Title:   NO TIME FOR MURDER

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Author:   Maxwell Grant

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NO TIME FOR MURDER

Maxwell Grant



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Table of Contents

NO TIME FOR MURDER................................................................................................................................1

Maxwell Grant.........................................................................................................................................1

CHAPTER I .............................................................................................................................................1

CHAPTER II ............................................................................................................................................4

CHAPTER III..........................................................................................................................................7

CHAPTER IV........................................................................................................................................11

CHAPTER V.........................................................................................................................................14

CHAPTER VI........................................................................................................................................18

CHAPTER VII .......................................................................................................................................21

CHAPTER VIII.....................................................................................................................................24

CHAPTER IX........................................................................................................................................28

CHAPTER X.........................................................................................................................................31

CHAPTER XI........................................................................................................................................35

CHAPTER XII .......................................................................................................................................38

CHAPTER XIII.....................................................................................................................................41

CHAPTER XIV.....................................................................................................................................45

CHAPTER XV......................................................................................................................................48

CHAPTER XVI.....................................................................................................................................51

CHAPTER XVII ....................................................................................................................................55

CHAPTER XVIII ...................................................................................................................................58

CHAPTER XIX.....................................................................................................................................62

CHAPTER XX......................................................................................................................................66


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NO TIME FOR MURDER

Maxwell Grant

CHAPTER I 

CHAPTER II 

CHAPTER III 

CHAPTER IV 

CHAPTER V 

CHAPTER VI 

CHAPTER VII 

CHAPTER VIII 

CHAPTER IX 

CHAPTER X 

CHAPTER XI 

CHAPTER XII 

CHAPTER XIII 

CHAPTER XIV 

CHAPTER XV 

CHAPTER XVI 

CHAPTER XVII 

CHAPTER XVIII 

CHAPTER XIX 

CHAPTER XX  

CHAPTER I

HIGH above Manhattan's narrow streets, the lights of the penthouse  twinkled like the beacons on a

mountainside. 

Below the penthouse gulped a manmade canyon; on the other side,  across another crevice, loomed the

mightier mass of a silent office  building, towering like a protecting summit shielding the refuge from  harm. 

Yet there was terror in that isolated penthouse that hung balanced  between black depths and bulking

whiteness. Stark terror that dominated  every action of the haggard, hunted man who dwelt there. 

Like a trapped beast, the man was roving the rooms of his luxurious  retreat, flicking off lights, turning them

on again in obedience to  everchanging whims. He wanted light as a protection against his fear,  but he felt

that darkness would in turn be the best safeguard against a  living menace. 

Pacing through a modernistic bedroom, the man paused in  stoopshouldered style, to study his own wan

features in a mirror set  between two lighted wall brackets. His face, long and gaunt, was white  to the crest of

his bald forehead, and the fear of years was expressed  by twitching wrinkles. 

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His lips were twitching too, more nervously than Rufus Debley had  ever seen them act before. He tried to

tighten his chattering teeth,  but his lips still quivered. Then his hands, clawing the glass surface  of the table

below the mirror, did their part to assuage his dread. 

Instinctively those hands groped to a drawer; fumbling they drew it  open. A sharp hiss sighing through his

gritted teeth, Debley clutched  the feathered thing that lay in the drawer. His eyes lowered to view  the curious

effigy with the scarlet feathers and woodcarved human face  and with that glance, Debley regained at least a

modicum of  selfcontrol. 

"The Quetzal!" Glancing upward, Debley stared at his reflected  face. "I still have it. Why should I fear its

threat after all these  years?" 

In answer, Debley's reflection hardened. The years that he had  mentioned seemed to wipe themselves from

his face, lines and all. With  a leer of contempt, Debley flung the Quetzal image into the drawer and  shoved

the latter shut. Hands no longer trembling, he reached to the  wall brackets and turned them off. Shoulders

straightening, the gaunt  man stalked toward his living room. 

At the doorway, new fright gripped him and in a trice, Debley had  become his cringing self again. Hands

raised pleadingly, he was backing  into the darkened bedroom, gasping for mercy as though he did not  expect

it. Stumbling against a chair, Debley flattened and lay moaning  until nothing happened. 

The sound from the living room, the thing that had so disturbed the  fearridden man, was nothing more than

the flapflap of a window shade  propelled by the slight opening above the sash. As this fact dawned on

Debley, it allayed his panic; coming to his feet, he strode through the  living room and delivered a confident

smirk toward the pane of the  offending window. 

Again, Debley's countenance grinned back at him. No longer haggard,  it seemed to announce that no danger

could lurk outside, since this  window, like the rest in the penthouse, overlooked sheer space through  which

nothing less agile than a mountain goat could navigate. 

There was just one false note in the laugh that Debley forced  between his teeth. 

The reflection showed because of the penthouse lights. By the same  token, Debley's gaze was unable to

penetrate the outside darkness. He  wanted to assure himself that such blackness was empty; hence with a

return of his old fervor, Debley sprang about the living room,  extinguishing lights everywhere. 

When only one light remained, Debley was gripped by his old alarm.  Darkness with its encroaching gloom,

carried a menace all its own. Here  was the spectacle of a fearmaddened man, shrinking from the very

darkness which he hoped would shield him, seeking refuge in the only  corner of the room where a light still

glowed. 

From that vantage point  if it could be called such  Rufus Debley  darted his wild eyes to every cranny as

though expecting some specter  of the past to rise and devour him. His frenzy, ever on the increase,  drew

beads of sweat from his high forehead, while his lips, parched by  the same fear, demanded moisture which

Debley supplied with quick  nervous licks from his tongue. 

Singular how the gloom created noises of its own, more horrendous  than the visual phantasms which Debley

expected but did not see! 

From somewhere in the darkened penthouse came a sharp clickclack  that might have been anything from

the opening of a window to the door  of the elevator. It might even have been the door of the fire tower,  for


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Debley, forgetting his terror for the moment, was nudging himself  toward the hallway to stare at a red light

shining from the corridor's  end. 

Then, startled by a rattle from another direction, the  fearstricken man was plunging back to the lighted

corner which he had  personally turned into an oasis amid this desert of thickened gloom.  His hand, plucking

as though to grasp a weapon, found a telephone  parked upon a small stand. 

The rattling sound was a trifle, apparently nothing more than the  joggle of a metal ashstand, disturbed by

Debley's hurried footsteps  across the floor. Nevertheless, the man was glad that he could still  establish

communication with someone outside the penthouse, for he  lifted the telephone and began to dial a number.

After a few fumbles,  Debley completed the operation and was rewarded by a voice across the  wire, even

though it was not the one he expected to hear. 

"Hello... Tolland?" Debley was hoarse with anxiety. "No, you won't  do! I must talk to Tolland... Yes, I mean

Colonel Tolland..." 

The pause that followed was not to Debley's liking. His next words  were savage, so fierce that seemingly they

buried his fear. 

"It's life or death I tell you! Only the Colonel would  understand... He'll talk to me if you let him know it's

Debley on the  wire... I don't care if he's sending someone... I must talk to Colonel  Tolland..." 

The call ended with the abrupt click of the receiver from the other  end. Cut off from the outside world,

Debley became frantic, His  attempts to dial another number failed three times before he managed  it; this time

when a voice came, Debley fairly panted his message. 

"Inspector Cardona? Yes, this is Rufus Debley... That's right, the  commissioner told me I could call you... It's

here, inspector, the  thing that means death... No, not just the Quetzal image. I mean death  itself... 

"Listen!" Debley cupped his hand around the mouthpiece, hoping it  would pick up sounds like a microphone;

"You can hear it creeping...  Yes, creeping through the darkness... Lights? Why should I turn on  lights? So

death can find me? 

"It isn't human, the thing that seeks me... It may have been human  once, but now..." Debley's pause included

a deep gulp. "But now, well  maybe it's a ghost... A killer's ghost, that drives me to  destruction... Listen!

You'll hear why I can't stand it any longer..." 

Real though his terror was, it did not totally suppress Debley's  ingenuity. He was hoping that Cardona would

hear something, the  flapping of that window shade that had scared Debley personally with  its uncanny

flapping. But the shade was no longer obliging; its sound  no longer came. Over the phone, Cardona's gruff

voice admonished Debley  to "hold tight" and with that there was another receiver click. 

Letting the phone slip back to its stand, Debley raised his head  and stiffened. He'd worked up his imagination

to the pitch of stark  realism, for now he fancied that he could hear those creeps that he had  mentioned. If the

recipients of Debley's phone calls doubted Debley's  sanity, they were not alone in the opinion. Debley now

was willing to  grant that he was mad. 

Twitching fingers kept time to those creeping sounds that Debley  thought he heard, until the slowing of his

hands indicated that the  illusion had diminished. Then, coming to his feet, Debley crossed the  room and

reached the darkened window, glancing back across his stooped  shoulder as though expecting a creeping

shape to pounce upon him. 


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At the window, Debley forced a laugh and looked out into the dark.  He could see the lights of other buildings

through a drizzly mist and  no longer was he troubled by sight of his own reflection, since it was  not there.

What bothered him was the shade, for Debley couldn't  understand its silence until he raised it; then his eyes

became  incredulous. 

No longer was the window lowered those few inches from the top. It  was tightly shut and its catch was

locked! 

Debley's senses, like his sanity, were now in doubt unless the  fault belonged to his memory. He hadn't any

recollection of having  closed that window; in fact, it had been open those few inches only  because the sash

was stuck and Debley lacked the strength to force it  shut. To have managed this unconsciously strained even

Debley's  exaggerated imagination, yet the mere suggestion aroused another and  more potent doubt. 

Turning suddenly from the window, Debley crossed the darkened  living room with the groping stride of a

blind man. Finding the door of  the bedroom he entered and stumbled his way to the table by the wall.  There

without reaching for the lights, he gripped the table drawer and  dragged it open; his hands made a quick

snatch for the feathered doll  with the beakshaped wooden profile. 

Out came those same hands, palms up, their fingers twitching into  fists. A spasm quivered Debley's shoulders

as his lips delivered a  truly terrorized cry. For months Debley had preserved a token which  stood for

impending doom, yet somehow its possession had given him the  belief that he could thwart its menace. 

Tonight, Debley's courage had broken. To regain it he wanted to  clutch the effigy that threatened death but

had not killed. One grip of  that feathered doll would have sustained Rufus Debley until friends  arrived, but

his hope was to be unfulfilled. 

The Quetzal image was gone! 

CHAPTER II

LONG and fearful were the moments that held Debley in their rigid  spell. Through the man's frantic brain

teemed sounds that he knew were  very real. Real elsewhere, but not here, unless they were being carried

through the ether from a spot both strange and distant. 

Those sounds that grew in Debley's mind were the thrumming beats of  Aztec drums; maddening, ceaseless

tattoos that belonged to the peaks  and canyons of the Mexican mountains, not among the fissured towers of

Manhattan. 

Strums of death! 

As they had hounded others, so were they seeking Debley, whose  brain was now too distraught to tell the real

from the false. Debley  knew only that the impossible had happened twice: first, the closing of  the jammed

window; again, the disappearance of the Quetzal doll. Two  events that could not be, yet were; both occurring

in a place that  could only be reached by Debley's one trusted friend, Colonel Tolland,  who was too ill to visit

him! 

No wonder that Debley thought he heard those drums from the past,  dread symbols of the immediate future.

Only a hand of fate could have  invaded here; and the clutch of its murderous fingers was meant for one  man

only: Rufus Debley. 


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Then came the clang that by its reality broke the hammering of the  mythical drum beats. Debley recognized

the sound of the elevator door,  proving that a friend was here. One man alone had a duplicate of the  intricate

key that Debley used to bring the car to the penthouse level.  Colonel Tolland must have changed his mind

and ventured through the  drizzly night to learn the cause of Debley's fears. 

Taking a deep breath, Debley pressed a hand across his forehead as  he turned toward the living room door.

But it wasn't sweat that his  palm found there. Mystified, Debley stood momentarily rigid; then swung  about,

aghast. 

In the bedroom was another window, not far from the table from  which the Quetzal doll has disappeared. The

bedroom window, as Debley  recalled it, had been tightly locked, but it was no longer. Wide open,  it was

letting in the drizzle, and Debley, frantic over the  disappearance of the Quetzal, had been oblivious to the

dampening rain  against his face! 

No longer oblivious, Debley gave a cry as he stumbled toward the  living room. He heard creaking footsteps

from the hall, louder than the  creeping sounds that he had fancied earlier, and a low, cautious call  came from

the same direction. Debley voiced a cry of welcome that  stopped as suddenly as it began. 

Something long and slender, slicking with the speed of a whip lash,  wrapped itself around Debley's neck and

ended his vocal effort. That  same coil hauled the frantic man from his feet and tumbled him back  toward the

window, producing the clatter of an overturning chair along  with the thump of Debley's body. 

Strong arms in the darkness were hoisting Debley up from the floor,  literally somersaulting him toward the

window as he tugged at the ropy  strand that twined his neck. Only as he struck the sill did Debley  realize that

he was aimed for a quicker death than strangulation. The  rope was already releasing itself when Debley

snatched for the sides of  the window. 

All was as futile as it was frantic. 

The rescuer, who came charging through from the living room, caught  only a muddled glimpse of Debley's

tumble across the drizzledrenched  sill. The darkness was almost impenetrable, certainly too thick to  reveal

the murderer who had made the death toss, Debley was visible  only because his dressing gown, flinging

across his head, disclosed the  white shirt beneath it. But there was no mistaking the fact that the  plunging

object was a human bound to certain destruction. 

Reaching the window, the man from the living room stopped short the  moment that his hands touched the

slippery sill. Perhaps he erroneously  supposed that Debley's plunge had been the result of an accidental  skid,

or it might have been instinctive precaution that halted him,  when he felt the cold dampness of the

woodwork. 

Certainly, instinct had much to do with his sudden turnabout and  the way he sidestepped to a corner of the

room. There, crouching in the  blackness, the arrival drew a gun and listened. However taut his  nerves, they

weren't disturbed by the imaginary beats of Aztec drums.  What this listener heard was very real, though it

was something which  Debley had doubted earlier. 

The sound was a slow creeping noise moving through the only exit,  the doorway leading to the living room.

Following it was a slithery  sound, like that of a snake working its way along a floor. 

Roused to sudden action the man from the corner became a lunging  figure of vengeance. Gun ahead of him,

he drove out from the bedroom  and through the living room toward the hall. One glance across the  lighted

living room told him that it was empty. 


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That left the hallway as the only choice. The door of the elevator  was closed, and the only light in the hallway

came from the red bulb  that marked the fire exit. 

Below the red light, blackness. 

Out of that blackness surged a figure that wasn't waiting to be  challenged. Nor was there any hesitation from

the doorway of the living  room. There, a fighter followed the line of his own aiming gun, lunging  before he

fired. The close range would have favored him, if it hadn't  been for the speed of the man he sought to

intercept. They locked a  moment before one could tug his trigger. 

Gun shots, when they came, were diverted upward. Bullets pounded  the steel ceiling and ricocheted along the

hall. Amid the fiery spurts,  two figures twirled in a fantastic tussle under the weird glow of the  unblinking red

bulb. It was as if the mad imagination of Debley's  halfdemented mind had given birth to eerie creatures that

survived  him, judging by the way the grapplers faded and reappeared in the  halflight. 

One fighter was responsible for the double illusion. He was cloaked  in black, his head topped by a slouch hat

that totally concealed his  features in the gloom. The other man was of more than average build and  wiry in

action; striving to clutch his adversary, he became partly  wrapped in the latter's cloak. 

It was grimly reminiscent of Debley's fate, this struggle. Once  enveloped in the folds of his own dressing

gown, Debley had been lost,  an easy prey to a murderer's final stroke. The man who had been too  late with

rescue realized this and was fighting against becoming the  victim of a similar climax. All the more ominous

was the fact that the  fray was carrying both men along the hall toward a window that opened  on the far side

of the penthouse. 

That window was a square of blackness and through it swirled the  drizzle. This window gave promise of aid

in avenging Debley's death. 

Such was the thought of the belated rescuer who had failed to save  Debley's life. Straining to the full, he tried

to fling his opponent  through the opening, but the twist of their grapple veered them. They  reeled away, then

back again with a most surprising result. As they  reached the window, the drizzle no longer greeted them.

Instead of  encountering space, sideward lunging shoulders glanced against a solid  pane! 

How or why the window had closed itself concerned the battlers only  so far as it had been eliminated as a

factor in the struggle.  Zigzagging along the hall they bounced from wall to wall until they  neared the doorway

into the living room, where suddenly they broke  apart. 

It was the cloaked member of the pair who dived into the living  room, coming suddenly about with a drawn

gun to answer any shots that  his opponent might provide. But the other man did not recover from  amazement

in time to resume the fray. Across the hall, he was still  grabbing for a vanished foe when his hand clutched

the elevator door.  On impulse, he yanked it open and sprang inside the car. 

By the time a streak of living blackness launched from the living  room, the elevator was rumbling downward.

Instead of halting, the  cloaked figure kept on to the door of the fire tower, beneath the red  light. There,

briefly, this mystery fighter was tangibly revealed,  enough so to identify himself by the title which had made

him famous. 

He was The Shadow, master crimehunter, whose enigmatical ways were  a terror to men of evil. Yet tonight,

despite his uncanny prowess, The  Shadow had encountered complications as puzzling as those that he

himself produced. 


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To anyone other than The Shadow, this would have marked the end of  a trail; but as his cloaked form merged

with the darkness of the fire  tower, a strange, whispered laugh filtered back through the  selfclosing door. 

That tone told that where this adventure was concerned, the episode  in Debley's penthouse marked the

beginning, not the climax! 

CHAPTER III

THE old brownstone mansion stood silent, almost lonely, as though  huddling against the drizzle that swept

the obscure side street. It  wasn't the only building in the block, but it gave that impression when  compared to

the houses that flanked it. 

It looked like the patriarch of the block, this house, but it was  actually the youngest of the row. It had been

built by someone who  wanted to improve the neighborhood, but nobody else had followed the  example. So

there it stood, a brownstone scarecrow of the nineties,  supported by brick relics of the eighties, all forgotten

in the wake of  time. 

There were a few lights in the brownstone mansion, all dim and deep  within their windows, but the man from

the drizzle scanned them closely  before approaching the steps. Then, as an added precaution, he looked

across his shoulders to make sure that no one was watching him from the  street. Satisfied that he was

unobserved, he muffled himself deep in  his dark raincoat and went up the steps. 

At the door, the man had trouble with his keys. He carried them  loose in his pocket and one key in particular

bothered him. It was the  size of a door key, but thinner, and the muffled man finally solved the  problem by

putting this key in his vest pocket; then, from among the  others, he found the one that unlocked the front

door. 

Coming into a large and gloomy vestibule, the muffled man removed  his hat and raincoat, hanging them on a

large oldfashioned hatrack.  Opening an inner door he stepped into a large hallway, darting quick  glances

from left to right. Seeing no one, he began stealing toward a  stairway, only to halt and turn suddenly as solid

footsteps came from  the rear of the hall and a stolid voice inquired: 

"Is that you, Mr. Gregg?" 

The man from the night finished his quick turnabout at a table  where some mail was lying stacked. His tone

was nonchalant as he  replied: 

"Yes, Sarge. I just came in. I was stopping to see if I had any  mail." 

As he spoke, the nonchalant man found a letter that was addressed  to Gregg Tolland. He kept his face turned

as he opened the letter, but  the mirror beyond the table showed his features. In this mild light,  Gregg Tolland

might have been termed handsome, but the illumination was  much in his favor. There were sharp lines in his

face that gave it a  bitter expression. Still, the expression could have been attributed to  strain, for Gregg was

nervous even though he did his best to conceal  it. 

In comparison, the man called Sarge was as stonyfaced as a Mayan  idol and equally blunt in speech. He put

his next question directly and  abruptly: 

"Did you go to Debley's?" 


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Gregg nodded from the mirror. Then: 

"I went there, but I didn't see him. There was some excitement  around the place." 

Sarge had stepped close. His blunt face showed plainly in the  light, a blunt, faithful countenance that fitted

his husky build. He  was the sort of man who either spoke his thoughts directly or said  nothing. This was a

time when he preferred to speak: 

"Perhaps I should notify your uncle." 

At Sarge's statement Gregg wheeled from the table, clutching the  letter in his hand. His tone was sharp and

defiant with a trace of  obstinacy. 

"I told you there was excitement at Debley's. Do you want to alarm  my uncle? You know how he has been

acting lately, living over his past,  muttering about those dreams of his." 

For a moment, Sarge's deep eyes glared with wakening anger. Then  with what seemed a reserve cultivated

through years of long training,  Sarge nodded. 

"You are right, Mr. Gregg," said the stolid man. "Still, the  colonel will ask why you did not talk to Debley." 

"Tell him I forgot the key," returned Gregg. From his trouser's  pocket he produced the loose group. "Look for

yourself so you can say I  didn't have it." 

"But the colonel reminded you " 

"Of course he did, and I forgot. After all, who would remember a  key to an elevator door? Of all the absurd

notions! When I realized I  didn't have the key, I knew I couldn't go up to Debley's penthouse, so  I came

home. I'll tell my uncle tomorrow. If he wants, I can see Debley  then." 

Sarge was still doubtful. 

"But the letter said the key was very important," he reminded. "I  can't see how you forgot it, Mr. Gregg." 

There were footsteps coming down the stairs, but Gregg gave them no  attention. Less nervous than before, he

was facing Sarge in the light,  and the thrust of Gregg's chin gave his features a strength that  appeared as a

genuine expression. 

"The letter came to my uncle," announced Gregg firmly. "It may have  been important to him, but not to me.

After all, I receive important  mail of my own"  he brandished the letter in his hand  "this letter,  for

instance." 

