Title:   MALMORDO

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Author:   Maxwell Grant

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PDF Version:   1.2



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MALMORDO

Maxwell Grant



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Table of Contents

MALMORDO.....................................................................................................................................................1

Maxwell Grant.........................................................................................................................................1

CHAPTER I .............................................................................................................................................1

CHAPTER II ............................................................................................................................................4

CHAPTER III..........................................................................................................................................9

CHAPTER IV........................................................................................................................................12

CHAPTER V.........................................................................................................................................15

CHAPTER VI........................................................................................................................................18

CHAPTER VII .......................................................................................................................................21

CHAPTER VIII.....................................................................................................................................26

CHAPTER IX........................................................................................................................................29

CHAPTER X.........................................................................................................................................32

CHAPTER XI........................................................................................................................................35

CHAPTER XII .......................................................................................................................................40

CHAPTER XIII.....................................................................................................................................44

CHAPTER XIV.....................................................................................................................................47

CHAPTER XV......................................................................................................................................50

CHAPTER XVI.....................................................................................................................................54

CHAPTER XVII ....................................................................................................................................57

CHAPTER XVIII ...................................................................................................................................60

CHAPTER XIX.....................................................................................................................................65

CHAPTER XX......................................................................................................................................68

CHAPTER XXI.....................................................................................................................................71


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MALMORDO

Maxwell Grant

CHAPTER I 

CHAPTER II 

CHAPTER III 

CHAPTER IV 

CHAPTER V 

CHAPTER VI 

CHAPTER VII 

CHAPTER VIII 

CHAPTER IX 

CHAPTER X 

CHAPTER XI 

CHAPTER XII 

CHAPTER XIII 

CHAPTER XIV 

CHAPTER XV 

CHAPTER XVI 

CHAPTER XVII 

CHAPTER XVIII 

CHAPTER XIX 

CHAPTER XX 

CHAPTER XXI  

CHAPTER I

LIKE some weird creature from the deep, the crawling fog enveloped  the Steamship Santander as she lay at

her North River pier. From the  grimy blackness that represented the river came the deepthroated  blares of

steamship whistles and the shrill squeals of tugboats, like  voices urging the thick mist forward. 

The fog was kind to the Santander. 

For one thing, the fog hadn't arrived until the banana boat had  docked, so now its hemming mass was

harmless. And now, artistically  speaking, the drizzling mist was giving this floating junkpile both  grace and

proportions that had never belonged to such a ship. 

The dim, dewy pier lights scarcely reached the side of the  Santander. Her hulk, fogpainted a whitish gray,

seemed to be  undergoing the swathes of an invisible brush that produced a  streamlined effect of motion.

Magnified by that blanketing gray, the  Santander literally towered out of sight, creating the illusion that  this

squatty tub had the bulk of a leviathan. 

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Between the varied blasts of the frequent river whistles came  silence, broken only by an occasional splash.

An angler might have  mistaken those sounds for jumping fish, except that fish didn't jump in  the oily, ugly

water flanking these piers. 

Then, like a warning all its own, came a slow, flat beat of  footsteps tramping inward from the pier end in

slow, methodical rhythm.  As those footsteps neared a light that was hanging from a post, they  were

accompanied by a creaking from dried, warped boards that formed  the surface of the pier. 

Out of the fog loomed a burly policeman who, like the Santander,  looked three sizes bigger. His footbeats

stopped as he heard a movement  beside him; bringing his swinging club to his fist, the officer turned  sharply.

The stir had come from a batch of packingcases stacked near  the post. Hearing it again, the patrolman

crouched and began a  slowmotion approach to the pile of boxes. 

Again the stack wobbled, to the accompaniment of a creak. The  officer straightened with a short laugh. A

loose plank had jiggled the  packingcases, that was all. After testing it a few times, the officer  continued his

patrol toward the shore. 

