I'll be revenged. [Offers to

run at MRS. FAINALL.]

SIR WIL. Hold, sir; now you may make your beargarden flourish

somewhere else, sir.

FAIN. Mirabell, you shall hear of this, sir; be sure you shall.

Let me pass, oaf.

MRS. FAIN. Madam, you seem to stifle your resentment. You had

better give it vent.

MRS. MAR. Yes, it shall have vent, and to your confusion, or I'll

perish in the attempt.

SCENE the Last.

LADY WISHFORT, MRS. MILLAMANT, MIRABELL, MRS. FAINALL, SIR WILFULL,

PETULANT, WITWOUD, FOIBLE, MINCING, WAITWELL.

LADY. O daughter, daughter, 'tis plain thou hast inherited thy

mother's prudence.

MRS. FAIN. Thank Mr. Mirabell, a cautious friend, to whose advice

all is owing.

LADY. Well, Mr. Mirabell, you have kept your promise, and I must

perform mine. First, I pardon for your sake Sir Rowland there and

Foible. The next thing is to break the matter to my nephew, and how

to do that 

MIRA. For that, madam, give yourself no trouble; let me have your

consent. Sir Wilfull is my friend: he has had compassion upon

lovers, and generously engaged a volunteer in this action, for our

service, and now designs to prosecute his travels.

SIR WIL. 'Sheart, aunt, I have no mind to marry. My cousin's a

fine lady, and the gentleman loves her and she loves him, and they

deserve one another; my resolution is to see foreign parts. I have

set on't, and when I'm set on't I must do't. And if these two

gentlemen would travel too, I think they may be spared.


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PET. For my part, I say little. I think things are best off or on.

WIT. I'gad, I understand nothing of the matter: I'm in a maze yet,

like a dog in a dancing school.

LADY. Well, sir, take her, and with her all the joy I can give you.

MILLA. Why does not the man take me? Would you have me give myself

to you over again?

MIRA. Ay, and over and over again. [Kisses her hand.] I would

have you as often as possibly I can. Well, heav'n grant I love you

not too well; that's all my fear.

SIR WIL. 'Sheart, you'll have time enough to toy after you're

married, or, if you will toy now, let us have a dance in the

meantime; that we who are not lovers may have some other employment

besides looking on.

MIRA. With all my heart, dear Sir Wilfull. What shall we do for

music?

FOIB. Oh, sir, some that were provided for Sir Rowland's

entertainment are yet within call. [A dance.]

LADY. As I am a person, I can hold out no longer: I have wasted my

spirits so today already that I am ready to sink under the fatigue;

and I cannot but have some fears upon me yet, that my son Fainall

will pursue some desperate course.

MIRA. Madam, disquiet not yourself on that account: to my

knowledge his circumstances are such he must of force comply. For

my part I will contribute all that in me lies to a reunion. In the

meantime, madam [to MRS. FAINALL], let me before these witnesses

restore to you this deed of trust: it may be a means, well managed,

to make you live easily together.

From hence let those be warned, who mean to wed,

Lest mutual falsehood stain the bridalbed:

For each deceiver to his cost may find

That marriage frauds too oft are paid in kind.

[Exeunt Omnes.]

EPILOGUESpoken by Mrs. Bracegirdle.


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After our Epilogue this crowd dismisses,

I'm thinking how this play'll be pulled to pieces.

But pray consider, e'er you doom its fall,

How hard a thing 'twould be to please you all.

There are some critics so with spleen diseased,

They scarcely come inclining to be pleased:

And sure he must have more than mortal skill

Who pleases anyone against his will.

Then, all bad poets we are sure are foes,

And how their number's swelled the town well knows

In shoals, I've marked 'em judging in the pit;

Though they're on no pretence for judgment fit,

But that they have been damned for want of wit.

Since when, they, by their own offences taught,

Set up for spies on plays, and finding fault.

Others there are whose malice we'd prevent:

Such, who watch plays, with scurrilous intent

To mark out who by characters are meant:

And though no perfect likeness they can trace,

Yet each pretends to know the copied face.

These, with false glosses, feed their own illnature,

And turn to libel what was meant a satire.

May such malicious fops this fortune find,

To think themselves alone the fools designed:

If any are so arrogantly vain,

To think they singly can support a scene,

And furnish fool enough to entertain.

For well the learned and the judicious know,

That satire scorns to stoop so meanly low,

As any one abstracted fop to show.

For, as when painters form a matchless face,

They from each fair one catch some diff'rent grace,

And shining features in one portrait blend,

To which no single beauty must pretend:

So poets oft do in one piece expose

Whole BELLES ASSEMBLEES of coquettes and beaux.

End of The Project Gutenberg Etext of The Way of the World by William Congreve


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1. Table of Contents, page = 3

2. The Way of the World, page = 4

   3. William Congreve, page = 4

   4. ACT I.--SCENE I., page = 7

   5. ACT II.--SCENE I., page = 21

   6. ACT III.--SCENE I., page = 36

   7. ACT IV.--SCENE I., page = 54

   8. ACT V.--SCENE I., page = 71