Sarge nodded his head as though he intended to bow out. Meanwhile,  the footsteps were reaching the bottom

of the stairs. 

"And may I ask you a question, Sarge?" demanded Gregg, sharply.  "Have you been looking after my uncle

while I was gone? Just what is he  doing now?" 

"He is asleep," replied Sarge. "He didn't want to be disturbed, so  he said." 

"What could have disturbed him?" 


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"There was a telephone call." 

"From whom?" 

"From Mr. Debley. I told him you were on your way to see him." 

"But you didn't mention it to my uncle?" 

"Of course not. I have already mentioned that the colonel was  asleep." 

The footsteps had stopped. Accompanying them was a man younger than  Gregg Tolland, but firmer of face

and in a sense more mature. He had  the square features of the Tollands, but his manner was casual, his  poise

unruffled. He didn't need to thrust his chin to add emphasis to  his words. More on the handsome side than

Gregg, this newcomer was  quite satisfied with his appearance as it was. 

"Hello, Cousin Gregg," he said coolly. "So you didn't see Debley  after all. Too bad, with Sarge and myself

waiting so patiently to hear  what was worrying the old coot." 

"I'll thank you to keep out of this, Dave," returned Gregg. "If you  heard what I said to Sarge, it stands." 

"Of course." Dave gave an indifferent nod. "I just didn't want you  to forget that I'm part of the Tolland

family, too." 

"You can remind Uncle Jeremy of that," asserted Gregg. "I'm going  upstairs to see him now." 

Before Gregg could reach the stairs, Sarge's heavy hand was  clamping on his arm. 

"The colonel is asleep, Mr. Gregg." 

"All right, I'll waken him." 

"Sorry, Mr. Gregg. He said he wasn't to be disturbed." 

Savagely, Gregg flung the opened letter back on the table as though  he wanted his hands free to deal with

Sarge. Looking beyond the stolid  man, Gregg saw Dave, standing with folded arms, smiling from the foot  of

the stairs. His chin losing something of its thrust, Gregg spoke in  a growl: 

"Since there are two of you, I'll forget it. I'll give the key back  to Uncle Jeremy in the morning; that is, if I can

find it in my room." 

Before Dave could supply some appropriate bit of sarcasm, the  impending altercation was forgotten. The

threecornered discussion  became trivial compared with events upstairs. From somewhere on the  second

floor, a door banged open, and with it came an unearthly shriek  that carried murder in its cry. 

Rooted, the three men could only stare dumbly upward as they heard  the sound of rapid, scuffling footsteps

approaching the head of the  stairs. Again, the shriek horrified them and with it, a grayhaired man  came

lunging into sight, a dressing gown trailing behind him. 

It was Colonel Tolland, the man who had insisted upon having his  sleep. He was wearing slippers and his

dressing gown served instead of  coat and vest; otherwise he was completely dressed. But the wild look  in his

gray, glazed eyes gave the impression that he was viewing a  horde of devils somewhere on a level with his


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gaze, which was directed  straight beyond the top of the stairs. 

Sarge sprang to action. 

"Another nightmare!" Starting up the stairs, the brawny man added a  warning: "Look out, Colonel! You'll be

falling down the stairs!" 

Already on the brink; the grayhaired colonel caught the banister  and stopped his tumble. Clinging there he

shook his head in dazed  fashion, finally relaxing and spilling sideward into Sarge's arms by  the time the

servant had arrived. Absorbing the colonel's fall, Sarge  retreated down the stairs, steadying old Tolland as he

came. By the  time they were at the bottom, Colonel Tolland was shaking his head and  recognizing the other

faces. 

It was Dave, not Gregg who supplied the next response. Stepping  quickly across the hall, the younger nephew

turned on the lights in a  living room and called: 

"Bring him in here, Sarge." 

"I'm all right." There was a slight crack in the colonel's tone.  "Just another dream  only another dream " 

Sarge was guiding old Tolland to the living room. There, the  colonel settled in a chair and fumbled in his

pocket for a ring of keys  which he finally produced. 

"He wants brandy," added Dave. "Get it, Sarge, from the study." 

Taking the keys, Sarge crossed the hall and unlocked another door,  turning on lights beyond it. By then, old

Jeremy Tolland was staring  from one nephew to the other, finally centering his gaze on Gregg. 

"You're back, Gregg!" exclaimed old Jeremy. "Then you've seen  Debley " 

Halting, old Jeremy drew himself erect in his chair and amended his  own words: 

"But you couldn't have seen Debley! I was dreaming about him! I saw  him falling, falling off from a high

cliff, the way Clavier fell " 

Sarge was coming with the brandy and his interruption was timely  where Gregg was concerned. Trying to

find words, the elder nephew was  failing badly when Sarge interrupted: 

"Drink this, colonel." 

"But I've got to know about Debley!" insisted Jeremy, pressing the  brandy aside. "It was another of those

dreams"  he was turning his  head around the group  "those dreams that never fail. Tell me, Gregg  " 

Again there was an interruption, this time from the telephone bell.  It was Sarge who answered the call and

conducted a short, blunt  conversation while the rest listened tense. Then, hanging up, Sarge  stated simply,

stolidly: 

"You were right, Colonel. Debley is dead. He fell from his  penthouse window half an hour ago." 

His head lowered in resignation old Jeremy Tolland started slowly  toward the stairs, and this time it was his

favored nephew Gregg who  supported him. Stolid as ever, Sarge watched the pair until they  reached the


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second floor; meanwhile Dave, in that casual way of his,  was stepping over to the table by the mirror. 

"Look Sarge." Dave's low tone broke the silence. "This is what  Gregg called an important letter." 

Dave handed the opened envelope to Sarge. In it, the latter found  an advertising sheet offering shirts and

neckties at bargain prices.  Raising his deepset eyes, Sarge met Dave's keen gaze and gave a slow,

understanding nod that retained but little of his usual reservation. 

"Better turn out the lights," suggested Dave, coolly. "We can talk  about this tomorrow  after we know

more." 

Lights blinked off in the old mansion, darkening the living room  and the study opposite. Viewed from the

street they were like vanishing  beacons telling that this house alone had been subjected to some  unusual

disturbance. 

Across the street, a figure watched the old mansion blacken through  the drizzle; then that same form turned

and blended with the darkness.  Gloved hands drew the folds of a dampened cloak more tightly as unseen  lips

whispered a strange, significant laugh. 

CHAPTER IV

POLICE COMMISSIONER WESTON regarded suicide a nuisance and did not  hesitate to say so. He felt that

Debley's death was a case in point. 

Seated in the grill room of the Cobalt Club, his favorite stopping  place after office hours, Weston felt free to

express his opinion to a  pair of interested parties. 

One was Weston's friend Lamont Cranston, a calmfaced gentleman who  made a good listener; the other was

old Colonel Jeremy Tolland who also  was a member of the exclusive Cobalt Club. 

"Debley was scared by his own imagination," defined Weston. "Scared  to the point where he was ready to do

anything that would bring escape  from his fear. So he found his refuge, a few dozen stories down, right  in the

middle of the sidewalk." 

Cranston's expression remained unchanged, which made Weston wonder  whether or not his friend was

convinced. As for the old colonel, his  square features simply sagged. 

"You were here, Cranston, the first time Debley called," reminded  Weston. "That was two nights ago.

Remember?" 

Cranston nodded. 

"I could have gone directly to Debley's," conceded Weston, "but the  man talked like a fanatic. In fact, he

didn't even ask me to come  there; he just wanted me to stand by in case he had trouble from some  image

called a Quetzal." 

"An effigy of an Aztec god," confirmed Cranston. "Debley probably  brought it back from Mexico. Am I

right, Colonel Tolland?" 

Old Jeremy nodded, his expression listless. 


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"Yes, Debley had been in Mexico," affirmed Jeremy. "That was where  I first met him, some years ago." 

"But what about the Quetzal image?" demanded Weston. "What could it  mean?" 

Jeremy's eyes gave a mild but steady stare. 

"It might mean death, Commissioner." 

"Then what became of it? Inspector Cardona searched the premises  and couldn't find it. Do you think that

Debley actually had such an  effigy?" 

Slowly, Jeremy shook his head and the action prompted Weston to  another question: 

"Why don't you think he had it, colonel?" 

"Because if it did mean death," replied Jeremy, "Debley could not  have kept it long. The curse of the Quetzal

is swift, Commissioner  if  it really is a curse." 

It was Cranston who recognized how equivocal Jeremy's statement  was, but Weston took it as support of his

own argument. Hence Weston  proceeded: 

"Consider the absurd precautions that Debley took. He began by  harboring himself in the most isolated

penthouse that he could find,  perched among office buildings rather than apartment houses." 

As evidence, Weston introduced a photograph of the penthouse and  its building, studded with a dotted line

which began with the window  from which Debley had plunged and curved down to his landing spot. 

To Cranston, the picture was more graphic than Weston supposed. The  commissioner's friend was studying it

from other angles. He was noting  the much taller building that towered across the street from Debley's  on the

side where the living room window faced. 

That higher structure was a Gothic skyscraper, a gingerbread  product of the premodernistic period. It rose

almost straight and its  infrequent ledges were very narrow, ornamented with quaint posts that  bulged from the

low stone parapets. It was an archaic type of  decoration that some oldfashioned architect had included with

his  plans. 

Cranston's eyes moved slightly, slowly, as though visualizing a  pendulum swing from one of those stone

geegaws. Next he noted that the  ledge surrounding Debley's penthouse was similarly embellished with a

sparse row of solemn gargoyles that peered like stone sentinels. 

Perhaps it was purely a coincidental thought that brought a dry,  morose chuckle from Colonel Jeremy. 

"Poor Debley," commented Jeremy. "Maybe when he came home he looked  up at his penthouse and saw one

of those gargoyles. Such a face would  make him think of Quetzal." 

"Debley never left the penthouse," put in Weston. "That was another  of his eccentricities." 

"Could he have been leaning out to stare at a gargoyle's face?"  queried Jeremy, absently. "That might have

accounted for his fall." 

"If he didn't know about the gargoyles," argued Weston, "he  wouldn't have tried to look at them." 


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"Perhaps he had a subconscious impression of them, Commissioner." 

Weston gave a snort that didn't ruffle Jeremy in the least. 

"The subconscious is the greatest factor in our lives," continued  the colonel. "Only those who have not

experienced its influence deride  it, and they speak through ignorance. Now I for one can testify " 

Impatiently Weston rapped an interruption with his knuckles and  gestured to the photograph. 

"See for yourself, Colonel. There is no gargoyle outside the window  where Debley jumped." 

The commissioner was right, but he overlooked something which was  intriguing his friend Cranston. There

was a stone gargoyle directly  outside the window that was at the end of the penthouse hall; that very  window

which had so mysteriously lowered itself during The Shadow's  grapple with the man who had fled in the

elevator. 

Again, Cranston was picturing a pendulum, its hanging point that  gargoyle. Across another street from the

penthouse was the side roof of  an office building, an extension several stories high. Then Cranston  suddenly

interrupted his own conclusions to hear more of Jeremy's. 

"Debley's mind was governed by the subconscious," the colonel was  telling the commissioner. "Not merely

receptively, which would have  accounted for his creation of the Quetzal delusion, but in an active  way. I can

testify " 

"To what, Colonel?" 

Reverting to one of his brusque moods, Weston was thinking that he  could trap Jeremy into some sort of an

admission, however minor it  might be. What Jeremy delivered was something even more fantastic. 

"At the moment of his plunge," assured Jeremy solemnly, "Rufus  Debley became a human radio station. He

flashed a message of terror  through the ether, hoping that some sensitive mind would pick up that  signal of

distress. One mind did." Stopping abruptly, Jeremy looked  from man to man and nodded. "That mind was my

own." 

Weston's knuckles paused on the point of another interruption.  Then: 

"You mean Debley projected a thought of the Quetzal image?" 

"No. His thoughts were drowned by their own static." Jeremy's head  gave a regretful shake. "Being in a

subconscious state, I received an  impression of Debley's fall. I was enjoying one of those halfsleeps  that are

a compensation of advancing years, except when some horrified  mindcry interrupts them." 

"Then you were dreaming of Debley." 

"Yes, Commissioner, of Debley and of mountains. Of Mexican Sierras  where I first met him years ago." 

"And from that past you chanced to have a nightmare." 

"Not from the past, Commissioner. My dream was of the present.  Debley's fall proved it." 


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"I see." Weston nodded as though humoring the old colonel. "Tell  me, do you have many of these present

dreams?" 

"Very few," returned Jeremy. "Most of my impressions come from the  future." 

Weston's stare became incredulous. 

"The subconscious mind is free in time as well as space," explained  Jeremy. "When I take my halfnaps I

deliberately seek future pastures  and find them." 

While Weston sat wondering how he could deal with the crackpot  colonel, Cranston took over the situation

with the query: 

"Are your future visions realized, Colonel?" 

"Quite often," replied Jeremy. "Understand, I do not trust my own  memory of them. I usually check them

with Sergeant Gavitt." 

"Sergeant Gavitt?" 

"My old orderly of the first World War. Why, only this morning, I  told Sarge " 

Jeremy's eyes were gaining a faraway stare; his lips were forming  into a smile that denoted anticipation.

Then, as though tearing himself  from the future that he had envisioned, the colonel shook himself and  became

erect in his chair. His gray eyes were firm as they centered on  Weston; smiling lips reverted to their

melancholy droop. 

"You were speaking of Debley's precautions," reminded Jeremy.  "Perhaps they were absurd; we all acquire

curious notions as we grow  older. Why not proceed with the discussion, Commissioner? Possibly we  may be

able to analyze Debley's fixations." 

Glad of the suggestion, Weston nodded and turned to his notes,  hoping that he could keep the subject on

Debley's eccentricities rather  than Jeremy's. But Cranston, though he offered no objection to the  switch,

remained interested in Jeremy's theme of the subconscious. 

Whatever might be said regarding Rufus Debley would be interpreted  in terms of Jeremy Tolland, so far as

Lamont Cranston was concerned.  For Cranston's eyes, watching the old colonel mildly, carried a deeper

insight than they disclosed. 

They were the eyes of The Shadow. 

CHAPTER V

NOTES weren't the only data that Weston had gathered concerning  Debley; he had actual exhibits. The first

that he tossed on the table  was a thin steel key. With it, Weston furnished the comment: 

"The key to Debley's elevator." 

Colonel Jeremy gave the key a puzzled stare. 


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"It was an automatic elevator," explained Weston, "but it hadn't  any button for the penthouse floor. You had

to use this key in the  switchboard." 

Apparently Jeremy had never heard of such a key. 

"Where did you find it, Commissioner?" 

"On Debley," replied Weston. "That's how we managed to get up  there. Of course there was another way, the

fire tower, but it had a  door with an automatic lock at the top. Nobody could have used that  route either." 

Leaning back in his chair, Jeremy clasped his hands across his  diaphragm. 

"Then Debley's death couldn't have been murder." 

"No, Colonel, it couldn't have," emphasized Weston, "but there  might have been an attempt upon his life.

Look at these." 

The things that Weston termed "these" were bullets, a few badly  bashed, that he tossed upon the table. Still

curious, old Jeremy  surveyed the leaden pellets until Weston queried: 

"Recognize them, Colonel?" 

"I can't say that I do." 

"You should, because you probably dodged a lot during the first  World War." 

A light dawned in Jeremy's eyes. 

"Bullets from a Luger automatic?" 

"That's right," acknowledged Weston. "Caliber nine millimeters, an  odd size that would run a little larger than

a .35 if there happened to  be such a gun. The identification experts say they were from a  reconditioned

automatic." 

"Where did you find them, Commissioner?" 

"In Debley's hallway, near the elevator. You know the place of  course." 

Jeremy shook his head. 

"You mean you never went there, Colonel?" 

"Never, Commissioner. Debley phoned and wanted me to come there the  other night, but the weather was too

inclement. Sarge wouldn't let me  go out." 

By now, Weston was convinced that Jeremy could hardly have  influenced Debley's suicide. The colonel's

comments were neither  avowals nor denials of a connection with Debley, and they were varied  enough to

carry the ring of truth. Nevertheless, Weston pressed home  the question: 

"What do you make of the bullets?" 


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"Tell me more about the hallway," suggested Jeremy. "How was it  located? If I knew, I might give an

opinion." 

From his notes, Weston brought a carefully drawn floor plan of the  penthouse. Studying the diagram, Jeremy

gave a nod. Then: 

"Very simple, Commissioner. Debley must have imagined he saw things  in the hall. It would be the natural

place from which any menace would  arrive. Since he was bothered with hallucinations, it is quite probable

that he fired those shots himself." 

"But we didn't find the Luger." 

"Nor did you find the Quetzal. Debley may have disposed of both,  perhaps a week ago, or a month." 

The possibility made a definite impression upon Weston and Cranston  was equally intrigued, but from

another standpoint. There wasn't any  reason why Jeremy should brush aside the matter of the gunfire unless

he specifically wanted to cover up the fact of a certain visitor to  Debley's at the time of the scared man's

death. 

This to Cranston was quite as interesting as the thing that Weston  didn't recognize at all; namely, that

Debley's penthouse wasn't quite  as inaccessible as the police supposed. It wasn't that Cranston was  just

thinking of how he had personally entered the place as The Shadow  by working on the fire tower door. His

mind was still on the photograph  which showed those nearby buildings. 

Again, Jeremy seemed to pick up Cranston's thoughts. Quite blandly  the old colonel suggested: 

"Of course, Commissioner, someone might have managed to reach the  penthouse from outside. When I was

in Mexico " 

"This isn't Mexico," interrupted Weston, testily. "New York doesn't  have mountain goats, or burros, or

whatever else they have in Mexico.  But since you knew Debley when you were there, tell me something

about  him." 

With a shrug, Jeremy spread his hands. 

"What is there to tell? We were both there to make our fortunes and  we did. Of course we made enemies too." 

"What sort of enemies?" 

"Enemies who tried to swindle us or promote schemes to put us out  of business. But we made our own way,

honestly enough. We became used  to threats." 

"You and Debley were partners then?" 

"Never. Our paths crossed occasionally, that was all. We conducted  similar transactions, largely in

transportation, but I made my fortune  in mining whereas Debley's came from oil." 

"Then you know nothing of this Quetzal threat that drove Debley to  his own destruction?" 

"I have heard of it. A Quetzal image is considered dangerous if it  comes from the wrong person." 


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"And Debley knew some wrong people?" 

"No more than I did." From a position to which he had gradually  slumped, Jeremy drew himself erect. "I can

assure you of this,  commissioner: any menace that Debley may have imagined could be  directed quite as

much against myself." 

Jeremy was rising as he made that statement; reaching for a cane,  he was preparing to hobble from the grill

room when Weston stopped him  with the query: 

"You mean you are in danger, too, Colonel?" 

"As much as Debley was," affirmed Jeremy, "and perhaps more so.  Only I am not asking for protection." 

"And why not?" 

"Because I am not governed by my imagination," chuckled Jeremy. "Or  let us say"  he paused, giving

Weston a canny, sidelong glance  "let  us say that I have faith in my visions. Some of my dreams have been

realized; I have no fear of death." 

Cranston was leaving along with Jeremy. Up the stairs from the  grill room and out through the foyer,

Cranston observed that the old  colonel's cane was more an ornament than a necessity. Jeremy's hobble

seemed scarcely more than a mode of stretching his legs; once under  way, his gait began to show agility until

he saw that Cranston noticed  it. 

Then, slowing wearily, Jeremy placed one hand against Cranston's  arm, to steady himself for the few steps

leading to the sidewalk, and  confided: 

"You can't be spry at my age, Cranston. Just a trifle too much  energy and the old crick catches you in the

back. One thoughtless step  from a curb and my leg might double under me. Poor Debley, he was too  young

for his years. Why, I wouldn't have the strength to open a  window, let alone pitch myself out!" 

As he spoke, old Jeremy was glancing across the street, looking for  his car. His words were hardly uttered

before he belied them in a most  singular way. At sight of Colonel Jeremy, the chauffeur of an  oldfashioned

limousine began to pull the big car from the curb beyond  a cross street, giving it a quick start to beat a

changing traffic  light. 

On the other side of the street, a girl saw the light go green and  started to cross. A moment later she was

squarely in the path of the  lunging car and realized it. With a shriek, she flung herself ahead of  the limousine,

taking the only path which enabled her to avoid passing  cars. 

Before the girl had completely sprawled, old Jeremy was springing  from the curb, leaving the alert Mr.

Cranston rooted beside the equally  frozen door man. Tossing his cane as he went, the colonel made a diving

scoop that rolled the tumbling girl right into his arms. With a brawny  heave, he brought himself full about,

inches from the bumper of the  screeching car and actually outraced it in his scramble for the curb,  carrying

the girl with him. 

The chauffeur managed a swerve that aided Jeremy's swift rescue and  brought the car to a sudden stop.

Flushed with pride at his own  prowess, the colonel didn't realize that his feat was out of character  until

Cranston reached him. Then, abruptly, Jeremy let the girl change  from a featherweight into a burden too

heavy to be handled alone.  Panting heavily, he let her weight sag into Cranston's arms. 


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Yet there was still something of triumph in the old man's manner.  Unable to restrain his enthusiasm, he

exclaimed: 

"I dreamed this, Cranston! I dreamed it last night and it has  happened! Go tell the commissioner that you

have seen it happen, a  dream of the future coming true!" 

CHAPTER VI

Lamont Cranston didn't go and tell the commissioner. He couldn't  very well invade the Cobalt Club carrying

a girl. The stuff of Jeremy's  dreams had fainted, and something had to be done about it. 