Whistles sounded intermittently, punctuated by those curious,  recurrent splashes from alongside the

Santander. Then, from back where  other lights formed glowing dots and nothing more, came the plodding

beats of the patrolman's footsteps, making their return. 

This time those beats halted at short intervals. Close to the  postlight, the patrolman showed his face in the

murky glow and his  expression was troubled. He took a few more paces, stopped and  listened. From behind

him he heard a slow creakcreak like something  governed by remote control. It couldn't be the echoes of his

own  footsteps; echoes didn't act that way, nor footsteps either. 

He couldn't have been as clumsy as be looked, this cop, for at the  end of half a dozen paces he made a neat,

deft shift beyond the  packingcases. There, crouching, he put away his nightstick and drew a  revolver

instead. There wasn't any guessing about those creaking  sounds, not any longer. They were approaching and

with them bringing  cautious footsteps. 

The crouching officer shifted upward, forward. He elbowed one of  the packingcases and then grabbed at it.

The box didn't fall, although  the cop's clutch was limited to his fingernails. It must have struck a  propping

box beyond. But the sound was heard by that other man,  approaching through the fog. The creaky shuffle did

a sidestep and  halted. 

There was only one place where the newcomer could have located  himself; that was behind the post, beyond

the glare of the already  muffled light. Pointing his revolver at the post, the patrolman  demanded hoarsely: 

"Who's there?" 

A voice returned the challenge with, "So it's you, Moultrie!" and a  stocky man edged into sight around the old

wooden post. Moultrie, the  patrolman, slid away his revolver and fumbled for the nightstick,  trying to

change his sheepish look to match the pokerfaced expression  that showed on the swarthy face of the stocky

man. 

"I didn't know who you were, Inspector " 

"That's all right, Moultrie," interposed the stocky arrival.  "You're on duty to question people. I wasn't sure

who you were, either,  the way you kept halting your patrol. Notice anything special back  there?" 


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"Only  well, only that I must have heard you following me ?" 

There was an interrupting nod. Inspector Joe Cardona, despite his  deadpan manner, could sympathize with a

slight case of the jitters. In  fact, though he didn't mention it publicly, his years of experience had  convinced

Cardona that a certain amount of nerves rendered a patrolman  alert and therefore made him a good

patrolman. 

This applied to Moultrie. Cardona gestured to the stack of  packingcases. 

"Think there's anything in there, Moultrie?" 

"I don't think so, Inspector," returned the cop, glad that his  shift behind the stack had been interpreted as a

performance of duty.  "Those boxes wobbled when I was going past, but it may have been on  account of this." 

To illustrate, Moultrie stepped over to the right board and pressed  his foot on it. The boxes wobbled

accordingly and the tilted one  threatened to topple, but didn't. Then, approaching the boxes, Moultrie  added: 

"I looked through them earlier. Maybe I ought to do the same right  now, Inspector, even though they're empty

By way of illustrating the final point, the patrolman thwacked one  of the packing cases with his club and

automatically modified his  statement. Something bounced from beneath the empty box, scudded across  the

planking and disappeared between the pier edge and the moored  Santander, concluding its trip with one of the

sharp splashes that had  been featuring the entire evening. 

Even in the gloom, Cardona and Moultrie didn't fail to recognize  the creature as a sizeable rat, which didn't

require the magnifying  effect of the fog to class it as an unusually large specimen. 

"Whoof!" exclaimed Moultrie. "That was a big one!" 

"Not as big as the kind we're looking for," returned Cardona, "nor  as slimy. Human rats, those stowaways that

have been slipping into  port, from where and how we don't know." 

Cardona's lips kept moving along that line of talk but Moultrie  didn't hear him. The Queen Mary was

speaking from somewhere in the fog,  the grand diapason of her whistle threatening to rip the mist asunder.

Even the planking of the old pier quivered under such vibration and the  topmost packing case began toppling,

only to tilt back the other way as  though hoisted from within. 

It would have taken a dozen rats to have accomplished that, but  Cardona and Moultrie were both turned

away, hence they failed to  witness the phenomenon. Then, when the earshattering blares from the  Queen

Mary ended, Cardona managed to get some parting words across to  Moultrie. 

"The police boats take over at midnight," declared the inspector.  "Until then"  Cardona's hand made a

sweeping gesture meant to include  the pier as far as its invisible outer end  "it's yours." 

With that, Moultrie resumed his outbound patrol, much bolstered by  Cardona's visit, plus the fact that there

was less than a half hour  remaining to midnight. Cardona watched the pacing patrolman disappear  into the

fog; then turned shoreward. But at the first post with its  foggy light, the inspector halted. In mentioning the

time limit of  Moultrie's patrol, Cardona had brought to mind an appointment of his  own. 


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From his pocket, the inspector produced a folded piece of cardboard  and opened it in the light. It was a half a

menu card, which had  measured about six by nine inches until someone had torn it across the  middle, the

short way. What Cardona held was the upper half. 

The heading of the card read as follows: 

MIDNIGHT REVEL 

at the 

CAFE DE LA MORTE 

IN 

Greenwich Village 

MENU FOR MONDAY 

Part of the menu list remained but most of it had been torn away,  reducing the card chiefly to an

announcement, accentuated by the upper  portions of a pair of skeletons that stood at each side like heralds,

pointing to the heading. But there was something else that interested  Cardona more. 

Three words of the heading were circled with a thick black ring,  made by an artist's crayon. Those three

words were "Midnight," "Morte,"  and "Monday." Right now, midnight was approaching, the word morte

meant  death, and today happened to be Monday. 

Probably a hoax, this card, like many other such trophies that the  police received, but Inspector Cardona

wasn't passing it by. As an  anonymous communication, it was terse and to the point; it showed  intelligence

behind it, which wasn't usual with a crank note. 

And thinking further in terms of the unusual, Cardona had heard  that the newlyopened Cafe de la Morte was

a most unusual place, worthy  of a visit during one of its midnight revels. Having intended to go  there

anyway, Cardona could think of no more fitting occasion than  tonight. 

Timed to the fading beat of Moultrie's plodding march, Cardona's  creaky footsteps dwindling in the opposite

direction, leaving only the  thickening swirl of fog upon the gloomladen pier. 

CHAPTER II

MINUTES until midnight. 

Slowly, those minutes were ticking by, broken as before by the  weird whistle blasts and those maddening

splashes which now meant rats.  Choked more than ever by the fog, the light from the pier post failed  even to

reach the bulking side of the Santander. Glowing downward, that  light barely disclosed the warped planking

of the pier beneath it. 

Then even those boards were obscured, but not by fog. 

Something that swirled more fantastically than the mist was cutting  off the gleam. A figure, shapeless at first,

had moved up beside the  post to appear only as a darkened smudge of enormous size. Then,  momentarily


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revealed in a fog rift which its own arrival produced, the  figure showed as a human form cloaked in black,

with a slouch hat  above. 

Gathering as if by command, the fog shrouded the mysterious  arrival, whose disappearance, as much as his

brief disclosure, marked  him as that legendary personage known as The Shadow. 

At least it wasn't strange that The Shadow should have put in an  appearance here. The setting was of his

choice, the situation  intriguing, particularly because it had already attracted the attention  of the police, whose

interests were The Shadow's also. 

The uncanny part was that The Shadow should arrive, as usual, just  as the situation was taking an important

turn. Hardly was The Shadow at  his chosen post, before the mass of packingboxes stirred. 

From that stack emerged a darkish man wearing old, illfitting  clothes. His teeth gleamed white as he turned

his grinning face and  even the dull light produced the glitter of gold earrings from beneath  the shaggy black

hair that made the man's old straw hat appear two  sizes small. 