The girl's face was turned upward from Cranston's shoulder and  since her eyes were closed he had a chance

to study her features  without being impolite. It was a nice face, winning in its oval shape,  with a slightly dark

complexion that harmonized with the brown hair  beneath the dangling, blue hat. An attractive face that would

be even  prettier with soulful eyes, particularly if brown; factors which were  still in doubt. 

By now, the chauffeur was out of the car, disputing matters with  the colonel, but they soon came to one mind.

Both were shaky, Jeremy  because of heroic exercise, the chauffeur from the shock of having the  girl spring

right out of the asphalt before he could apply the brakes. 

"It was my fault, Colonel," the chauffeur was conceding. "You'd  better rest a bit, sir. I'll find your cane." 

The door man had already picked up the cane. He handed it to the  colonel, who thanked him. Then: 

"You couldn't help it, Sarge," said Jeremy with a warm clap on the  chauffeur's shoulder. "After all, we've

teamed up for a lot of years.  We never fail each other in a pinch, do we?" 

"Never, Colonel." 

"And besides, this was fated. Remember, Sarge?" 

"Remember what, sir?" 

"The dream I had last night. About an accident with a girl in blue.  Remember, I said I heard her scream and I

was clutching for her when I  woke up?" 

Sarge shook his head. 

"I remember you waking up," he recalled. "You were sitting in bed  shouting something, but you didn't say

what it was about." 

"It was at breakfast that I told you of the dream." 

"I must have been watching the toast, Colonel. You always burn it  if I don't. If you spoke about a dream, I

probably didn't hear you." 

"But I told you to drive cautiously coming here " 

"You always tell me to drive cautiously, Colonel." 


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The girl was stirring from Cranston's shoulder, so he took a look  at her eyes. They were thankful if not

actually soulful and their  proper color, brown. The girl seemed quite comfortable and rather  pleased that she

was still alive, for she gave Cranston a very grateful  smile and murmured her appreciation of the rescue. 

"Thank Colonel Tolland," suggested Cranston, as he steadied the  girl to her feet. "I suppose he does deserve

thanks, although it was  his own car that nearly ran you down. But what about your name, so that  I can

introduce you? Mine happens to be Cranston." 

"I'm Shirley Malcolm," replied the girl. Then, a trifle puzzled:  "Did you say Colonel Tolland?" 

"Colonel Jeremy Tolland." 

"I've heard my father mention him," the girl recalled. "The colonel  has something to do with mining, hasn't

he?" 

"I think he has," smiled Cranston. "We can ask him when he finishes  his argument." 

The dispute was just about over, with Sarge bowing out. The colonel  had added that unfinished dreams were

always of special significance,  invariably bearing a good omen. He was even insisting that all his  trust in

Sarge was based on dreams and having made that point, the  colonel turned to greet the young lady who had

first crossed his path  in the dream world. 

Cranston supplied the introduction and Jeremy returned Shirley's  smile with a bow. When the girl mentioned

her father, giving his full  name as Roland Malcolm, the colonel responded with a prompt nod. 

"Of course I've heard of him," stated Jeremy. "A metallurgist,  isn't he?" 

"He was," the girl acknowledged "but he has been ill the past few  years." 

"Too bad, too bad," mused Jeremy. "Where is your father, here in  New York?" 

"No. I'm here alone," replied Shirley. "Looking for a job if I can  find one." 

"Tuttut! Never look for a job," philosophized Jeremy. "Let jobs  look for you. There are too many good jobs

and too few good people. No,  no"  impatiently Jeremy waved his cane, before the girl could  interrupt 

"don't ask me the same old question: What are you to do  while waiting for a job? I'll answer that for you. 

"You're coming with me, Miss Malcolm, so you can write your father,  wherever he is, and tell him you've

fallen into good hands." His face  broadening, Jeremy chuckled. "You really fell into my hands, didn't  you?

Well, we can forgive Sarge since everything ended happily. Here's  the car, so get right into it." Taking

Shirley's arm, Jeremy guided her  toward the car, then turned and asked suddenly: "Coming our way,

Cranston?" 

Cranston wasn't but he said he was. He asked for time out to get a  briefcase that he had left in the Cobalt

Club, and Jeremy granted the  request. When Cranston joined the others in the car he found that  Shirley had

also gained the privilege of a stopoff at her hotel in  order to pick up a suitcase. So the car went first to the

hotel. 

It was a very dilapidated hotel which could better have been termed  a rundown boarding house, a fact which

caused Jeremy to "tuttut" as  soon as Shirley had gone inside. The interior of the limousine was very  gloomy

in the darkness of this side street and old Jeremy's voice  carried a hush as he spoke to Cranston. 


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"I talked to the girl while you were getting your briefcase," said  Jeremy. "She didn't want to come to my

house; didn't think it was right  to impose on an old friend of her father's." 

"How old a friend of yours is her father, Colonel?" 

"Well, I've heard of him," replied Jeremy. Then, his tone critical,  he added: "But how could I make many

friends up here, while I was down  in Mexico?" 

"I don't suppose you could." 

"Of course I couldn't. Some of my best friends are people I've  never met. Let's say Malcolm is one of them." 

"Because of your dream?" 

Jeremy chuckled wisely at Cranston's question. 

"Because of my dream," the colonel admitted. "Thoughts carry,  Cranston, not only from the past but far into

the future. You can  believe it, because you've been to strange places." 

Cranston nodded in the gloom. 

"There's nowhere stranger than Mexico," continued Jeremy, "not when  those Aztec drums begin to throb.

Often I've heard them in the  mountains and they bring strange thoughts to you. Your past comes back  and

spreads itself into future vistas. I know, because every night, I  seem to hear those drums." 

"Do you think that Debley heard them?" 

"Unquestionably, but they drove him frantic. It wouldn't have done  any good for me to go and see him." 

"Couldn't you have sent someone?" 

There was sharp whiteness in the gloom as Jeremy's eyes turned hard  upon Cranston. For a moment,

Cranston could sense that the colonel was  growing tense. Then, very calmly, the old man spoke. 

"I might have sent my nephew," he mused. "That is, my nephew Gregg,  who is more reliable than Dave. I

want you to meet them some day,  Cranston. But speaking of meetings, it was most fortunate that I met  Miss

Malcolm when I did." 

"Why was that, Colonel?" 

"Because she tells me she was already packed and planning to go  home this evening. All last night she was

worrying about it, wondering  who could help her stay longer." 

"And that thought flashed straight to you?" 

"It flashed everywhere, Cranston. All it needed was for someone to  receive it, as I did." 

Pondering briefly upon Jeremy's statement, Cranston decided to  probe the old colonel's theory. 

"Tell me, Colonel," questioned Cranston. "Do you find thought  reception a common occurrence in this dream

state that you mention?" 


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"Very common," rejoined Jeremy, "but I have waited a long while for  a welldefined fulfillment of a chance

event like tonight's meeting  with Miss Malcolm. I have always wanted to learn what would follow in  such a

case." 

"You've talked about it often, I suppose?" 

"Only to Sarge, though he probably wouldn't remember. My dreams  don't impress him." Jeremy paused and

strained his eyes from the car  window. "Suppose we discuss this some other time, Cranston. Here comes

Shirley with her suitcase." 

The limousine dropped Cranston and his briefcase a few blocks from  the Tolland mansion so that he could

hail a cab and continue his own  journey. But Cranston, it seemed, was also of the opinion that paths  once

crossed should cross again. 

Instead of stopping a cab, he stepped to a darkened doorway and  performed manipulations with his briefcase.

In a few moments The Shadow  glided forth fully garbed in black. Then, with a swift, easy stride,  this master

of the night moved, discernible only by the blackness that  floated across lighted patches of sidewalk only to

be consumed by the  darkness beyond. 

Five minutes after he had left the limousine, The Shadow, formerly  Lamont Cranston, was making a silent,

invisible patrol of the street in  front of the brownstone house, watching for new developments. 

The Shadow's wait was brief. 

Set above a side passage by the old house was a second story  window, dim with light, which The Shadow

decided must be the guest  chamber to which Shirley had been assigned. Very suddenly that light  blinked off. 

Half a minute passed; then sharp, tiny glimmers came from the side  window, the blinks of a flashlight

sending a code. From the pauses, The  Shadow recognized that there must be an answer, so he shifted into the

deeper darkness to gain a better angle. From there, The Shadow saw the  responding blinks. 

They came from the second floor of an old dilapidated house further  down the street and on the other side. As

they paused, The Shadow  glided from the passage and headed straight for the other house. 

However accidental the meeting between Jeremy Tolland and Shirley  Malcolm, these signals did not belong

in the realm of chance. To The  Shadow they were another marker in the trail of the missing Quetzal and  all it

might represent! 

CHAPTER VII

The man in the vacant house gave his flashlight a sweep as he  extinguished it, and the passing glow was

enough to show his face. It  was a youthful face, a trifle on the sallow side, and reasonably  handsome. 

Perhaps those features demanded a better light to show them at  their best, for the smile that was forming as

the fleeting light passed  it carried the leer of the professional schemer. Or it could have been  that the sallow

man, stationed here alone, was not averse to dropping a  more pleasant mask. 

Whatever his true appearance, the man was certainly crafty in  manner. Working his way across the empty

room, he was careful to use  his flashlight only in the spots most needed as he probed out through  the doorway

into a long hall. His stride alone was careless, for he  made no effort to deaden the creaks of the floor beneath


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his feet. 

However, sound could matter little in an empty house. Light was  something that could be seen; hence, it was

more important to conceal.  Except for those necessary signal blinks, the sallow chap was handling  his

business well. 

In the hallway, the intruder was guided by an open window, dimly  visible at the rear. Half way along, he

paused to listen without using  his flashlight. It wasn't that he had heard sounds; he merely wanted to  make

sure that none arrived, because he planned a side trip. Satisfied  that the house was undisturbed, the

mysterious visitor entered a side  room and gleamed his light along the floor. 

He found what he wanted, a telephone. Lifting the receiver, he  heard the dialtone and chuckled. Then,

without the benefit of  flashlight, he dialed in the darkness. A voice answered and the young  man gave a

"Hello." 

Instantly the voice at the other end showed sharp suspicion. Its  tone came in a quick, vicious stab. 

"Who is it?" 

Though confident so far, the man with the flashlight became  suddenly hesitant. Then: 

"It's Vic." 

Again a stabbed query was returned: 

"Who's Vic?" 

"Victor Brett." The sallow prowler suddenly became defiant. "Maybe  I've got the wrong number  so what?" 

Starting to slam the receiver, Brett heard a change of tone. Its  suavity was familiar, so he resumed the

conversation. 

"So it's you after all." Brett laughed as he brought the receiver  to his ear. "Say  I thought I'd hit the wrong

number." 

"Sorry, Vic." The tone was oily. "I didn't expect to hear from you  so soon. Where are you?" 

"In the empty house. The phone was connected and I dialed in the  dark; that's why I thought I'd slipped. What

was wrong at your end?" 

"Only that I wasn't taking chances. Did the girl get located?" 

"She did and she coded the whole tale. The old colonel fell, and  flat." 

"The nephew, Gregg?" 

"Suspicious, but it doesn't matter. The chauffeur, Sarge, is on her  side." 

"Where is Dave?" 

"Not home." 


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"All the better." The suave tone showed full satisfaction. "All  right, Vic, I'll stop by tomorrow." 

Ending his call, Brett gave the flashlight a brief gleam to locate  the door. With long, creaky strides he reached

the hallway, made the  turn toward the rear and stopped dead still. In one brief space between  his footfalls,

Brett fancied that he had heard an echoing creak from  somewhere in the house. 

More tense than ever, the prowler waited. Nothing occurred until he  took a few steps of his own; then, again

he caught an echo, this time  placing it on the stairs. From the way Brett's fist tightened on the  flashlight, it

was his only weapon, but his sharp drawn breath proved  that he wouldn't hesitate to use it as a bludgeon if a

crisis came. 

Brett didn't use the light again. His eyes were becoming accustomed  to the darkness. He could see the outline

of the window plainly, for  the reflected glow of the city gave it the appearance of a square panel  etched with

twilight. His work here done, Brett preferred a sneak to  the window rather than standing this untenable

ground. So Brett began  his sneak. 

The creaks from the stairs sneaked too. 

It was too much for Brett. Though more than half way to the window,  he turned about and made a few steps

the other way, to draw those  creaks closer. They came, but Brett wasn't listening; governed by a  sudden

afterthought, he wheeled toward the window. 

Brett was right regarding what he'd seen. 

No longer a panel of twilight, the window had become a frame for a  living silhouette consisting of cloaked

shoulders and a head that wore  a slouch hat! 

Brett had glimpsed it once; now he was glimpsing it again.  Instantly, the image vanished, producing the

effect of a drawn shade.  All went black at the window and Brett knew why. 

The Shadow had raised his shoulders, blocking off what light  remained. By now he was through the window

with a forward lunge. 

Savagely, Brett shoved the flashlight toward the window, pressing  the switch to throw the glare into the

invader's eyes. Stopped within a  dozen feet, the flashlight's beam began to shorten as though gobbled by

blackness. The Shadow was on the way. Dropping back, Brett whipped the  flashlight up above his shoulder

intending to fling it hard. 

A hand snatched the flashlight from behind! 

It was the man from the stairs, the creeper who had profited by  Brett's problem with The Shadow. In

snatching the flashlight, the man  from the stairway made a crosshand grab and the glow lashed across his

face. As briefly as Brett's face had shown earlier, the square features  of Gregg Tolland were revealed. It was

unmistakably Gregg, to anyone  who might have recognized him, for his chin had the forward thrust that  he

affected when he became fighting mad. 

Hurling the flashlight away, he jabbed one hand to Brett's throat  and used the other to swing a gun at the head

of the man he neither  knew nor saw. Only by freak strategy did Brett offset that thrust.  Remembering The

Shadow, Brett gave a mad whirl carrying Gregg with him.  A lunging shape crashed into the grapple that was

Gregg and Brett. 


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Far better than he expected was Brett's strategy of turning a  simple tussle into a free for all. 

The Shadow too was swinging a gun, but his first stroke was of a  warding sort. There was a clash of steel, a

fly of sparks as The  Shadow's weapon met Gregg's, above Brett's ducking head. The threefold  tangle surged

under the force of The Shadow's drive, carrying the whole  group forward along the hall. Gregg was twisting

now, whipping his own  gun wildly, glancing blows that The Shadow was starting to deliver. In  the middle,

Brett was clutched by both until his strategy paid its  dividends. 

Futility more than craft was inspiring Gregg Tolland. Wanting more  scope to avoid The Shadow's swings,

Gregg dropped toward the stairs  just as the group reached them. Vic Brett knew those stairs, even  though he

hadn't used them and he made a smart grab for the newel post  at the top end of the banister. 

At that moment, Gregg dropped away, taking The Shadow with him. 

Gregg's dive was purposeful, and deep. Never expecting the fellow  to go below floor level, The Shadow

overlunged. He was pitching  headlong down the stairs, clutching for Gregg and carrying him along,  while

Brett, entirely clear, sprang to his feet, raced through the hall  and vaulted through the window, taking a

bouncing bump from the back  porch roof to the ground below. 

Meanwhile, The Shadow and Gregg were doublesomersaulting down the  stairs. Heaving clear, Gregg made

a long leap across the thudding  figure that he heard but couldn't see and reached the front door.  Grabbing the

knob, he yanked the door open, and, in his mad desire to  forestall pursuit, Gregg turned and fired a few wild

shots in the  direction of the stairs. 

Instead of echoes, Gregg heard a laugh, a weird burst of mockery  that a ghost would have envied. Whether it

meant that his foe still  lived, or had bounced back from another world to haunt him, Gregg  didn't stop to

reason. Out through the door, Gregg was loping  diagonally across the street, to reach his home preserves. 

Ghostly in style but human in frame, The Shadow renewed the pursuit  with a quick sweep up from the floor

where he had purposely sprawled to  avoid Gregg's frantic shots. As he reached the street, he saw that  Gregg

was choosing the side alley in preference to the front door of  the brownstone mansion, so The Shadow took

the side route too. 

Here was a chase wholly in The Shadow's favor with scarcely a  chance for his prey to turn and fight at bay.

Unique events had  produced it and it was scarcely in the cards that a similar sequel  should occur. 

Yet such was to happen, more surprisingly than before! 

CHAPTER VIII

IT was Shirley Malcolm who first heard the clatter of feet in the  side alley. From the moment that she had

entered the room, the girl  hadn't left the window, though she had told Colonel Tolland that she  was going

right to bed to rest from the effects of her nearaccident. 

To Shirley, the signals had seemed more important and she was still  standing by in case Vic Brett decided to

send a return message. Then  the sounds of muffled gunfire had startled her, followed by the clatter  of the

front door across the way. 

Though Shirley hadn't seen Gregg enter, she saw him come out  posthaste. He wasn't recognizable as the

nephew to whom the colonel  had briefly introduced her downstairs, for Gregg was muffled, huddled  as he


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ran. Lost to view as he neared the house, Shirley saw him again  when she leaned from the window, in

response to the pound of his feet. 

Stooping low beside the wall, Gregg wrenched at a cellar grating as  though he knew the trick that would open

it. He had almost succeeded,  when a singular sort of blackness enveloped him and Shirley heard a  muffled

snarl as Gregg came up madly in the dim light. 

There was a swirl of figures so fantastic that Shirley couldn't  believe her amazed eyes. The girl was viewing a

replica of the  kaleidoscopic struggle that had occurred in the hallway of Debley's  penthouse, two nights

before. A strange fray, this, apparently a  oneman struggle in which the solitary fighter vanished and

reappeared  at intervals. It could only mean that another combatant was present, a  battler so singular that he

would have been invisible if not in action. 

The Shadow was literally eclipsing Gregg Tolland and the struggle  would have been shortlived if a third

man hadn't entered it. Who he  was, Shirley hadn't an idea, but she spotted where he came from. He was  a

long, lean man in a dark suit who had been lurking in a corner of the  alley, huddled in darkness away from

the grating. 

Even now this newcomer wouldn't have been in it, except that The  Shadow and Gregg had reeled in his

direction and plucked him from  obscurity. Once in the deal, the third man's savagery was terrific. He  was

slashing with something that glimmered like a knife and Shirley saw  a chunk of blackness cleave itself as it

whirled away. 

The knife had taken a huge slash from The Shadow's cloak and only  his spinning dive had saved him from

the blade. Again, Gregg Tolland  was in the clear, thanks to the intervention of another unknown, and  Gregg

was making the most of it. With a sprawling roll he went through  the open grating and after him dived the

knife specialist. 

Shirley didn't wait to see The Shadow follow. Already she could  hear Sarge's hoarse voice bellowing from

the front hall while the husky  chauffeur pounded the door of the colonel's study to notify his master  that there

was trouble. Suddenly frantic, Shirley realized that she  couldn't afford to be connected with this. 

Reaching her suitcase on the chair where Sarge had parked it,  Shirley tugged it open in the dark and began

pawing with one hand for  the night things while she peeled her dress with her other hand and  kicked off her

shoes. 

Things were happening even faster in the cellar. As Gregg ducked in  one direction, the other man tried a short

cut. The Shadow landed  through the grating just in time to catch a glimpse of both and chose  the route that

Gregg had taken. It looked broader and more likely to  lead somewhere. 

The man with the knife didn't travel far. Turning a corner he  encountered the blackness of a halfempty coal

bin and before he could  halt himself, he was crashing head on into the upper half of a  partition. It was an odd

sort of a partition, for instead of being  fixed at the sides, it dangled as if hinged. The thing flapped as the  man

struck it, and he plunged face forward into the coal pile as the  hinged partition swung back. 

The Shadow heard a clatter but didn't see what happened. He still  had a score to settle with his original

problem, who happened to be  Gregg Tolland. 

Out from an unexpected corner, Gregg dashed for a flight of stairs  and reached the top as The Shadow arrived

at the bottom. This time  Gregg didn't turn to fire shots while wresting a door open. He slammed  the door

behind him, giving its key a twist. In the dimly lighted  kitchen, he took a quick look about, then sidled into


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the dining room  that led through to the living room on one side of the house. 

Sarge was still pounding on the study door which lay across the  hall from the living room. This had happened

occasionally before, the  old colonel falling into one of his socalled light sleeps from which  nothing short of

Gabriel's horn could rouse him. Probably the pounding  was merely mingling into one of Jeremy's dreams, so

Sarge gave up. 

Up in her room, Shirley heard the hammering end just as she was  sliding into nightgown and bed in a single

action. Thinking that Sarge  had finally roused old Jeremy and that they'd be shouting for her next,  Shirley

slipped into her dressing gown and grabbed her slippers;  opening the door she took a few steps along the hall

and looked  downstairs. 

Sarge was turning from the study door, rubbing one hand with the  other. Instead of coming upstairs, the

chauffeur went back toward the  kitchen. 

Shirley stole to the top of the stairs and paused to put on her  slippers. Stooping, she saw Gregg Tolland come

through the door from  the living room. With a worried glance at the study door, Gregg sneaked  into the

vestibule and hung his hat and coat there. 

Working back along the upstairs hall, Shirley waited until she  heard Gregg return. He stopped at the study

door, rapped twice and  called: 

"Uncle Jeremy! Are you there? What's happened? Where's Sarge?"  Gregg knew where Sarge was, all right.

Receiving no response from the  study, he turned toward the kitchen. By then Shirley was thoroughly  alarmed.

It was bad enough to have invaders brawling into the place,  let alone discovering that a member of the

household was one of them.  Gregg's business with the hat and coat was a complete giveaway, but it  did give

Shirley some confidence concerning her own status. 