The Shadow observed that this man's baggy trousers, frayed jersey,  even the straw hat, were all dark in color,

giving him an advantage in  the night fog. For when the darkish man completed a slink to the side  of the

Santander, he became quite inconspicuous against that  background. 

There was a sharp, low hiss, like a signal. It came from the  grinning lips of the darkish man. A pause, then the

signal was  repeated. This time it brought a response. A man in the gray working  clothes of a sailor appeared

several feet above, like something  floating in the fog, until a slight swirl revealed that he was leaning  over the

rail of a lower deck of the Santander. 

The sailor spoke, in foreign accent: 

"That you, Panjo?" 

From below, the hiss turned to a snarl, then became words. 

"Give no names, please." Panjo spoke it more like an order than a  request. "You tell me, you bring birds?" 

"Tried to bring them," replied the sailor, "but no luck this trip." 

Panjo didn't seem to understand. 

"I come for birds," he snarled. "You let me have them now, see? You  let me have them quick." 

"No luck, I tell you. They're all dead." 

"You kill them? Why?" 

The sailor laughed at Panjo's query. 

"You want to know what killed them?" asked the sailor. "Listen, if  you want to hear." 

Whistles throated through the fog, then ceased. The sounds that  supplanted them were those same, startling

splashes from the water  beside the ship. 


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"That's what killed them," informed the sailor. "The rats. They  flattened the cages to get at them. I mean it,

Panjo." 

Again, Panjo delivered a halfsnarled hiss. It wasn't just a  reminder that he didn't want his name mentioned.

It was a warning, too,  induced by the returning pound of Moultrie's footbeats. The sailor slid  down behind the

solid rail of the deck, while Panjo crouched low  against the background of the ship. They remained that way

while the  patrolman passed, bound toward the shore end of the pier. The figures  reappeared and the

conversation was resumed. 

"You bring no birds," rebuked Panjo, in an ugly tone, "so why do  you bring rats?" 

"Because we take food to Europe," the sailor explained. "The rats  know it comes from the ship, so they come

on board to get their share." 

"But no food they find. So why they stay?" 

"They want to get to the place where the food came from. Rats are  smart that way." 

Panjo thought that over. Then, sharply he asked: 

"You bring birds from Europe?" 

"Parrots, macaws and such?" queried the sailor. "We picked them up  in South America, on the way back,

where we unloaded surplus military  supplies." 

"If rats so smart," conjectured Panjo, "why they not go ashore  then?" 

"Because the South Americans were smarter. They took the supplies  and left us the rats. We unloaded onto

little boats  lighters they  call them  outside the harbor!" 

"And then you pick up birds?" 

"That's right. We took on a cargo of mahogany logs that they towed  out on barges, because they're too heavy

to float by themselves." The  sailor leaned well over the rail, as though to become confidential.  "That's how I

made the deal for the birds, Panjo. The men on the  lighters fixed it with the barge men." 

Panjo was still obdurate. There was something sullen in the darkish  man's snarl: 

"Maybe something more big than rat kill bird." 

Their faces were sharply etched, Panjo's and the sailor's, for  there wasn't much distance between them. 

Panjo was glaring upward, the sailor staring downward, so neither  noticed the shape that glided to the side of

the Santander, somewhat  toward the bow. In fact, the shape couldn't be seen at all, though it  manifested its

presence by the eddy it produced in the fog. 

In a sense, The Shadow was surrounded by a ghostly wrapping that  finally dissipated itself as he reached the

ship's side and began an  upward climb toward the higher bulwark near the bow. 

Meanwhile, the sailor was parrying with Panjo.


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"Something bigger than rats?" The sailor's face scowled down at  Panjo. "Like what for instance?" 

Before Panjo could specify, there came a louder splash from near  the ship, a sound which by comparison with

those earlier plops could  represent something of human size. The sailor turned quickly and Panjo,  giving his

head a quick tilt to make sure the patrolman wasn't near,  traced a rapid course back toward the stacked

packing cases. 