Having been smart enough not to be caught with her clothes on,  Shirley decided to establish the fact that

she'd gone to bed by making  an appearance in her present attire of dressing gown and slippers. She  was

worried about Sarge, now that Gregg had gone to join him in the  kitchen, since Sarge couldn't know that the

favored nephew was  something of a traitor in the Tolland camp. 

As for old Colonel Jeremy, his prolonged silence was another matter  for concern, considering the kindness he

had shown Shirley. So as she  reached the bottom of the stairs, the girl halted, wondering if she  ought to repeat

the hammering on the study door. 

As she raised her hand to knock, Shirley heard a sound from the  vestibule; clutching her dressing gown, she

recoiled as a young man  stepped into sight. As startled as the girl, the man stepped back,  bowing an apology

and reaching for a hat that he was hanging on the  rack. 

"My mistake," he said, a trifle thickly. "Wrong house, I guess. No"   he stared at an object in his hand  "it

can't be. This is my key,  right enough." 

Finding her voice, Shirley blurted: 

"You're Dave Tolland?" 

"That's right," the young man acknowledged, "but who are you? A  missing cousin that Uncle Jeremy never

mentioned?" 


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"I'm Shirley Malcolm. I'll explain that later. Meanwhile we'd  better find your uncle." 

Dave nudged toward the study door. 

"Isn't he in there?" 

"If he is, something has happened to him," declared Shirley,  seriously. "Sarge pounded the door but couldn't

wake him." 

"That's the way with uncle's light sleeps. Sarge ought to know  better than to keep on hammering. But what

was it all about?" 

"Some excitement, down in the cellar, I think." 

"Then Sarge has probably traced it by this time. Let's go to the  kitchen and find out." 

They reached the kitchen to find Sarge looking for the cellar key,  with Gregg standing by, quite baffled. The

door was locked, but the key  wasn't in it, and Sarge, clutching Jeremy's big cane in one hand, was  becoming

more and more impatient over his inability to reach the cellar  and start looking for troublemakers down

there. 

Leaning against a door that opened into the hallway, Dave gave a  light laugh. The excitement had sobered

him. 

"Better get some more weapons," decided Dave. "I know just what we  want, the poker and tongs from the

fireplace in the old back parlor." 

The door of the parlor was behind the stairs, for the room was  directly in back of the study. Dave was

opening it as he spoke, for the  door was almost in reach of the kitchen entrance. Dropping back as he  heard a

clatter, Dave thought his drinks were catching up on him, until  he saw his uncle stepping from beside the

fireplace, bringing the very  objects in question. 

"Here you are, Dave," announced old Jeremy, crisply. "Now let's  hear about the trouble." 

Sarge had stopped looking for the cellar key and was staring at  Jeremy when he stepped from the parlor. 

"How long were you in the parlor, Colonel?" inquired Sarge. "I was  sure you were still in the study." 

"So I was," returned Jeremy, "until you woke me up with all that  pounding." 

"But I knocked too," put in Gregg; he darted a sharp glance at  Dave, then added: "I knocked right after I came

in." 

"I heard you," rejoined Jeremy drily. "I was still drowsy, but  awake enough to leave the study. I thought of

the poker and tongs so I  stopped to pick them up." 

It was all so very logical to everyone except Shirley, who had been  watching from upstairs while both Sarge

and Gregg had been at the study  door. From then on, Shirley had taken over, so she couldn't quite  believe her

senses. From the way everyone spoke, there was no  connecting route between the study and the parlor, and

there certainly  hadn't been time for the colonel to come around by the hall after Dave  arrived home.

Moreover, Dave had left the kitchen door wide open! 


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As for Shirley's eyes, they were wide open now and she wasn't  believing them. Everyone had come from the

kitchen to the hallway and  only Shirley was looking through the door. From a corner, she saw  blackness

emerge and sweep toward the cellar door like something alive. 

This was just too much for Shirley's strained imagination. With a  gasp, she put her hand to her forehead and

tried to shake off her  sudden dizzy spell. Poker and tongs clattered to the floor, while old  Jeremy was

outracing his nephew in the man's job of catching a fainting  young lady before she fell. 

"I'm all right," said Shirley, giving her head a shake. "I just saw   I mean I thought I saw  well, there  at

the cellar door." 

It was Sarge who turned, gave an amazed stare, and pounced into the  kitchen. What he was pouncing for

wasn't the figure that Shirley had  seen, for it was gone. What Sarge saw was the door key, glimmering in  the

lock where it belonged! 

Down in the cellar, The Shadow was pausing at the coal bin, on his  way to the open grating that formed a

convenient outlet. That bin was  black and empty, as The Shadow made certain when he stepped straight

forward and probed the coal heap with the flashlight. 

Whoever the extra marauder, he had gone. The same applied to The  Shadow, a few moments later. He was

gone, with a whispered laugh, as he  created darkness by extinguishing his flashlight. 

Tonight The Shadow had found too many trials, but he had learned  facts that he was confident would unravel

them. 

CHAPTER IX

JEREMY TOLLAND really liked friends that he had never met. Not that  he was disinclined to meet them,

should occasion allow; in fact, he  rather preferred it. Many of the colonel's acquaintanceships had been

formed through correspondence and he liked to see how they turned out. 

So Jeremy was very pleased when Isaac Twambley called. 

The correspondence with Twambley dated just a few years back,  shortly before Jeremy's return from Mexico,

so the colonel hadn't an  idea whether this friend was young or old. When Twambley proved to be  older than

Jeremy himself, the colonel's enthusiasm was unbounded  particularly when he saw that Twambley really

needed the cane on which  he hobbled. 

Whitehaired, beaming of eye, cackly of tone, old Twambley made  himself at home from the moment he

stepped into the hallway.  Immediately Jeremy began to link this visitor with his favorite theme  of prophetic

dreams. Turning to faithful Sarge, Jeremy questioned: 

"What did I dream about last night, Sarge?" 

"I'm not sure, colonel," returned Sarge. "You spoke rather vaguely  at breakfast." 

"Bah! You were watching the toast instead of listening to me." 

"No, colonel. I was paying strict attention. I'm sure Miss Malcolm  will tell you the same. You dreamed about

a lot of things, but none  very clearly." 


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"Things from the past?" 

"Yes, but you tried to connect them with the future." 

"You see?" Triumphantly Jeremy gestured to Twambley. "Here is a man  from the past who has arrived in the

future." Turning to Twambley, the  colonel added earnestly: "What made you decide on this visit, Twambley?

I would like to check it with my recollections of last night's dreams." 

Eccentric in his own right, Twambley accepted Jeremy's dream talk  as something commonplace. 

"I came to talk about a mutual friend," cackled Twambley,  obligingly. "I refer to Rufus Debley." 

"Ah! A link with that other dream of mine." Jeremy nodded  satisfied. Then, drawing a large key from his

pocket, he gestured  toward the study door. "Suppose we go in here, Twambley." 

With interested eyes, old Twambley watched the colonel unlock the  door. Then, swiveling his clasped hands

on the cane head, the visitor  swung about and lifted his head painfully from his stooped shoulders to  look at

the stairway. Light footsteps were descending and when Twambley  saw what they represented, his eyes ogled

happily. 

Shirley was coming downstairs and trying to appear quite casual  about it. She was wearing her blue dress and

carrying her hat and bag  as though she hadn't quite made up her mind about going out this  evening. Meeting

Twambley's glance and considering the old gentleman  harmless, Shirley smiled as a matter of policy. 

Turning to Jeremy, Twambley queried: 

"Your granddaughter?" 

For a moment the colonel looked annoyed; then clapping Twambley on  the shoulder, he returned: 

"This is Shirley Malcolm, the daughter of an old friend of mine.  When I say old friend I mean in years of

acquaintance, not in age. I'm  not so very old myself, you know." 

Twambley gave a nod as though acknowledging Jeremy's claim. Since  Shirley was the basis of discussion,

Jeremy looked her way and noted  the hat which she purposely dangled. He inquired, a bit surprised: 

"You are going out?" 

"Not just yet." Shirley hesitated. "I wanted to speak to you first,  Colonel, but since you're busy, I can wait." 

"Indeed not!" It was old Twambley who furnished the indignant  cackle. "Come right along, Miss Malcolm."

He gestured toward Jeremy's  study as though he owned it. Then: "Of course I can wait here in the  hallway." 

"No, no," protested Shirley. "In fact, since you are an old friend  of the colonel's you might be interested in

what I want to tell him.  It's something that concerns my father." 

Shirley entered the study and looked around while the two men  followed. It was the first time that she had

seen the room and since it  was likewise Twambley's initial visit, Jeremy let them admire the place  before

proceeding with other discussion. 

The study was really something to admire. 


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The furniture was of rich walnut and looked two centuries old.  There was a large secretary, combining desk

and bookcase; antique  chairs and couch to match. Old footstools added a comfortable touch and  finest of all

was the granddaddy of grandfather's clocks standing in  the corner. 

Of course the clock won full attention, which pleased Colonel  Jeremy, since he was proud of this family

heirloom. 

"It keeps perfect time," announced Jeremy. "It always has, and it  never misses on the dates of the month. It's

even set for leap year.  They did things right in the old days." 

Facing the clock, Jeremy stared as though enraptured by the steady,  unhurried swing of the glass pendulum

that showed behind the  glassfronted door. 

"Most clocks tick seconds into hours," added Jeremy. "This one  builds days into centuries. A monument to

some master craftsman, this  clock. Listen, it is about to chime." 

The clock obliged with a soft and musical chiming of the  threequarter hour. It was the first time that Shirley

had heard it,  and now she realized that the melodious sound could not carry through  the stout door of the

study. The floor was covered with thick carpeting  that pressed right to the bottom of the door that Jeremy had

closed  upon entering. 

Remembering something else, Shirley turned around. The gray carpet  not only formed a complete coverall, it

ran beneath a pair of double  doors at the rear of the room. Not only were those thick doors closed,  they were

linked with bars of ornamental brass, riveted through the  woodwork. 

Eyes half closed, Shirley pictured the rear parlor, which she had  inspected this very day. Its floor was covered

with a continuation of  that same gray carpet, which formed an unbroken floorpiece. Similarly,  there were

brass bars on the parlor side, also riveted. 

You couldn't think about a thing too long without having Colonel  Jeremy guess it. 

Startled by the hand that suddenly pressed her shoulder, Shirley  heard the colonel give one of his nicest

chuckles. 

"You're wondering about those doors, my dear?" Jeremy's tone  carried an indulgent query. "They have been

closed, permanently. They  were too ornamental to be replaced by a wall. 

Shirley was noting riveted braces at the sides of the doors and  remembered similar ones in the parlor. She

knew that the two doors  couldn't be slid as one, because she had tried it. What bothered her  most was the

wide crack underneath the double doors. A mouse might have  crawled under it, but certainly nothing so

substantial as the colonel  could have managed the maneuver. But the crack proved something that  Shirley had

observed from the parlor side. 

There wasn't the slightest trace of even a seam in the great gray  rug. That fact banished Shirley's last

speculation, now that she saw  the door was properly riveted from the study side. What Shirley was  trying to

explain was how the colonel had so mysteriously arrived in  the rear parlor, the night before. 

This concerned Shirley only, because only she could have testified  that Jeremy hadn't left the study by the

regulation door that led into  the hall. Now Shirley was willing to charge it off to bad memory or  good

imagination, for she felt herself afflicted with both, after  having seen a mass of living blackness navigating

the kitchen. 


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Jeremy was telling Twambley why the parlor was walled off by those  sealed doors, so Shirley snapped from

her reverie to learn. 

"A haunted place, that parlor," declared Jeremy, as though he meant  it. "The man who built this house died

there, the week after he moved  in. There were other tragedies among later residents and the parlor  became a

funeral room. 

"I couldn't stand it the first month I lived here. When the doors  were open, my subconscious was disturbed by

whispers. When they were  shut, they used to rattle. I needed a strong room, so I had the doors  riveted shut; at

the time I installed those bars." 

The bars were on the windows, and Jeremy indicated them with a  gesture. Outside were steel shutters, open

in the day time, but closed  at present, an operation which Sarge probably handled by reaching  through the

narrow bars. 

Old Twambley put a query: 

"Any ghosts now, Colonel?" 

"None belonging to the house," replied Jeremy, calmly. "Those who  enter my dreams are not particular in

which room I happen to be asleep.  For instance, I was upstairs when I dreamed about poor Debley." 

Interest showed in Twambley's lifted face and Jeremy caught the  gleam in the visitor's eyes. 

"You didn't hear about my dream?" queried Jeremy. "Well, Twambley,  it was more than a dream. Literally, I

saw Rufus Debley plunge to his  death. Only I didn't picture it in terms of a penthouse"  Jeremy  narrowed his

brow in recollection  "No, my impression was that of  Debley tumbling from a mountain cliff." 

Sharply, old Twambley demanded: 

"You mean like Lee Clavier?" 

The question was electric and Shirley could feel its tingling  shock, even though she'd never heard of a man

called Clavier. As for  Jeremy, he drew rigid, swayed upon a balanced point, and then relaxed. 

"Sit down, Twambley," suggested Jeremy. His tone was tense, though  he tried not to show it. "Tell me what

you know about Clavier " 

He paused, as though hesitant regarding a necessary addendum; then  decided to give it. 

"About Clavier," repeated Colonel Jeremy, in a hushed tone, "and  the Quetzal." 

CHAPTER X

THAT one word "Quetzal" snapped Shirley to immediate alertness. She  had heard some talk of the feathered

image and its mysterious  disappearance from Debley's penthouse. But the name Clavier was a new  one and

therefore promised a clue to the riddle. 

Arms folded, Colonel Jeremy stood erect, his sharp eyes fixed upon  the tottery figure of Isaac Twambley.

Then, as if to wither the senile  visitor Jeremy stormed: 


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"Lee Clavier is dead!" 

"Of course," agreed Twambley; then narrowly, he added: "But Carl  Wyler isn't!" 

There was a snort of contempt from Jeremy. Evidently he recognized  this name, but regarded it as

unimportant. Then, deciding that Twambley  knew enough to be told more, Jeremy spread his hands for

silence and  began his story, quite unconcerned by the fact that Shirley was a  listener. 

"Carl Wyler was a shrewd promoter," stated Jeremy. "He made a  specialty of selling silver mines, and good

ones. So good that he kept  clear of trouble, but the mines never paid off." 

"Because they were inaccessible," inserted Twambley. "The ore rated  high when it was assayed, but it cost

too much to transport it." 

"Exactly," agreed Jeremy, "and whenever a mine failed, Wyler bought  it up and sold it again to another crop

of suckers. He never thought  that any of those mines could be turned into profit until I showed him  how." 

Twambley nodded, as though interested in hearing more, and  Shirley's expression showed that she was

similarly inclined, so Jeremy  continued: 

"Lee Clavier was the opposite of Carl Wyler. Where Wyler kept  within the law, Clavier ignored it altogether.

Smooth, slick deals were  Wyler's methods, while Clavier used torture and murder, even fomenting

revolutions when occasion demanded." 

Twambley nodded his familiarity with these facts. 

"At the time Wyler was selling the old Cortez Mine," chuckled  Jeremy, "Clavier was holding up the

TransMexican Railway for a price  on a rightofway that he had stolen from an old ranchero. When he

found they wouldn't deal with him, he looked for someone else. 

"I bought out Clavier and sold to TransMexican at a loss, but I  stipulated that my rightofway become part

of their main line. That  brought them a hundred miles through the mountains directly past the  Cortez Mine.

With the transportation problem solved, my silver showed a  huge profit." 

Smiling broadly, Jeremy looked from Twambley to Shirley. Realizing  that she belonged in the conversation,

Shirley inquired: 

"How did Wyler and Clavier like it?" 

"They didn't," chortled the colonel. "It made them both unhappy and  it gave ideas to other people." 

"To Debley for one," specified Twambley. "He told me all about it." 

"He told a lot of people," added Jeremy. "Debley guessed what was  happening and made a smart deal of his

own. He bought some oil wells  from Wyler and sold them to the railway to fuel their oilburning

locomotives, something that Clavier could have done instead." 

"Only the wells were capped," reminded Twambley. "They had filled  during the years they were forgotten." 

"The years when Clavier had been stirring up trouble in that area,"  added Jeremy, "so naturally Clavier

thought the profit should be his.  The railway barely paid off its investment and Wyler went to jail." 


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"Why Wyler?" asked Shirley in surprise. "It was Debley who made the  final sale." 

"But the deal dated back to Wyler," explained Jeremy, "and he was  found responsible. He couldn't blame

Debley, who had acted in good  faith. It was Clavier who promised trouble, to both Debley and myself." 

"And others?" queried Twambley. 

"To several others," replied Jeremy. Shifting in his chair, he  glanced nervously toward the shuttered

windows. Then, rubbing his hands  as though they controlled his own fate, the colonel became more cheery,

"Clavier is dead," he added, "so why should anyone worry? Some  government troops caught up with him and

his guerrillas in the  mountains. That was when Clavier tested the depths of a  fivethousandfoot canyon,

headfirst." 

Old Twambley gave a corroborating nod. 

"Clavier made a mistake, sending that Quetzal image to the  presidente of the town where the troops were

stationed." 

At mention of the Quetzal, Jeremy's hands strained tightly upon the  arms of his chair. The sudden chiming of

the grandfather's clock  relieved him and he relaxed. Then, cool as ever, Jeremy stated: 

"Yes, Clavier used the Quetzal image once too often. It was his  form of threat, you know, a personal billet

doux that meant doom to the  person who received it. I've often wondered what I would have done, had  I

received one." 

"Some people paid off," cackled Twambley, "or did they?" 

"That was one way out," retorted Jeremy, "though they never talked  about it. Of course Debley was lucky." 

"You mean he received a Quetzal image?" 

"I think he did, about the time of Clavier's death. That effigy  must have burdened his mind, long after he

disposed of it." 

Without so stating, Jeremy Tolland was offering a theory regarding  the suicide of Rufus Debley. He was

intimating that Debley's frantic  talk of a Quetzal referred not to an image he still owned, but to a  token

received years before, which for some reason had solidified  itself in his fearcrazed imagination. 

"Debley had reason to remember those days in Mexico," mused Jeremy.  "A recent reason, I mean. Carl Wyler

finished his prison term about a  month ago, a broken man, I understand. Poor Wyler"  there was a touch  of

disdain in Jeremy's chuckle  "I might buy a few more mines from him  if I could find a way to make them

pay." 

"There is a way you could, Colonel!" 

It was Shirley who blurted the statement, quite to the surprise of  the two men. Then, after a moment of

embarrassment, the girl decided to  continue, now that she had cracked the ice. 

"There's a friend of mine," Shirley explained rapidly, "a friend of  my father's, I mean, who has invented an

electromagnetic finder for  locating precious metals in workedout mines. Really, it's not a silly  invention,

I'm positive. If you'd only be willing to put it to the test  " 


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Colonel Jeremy was more than willing; he was eager. Eyes sparkling,  he was leaning forward in his chair as

though already viewing the  glitter of heaped payore. His interruption was rapid. 

"Who is this inventor?" 

"A man named Victor Brett," returned Shirley. "I'm going to see   that is, I can see about reaching him,

maybe a few days from now. If  you're really interested, Colonel, it would mean a great deal to   well, to both

of us." 

It should have been obvious that Shirley meant herself and Brett,  but Jeremy didn't take it that way. Rising,

he clapped his hand on  Shirley's shoulder and beamed with the delight of a partner in a new  enterprise. 

"To both of us, of course," declared Jeremy. "I knew our meeting  would lead to something, Shirley. Once the

first stage of a prophetic  dream comes true"  hand raised, Jeremy wagged a forefinger, wisely   "more luck

is sure to follow. So run along and enjoy yourself this  evening"  he was escorting Shirley out to the hall 

"and tomorrow  we'll talk about meeting this inventor friend of your father's." 

Shirley was smiling into Gregg's favorite mirror as she fixed her  blue hat at a trick angle on her head. Jeremy

was summoning Sarge to  lock the front door after the girl went out, a precaution that he  always took. Sarge

arrived and gave the front door a dubious look, as  though wondering what good a lock was in a house where

keys could  vanish and reappear at will. 

Sarge hadn't forgotten last night's episode in the kitchen where he  had found the key to the cellar door in the

lock where it belonged,  after searching for it everywhere else. 

Outside the brownstone mansion, Shirley walked briskly to the  corner, but not without a few quick looks over

her shoulder, as though  fearful that she might be followed. The fact that she saw no one merely  proved that

she looked in the wrong direction, for the figure that  suddenly trailed the girl was not invisible like The

Shadow. 

It was a furtive figure, small and hunched that came from the  doorway of the vacant house to which Shirley

had flashed those signals  to the man she had just mentioned to old Jeremy Tolland  Victor Brett! 

Ten minutes after Shirley had left this neighborhood with the  hunchy man holding the trail, but keeping well

from sight, old Isaac  Twambley appeared upon the front steps of the Tolland house, saying  goodnight to

Colonel Jeremy. 

"You must come again, Twambley," invited the colonel. "I should  like you to meet my nephews." 

"Nephews?" clucked Twambley. "How many have you?" 

"Two," replied Jeremy. "The elder, Gregg, is highly reliable, but I  must confess that Dave is utterly

irresponsible." 

"A gay, young blade, perhaps?" 

"They called them such in our time, Twambley. Nowadays I understand  they term them stinkers." 

With that parting comment, Jeremy stepped back into the house and  let Sarge shut and lock the door. Finding

the bottom step with his  cane, old Twambley turned and began a painful, stoopish hobble along  the street. 


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Only when he knew he was out of earshot did this human relic voice  his opinion of his visit to Tolland's.

From the leathery lips of Isaac  Twambley crept the whispered laugh of The Shadow! 

CHAPTER XI

THE smooth, steady hum of a motor came from beyond the old door  where Shirley Malcolm knocked.