Hardly had Panjo reached there, before another mansized splash was  heard off the bow of the Santander. It

was then apparent that Panjo  hadn't wheeled away just to hide. He was turning again, to get a better  look at

the Santander, to see what was happening on its upper decks. 

Panjo made only one mistake. From this range, he couldn't hope to  see much through the soupy fog. The

sailor's plan was better; he was  racing up a companionway, shouting for other crew members to join him  and

find out what was happening on board. Nevertheless, Panjo did see  something, thanks to a brilliant light

which suddenly arrived atop a  stumpy mast near the bow of the Santander. 

Some crew member had turned on the light just in time and at the  wrong time. 

What Panjo saw was a figure like a monstrous bat, rising above the  bulwark of the Santander, spreading what

seemed to be gigantic wings  for a forward swoop. The thing was humansized and Panjo, terror  stricken by

the very sight of it, shrieked wild words that stabbed like  a warning through the fog. 

"Vourdalak!" screamed Panjo. "Vourdalak! Nosferadu! Vampyr!  Vampyr!" 

Those last words struck an echoing note. From the far side of the  Santander, near the bow which none of the

sailors had yet reached, came  a high, frantic shout: 

"Vampiro! Vampiro!" 

Moultrie was arriving on the run. The patrolman saw the thing that  Panjo mistook for a vampire and fired

three shots at it, all much too  late. The figure was gone, swallowed by blackness below the high rail  of the

upper deck. And Moultrie was glad that he had missed for he was  realizing that the creature was more human

than batlike. 

To Moultrie came recollections of a strange personage that he had  heard about, but never before had seen 

The Shadow! 

Savagely, the patrolman turned to deal with the malefactor who had  led him into firing shots at the law's best

friend. The malefactor that  Moultrie had in mind was Panjo, who by now was diving deep into his  nest of

packing cases. The boxes were wobbling, toppling, and Moultrie  used the remaining three cartridges in his

police positive to riddle  them. Then he scrambled on board the low deck of the Santander,  dropping to shelter

in order to reload his gun. 

Panjo hadn't halted among the packing cases. Sounds of the first  shots had spurred him right on through. The

darkish man was speeding  shoreward; all Moultrie had riddled was an empty nest. 

What covered Panjo's flight completely was the excitement on that  high deck of the Santander. Following the

cry of "Vampiro!" there had  been two loud smacking splashes from the water alongside, indicating  that a pair

of men had jumped there, rather than combat the formidable  unknown. 


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But there was another, who had taken a different route. He was  scurrying down a companionway, heading for

a hatch, dodging crew  members in his wild flight. Rather than cross the deck and make himself  a target in the

light, The Shadow was following that last man, knowing  that one stowaway, if captured, could give details

concerning the rest. 

When three sailors cut across The Shadow's path, he gave them  precedence. They knew this ship better than

The Shadow did and they  were competent to make the capture. Nevertheless, The Shadow followed  them,

ready to remain in reserve. The chase proved as short as it was  rapid. 

The chase ended in the hold. 

There, dull labored sounds told that the fugitive was seeking  shelter among great piles of mahogany logs that

banked clear to the  ceiling at one end of the hold. Armed with improvised clubs, the  sailors were moving in

that general direction. Hearing the clang of  arriving footsteps, The Shadow merged with the darkness at the

fringe  of the hold, just as Moultrie arrived. 

The sailors were voicing admonitions: 

"Don't let him out of there!" 

"Watch him or he'll get out through the hatch over those logs!" 

"He can't manage it. That hatchway is clamped on the deck!" 

A fierce bellow came from among the logs, half challenge, half  terror, a man's voice so strained and frantic

that it was impossible to  define. To settle the question, Moultrie fired above the heads of the  sailors,

ploughing his bullets deep into the mahogany. 

The result was stupendous. 