Tapping a prearranged signal, the girl  gained quick results. The motor was turned off, but in an odd way. Its

hum increased in loudness instead of diminishing, then ended with a  choppy clatter. After that, the door

opened, and Victor Brett admitted  the girl. 

"Hello, Vic." Shirley smiled as she saw Brett peer sharply along  the hall. "Don't worry. Nobody followed me,

I made sure of that." 

Shirley hadn't made as sure as she supposed. Brett had opened the  door just too late to see a hunched figure

bob from sight, below the  level of some stairs. Shortly the figure reappeared outside this small,  dilapidated

office building and waved a signal to a cab across the way. 

A man came from the cab and met the hunched trailer. They formed a  sharp contrast in the light: the

newcomer was handsome, youthful in  appearance, despite the experienced expression that marked him a

veteran in this sort of work; while the little man with the tightdrawn  shoulders had a wizened face with

sharp, darty eyes. Of course, they  didn't bother to identify themselves as Harry Vincent, ace of The  Shadow's

agents and Hawkeye, the cleverest of spotters, who was serving  the same cause. 

Harry simply queried: "Where?" 

"End door, second floor," acknowledged Hawkeye. "Transom open." 

With that they parted, Harry going up to take over watch outside of  Brett's. It was easy enough, for there was

a turn in the hallway by the  end door and Harry was skilled at stepping out of sight in such  surroundings.

Upon arrival, however, he preferred to benefit by the  open transom and hear what was said inside the office

with the unmarked  door. 

"So you told the colonel all about me," Brett was saying in an easy  tone. "Good." 

"Not all about you," corrected Shirley. "I said I hoped I would be  able to reach you." 

"That's all I wanted you to say." 

"I know. Well, anyway, we were lucky." 

"Lucky? How?" 

"On account of the accident," explained Shirley. "It seemed so  silly using that method to meet the colonel.

Only it turned out that he  had dreamed about it the night before!" 

Brett chuckled as though he couldn't believe Shirley's story. 

"Of course the colonel ties everything in with his dreams,"  admitted Shirley. "Maybe they are just a form of

mental aberration or  something else technical. Only he didn't dream what happened after you  gave those

signals, Vic." 


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"What did happen?" 

"Well," recalled Shirley, "a man dashed into the side alley and  rolled through a grating, with one  or maybe

two  coming after him." 

"Who were they?" 

"I think the first man was Gregg, the older nephew. He sneaked  around through the dining room and parked

his hat and coat. He must  have locked the door down to the cellar"  Shirley paused, puzzled   "but still that

doesn't explain what happened to the key." 

"You mean it disappeared?" 

"Wait now. I'm beginning to get it. Somebody followed Gregg up the  cellar stairs and pushed the key out

through the lock. He'd have to do  that to use a skeleton key, wouldn't he, Vic?" 

"It's the usual procedure." 

"Then the man in black must have kept the regular key and put it  back when he went down into the cellar

again." 

Shirley's description brought a halfsnarl from Brett. 

"What man in black?" 

"I didn't really see him," admitted Shirley. "All I saw was  something like a living shadow." 

That term bothered Brett all the more. 

"Look, Shirley," Brett's tone went so low that Harry could hardly  hear it through the transom. "You've got to

get back to the Tolland  house, right away. Understand?" 

"I  I think so. But how will I hear from you? The flashlight code  isn't very safe." 

"Tell the Colonel you wired me. I'll show up in due time, bringing  the machine. You want me to sell it to

him, don't you?" 

"Of course, since my commission is to pay father's debts. But if it  won't work, Vic " 

"It will work all right," Brett interrupted, sharply. "But keep on  impressing the Colonel. We may have trouble

with Gregg, though, so keep  an eye on him." 

"And the other nephew, Dave?" 

"If you think he can help us, get him on our side. That ought to be  easy. Dave won't mind the old man

spending money, because Gregg is  supposed to inherit most of it." 

Footsteps toward the door caused Harry to sidle into the other  passage. When Shirley had gone by and

downstairs, Harry left her trail  to Hawkeye and resumed his wait outside the office door. It was good  policy,

for shortly Harry heard the slight clatter of an inner door,  then a suave tone that wasn't Brett's. 


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"A good job, Vic," announced the oily voice. "The girl doesn't  suspect a thing." 

"Why should she?" queried Brett. "I didn't tell her that we knew  about the Colonel's dream. All we have to do

is follow his own leads.". 

"Provided they are good ones," said the other man. "If they aren't,  we can play a few of our own." 

"Whatever you say," returned Brett. "You're running this racket,  Wyler." 

The name Wyler brought Harry to sharp attention outside the door.  This was a luckier stroke than he

expected. The business of weaving  Colonel Jeremy's dreamstuff into an actual fabric had impressed The

Shadow as a buildup for a confidence game and that theory was now a  certainty, since Carl Wyler, past

master of con schemes, was now  identified as the man behind it. 

If only Wyler would say more, in that smooth purr of his! As the  hope stirred Harry, Wyler became obliging

without realizing that  someone else was sharing his comments to Brett. 

"I was lucky finding you, Brett," came Wyler's compliment. "Finding  you, along with your treasure finder." 

"Just say finding me," rejoined Brett, with a short laugh.  "Whatever cash this apparatus finds won't be

treasure." 

"It looks imposing enough." 

"But it won't stand a real test. You should know that, Wyler, and  it won't take old Tolland long to learn the

same." 

"Long enough." There was something smoothly insidious in Wyler's  easy purr. "Before we're through we'll

have a real claim staked in the  middle of the Colonel's millions." 

"Maybe, if the main deal goes through. Still, I don't trust " 

"Never mind," Wyler's interruption was as swift as it was smooth.  "I'll make sure of that part." 

Voices went muffled as though drawing away into another room. After  a few minutes, Harry moved to a

stairway which he hoped would give him  a view through the transom. It did, but he didn't find a proper angle

to view Brett's machine. What Harry did see was in a sense more  important. 

Though this was the end room of the hallway, there was a door in  the far wall, which meant it must be a

connection into another  building. That in turn told Harry that Wyler and Brett had walked right  out on him,

probably not to return tonight. 

Going out by the front way, Harry Vincent reached the cab across  the street and gave the driver an address.

As they pulled away, the  cabby inquired confidentially: 

"Any luck, Vincent?" 

"Good and bad, Shrevvy," rejoined Harry. "Mostly good, though.  There'll be plenty for the chief to work on,

beginning with tomorrow." 


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Harry spoke with certainty, for he was sure that Carl Wyler, master  hand from Mexico, wouldn't be planning

further moves tonight. Harry's  only task would be to turn in his report to The Shadow. 

How wrongly Harry had guessed about the ways of Wyler was something  that he was personally to learn

before this night was over. Much was  still to be uncovered  by The Shadow! 

CHAPTER XII

COLONEL JEREMY TOLLAND recognized the abrupt knocking at the study  door, shook himself in his

easy chair, and glanced at the grandfather's  clock. Always he had a habit of checking the time and in this

case,  approximately an hour had passed since the departure of his visitor,  Isaac Twambley. 

The knock was Gregg's so Jeremy had no qualms about opening the  door. Still a bit drowsy, he forgot that he

had bolted it on the  inside, so he had to fumble there a few minutes. When he did open the  door, he found

Gregg waiting impatiently, his eyes excited and his chin  thrust out in its provoking style. 

Not used to seeing his favorite nephew in such a mood, Jeremy  tilted his head inquiringly. 

"Listen, uncle." Gregg threw a suspicious glance along the hallway.  "Who do you depend upon to manage

your affairs  me or other people?" 

"I rather thought I could manage them myself," returned Jeremy,  dryly. Then, with a kindly touch, "Come

into the study if you want to  talk about it." 

"I prefer to stay here, just in case anybody tries to snoop. Look,  uncle, you've been badly worried lately." 

"Worried about what?" 

"About Debley, for instance, and that Quetzal business. If you  weren't, you wouldn't have suggested that I go

to the penthouse." 

Whether or not Gregg had been to the penthouse that fateful night,  he had certainly gathered and retained

some of Debley's hunted mood.  Gregg was fitful in the glances that he sent along the hall first  toward the

kitchen, then the front door. Jeremy's head was moving back  and forth, his eyes following Gregg's face. 

Neither noticed the darkened door of the living room across the  hallway. 

Gregg couldn't, because his back was toward that doorway. Jeremy's  eyes, moving constantly, didn't fix long

enough to study the darkness  opposite. It was strange darkness, so solid that its depths could well  have

shrouded a human figure; or, in a sense, the darkness could itself  have been a blackcloaked form merged

with a natural setting. 

Eyes from the darkness were watching Jeremy and Gregg  the eyes of  The Shadow! 

"You exaggerate matters, Gregg," spoke Jeremy, indulgently. "It was  only the weather that prevented me

from visiting Debley." 

"I'm not so sure," returned Gregg. "You've gone out on much worse  nights." 

"But only for something more important." 


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"Didn't you regard Debley as important?" 

"Did you?" 

Though challenging, Jeremy's query was as musically dispassionate  as the chime from the old clock that at

that moment wafted through the  halfopen door of the study. It was striking the hour and Jeremy,  always

proud of his precious clock, looked to another timepiece  hanging on the hallway wall and saw that as usual,

the grandfather's  clock was right on the dot. 

"You're right, Uncle Jeremy," declared Gregg, apologetically. "If  I'd thought Debley really important, I

wouldn't have forgotten to take  along the key. By the way, did you mention the key to the police?" 

Jeremy shook his head. 

"They might have misunderstood," declared the Colonel. "After all,  Debley mailed me the key of his own

volition." 

"And it was your idea to lend it to me." 

"Of course. You are my representative, Gregg, as much as if you  were my own son, but I am not responsible

for your actions. I would  prefer that you be independent." 

Those words though spoken in Jeremy's most indulgent tones, were  open to several interpretations. Before

Gregg could raise that point,  there was a clicking sound from the front door lock and Gregg said  hastily: 

"It may be Dave. Mind if I step into the study, Uncle? Dave has  been acting jealously every time we talk

together." 

Jeremy was already gesturing Gregg into the study. Its door was  closing when Dave arrived through the

vestibule, bowing Shirley ahead  of him. 

"Hello, Uncle." Dave was in another of his convivial moods.  "Shirley and I just happened to arrive at the

same time in a couple of  different cabs. Gregg home yet?" 

Jeremy's eyes sharpened. 

"Why do you ask, Dave?" 

"Thought if he was, we'd better get out the poker and tongs.  Everything seems to happen around here when

Gregg is home. Except of  course when things happen somewhere else." 

"Somewhere else, Dave?" 

"That's what I said, Uncle." Dave tossed his hat to the rack and  closed the vestibule door behind him. "Like at

Debley's penthouse for  instance. I was home that evening, but Gregg wasn't." 

Shirley expected an angry flash from Jeremy's eyes in response to  Dave's slur of Gregg. But Jeremy remained

quite calm; either he  preferred to remain impartial in feuds between the nephews or he was  giving weight to

Dave's words, Shirley wasn't sure which. 


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At any rate, Dave was smart enough to let the statement sink.  Jovially he continued along the hallway,

waving back to his uncle. 

"See you later, if you're still up," said Dave. "I'm going in the  kitchen to mix a few nightcaps. Want one,

Shirley?" 

The girl shook her head and started upstairs. Turning on his heel,  Jeremy went back into the study and the

hallway settled into silence.  The darkness of the living room didn't stir, for The Shadow expected an

immediate outbreak. It came, even though it was repressed. 

Fuming, fists tightclenched, Gregg stepped from the study, pushing  aside Jeremy's hand when it tried to

hold him back. His glare was  toward the kitchen, where Dave had closed the door, and it was plain  that Gregg

wanted to go there and bash it out with his cousin. 

Then, halting, Gregg spoke in savage undertone: 

"The stinker! I ought to make him eat that talk. Still"  Gregg  suddenly relaxed of his own accord  "it

wouldn't really settle  anything." 

"Of course not," expressed Jeremy, blandly, "Judgment is one thing;  challenge is another." 

"You have both, Uncle Jeremy." 

"But my brothers didn't. Your father was the conservative of the  family, Dave's father the real adventurer. I

was something of a  hybrid." 

His chin eased, Gregg gazed admiringly at his uncle. 

"You made out all right, Uncle Jeremy." 

"Through luck, my boy. I made a fortune but I might as easily have  lost one. You understand, don't you?" 

Gregg nodded, slowly. His face, less hardened, gained a more  handsome expression than was present when

he forced it to look rugged. 

"Since I have wealth," summed Jeremy, "I favor you, Gregg, because  I know you would make proper use of

it. If I needed to gain more  or  to fight to hold what I have  I would prefer Dave." 

Accepting the impartial verdict, Gregg went upstairs. Watching from  the door of the study, Jeremy waited

until Gregg had reached the second  floor, then glanced across the hall. It was chance or some slight  illusion

of the light that made him think he saw darkness stir.  Reaching for his cane, Jeremy moved slowly but boldly

into the darkness  of the living room. 

Darkness had stirred, but only in departure. The Shadow was gone  through the dining room to the door of the

kitchen. There, he was  listening to a chat between Dave and Sarge, who were over by the ice  box. 

"Who said I was a stinker?" Dave was asking, "Gregg?" 

"It was your uncle who said it," replied Sarge. "I thought you  ought to know, Mr. Dave." 

Dave gave an indulgent laugh. 


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"Uncle probably picked up the term from Gregg. Some day, Sarge,  when my dear cousin pokes his chin out,

trying to look tough, he's  going to get my knuckles on the point of it." 

"Right enough, sir. I wish the Colonel could see your viewpoint.  You're really his own sort, Mr. Dave." 

"I'm what he used to be," corrected Dave, "but I suppose we all  grow old. Maybe he'll begin to see my side of

it. Trouble is, I can't  act like anybody but myself." 

"There is still hope, Mr. Dave. The other way about, you know." 

"Yes, if uncle realizes that Gregg is a stinker in his own right,  I'll become the whitehaired boy. He's been

showing himself up badly  lately, Gregg has. For one thing, he's been suspicious of Shirley,  which is a

mistake, since our uncle likes her. That may help." 

"I hope so, Mr. Dave. Meanwhile you can depend on me " 

The voices had drawn to a rear kitchen, along with the clank of  soda bottles that Sarge was carrying, but the

interruption came from  the dining room. There, The Shadow heard the clatter of someone  tripping over a

chair, followed by angry words in Jeremy's tone.  Without an instant's hesitation, The Shadow whipped into

the kitchen,  made a quick turn around the nearest corner, which was at an angle that  Dave and Sarge could

not view from the back room. 

By the time those two came dashing through the kitchen to reach the  dining room and learn the cause of the

hubbub, another door was closing  upon a vanishing blotch of black. It was a door with a single step  below it,

indicating a back stairs to the second floor. 

Again, The Shadow was gone, his presence in the mansion still a  shrouded mystery! 

CHAPTER XIII

THE sounds of Jeremy's tumble hadn't been heard upstairs, otherwise  Gregg would have gone down to learn

what happened. As it was, Gregg was  busy listening outside Shirley's door when The Shadow arrived in the

upstairs hall. 

Apparently Gregg was thinking in terms of flashlight signals from  Shirley's window, for when he heard

nothing, he tiptoed along the hall  to stare from a window at the front. This gave The Shadow an easy

opportunity to enter a halfopened door which he was quite sure must be  Gregg's. 

Gregg's coat and vest were hanging on a chair and from the pocket  of the coat, The Shadow saw the buttend

of a gun. Lifting the weapon  with gloved fingers, The Shadow promptly identified it as a  reconditioned

Luger, of eight millimeter size. Replacing the automatic  in the coat pocket, The Shadow found a box of

cartridges; opening it,  he took along a sample. 

By then, Gregg was returning. The Shadow stepped aside and let him  enter, the room being dark except for

the glow from the hall. Leaving  the door ajar, Gregg removed the Luger from his coat and put it in a  bureau

drawer, which gave The Shadow time to sidle out to the hallway. 

People were shunting around this mansion like boxcars in a freight  yard. 

It was Shirley's turn again. She must have heard Gregg outside her  door, for she had just finished a glance in


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that direction when The  Shadow emerged, unseen. Wearing a fluffy dark blue negligee, Shirley  was carrying

slippers that matched it. Tonight she waited until she was  nearly at the bottom of the stairs before she sat

down and put on the  slippers. This precaution of course was to nullify Gregg's snooping  tactics. 

Throwing a glance upstairs, Shirley didn't see The Shadow watching  from the background of dim light.

Noting that the study door was open,  Shirley dipped her hands into the deep sash of the negligee and  strolled

in through the door as though expecting to find Colonel  Jeremy. By then, The Shadow was coming

downstairs again and with a  prompt glide he crossed the hallway to his favorite darkness of the  living room,

just as the kitchen door rattled open. 

This door was the one leading directly from kitchen to the front  hall and from it came Jeremy, Dave and

Sarge in a group. Reaching the  stairs, Dave and Sarge went up, after reminding the Colonel to be more

careful when he made side trips around through the dining room. In his  habitual style, Jeremy watched the

pair reach the stairtop, his  forehead furrowing speculatively, almost cunningly. 

Before that forehead had time to unfurrow, Jeremy had cause to keep  it as it was. 

Turning to the door of his own study, the Colonel bumped right into  Shirley, coming out. Before the

grayhaired man could say a word, the  girl in blue gestured for silence. Whatever her game, Shirley was

learning to play it in this house of crossing paths. 

"I thought you were in here," undertoned Shirley. "There was  something I wanted to tell you, Colonel." 

"About the inventor?" 

"Yes." Shirley gave a simple nod. "I found out where to reach him,  so I sent him a telegram." 

"You told him to come here?" 

Another nod from Shirley, then: 

"It won't be more than a few days at most," the girl said  apologetically. "I hate to take advantage of your

hospitality, Colonel,  but since Victor Brett is really a friend of my father's, I " 

Old Jeremy interrupted by flattening Shirley's fluffy shoulder  pleats with a warmly encircling arm. 

"You'll stay right here, little girl," he assured. "Now don't  dispute me. I wouldn't have you going back to that

shabby hotel." 

"But really, Colonel " 

"You'll really stay. Now that that's settled, let's take a better  look at you." 

His hand shifting back to Shirley's near shoulder, the Colonel  planted his other paw on the far one; thrusting

his fluffy prize at  arm's length, he tilted his head so the light reached Shirley's face.  After a pause, the Colonel

said: 

"Humph." 

During the placement process, Shirley had begun a starryeyed stare  which was meant to show surprise, but

now she presumed that the Colonel  was expecting her to weep with gratitude because of the extended


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invitation. Maybe that was the method used by the belles of the  Colonel's palmy days when they didn't want

to be told to undarken a  door and go out into the cruel world, stormy night or otherwise. 

But before Shirley could manage to shape up a few tears, she found  that the Colonel's comment wasn't a

criticism of her weepless mood. 

"My nephew Gregg!" exclaimed Jeremy. "What ails the young fool that  he ignores a charmer like you? Why,

in my rollicking youth, I'd have  been all agog over such beauty." 

Jeremy chuckled as though he still knew how to be agog. 

"Dave is different," the Colonel admitted. "He certainly hasn't  ignored you, though I can't say that he has

played the gallant." Jeremy  paused, remembering that Dave had come in with Shirley that very  evening. "Or

has he?" 

"Your nephews are both all right." Crossing her arms, Shirley  neatly managed to reach the Colonel's hands

and apply a few soft pats.  "So are you, Colonel. Gregg is just too occupied, I suppose, while Dave  " 

"Dave still has other engagements," interposed Jeremy. Gently, he  moved Shirley aside from the doorway.

"But he'll come around in time,  only beware when he does! He's a heart crusher, that young rake, like I  was!

Now wait right here while I close the hotair register. I don't  like the study too stuffy in the morning." 

Going into the study, Jeremy rattled the chain of the register,  then came out and locked the door. He bowed

toward the stairs and  Shirley started up, while The Shadow circled toward the kitchen,  through the darkness

of the dining room. The kitchen now was dark, too,  but as The Shadow reached it, he heard footsteps coming

sneakily across  the floor. 

Then, as The Shadow listened, there was a sudden pound from the  back stairs. A door was flung open and

there was a sudden shout in  Gregg's voice: 

"Here he is! I've got him!" 

There was a scuffle, the fling of a chair and a snarl. Then, to the  tune of other heavy footsteps, The Shadow,

half way across the kitchen  and bound for the cellar door, was caught in the beam of a strong  flashlight,

aimed from the backstairs from which Gregg had surged. 

This time it was Sarge's roar: 

"There he goes  for the cellar!" 

Only The Shadow wasn't going for the cellar. He was playing his  trick of blanking light with blackness.

Meeting Sarge and his  flashlight, The Shadow precipitated the big chauffeur squarely into the  struggle

between Gregg and some other fighter. 

The Shadow of course was carried in the whirl that bashed open the  door to the lower hall, where Jeremy had

just turned off the lights. As  the strugglers broke apart, under the swings of each other's fists,  Dave's voice

suddenly joined the bedlam with the triumphant cry: 

"I've got him!" 


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Where Dave had come from was one question; whom he had grabbed was  another. At least The Shadow

wasn't the person, for he managed to work  free during the next two minutes of the general melee that raged

back  and forth along the hall. At last, lights came on, and there stood old  Jeremy by the switch at the foot of

the stairs, with Shirley peering  across the banister above. 

The fighters who had managed to snare each other were Gregg and  Dave, with Sarge standing by as a

bewildered umpire. Before the two  nephews could begin to blame each other, Jeremy waved his cane toward

the open door of the rear parlor, and ordered: 

"Take a look in there!" 