With a great heave, the huge pile of logs came tumbling, rolling,  sending the sailors dodging along with

Moultrie. Out of that melee,  rolling like one of the logs, came the fugitive stowaway. Clambering  over the

logs, sailors and patrolman reached him, only to find him  limp, almost lifeless. 

The reason was plain when they turned him over. The man's body was  contorted, crushed. It was horrible, but

not surprising, considering  that he'd been carried in the midst of that unexpected avalanche of  huge logs, from

the moment the pile had given away. 

He was an ugly, rattish man, this stowaway, and his eyes glared up  from beneath the twisted visor of his

shabby cap. Then, with gasps that  marked his deaththroes, the man panted these singular words: 

"Malmordo  morto  noktomezo " 

Those words were all. Having gasped them, the man sank back dead.  Like the other listeners, The Shadow

heard them, for he had drawn  close. Now The Shadow was on the move again, to reach a layer of logs  against

the bulkhead, the only portion of the stack that had not  toppled. 

Swiftly, silently, The Shadow scaled that layer like a ladder, nor  was his route interrupted at the top. The

hatchway that the sailors had  mentioned was wide open; its cover lying beside it, ripped from the big  clamps

that had held it. The top log gave way as The Shadow used it to  propel himself up through the hatchway. It

came banging down, bringing  Moultrie and the sailors to the alert, leaving them wondering as they  stared


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upward and saw the wide gap leading to the deck. 

By then, The Shadow had reached the rail and his keen eyes were  probing the blackened water below. No

figures were visible there, but  The Shadow could trace a thin, undulating line in the oily scum, fading  off

from the side of the Santander. 

Crossing the deck, The Shadow dropped to the lower rail on the dock  side, then to the dock itself. A low,

whispered laugh stirred the  hovering mist as the cloaked figure flitted past the hanging light and  took the

shoreward route that Panjo had so recently followed. 

"Malmordo  morto  noktomezo " 

Unintelligible words to others, but to The Shadow they formed a  link to something far more sinister than the

chance death of a fugitive  stowaway on board the Steamship Santander! 

CHAPTER III

IT was nearly midnight when The Shadow left the North River pier  and midnight was the hour for the usual

revel that took place at the  new but already popular Cafe de la Morte, Greenwich Village's latest  screwball

attraction. 

With his headstart from the pier, Inspector Cardona had reached  the cafe just before the appointed hour. He

was reluctantly checking  his hat and coat in a cloak room painted all about with imitation  flames and presided

over by a somewhat timeworn check girl who looked  anything but cute in a devilcostume adorned with

imitation horns. 

The hellfire motif persisted into the cafe itself, then gave way  to walls painted to represent tombstones with

hovering ghosts all  about. The waiter who conducted Cardona to a table was dressed in an  outfit decorated

with skeleton ribs and over his head he wore a hood  painted to represent a skull. 

Cardona noted that the other waiters were similarly attired, which  gave them excellent opportunity to cover

their identity, a fact which  the inspector intended to put in his notebook at an early moment. The  one man

who was not so disguised  and therefore worthy of a separate  notation  was a stolid bartender over at one

side of the cafe, behind  the inevitable bar. 

Maybe the barkeep objected to such a costume or was too busy to be  encumbered by one. At any rate, he had

nothing to conceal, for Cardona  recognized him as a veteran bartender who had served at several Village

spots. With a further eye to detail, Cardona noted that the bar was  wellstocked, both in quantity and variety

of liquors. Behind the  barkeeper was a rack of shelves, divided in three vertical sections,  all loaded to

capacity with fancy bottles of imported goods. 

The patrons next. 

Studying the customers, Joe Cardona decided that they represented  the usual sprinkling of Villagers and the

customary majority of  outoftowners who would patronize a freakish place such as the Cafe de  la Morte.

Business was always good when such establishments opened and  generally sustained itself until some other

novelty supplanted it. 