Sarge entered the parlor and pressed a switch that illuminated a  crystal chandelier. In the dim light, the parlor

showed entirely empty.  Not only did Sarge say so, but the nephews agreed as they crowded the  doorway and

looked over Sarge's shoulders. So Sarge turned off the  lights, gruffing that it had all been a big mistake. 

Those oldfashioned bulbs among the crystal pendants weren't too  strong with light. 

From a corner at the back of the parlor, The Shadow emerged, having  picked the one deep spot in the room.

The searchers had looked right  past him while the lights were on. Now, completely unobserved, The  Shadow

was crossing the rear hall to the kitchen, while Jeremy and  Sarge were hearing arguments between Gregg and

Dave. 

Shirley had been in bed when the new tumult began, and she suddenly  realized that she was now clad in filmy

nightie instead of fluffy  negligee. Quickly scampering up the stairs and into her room, Shirley  closed the door

and hurried to the window that overlooked the side  passage. 

Should there be an intruder in the house, Shirley was sure that his  mode of exit would be through the loose

grating in the cellar. At  first, she couldn't see the grating, but the darkness cleared, more  rapidly than the girl

expected. Odd, how her eyes became used to the  dark so suddenly! 

It didn't strike Shirley that what she had seen was an actual  figure emerging from the cellar opening. In

shifting from deep gloom,  The Shadow, if seen at all, could be best compared with a clearing  cloud of black

smoke. Moving through the passage, his gliding figure  escaped Shirley's eyes entirely. 

Voices were coming upstairs; from their laughter it sounded as  though the mad hunt had all been a mistake.

So Shirley went back to bed  and tried to forget the excitement. Other recollections drifted to  mind; she was

picturing old Jeremy, smiling as he stooped to turn off  the register in the study. She could almost hear his

chuckle along with  other recollective sounds. 

One of those imaginary noises bothered Shirley a few minutes later,  jarring her wide awake. She thought she

heard a muffled clang, the  cellar grating in operation. Hearing nothing more, Shirley didn't  bother about

another trip to the chilly open window. 

Thereby Shirley missed the sequel to the recent commotion. A lanky  man was sneaking out from beside the

mansion, keeping his footsteps  silent and huddling well in darkness. But he couldn't escape the keen  eyes of

the blackclad watcher across the street. As the lanky man kept  on toward the corner, blackness stirred. With

the grotesque manner of a  mansized bat, it took up the trail of the long, lean party who had  just emerged

from Tolland's. 

After a full block, the lanky man felt no more urge from caution.  Halting near a street lamp he glanced at his

watch and his thin, tanned  face showed plainly in the glow. Narrow lips, narrow eyes, above them  an


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oddlywrinkled forehead that showed slight traces of an old scar. 

Those features were viewed by The Shadow who had reached the  shelter of a projecting wall, less than a

dozen feet from where the  lean man stood. In one look The Shadow no longer needed the report that  he had

not yet received from his agent, Harry Vincent. 

The Shadow knew that thin, narrow face from photographs among his  files. It belonged to Carl Wyler,

exconvict from Mexico. 

CHAPTER XIV

PITCHBLACK during daylight. 

Such was a terse description of the room The Shadow called his  sanctum, except when its owner was in it. 

Then the room was illuminated, but never by sunshine. The glow came  from a bluish light which cast its

artificial rays upon the surface of  a polished table. Beyond was a switchboard, where a tiny bulb  occasionally

gleamed, announcing a call from Burbank, the contact man  who kept in touch with agents like Harry,

Hawkeye and Shrevvy. 

Above the table hung a pair of hands. 

Long, thinfingered hands, velvet in their touch but steely in  their grip. Occasionally their hidden sinews

revealed a small idea of  the power with which they could clutch. The hands of The Shadow,  stretching from

surrounding darkness, busy with their work. 

The table was strewn with typewritten reports, photographs, shares  of old mining stock, yellowed newspaper

clippings, and other items  belonging to this case. Of special importance were pictures of bullets  taken through

a magnifying apparatus. 

These included photos of the Luger slugs that the police had found  at Debley's, others of bullets that The

Shadow had personally picked up  in the vacant house across from Tolland's, and finally, the cartridge  that

The Shadow had taken from the box in Gregg's pocket. 

All tallied, proving that if Gregg hadn't been at Debley's as well  as the old house, his gun certainly had. But if

anyone had borrowed  that gun for the earlier mission, Gregg Tolland wouldn't have used it  later. 

Another photograph served as a lucky find. It was a nightclub  shot, taken by one of those professional

photographers who made it  their business to go around snapping people and selling them the  result. From one

of The Shadow's numerous sources, this group picture  listed the names of several people who had been at the

same corner of  the bar. 

One was Dave Tolland, quite recognizable, along with his name. Near  him was a darkish but rather handsome

chap listed as Victor Brett. How  well they knew each other, if at all, was something quite unspecified,  but the

picture went a good way to prove that Brett's process of moving  into Tolland territory included some contact

with the happygolucky  member of the family. 

It happened, however, that Dave was not so irresponsible as might  be supposed. The Shadow had acquired

data on the younger nephew,  covering his activities outside the homestead, and judged by modern  standards,

Dave was reasonably sober and reliable. In fact, but for  Colonel Jeremy's antiquated notions and Gregg's


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persistent efforts to  hold the old man's favor, Dave could have rated very high. 

Indeed, Dave Tolland was nobody's dupe. If Victor Brett had found  him such, Brett wouldn't be needing

Shirley Malcolm as a stooge. 

From The Shadow's table leered a bigtoothed face, representing the  best of his collection of Wyler pictures.

One thing: Wyler wasn't  photogenic. Usually, he had managed to face a camera so his profile  entered matters;

seen full face, he was particularly unhandsome. Yet  there was a sharpness of eye, a wisdom of expression that

went along  with that smooth purr which Wyler affected. 

With Wyler behind whatever swindle or crime that might be committed  against Colonel Tolland, the present

whereabouts of the crooked  promoter were most important. The Shadow had personally supplied that  data by

trailing Wyler to his hotel. The excon from Mexico was living  at the Hotel Revelon, a middleclass but

highpriced establishment.  Despite the current room shortage in Manhattan, Harry Vincent had  acquired a

room on the same floor. 

The switchboard bulb gleamed as The Shadow took a pair of earphones  from the wall. A methodical voice

came over the wire: 

"Burbank speaking." 

"Instructions " 

The order was in the whispered tone of The Shadow and from then on,  Burbank was busy listing the future

moves of agents. Those given, the  bluish light went off. Black walls echoed with a departing laugh as The

Shadow left the sanctum. 

Not long afterward, Lamont Cranston found himself blinking into  morning sunlight. It wasn't often that

Cranston rode about town in the  morning, except when he'd been up all the night before, but today he  had an

appointment. His limousine, wheeling through side streets,  brought the club man in front of an old mansion

that looked much  different by day. 

The house was Colonel Tolland's. 

It was Sarge who answered the door and ushered Cranston through the  living room into the dining room

where the colonel was having breakfast  alone. Propping his elbows on the table, Cranston shook his head

when a  pair of boiled eggs were offered but nodded at mention of a cup of  coffee. 

With only the slightest of smiles Cranston queried: 

"Any dreams last night, Colonel?" 

"Why, yes, Cranston," nodded Jeremy. "Here"  he gestured to Sarge,  who was bringing in the coffee 

"suppose we let Sarge tell it." 

Sarge gave a doubtful stare. 

"Tell what, Colonel?" 

"About my dream and who was in it. Cranston would like to know,  just to check on what may happen." 


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Setting down the coffee, Sarge shook his head. 

"I never remember those dreams of yours, Colonel." 

"You'll remember this one when I remind you, Sarge. It was about a  man who wanted too much, who

probably will always want too much, and  never is satisfied with what he gets, no matter how heartfelt. Now

go  on, Sarge " 

"The toast, Colonel!" 

Smoke was coming from the toaster and in handling it, Sarge spilled  the electric gadget to the floor, burning

himself in the process.  Clutching one hand clumsily with the other, Sarge started out to the  kitchen, muttering

something about lard being good for burns. 

"We'll talk about my dream later," the colonel told Cranston. "At  least it links to something that was on my

mind, an unusual sort of  investment." 

"Another mine?" 

"Perhaps." The colonel smiled wisely. "I've heard about a  treasurefinder that could be used as a machine for

locating payore.  I'm arranging for a test and would like you to witness it." 

Cranston nodded as though interested. 

"I might invite old Twambley," mused Jeremy. "Do you know him,  Cranston?" 

"Isaac Twambley?" Cranston's smile broadened. "If the machine  locates fossils as well as metals, it will start

working as soon as  Twambley walks in." 

"Apparently you don't like Twambley." 

"The old codger is a bore, that's all, but otherwise there's  nothing wrong with him. I'd appreciate it, though, if

we could be  spared his company." 

Jeremy's nod meant that Twambley was off the list. Rising from the  table, Jeremy laid aside his napkin and

suggested that the study would  be more comfortable. They crossed the hall and while the colonel was

unlocking the door, Shirley appeared on the stairs, wearing a light  house frock. Recognizing Cranston, she

nodded, and Jeremy invited her  into the study. 

"The treasure finder was Shirley's find," explained Jeremy. "At  least she was the one who told me about its

inventor. Now getting back  to that dream of mine, it concerns somebody you have heard about. I may  be able

to find some of his old correspondence, right in here." 

The colonel was opening the secretary desk. He was so occupied that  he didn't notice that the grandfather's

clock was about to chime. Nor  did he hear that music when it began, for Jeremy was fixing himself for  quite a

shock. Pawing through papers in the open desk, Jeremy felt  something among them and brought it out, only

to let the thing drop as  if it had been a deadly scorpion. 

The object that Colonel Jeremy had flung so hastily was the  feathered image of a woodcarved Aztec god, a

mate of the insidious  Quetzal that had driven Rufus Debley to his doom! 


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CHAPTER XV

Dave Tolland planted a straight stare in the middle of Shirley  Malcolm's lovely brown eyes and demanded: 

"Did you put that Quetzal in my uncle's desk?" 

About to return an indignant denial, Shirley found herself sliding  from the cab seat as they swung a corner

sharply. By the time Dave had  brought her back to level, the girl decided that a calm response would  be

better. 

"I never even saw a Quetzal before," avowed Shirley. "Take it or  leave it, Dave. It's still the truth." 

"Then it was Gregg who put it there," Dave decided. "He was the  only other person who could have been in

the study." 

"What about Sarge?" 

"Sarge? Impossible. He knows too well what it might do to Uncle  Jeremy's nerves." 

"So does Gregg," reminded Shirley, "and considering that he's to be  your uncle's heir " 

Shirley's monetary pause was all that Dave wanted. With a knowing  nod, Dave asserted: 

"That's right. Consider it." 

Driven home, the significance of that statement startled Shirley.  It meant in just so many words that Gregg

could speed his heritage by  hastening his uncle's death. Such things might happen; in fact, they  probably had

happened in even the best of families. 

"If Uncle Jeremy finds out how yellow Gregg really is," added Dave,  contemptuously, "he won't have any

further truck with him. What's more,  Gregg knows it." 

"If your uncle did find out," expressed Shirley, "he'd transfer the  legacy to you, Dave " 

"Of course," interposed Dave, "and the longer Gregg waits, the more  risk he takes. Particularly"  Dave

laughed grimly  "the way Uncle  Jeremy has tested him lately." 

"Tested him?" 

"Yes. Don't you remember how he sent Gregg to see Debley? No, that  was before you met us, wasn't it?

Anyway, Gregg welshed and didn't go.  Debley might not have committed suicide if Gregg had been there to

talk  him out of it." 

The cab was swinging a corner and slowing to a halt, but Shirley  didn't notice it. 

"The colonel may be planning another test tonight," stated Shirley,  slowly. "He had another dream, but he

didn't say who was involved." 

"He probably told Sarge," observed Dave, "but Sarge never tells  anyone else. Is this the place where we are

due?" 


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Looking out, Shirley saw Brett's office building. Dave paid the  cabby, who happened to be Shrevvy and the

cab rolled around the corner.  Going upstairs, Shirley knocked at Brett's office and the door was  promptly

opened, Dave was immediately intrigued by Brett's machine,  which had the appearance of a fairsized

dynamo, teeming with wires and  oddlooking aerials. Next, Dave was turning to see the inventor  himself. 

Brett gave a sallow smile of recognition and Dave suddenly recalled  him. 

"So you're Brett!" exclaimed Dave. "I've seen you around some of  the night spots!" 

"That's right," nodded Brett, "but I didn't have the nerve to start  talking my machine to Colonel Tolland's

nephew." 

"You'd have picked the wrong nephew if you had," returned Dave,  wryly. "Cousin Gregg is the one who

influences our uncle's deals,  though I must say Shirley is winning him around. Say, though  this  contrivance

won't pack in any cab. We'd better phone Sarge to bring the  big car." 

Shirley volunteered to go downstairs and make the call from a  paybooth while Dave and Brett were packing

the machine. When she came  back, the job was nearly done, with the two men chatting like old  friends. Then,

Brett became a bit stuffy when he suggested that both  Dave and Shirley step outside. 

"Sorry," said Brett, "I'll have to add a few special gadgets to the  crate. The invention would no longer be

secret if you saw them." 

Stepping out to the hall, Shirley resumed the earlier conversation  to mollify Dave, who seemed a trifle irked

at Brett. 

"Can't Sarge influence your uncle?" Shirley asked. "I mean by  boosting your stock in comparison to

Gregg's?" 

"He does," affirmed Dave. "Sarge tells me so, every day. He talked  that way this morning. Said I should have

clipped Gregg's jaw last  night, so uncle could have seen him wilt. Now I wish I'd thought about  it then." 

"Why won't the colonel listen to Sarge?" 

"He does, but not on more subtle subjects. If it comes to life and  death, though, Sarge's word will count. He's

saved Uncle Jeremy's life  at least three times, so he's one man who wouldn't be party to a murder  plot." 

"It was a bad mistake then, for Gregg to leave the Quetzal. Unless"   Shirley paused, her tone a bit horrified

"unless he thinks he can  blame it on me!" 

"He'll probably try," argued Dave, sourly. "I wonder though, where  he got the thing in the first place. Say " 

Stopping short, Dave let his own eyes duplicate one of Shirley's  speculative stares. Then: 

"Debley's!" 

"You can't mean that Gregg really went to Debley's?" queried  Shirley. "Why, then he couldn't be so yellow!" 

"He could be worse," rejoined Dave. "He might be a murderer. Maybe  Debley had some claim on Uncle

Jeremy." 


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"How would that affect him?" 

"It would mean a claim on Gregg, when he came into the money.  Besides, it would be smart for Gregg to

knock off one of Uncle Jeremy's  old friends." 

"You mean it would then look like someone else, when  when " The  word was a hard one for Shirley to get

past, but she finally steeled  herself  "when the time came to kill your uncle?" 

"Smart girl," acknowledged Dave. "That's just what I did mean. But  let's talk about this later. We don't want

Brett to overhear. Maybe you  know him well enough, but I don't." 

At that moment, Brett was saying a few things that he didn't want  overheard. He had stepped to the office in

the other building and was  speaking to a man who was waiting in the darkness of a little  windowless ante

room. 

"Six o'clock, Wyler," announced Brett. "That's when Gregg is due to  see Lloyd Jaggert." 

"You're sure about the time?" 

"Absolutely," replied Brett. "The clock was striking six in the  colonel's dream. Besides, dinner is to be at six

thirty and the old man  probably won't want Gregg to be too late." 

"You're going over there now?" 

"Right away. I'm sure everything will work." 

"Better phone me. I want to be sure about my end of it." 

"All right, Wyler." 

Beyond the door of the ante room, the hunched figure of Hawkeye did  a quick sneak down the hallway to the

stairs then out to a side street.  Though he hadn't yet seen Wyler, Hawkeye had recognized the man's  smooth

tone, and he knew what the crooked promoter looked like, from  pictures that The Shadow had sent via

Burbank. 

It was about lunch hour and soon numerous people would be coming  from the building, which was all the

better in Hawkeye's opinion. The  first to arrive was a stocky man with a blunt face, who certainly  couldn't be

Wyler; then came a pair of elderly men who were equally  distant from the proper description. 

After that, there was a thin parade, and Wyler definitely wasn't in  it. Sliding around the corner. Hawkeye saw

the Tolland limousine  pulling away with Dave, Shirley and Brett as passengers among the boxes  that held the

machine. Sarge was at the wheel and Wyler certainly  couldn't be in the car, So Hawkeye sneaked up the

regular stairs, poked  his head into Brett's office, which was now unlocked, and saw it empty.  Going through

the adjoining office in the next building, he found no  trace of Wyler. 

Down the stairs in the other building, Hawkeye came out and  contacted Shrevvy. He found that the cabby had

been watching, but  hadn't seen Wyler. So there was nothing else to do but ride to the  Hotel Revelon and

report from there that Wyler had maneuvered a slip. 

When Hawkeye met Harry in the latter's room at the Revelon, it was  Harry's turn to show surprise. 


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"A smart apple, Wyler," defined Harry. "I was positive he hadn't  left his room. Sneak over there and find out

if he's back. I'll report  to Burbank." 

Hawkeye returned after having managed a look through Wyler's  transom. 

"Back all right," declared Hawkeye. "Pretending to be asleep on his  bed. Maybe he came in and out by the

fire tower." 

"I should have spotted him," said Harry. "This means the chief will  need us to do double watch. Anyway, you

found out something  worthwhile." 

"You mean about Jaggert?" 

"Yes. He's another promoter, but not as shady as Wyler. Operated in  Mexico, too, which is probably why the

colonel wants to contact him.  We'll find him if we keep track of Wyler, unless the chief locates him  first." 

The phone was buzzing, for Harry had muffled it so the bell  wouldn't ring. It was another call from Burbank,

with instructions from  The Shadow. Hanging up, Harry repeated them to Hawkeye. 

"I'm due at Tolland's at five," stated Harry. "Going there instead  of Cranston, who has some other

engagement. Cliff Marsland will be over  here to team with you, Hawkeye." 

There was more to that order than met the ear. The fact that Lamont  Cranston couldn't be at Tolland's meant

what Harry had suggested  earlier, that The Shadow would be acting on his own in the quest for  Lloyd

Jaggert, the new personality who had bobbed up in one of Colonel  Tolland's strangely prophetic dreams. 

CHAPTER XVI

THE grandfather's clock was chiming five when Colonel Jeremy swung  impatiently from his desk and flung

the Quetzal image in the  wastebasket. As if timed, a knock sounded at the door and Jeremy  opened it to

admit his nephew Gregg. 

"Go to the Marland Building," ordered Jeremy. "Use the back door  which is still open after five thirty. Take

the stairs to the mezzanine  and enter the last office on the right." 

"Very well," returned Gregg. "Who will be there?" 

"Lloyd Jaggert. Ever hear of him?" 

Gregg's eyes gave a sudden flash at Jeremy's query. 

"Yes, Lloyd Jaggert," laughed Jeremy. "The man who knows as much  about the Quetzal business as anybody

living  including Carl Wyler." 

"What about the girl?" snapped Gregg. "She may know about the  Quetzal, too. She's the only person who

could have parked that feather  image in your desk." 

"The only person, Gregg?" 

"Unless you put it there yourself," retorted Gregg. Then, becoming  his more reserved self: "But if you did, it's


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not for me to ask an  explanation, Uncle Jeremy." 

"Good boy, Gregg." The old man clapped his hand upon his nephew's  back. "That's what I like about you.

Spirit when you need it, and  obedience when demanded. Those are the marks of honesty, the thing that  counts

most." 

Opening the door, Jeremy came out with Gregg and motioned his  nephew to the living room. There, a group

was busy putting together the  intricate parts of Brett's machine. Harry Vincent had just arrived as  Cranston's

proxy and had removed his coat and vest to lend a hand with  Brett and Dave. Contempt of the whole process

showed in Gregg's  demeanor but he smothered the look, when Shirley came away. Then, with  a flash of the

spirit that his uncle had recently commended, Gregg  halted the girl in the hallway, near the stairs. 

"There's something I want to tell you, Shirley." 

Startled by Gregg's sudden show of interest, Shirley didn't know  what to make of it, so she simply stared. 

"My uncle just named the thing that counts most," declared Gregg.  "He said I had it: honesty, That's why I'm

saying this right now." 

"You mean"  Shirley took a breath  "you're being honest with me?" 

"Yes. I haven't talked before, because you knocked words right out  of me, the first time I saw you." 

"You didn't show it." 

"Maybe not. I'm not the type. Besides, it's my business to suspect  every stranger who walks into this house." 

"Your business?" 

"Yes. Uncle Jeremy is growing old. Occasionally he loses his sense  of values. If it wasn't for my advice, he'd

fall for all the schemes he  used to dodge in the old days." 

Shirley gave a winsome smile. 

"Do I look like a schemer, Gregg?" 

"Your friend Brett might be one," returned Gregg, frankly, "and  still you might not know it. Look, Shirley.

There are certain people to  be trusted at their word. I'm one and I take it you're another. Let's  discard

appearances and suspicions. Whatever I've done or intend to do,  my reasons are honest. Can you say the

same?" 

Shirley's eyes were very close to Gregg's, looking right up into  them. Simply the girl said: 

"I can." 

Gregg's hands had a different technique. Coming upwards, they took  Shirley's chin before she knew they

were there. Adding the proper  pressure, they set Shirley's lips just right for the kiss that Gregg  promptly

planted on them. By the time the girl opened her eyes and  turned around, Gregg was waving back as he

gathered his hat and coat  from the vestibule rack. His wave meant: "See you later." 


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A bit dazed, Shirley wandered back into the living room to find  everyone perfectly oblivious to her brief but

palpitating experience.  When it came to inserting sentiments between a feud with a cousin and a  mission for

an uncle, Gregg Tolland was tops. He'd done it without  missing a beat. 

Brett's machine was beginning its loud buzz while he stretched its  antennas like the tentacles of an octopus.

He took Harry's coat and  vest out into the hall, so he could plant a gadget on the living room  chair. Dave

carried another long wire out to the kitchen and told Sarge  to peel his potatoes in the back room. Another

wire went straight up to  the second floor and was parked in the upper hallway. Colonel Jeremy  consented to

running one into the study, since the wire was so thin  that it could go under the door from the hall, allowing

the colonel to  lock the door after Brett came out. 

Coming down from the second floor, Dave handed Shirley her wrist  watch and a finger ring, having found

them on a table just inside her  room. He advised her to lay them on the mantel, so they wouldn't  interfere

with the coming test. Brett had already explained that a  special detector, in the heart of the machine, would

register whenever  metals were brought near it. So the tests began, as Brett raised the  speed to a rhythmic purr. 

Coins, bracelets, candlesticks, even the silverware in the dining  room, all produced varying responses in these

preliminary tests. Even  Colonel Jeremy was having enough fun to forget about Gregg and the  mission on

which he had gone. 

The Shadow hadn't. 

As Cranston, The Shadow was trailing Gregg in Shrevvy's cab. What  this trip would bring was speculative 

as much so as Brett's treasure  hunting contraption  because Hawkeye had reported that no call had  been

received by Wyler, despite Brett's promise. 

The day was heavily clouded, which increased the gathering dusk,  putting matters in The Shadow's favor.

After half an hour of Shrevvy's  artful trailing, which consisted in almost losing Gregg's cab time  after time,

the trip ended in the financial district, near the Marland  Building. 

Among the vast skyscrapers of this area, night had practically set  in. Most of the buildings had closed at half

past five, but The Shadow  saw Gregg go in the back of the Marland Building and promptly followed. 

There was a large, front lobby with a watchman sitting by the only  elevator that was operating, requesting

people to sign a register  before going up to offices. But the rule didn't apply to an obscure  stairway, leading to

a small mezzanine at the rear. 

Too late to trail Gregg along that route, The Shadow waited in the  lower darkness. After a short while, he saw

Gregg come out, with a  large envelope in his pocket. Knowing that Gregg was going home, The  Shadow

simply let him pass and watched the door of the office that  Gregg had left. 

It probably would be long before Jaggert appeared and when he did,  The Shadow intended to take up his trail.

A man of very crafty methods,  Lloyd Jaggert. Mentally, The Shadow was reviewing Colonel Jeremy's

description: 

"A man who wanted too much, who probably will always want too much,  and never is satisfied with what he

gets, no matter how heartfelt " 

As a foil for Wyler, Jaggert would be perfect, provided the colonel  knew that Wyler was in the game. How

the Quetzal figured was still a  question, considering that it had been the fetish used by a defunct  murderer

named Clavier and belonged neither to Wyler nor Jaggert. 


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This was what The Shadow hoped to learn by trailing Jaggert, now  that the promoter's brief conference with

Gregg was over. Only one  person promised interference with The Shadow's plans, namely Wyler. But  The

Shadow was set in case Wyler moved. Cliff and Hawkeye were really  covering Wyler's hotel room and they

had an open line to Burbank.  Outside the Marland Building, Shrevvy was parked in a lunch room, ready  for a

ring from a phone booth. Any word from Wyler's quarter would be  relayed promptly to The Shadow. 

Minutes dragged after Gregg's departure. Before ten of them were  gone, The Shadow had moved up the

mezzanine stairs and was gliding  toward Jaggert's door. Listening there, he heard the faint ringing of a

telephone bell, followed by what seemed a muffled voice. 

Trying the door, The Shadow found it locked and went to work with a  special pick. The door yielded and in a

darkened office, The Shadow saw  an inner door beyond. No sounds were coming from the inner office, so

Jaggert had probably finished the phone call, if it happened to be his.  The sounds of bell and voice could have

come from another office on  this floor. 

Twenty minutes now, by The Shadow's calculation. A phone bell rang  again; this time definitely from the

inner office, but no one answered  it. Instead, there was a sudden clatter, followed by a crash, as a  phone

tumbled from the desk. Springing to the door, The Shadow turned  the knob; the door opened, for it wasn't

locked. 

Sprawled on the floor beside a large desk, was a man in shirt  sleeves. His face was staring straight up, its

pointed features  strained with gasping lips and bulging eyes. The man was recognizable  as Lloyd Jaggert, for

The Shadow had checked an old picture of the  promoter. 

Probably Jaggert had wanted too much; he was certainly not  satisfied with what he had received, though it

was definitely  heartfelt. 

Heartfelt in the form of a long knifeblade of which a few  remaining inches glistened in the light from the

office window. The  rest of the dirk was buried between Jaggert's ribs. 

Stooping beside the dying man, The Shadow saw one of Jaggert's  hands clutch the air like the claw of a

helpless bird. What produced  the bird simile in The Shadow's mind was the thing that Jaggert held in  his

other fist. 

That object was another of the fateful feathered Quetzals, symbol  of doom for those who could not pay! 

Death was closing in on Jaggert. Perhaps the blackness of The  Shadow's blocking form hastened his

realization of it. With a spasmodic  effort, Jaggert tried to prop himself upon his elbows; at the same time  he

fairly shrieked the name: 

"Gregg! Gregg Tolland!" 

It was too much. Jaggert floundered, dead, at the finish of the  cry. In the tiny office, the death shriek echoed,

as though hurled back  from some strange sphere of space. But those echoes weren't enough to  cover the other

sound that came from the very threshold of the room. 

Hearing the thud of halting footsteps finishing a sudden run, The  Shadow twisted about and looked up from

Jaggert's body. It wasn't a  very nice spot for The Shadow, considering who had arrived. 

In the doorway stood Inspector Joe Cardona. 


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CHAPTER XVII

No tighter spot could be imagined, if judged by ordinary standards,  which weren't The Shadow's mode of

judgment. Cooped in a tiny office  beside a dead body; blocked off from the door, with the only outlet an  open

window that made a perfect background for police target practice,  The Shadow seemed badly off. 

It looked as though he would have to do the longexpected; that of  declaring his identity and trying to

explain things. Simple enough, if  anyone would believe him, which probably they wouldn't. 

The Shadow didn't favor the notion for another and more important  reason. 

The great secret of The Shadow's success in smashing crime was his  amazing personality. Never if he could

help it would he spoil a setting  that offered a chance at proper crime detection. False or true, the  scene should

remain as was, that every flaw might later reveal itself. 

In a sense, The Shadow on this occasion was one of the existing  flaws, a fact which allowed him certain

leeway, which he promptly took. 

Either The Shadow had the instinct of a chameleon where darkness  was concerned, or he had profited heavily

from his sojourns in Tibet,  where he had studied deeply into the metaphysical philosophy which  declares that

invisibility is basically a mental state on the part of  the person who desires it. 

In brief: if you think you are seen, you will be. If you think you  aren't, you won't be. 

The rule worked under certain conditions, of which darkness was the  best. If The Shadow had taken it for

granted that Cardona saw him, he  would have spoiled everything. Thinking the opposite, The Shadow used

just the right procedure. 

Literally drifting away from Jaggert's body, The Shadow carried  himself around the corner of the big desk

without coming from his  crouched position. All this he did in slowmotion style that showed no  variance in

its painful pace. He was dream stuff, The Shadow, and he  didn't belong in a wideawake mind like

Cardona's. 

Cardona didn't see that receding, swerving blackness. just as The  Shadow's first attention had been focused

on Jaggert's face, so was  Cardona's. Moreover, the inspector had been riveted by Jaggert's death  scream, and

the victim's backtilted face, with its wide mouth and  eyes, was something that could really glue an observer. 

Forward came Cardona, step by step. Around the desk went The  Shadow, now completely blocked from

view. His speed was geared to  Cardona's, like the rim of a wheel to a hub. As Joe was bending over  the body,

The Shadow was circling past the front of the desk. When the  inspector turned to look around, The Shadow

moved ahead of him, but not  fast enough to betray a sound that would cause Cardona to speed his  glance. 

The blackness that filled the doorway was gone when Cardona's eyes  reached it. The Shadow had simply

filtered out of circulation where the  law was concerned. 

Men were coming up the stairway to the mezzanine, members of a  squad that Cardona had expected to find

on arrival. So The Shadow found  an upward stairway, went a few floors higher, and summoned an elevator.

By the time the car arrived, The Shadow was Cranston, his cloak and hat  parked over his arm like ordinary

garments. 


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Reaching the street floor, the casual Mr. Cranston scrawled  something on the register and walked out, while

the watchman, more  interested in the mezzanine activity, never noticed that a double  signature had been

made on both sides of the ledger "in" and "out." 

They'd have a lot of trouble figuring out that name tomorrow  if  ever. About the nearest thing it looked like

was "Love and Kisses." 

Outside the Marland Building, The Shadow, in Cranston's casual  style, unriddled a little problem. He studied

what looked like  Jaggert's side street window and noted that it was above a deep  downgrade. Dropping to the

sidewalk would have been conspicuous, and  the only way to avoid it would be to scale a sheer wall a distance

of  two stories to the first ledge above. 

Remembering those dying words of Jaggert's: "Gregg Tolland!"  Cranston went to find Shrevvy and put the

cab back into business. 

Everybody was still having fun at Tolland's except old Jeremy. He'd  gone upstairs to nap, leaving word to call

him when dinner was ready.  Playing parlor games with Brett's buzzing apparatus didn't interest the  colonel. 

Convinced that the device would work within certain limitations,  Jeremy preferred to try the great outdoors,

particularly in a mining  section, to find out just how great the limitations were. 

Looking at his watch, Dave Tolland suddenly exclaimed: "Seven  o'clock!" 

That was definitely a call to dinner, which should have been ready  at six thirty. The group went into the

dining room, and Dave informed  Sarge of his oversight. Dinner was practically ready, but Sarge had  been

spending time in the living room, watching the treasure finder at  work. Before joining the others, Victor Brett

shoved the switch, so  that the buzz became nothing more than a faint murmur. 

Shirley called Jeremy and the colonel arrived grumbling because he  should have been summoned a half hour

ago and showing annoyance because  Gregg hadn't returned. Sarge was serving the soup when the front door

opened and the missing nephew put in his appearance. Taking his place  at the table, Gregg nodded to his

uncle and tapped the envelope in his  pocket. 

Colonel Jeremy wasn't mollified. 

"You took a long time getting home, Gregg." 

"No longer than going there," returned Gregg, drolly. "About a half  hour each way." 

"You must have stayed there a long while then." 

"Not so very long. Jaggert was reasonable enough." 

The colonel glared at the mention of Jaggert as though the name  should be kept secret, but Gregg didn't care.

He was looking across the  table at Shirley, who returned his gaze. Neither smiled; their glances  were enough. 

"All right, then, you went to see Jaggert," announced Jeremy. "He  probably gave you a history of the Quetzal

outrages that formed the  chief career of one Lee Clavier, the blackest blackguard below the  border. I'll tell

you what I know about Clavier, and we can check  Jaggert's data later." 


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Jeremy's harangue carried right through soup, fish, and salad. He  was still mouthing stories of torture,

extortion, mayhem and murder  through the crust of the very special apple pie that Sarge had cooked  because

the colonel considered it a delicacy. 

It wasn't the best of table talk, but everybody took it, coming  from the colonel. 

As guests with other matters on their mind, Harry Vincent and  Victor Brett managed to put up with it, though

twice when the colonel  became too gory, Brett excused himself saying he had to make a phone  call. The

second time, he fussed around the living room with his  treasure finder, but finally came back to share the

ordeal. 

Gregg and Shirley just didn't pay attention to the colonel. They  were talking without words, wondering with

glances where each had been  during all the other's life. As for Dave, his attention was divided  between the

pair of newly discovered love birds and Sarge, whenever the  brawny master of all trades loomed in from the

kitchen. 

It simply amazed Dave to see his cousin Gregg in a new mood and  Sarge was sharing the bewilderment.

Gregg's interest in Shirley was  confounding enough, but to have him bypass his Uncle Jeremy was truly

terrific. 

Maybe old Jeremy understood. 

Finishing his pie with an appropriate snort, the colonel leaned  back in his chair and said indulgently: 

"I hope my talk has been instructive. If you'd listened, Gregg, you  would agree. I suppose I've been lecturing

for at least an hour." 

Pulling a big oldfashioned watch from his pocket, the colonel  snapped it open and gave a shrug. 

"No, only a half hour. We made up for starting late by eating fast.  Well, since it's only half past seven, we

may as well resume our test  of the treasure finder." 

The front door bell was ringing as the group reached the living  room. Sarge answered and a stocky, swarthy

man pressed past him,  flashing a badge in progress. Heading right into the living room,  Inspector Cardona

demanded: 

"Which one of you is Gregg Tolland?" 

With a puzzled glance, Gregg stepped forward. 

"Where were you at six thirty?" 

"Why"  Gregg fumbled at his pocket, then remembered that his watch  was being repaired  "why I guess I

was on my way home." 

"From where?" 

"From the Marland Building, where I saw a man named Jaggert." 

"What time did you arrive here?" 


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Gregg didn't know, but the others did. They said seven o'clock.  Cannily, old Jeremy cocked his head and

remarked that the clock might  have been a bit fast. Brett reminded him that others had checked the  time by

their watches, so Cardona suggested that they check them again. 

Every timepiece said seven thirty, or close to it, and  seventhirty was the right time. Harry's watch was

right, so was  Shirley's, when she took it from the mantel and looked at it. The  living room clock, like the one

in the kitchen tallied at half past  seven. Dave was suggesting that they look at the clocks up stairs, when

Cardona announced: 

"That's enough." 

Wheeling to Gregg, the inspector added: 

"You're coming along." 

"Where?" demanded Gregg. "And for what?" 

"To headquarters to answer for the murder of Lloyd Jaggert. He was  stabbed to death at exactly quarter past

six." 

Gregg's denials were useless. He'd committed himself to what the  time element proved. Six thirty to seven

would have brought him from  the Marland Building to the Tolland mansion, perhaps with a few extra

minutes, but no more. 

So fast that Shirley hadn't a chance to gasp goodbye, Gregg was  marched from the house in Cardona's

custody, still carrying the  envelope that might incriminate him further. When Shirley ran to the  door to call

after Gregg, she was met by an old man hobbling up the  steps on his cane. 

Sight of Isaac Twambley didn't pacify Shirley Malcolm. With one  unhappy wail, she broke into tears and

dashed upstairs. Colonel Jeremy  watched her to the top, then took his keys from his pocket and unlocked  the

study door. Inviting Twambley into the room, the colonel picked up  a gadget that looked like a microphone

and tossed it through the  doorway to his nephew Dave, wire and all. 

"Tell Brett to come again," ordered Jeremy. "His treasure finder  can wait." 

Closing the door, Jeremy bolted it and gestured Twambley to a  chair. Then, one hand raised, the colonel said: 

"Listen! The chimes! You must hear them, Twambley." 

The colonel was right. His grandfather's clock was striking the  hour. The two men listened to its music and

sat silent during the eight  melodious strokes that followed. Then, turning to Twambley, Jeremy  inquired: 

"And now?" 

CHAPTER XVIII

THE case against Gregg Tolland was complete. 

He'd stood a grilling, Gregg had, and a long one, but finally he'd  cracked. 


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Only he hadn't cracked entirely as Commissioner Weston wanted.  Gregg still argued that he wasn't a

murderer. 

What Gregg admitted was that he'd been to Debley's penthouse, the  night of the crazed man's alleged suicide.

The bullets that had hopped  all around the penthouse hallway came from Gregg's gun. Since the  police had

found the Lugar in Gregg's pocket, there wasn't much use in  denying the point. 

But according to Gregg, if Debley had been murdered, somebody else  deserved the blame. Gregg hadn't fired

his gun at Debley. He'd fought  it out with an intruder who answered the specifications of a ghost,  having

dropped into the penthouse practically from nowhere and left by  the same route. 

As for Jaggert, Gregg had simply paid him an honest visit, picked  up some Quetzal data and had gone his

way. Only the police didn't  believe it. The time element proved otherwise. 

If Debley had gone mad and jumped out of a penthouse window, maybe  Jaggert, lacking the proper altitude,

had stabbed himself under the  urge of similar madness. 

That was the theory propounded by Shirley Malcolm who personally  felt just about insane enough to consider

it rational. In fact, Shirley  would have turned the Tolland mansion into a one woman madhouse, if two  kindly

old gentlemen hadn't calmed her. 

Isaac Twambley and Jeremy Tolland. 

It was evening, but Shirley couldn't realize it. How many days, how  many nights had passed since Gregg was

dragged away, she couldn't  remember. Shirley must have been in bed all this afternoon, except for  those

times she'd been racing through the hall, with a trained nurse  grabbing her when she wanted to jump out

penthouse windows. But now she  was wearing her fluffy negligee and sitting very calmly in this calmest  of

all rooms, Jeremy's study with its chiming grandfather's clock. 

As the clock struck nine, old Twambley looked at his watch and  said: 

"Half past eight." 

When Jeremy nodded, Shirley was sure that both were crazy, which  made her feel much better. As further

evidence that they belonged in  the madtime league, both these venerable gentlemen were admiring a

Quetzal image that had been redeemed from the study wastebasket and  given a place of honor atop the

grandfather's clock. 

Now they were beginning doubletalk that somehow made sense to  Shirley. 

"Somebody handed me that Quetzal," observed Jeremy. "But why?" 

"As a threat," returned Twambley. "It means death." 

"But I'm alive, Twambley." 

"Then your friend  or enemy  wants something else." 

"Cash, very probably," decided Jeremy. "But why hadn't he come to  demand it?" 

"He probably will  and soon." 


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There was a lull, during which Jeremy gave a few chuckles. Then: 

"I really dreamed about Debley," declared Jeremy, seriously. "I do  believe in such things, Twambley." 

Old Twambley nodded as though he fully agreed. 

"And I dreamed about Shirley," added Jeremy. "I saw a girl in blue,  being run down by a car." 

Twambley turned to admire Shirley's blue fluffs. 

"Blue is most becoming," cackled Twambley. "Particularly with brown  eyes, though the combination is

unusual." 

Those brown eyes broke out suddenly with tears. 

"I shouldn't have done it," wept Shirley, "but Vic Brett said it  was the only way to meet you, Colonel Tolland.

I thought your dreams  were silly, but you believed in them and that one dream in particular  came in very

handy." 

"Because you were handy, my dear," agreed Jeremy with a nod. "Well,  Twambley, you cracked one phase of

it." The colonel added a chuckle.  "And Cranston said you were nothing but an old bore." 

Shirley mopped her eyes and looked up. 

"You mean Brett tricked me into it, Colonel? So he could sell you  that treasure finder?" 

"So Gregg could be charged with murder," put in Twambley, his  cackle absent. "Don't worry, he'll be out

when we supply the evidence  that ruined a scheme to break his alibi." 

"Sarge will help," agreed Jeremy. "Faithful Sarge! He didn't  realize what my dreams could do, if he

mentioned them at the wrong  time. I finally tested him." 

"By faking that dream about Jaggert," agreed Twambley. "The trouble  was, you tried to test Gregg, too." 

"A bad mistake," acknowledged Jeremy. "But tell me, where does  Wyler fit into this?" 

In characteristic fashion, Isaac Twambley folded his arms across  his cane. 

"Wyler was covered when Jaggert was murdered," declared Twambley,  "and that's the odd part about it. Only

it isn't entirely odd. I think  you will hear from Wyler tonight." 

"You mean he has left the Hotel Revelon?" 

"He has. He may even be on his way here. Therefore I suggest that  you have Shirley call Brett and tell him

that you are ready to buy his  machine outright." 

"But that will only bring Brett here." 

"Not if the word comes from Shirley, if she can maintain her  worried mood. I think she can." 


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Shirley knew she could. Why this was needed, she didn't understand,  but having cleared the one fact which

impaired her honesty, she wanted  to prove that she hadn't realized how serious it was. If this could  lead to

clearing Gregg, Shirley would be willing to tell a thousand  lies to establish the one truth that counted. 

Unbolting the door, Jeremy ushered Shirley to the telephone. She  made the call and did it beautifully. The

colonel bowed and gestured to  the stairs. 

"Good work," he said. "Now back to bed." 

Shirley was glad for the polite dismissal. Somehow she felt she  could sleep without worrying about Gregg. A

guilty conscience was bad  enough, but when it had to be uprooted to learn what made it tick, it  was like an

ailment that hadn't been properly diagnosed. 

As soon as Shirley had reached the stairtop, Jeremy turned to  Twambley and asked: 

"Dave?" 

"Don't worry," returned Twambley. "He'll show up." 

"And Sarge?" 

"Let him find out for himself. He'll be all the more valuable when  he does." 

Colonel Jeremy shook his head. 

"You know everything," he declared. "Everything, Twambley, except  one thing: how I was handed that

Quetzal image. There's only one way it  could have happened." 

Twambley gave a slow nod. He knew. 

"You really know?" exclaimed Jeremy. "But how did you find out?" 

"Perhaps The Shadow told me," chortled Twambley, "and maybe I read  a book about Houdini." 

Old Jeremy stared, agape. 

"Now that we both know everything, colonel." Twambley's chuckle was  very dry. "Suppose you become

careless about the study door, while I  make a few plans of my own." 

Bowing his consent, Jeremy turned toward the kitchen, calling for  Sarge. He was informing the chauffeur that

he was going upstairs to  take a nap, but wished to be awakened if any visitors arrived.  Meanwhile, while

Jeremy's back was turned, Twambley was getting some  wearing apparel from the vestibule. 

The slight laugh that came from Twambley's lips wasn't The  Shadow's. It was more like Cranston's. This was

the sort of thing that  Cranston would have liked, but old Isaac Twambley could manage it quite  as well. 

Black garments over his arm, Isaac Twambley wobbled toward the  study door. Hand on the knob, he listened

and gave a happy smile when  he heard a sound he recognized. Waiting a full minute, Twambley finally

opened the door, tottered to a corner chair and sat down. 


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The burden from the old man's arm dropped unnoticed to the floor as  Twambley closed his eyes and nodded

his head until it dropped into a  doze. 

CHAPTER XIX

An odd room, Jeremy's study. It had nooks between bookcases and  other antiques to say nothing of the spaces

beside the grandfather's  clock. It would have been a perfect lurking spot for The Shadow; but  Isaac

Twambley slept right out where anyone could see him. 

Sounds couldn't reach the study because of the heavy door to the  hallway, where the gray carpet clogged the

space beneath so closely  that there had been trouble running Brett's wiring under the door. 

Of course the space below the double doors to the rear parlor was  different. It was wide enough to admit a

mouse. 

Or a rat  on occasion. 

Sarge was admitting arrivals to the mansion. Victor Brett was  bringing his treasure finder, still packed, and

Dave Tolland was  helping him. Brett had called Dave at the latter's favorite beer hall  after hearing from

Shirley. 

It was Dave who suggested that they leave the front door unlocked,  since one cab hadn't been enough to bring

all of Brett's gadgets and  more were expected. The treasure finder was being set up in the dining  room again

and old Jeremy, his nap broken at his own order, was just  sleepy enough to insist that Dave take full control. 

"I was dreaming," declared Jeremy, moodily. "Dreaming about Gregg  when Sarge disturbed me. A bad

dream"  he gave his head a disdainful  shake  "but I hope to pick it up again. And by the way, Dave " 

Jeremy paused while Dave's lips began to question: "Yes?" 

"It can wait until tomorrow," decided Jeremy, in a tired tone. "I  have disinherited Gregg, that's all. The new

will is drawn up, and I  left it on the secretary in the study. There are a few clauses we  should discuss, but they

can wait." 

The colonel was fumbling in his pocket for the keys, as though  intending to lock the study door. 

"Wait, Uncle Jeremy," suggested Dave. "We may want to run a wire  into the study again, It's unlocked, isn't

it?" 

Another nod from Jeremy. 

"Wake me later, Dave," suggested the colonel, starting slowly for  the stairs. "Ask me about my dream. It's the

sort that may complete  itself. Goodnight." 

Dave had another question. 

"How is Shirley, uncle?" 

"Much better," affirmed Jeremy. "She seems reconciled to the fact  that Gregg is a proven criminal. That was

why I trusted her judgment  about the treasure finder." 


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As soon as Jeremy had gone upstairs, Dave and Brett put Sarge to  work on assembling the machine. In the

midst of such paraphernalia with  other parts clattering as they were passed his way, Sarge couldn't  possibly

have heard the front door open when it did. 

The man who entered was blocky and bluntfaced. He paused just past  the vestibule and received a double

signal from the living room. As he  waited, he saw fingers spell out letters behind Sarge's back. With an

understanding nod, the bluntfaced man stole to the study door, opened  it, and stepped inside. 

As he closed the door, this new visitor saw Twambley. Momentarily  he mistook the old gentleman for the

colonel, and there was a short  snarl from the thick lips that did anything but adorn the blunt face.  Hand to his

pocket, the blocky man let a gun slide back; then moved in  the direction of the big desk. 

Despite his heavy build, this unknown intruder was smooth of  action. Hawkeye would have recognized him

instantly as someone who had  come from a building where Hawkeye expected Wyler to appear. 

Maybe the blocky man's wide ugly smile included thoughts of Wyler.  If so, they were premature. 

From between the bookcase and the big desk stepped a lean man,  whose thin face glared above his crouched

shoulders. Faced by this  living scarecrow, the blocky man halted and snarled: 

"Carl Wyler!" 

"Why not?" queried Wyler. "You expected me here, didn't you?" 

"Not in Tolland's house!" 

"Again"  Wyler grinned behind the revolver that poked from his  thin fist  "again, why not?" 

The blocky man was retreating toward the door, with Wyler making  gun prods at a distance. 

"Tolland is my game," Wyler sneered. "Find some other victim for  yourself. If you don't, I may let the world

know that Lee Clavier is  still alive!" 

This time the blocky man didn't sneer. His face became momentarily  pale, then reddened angrily. 

"It won't help you, Wyler!" he argued. "Anyway, you're right. You  can have Tolland, if you let me go my

way." 

This blocky man who admitted himself to be Lee Clavier was fumbling  for the door knob. With a toothy

smile, Carl Wyler relaxed his gun hand  and regretted it. 

Instead of clutching the door knob, Clavier whipped an automatic  from his coat pocket and brought it up as

fast as Wyler's revolver.  Then, in a tone that was a mockery of Wyler's, so closely did it  resemble the latter's

purr, Clavier suggested: 

"Now let's talk sense." 

Gun point to gun point, the pair faced each other, unwilling to  allow an inch of leeway. The stalemate was

broken by a crackly voice  that said: 

"Excellent. Let's talk sense." 


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Two faces turned to see Isaac Twambley awakened from his imitation  drowse, his keen eyes gazing up from

the cane head on which he rested  hands and chin. 

"You first, Wyler," suggested Twambley. "I mean the real Wyler, of  course." 

"Why not?" sneered Wyler, overlooking the point of Twambley's  remark. "Why shouldn't I cash in on a few

millions that I might have  gotten? I figured old Tolland would get shaky if I shipped him a  Quetzal, so I

brought one along. 

"Doing it neatly was the problem. I wanted him to think that  Clavier was still alive. The first night I sneaked

around here, I was  lucky to find the best way into this room. A way Jeremy Tolland had  reserved for himself

as an exit  in case he needed it." 

Twambley's chin lifted so that his head could nod. 

"So you came again," he chuckled, "and left the Quetzal image. Very  nice indeed. Jeremy would either regard

it as a mystery or know that  somebody had guessed that this was a twoway room. Of course he would  credit

Clavier  at first." 

"And if he didn't," retorted Wyler, "I was going to bring him to  terms tonight. After his nephew got into

trouble with the Quetzal  business, Jeremy was ripe. I think I could have convinced him that I  might help hold

off Clavier. After all, Clavier couldn't afford to be  alive." 

Before Clavier could dispute that point, Twambley supplied the  proper argument. 

"Of course Clavier couldn't," declared Twambley. "No more than you  could operate openly, Wyler, with a

prison record hanging over you. You  both had the same problem in reverse." 

Wyler's ugly eyes went puzzled, but Clavier's hard stare showed  that he understood. Nevertheless, Twambley

addressed Clavier, if only  for Wyler's benefit. 

"You had to be somebody else," Twambley told Clavier, "and who  could be better than Wyler? So you found

Victor Brett and told him how  you could make his machine pay  and pay. Of course you told him you  were

Carl Wyler " 

A sharp snarl interrupted. It came from the real Carl Wyler who for  the first time was understanding what

Twambley had meant when he used  the term 'real' a short while before. Again, Wyler was glaring at  Clavier

and getting the same medicine in return. 

Even Twambley's wisdom hadn't yet given away the fact that he was  The Shadow. As Cranston he might

have been suspected, but the senile  gentleman in the chair was too crotchety a type to be identified with  the

famous fighter in black. 

"Certainly I passed as you, Wyler," declared Clavier, keeping his  tone smooth to prove it. "How else could I

have operated?" 

"Particularly when one man knew you were alive." This was from  Twambley, his tone wavery, but his eyes

sharp. "Specifically, Rufus  Debley." 

"I should have known!" broke in Wyler. "So you did murder Debley!  One of your old raids, Clavier, all over

again. Dropping down mountain  cliffs " 


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"Or skyscrapers," inserted Clavier, "Simple enough when you know  how." 

"A looped rope was all you needed," agreed Twambley with a nod. "A  pendulum swing from the ends and

there you were. Then you hauled one  end and brought in the other. The rope was ready once again." 

The glare from Clavier's eyes was fixed on Twambley and served in  place of the gun muzzle that he still felt

must be trained on Wyler. To  Twambley, Clavier snarled: 

"You know too much." 

"Like Debley," nodded Twambley. "But didn't you run into a little  trouble there, Clavier?" 

"You mean with The Shadow?" returned Clavier. "None at all. I was  sliding the hallway window shut and

looping my rope over a gargoyle  while The Shadow was battling it out with Tolland's nephew. I mean the

stupid nephew, Gregg." 

"Loyalty and stupidity are much alike," agreed The Shadow, in  Twambley's cracked tone. "Gregg should

have told his uncle all that  happened. Unfortunately he said he never went to Debley's." 

"Which was all the better," said Clavier, suavely. "I don't know  why I'm telling you all this, whoever you are,

except that you won't be  alive long enough to repeat it. Anyway, it gave me a great idea." 

"Of course," came Twambley's agreement. "Instead of merely  swindling Colonel Jeremy with the assistance

of his nephew Dave, you  decided to throw the whole fortune into Dave's lap and take your slice  of it." 

"By framing Gregg," agreed Clavier, warming to his theme. "He  showed the way at Debley's. All we needed

was another victim. When the  colonel was fool enough to bring in Jaggert, just because he wanted to  make

sure that Gregg wasn't yellow " 

"You murdered Jaggert," picked up The Shadow, still in Twambley's  style, "and did a rope climb from the

office window." 

Wyler was totally out of the discussion. His lean face was wagging  back and forth between Clavier and the

disguised Shadow, as he learned  to his amazement how deep one man's schemes could go, only to have

another penetrate them. 

"A nice analysis," complimented Clavier. "Only it wouldn't stand in  court, Mr. " 

"Twambley is the name. Isaac Twambley." 

"It wouldn't stand in court, Twambley," continued Clavier, "because  Gregg has no alibi." 

The chuckle that came from Twambley's ancient lips carried all the  significance of The Shadow's laugh,

though in no wise did one resemble  the other. Clavier must have realized that a knockout blow was coming,

for he showed his first trace of worry. 

The blow came. 

"You only think Gregg Tolland lacks an alibi," announced The  Shadow, holding carefully to a Twambley

chortle. "Look at the  grandfather's clock, Clavier. It is still a half an hour fast!" 


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Then, to drive home the point of that statement, The Shadow added: 

"Gregg Tolland had no time for murder!" 

CHAPTER XX

More mystified than ever, Carl Wyler wondered at the sweeping  changes that came over Lee Clavier. At first

the notorious murderer  trembled, then stiffening, he almost gave way to complete rage. Finally  he steadied,

and with one hand behind him, threw the big bolt of the  door, at the same time shifting his gun from Wyler to

Twambley. 

Coldly, Clavier announced: 

"You have signed your death warrant, Twambley." 

"Not necessarily." The reply was highpitched but calm. "Colonel  Tolland hasn't signed his new will yet." 

Though he was speaking to Clavier, The Shadow's eyes were fixed on  Wyler, reminding him that he too had

a cause, even though it was a  wrong one. Not that The Shadow needed Wyler's cooperation; he merely

wanted to warn him that Clavier couldn't afford to let him live. 

Unwillingly, Wyler was finding himself reduced to the status of  Debley who stood as an example of what

happened to those who knew of  Clavier's survival. 

Then, as suddenly as he had changed it, The Shadow switched the  subject back to the clock. 

"A useful machine, Brett's treasure finder," came Twambley's voice.  "All that Brett and Dave had to do

between them was set all clocks and  watches half an hour ahead. Thus it was seven o'clock in this house

when Gregg arrived home, proving conclusively that he had been in  Jaggert's office as late as six fifteen. 

Pausing, The Shadow waited until Clavier snarled: 

"Go on." 

"Dinner actually began at six thirty," continued The Shadow,  Twambley style. "At that time  seven by the

clocks and watches  Brett  set his machine at full speed. Its electromagnetic force was supposed  to stop all

the timepieces for half an hour. It did, with one  exception." 

Keeping up the part of Twambley, The Shadow gave a clawlike gesture  toward Jeremy's favorite clock. 

"While time was catching up to the others," he chuckled, "this  clock kept right ahead. There's no magnetic

metal in it, Clavier. These  old grandfather's clocks have wooden cogs, sprockets and wheels  throughout,

forming the parts that Brett's machine should have stopped. 

"Of course there are weights in the clock  but they are made of  lead. The pendulum is metal, only you can

see that it is brass. They  aren't magnetic, but even if they were, they weren't the sort of  smaller parts that

would respond to Brett's treatment." 

His tone still cold, Clavier demanded: 


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"Who knows about this clock?" 

"Two persons," was Twambley's reply. "Colonel Jeremy and myself. Of  course Wyler knows now. And your

two helpers, Dave and Brett, know  about it. Maybe they will tell when they learn that you aren't Wyler." 

"They'll never know." Forgetting Wyler, Clavier was moving toward  The Shadow, gun first. "I'll show you

why, with this!" 

Clavier meant the gun. His finger was tightening on its trigger and  it gave him ugly joy to see that

Twambley's hands were simultaneously  loosening on the cane. A brute by nature, Clavier couldn't murder a

victim without providing preliminary mental torture as he had  demonstrated both with Debley and Jaggert. 

An old fool like Twambley was the sort that Clavier preferred.  They'd lived long enough to regret more, and

it was viciously humorous  to watch their frantic efforts to stave off sure death. Old Twambley  was wobbling

so badly that his chin was joggling his cane, making it  slip along the floor. 

It really slipped. 

Like the whip of a snake, that cane slithered forward between  Clavier's ankles and lashed with all the power

that a mighty hand could  give it. Those sinews that had shown under the blue light in the  sanctum proved

their speed along with their force. Like a huge  whirligig, the cane spun Clavier right off his feet, as his gun

spurted  a message that wasn't helpful to Jeremy's antiques, but certainly did  no damage to The Shadow. 

That terrific thrust told everything, to Wyler as well as Clavier.  The part of Twambley was disproven as

thoroughly as the myth of  Clavier's death. Since there was no further need for pretence, The  Shadow added to

the surprise he had created by delivering a laugh that  befitted his more active self. 

Above the chance chimes of the telltale clock came a peal of  strident mockery that spelled disaster for all

men of crime and two in  particular. It was meant for Lee Clavier, murderer, but Carl Wyler,  swindler, took it

as a personal issue, too. That didn't matter to The  Shadow. It only varied the climax. 

With Clavier trying to aim from a floundering pose, Wyler charged  The Shadow only to receive the big end

of Twambley's cane right in his  equally bulgy teeth. Wyler managed two upward shots that took their  toll in

ceiling plaster; then lunged from that position, hoping to  clout The Shadow with a downswing of the

revolver. 

Only The Shadow wasn't right where Wyler wanted. He was spinning in  a style that was utterly fantastic for a

man of Twambley's appearance.  His cane, twirling like a baton, came up from a sideangle to jar  Wyler's gun

hand and at the same time, The Shadow gripped Wyler's  shoulder to fling him bodily at Clavier. 

The shots from Clavier's gun were faster than The Shadow  anticipated, but still too late to effect their desired

purpose. The  man they clipped was Wyler. As the swindler toppled, Twambley's cane  came flipping over his

descending shoulder and met Clavier's head on  the rise. 

Sprawling senseless, Clavier lost his gun as Wyler's dropped beside  him. Recoiling, Wyler rolled over and

gasped wheezily as he looked for  Twambley. Only there wasn't any Twambley any longer. The rejuvenated

fighter had reached for his other garb, black cloak and slouch hat, and  was putting on his more appropriate

attire. 

Hands clamped to his chest, Wyler watched The Shadow pick up the  guns and unload them; then toss them

back beside the figures on the  floor. There was a heavy pounding at the door from the hallway,  accompanied


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by a voice that was loud enough to be heard, though  muffled. 

The voice belonged to Inspector Joe Cardona, called here for a  conference by Jeremy Tolland at the advice of

Isaac Twambley. 

Carrying Twambley's cane, The Shadow stopped at the hotair  register in the side wall of the study and

calmly knocked its chain  loose. Wyler's dying eyes glowed with momentary hope, then changed to a

vindictive leer toward Clavier, who was just beginning to stir. 

Moving to the double doors at the rear of the study, The Shadow did  a singular thing. Dropping flat, he rolled

along the floor. Instead of  being stopped by the doors, his figure dipped and went beneath them. 

The rug, all of a single piece, simply sagged enough to allow the  cloaked form to squirm through. The

Shadow was right when he said that  Jeremy had borrowed this trick from the annals of Houdini. It was the

famous mystifier's method of going through a brick wall constructed on  a stage. 

There was a broad trap door underneath the rug. Houdini's stage had  a trap door too, with a huge rug covering

it. What good would be a trap  door covered by a rug? None, apparently, at least not for a total  vanish, but it

served for going through a wall. 

In this case, the brick wall was represented by a pair of solid  doors. Having gone under them, The Shadow

came up the other side, in  the rear parlor. There, he hauled the chain in another register and the  trap door

came up in place, smoothing the stretched rug above it. 

The Shadow's knowledge of illusionary methods had enabled him to  detect the secret of Jeremy's emergency

exit that was planned to leave  enemies baffled. Wyler had struck upon it by accident and struck upon  it was

the term. 

On his first trip into the cellar of this mansion Wyler had crashed  into what looked like the top half of a coal

bin except that it was  hinged. Actually, he had run into Jeremy's trap door, lowered for  emergency use.

Recuperating in the coal bin, Wyler had seen the carpet  sag when Jeremy had made a hurried trip to the safety

of the rear  parlor. 

Piecing the rest of the secret, Wyler had used it for himself in  order to place the Quetzal image in Jeremy's

desk. That had happened on  another night, the time of the melee beginning in the kitchen and  ending in the

hall. Wyler had been in that mixup but had been the  first to break free after being spotted by Gregg. Into the

parlor,  Wyler had let down the trap and squirmed through to the study. Later,  he had reversed the route at

leisure. 

Wyler was remembering it now and gloating over his knowledge.  Clavier had recovered but not in time to

witness The Shadow's  remarkable departure. The door from the hallway was bashing under heavy  strokes;

frantically, Clavier gripped Wyler's throat and howled that he  wanted to know the other way out. 

Wyler didn't tell. 

Why should he? Wyler was gaining a quicker death from Clavier's  clutch, at a time when vengeance was a

bonus. Shaken like the rat that  he was, Wyler kept his broken teeth clamped shut and coughed his last  breath

through them. He was sagging through sheer, dead weight when  Clavier suddenly let him fall and snatched a

pair of guns from the  floor. 


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Aiming at the crashing door, Lee Clavier, the master hand in this  game of crisscrossed crime, was beaten to

the shot by Inspector Joe  Cardona. Guns unloaded, thanks to The Shadow's foresight, Clavier  hadn't a chance

to win. Cardona's bullets fairly riddled him. 

Old Jeremy Tolland was standing in the hall and now, with a wave  toward the clock, he swung about to tell

the story that it stood for.  At the first words regarding that reclaimed half hour, two men made a  break toward

the kitchen. Dave Tolland, the faithless nephew; Victor  Brett, accomplice in murder  both were partners in a

guilt they knew  they could no longer deny. 

They never reached the kitchen. Two guns stopped them, big  automatics gripped in the gloved hands of a

cloaked challenger who  stepped from the parlor. The Shadow didn't have to open fire on this  pair; they fell

back pleading for mercy. Then Sarge overtook them and  caught each man with a huge hand that went

halfaround each culprit's  neck. 

Loyal to Colonel Jeremy was Sarge, but he had been duped by Dave in  the latter's secret campaign against his

cousin Gregg. Sarge had passed  along Jeremy's dreams and helped to fulfill the one regarding Shirley,  but he

had done it only because he though that Gregg was unfairly  holding the Colonel's favor. 

Blackness vanished from the rear hall, dwindling into the kitchen.  Silently, The Shadow took the cellar route

from the mansion leaving the  case to the capable hands of Joe Cardona. With The Shadow vanished  Isaac

Twambley, his cane, cracked in the recent conflict, landing in  the coal bin as a souvenir, like the trap door

above. 

Out front, The Shadow glided off through darkness, but not in the  direction of Shrevvy's cab. It had been on

hand, that cab, but it was  no longer waiting. Instead, it was speeding off with a single  passenger, a girl

dressed in blue, who had commandeered it for a trip  to police headquarters. 

Shirley Malcolm wanted to be the first to tell Gregg Tolland of his  vindication and she was on her way to

complete that happy ending. 

From somewhere, out of the night's own heart it seemed, came the  parting laugh of The Shadow, wishing the

girl good speed! 

THE END 


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Bookmarks



1. Table of Contents, page = 3

2. NO TIME FOR MURDER, page = 4

   3. Maxwell Grant, page = 4

   4. CHAPTER I, page = 4

   5. CHAPTER II, page = 7

   6. CHAPTER III, page = 10

   7. CHAPTER IV, page = 14

   8. CHAPTER V, page = 17

   9. CHAPTER VI, page = 21

   10. CHAPTER VII, page = 24

   11. CHAPTER VIII, page = 27

   12. CHAPTER IX, page = 31

   13. CHAPTER X, page = 34

   14. CHAPTER XI, page = 38

   15. CHAPTER XII, page = 41

   16. CHAPTER XIII, page = 44

   17. CHAPTER XIV, page = 48

   18. CHAPTER XV, page = 51

   19. CHAPTER XVI, page = 54

   20. CHAPTER XVII, page = 58

   21. CHAPTER XVIII, page = 61

   22. CHAPTER XIX, page = 65

   23. CHAPTER XX, page = 69