Many of the customers were drinking beer, the chief reason being  that the beverage was served in big mugs

shaped to resemble skulls.  Quite a thrill, such sport, but it wasn't showing big profits for the  house. The


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popularity of beer in skullmugs could account for the  untouched stock of much more expensive elixirs on

the shelf behind old  Jerry, the squatty bartender who looked as though he didn't have enough  to do. 

In Cardona's opinion, the Cafe de la Morte wouldn't begin to make  profits until it stopped serving beer in

bizarre mugs; and when it  stopped that practice, people wouldn't come here any more. 

But people were here tonight, that was the important thing.  Moreover, the menu card lying on Cardona's table

was a perfect match  for the halfcard, that Joe had in his pocket. If death happened to be  due at Monday

midnight, it was Cardona's business to pick the persons  who might be involved. 

So far, Cardona could only pick the waiters, with their disguising  skullhoods. Ordering a beer, Joe not only

kept a close watch on his  waiter, but all the others who came within his scope. 

The policy brought results. 

One waiter, passing another, whispered a word that Cardona  overheard, a word that sounded like a name: 

"Malmordo." 

The second waiter repeated it to a third and Cardona caught the  word "Malmordo" plainly. He also saw both

waiters throw worried glances  toward the rear of the cafe and when men in masking hoods could give  the

impression that they were worried, it was obvious that they must be  worried indeed. 

Joe's trouble was that he couldn't see the rear of the cafe at all.  Ignoring his beer, he rose from his table and

sauntered over toward the  bar, then changed course and found a good observation spot along the  same wall.

The spot was particularly good because it was beneath a  stretch of sloping ceiling, about four feet wide, that

slanted down  behind the bar and cut off old Jerry's view of the place that Cardona  had chosen. 

From his new vantage, Cardona saw that the rear of the restaurant  opened into an outdoor garden and through

the connecting door, the  slight breeze wafted the strains of wild exotic music, played by a  violin. 

Wondering who the musician might be, Cardona took a casual stroll  out to the garden. 

From the moment that he made his advent into the al fresco setting,  Joe Cardona was spotted. The man who

pegged him was a rather handsome  young chap named Harry Vincent. Parked at a rather obscure table

alongside the green board fence that served as boundary to the garden,  Harry immediately concerned himself

with the remaining contents of a  skullmug, rather than have Cardona see his face. 

As a rule, persons who didn't want to be noticed by Joe Cardona  were fugitives from justice. Harry Vincent

happened to be a rare  exception. 

Harry Vincent was an agent of The Shadow. 

Through channels peculiarly his own, The Shadow had ways of finding  out about things and places that

aroused the suspicion of the police.  There were times, too, when The Shadow anticipated a growing interest

on the part of the law. Though The Shadow's data might be incomplete,  he seldom let such a condition

continue. 

The Shadow had ways of building up his own statistics. One of those  ways was Harry Vincent. 


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This evening Harry had been told to cover the Cafe de la Morte. He  had picked the outdoor garden as the best

area, because it had  attracted the majority of the patrons. The weather was warm and the  garden was therefore

cooler than the cramped indoors. Though the high  board fence cut off passing breezes, there was

compensation in the fact  that the garden had no roof. 

Running from the building to the fence were a series of wellspaced  iron rods intended as a support for a

huge canvas canopy that served in  rainy weather. At present the canopy was rolled up and parked against  the

building wall, above the downslanting rods. 

The garden's chief attraction was the violinist, who answered to  the name of Gregor. He wore a Hungarian

costume of boots, baggy  trousers, fancy sash and ruffled shirt. He was a goodlooking chap  despite his

frequent scowls which seemed the result of concentration on  his music, which constantly approached a

tumultuous staccato and always  ended unexpectedly. However, it had taken Harry less than an hour to

observe that Gregor's gripe concerned something other than his music;  namely, Madame Thalla. 

According to the little cards that she distributed at tables,  Madame Thalla was a gypsy palmist and she

certainly looked the part.  Though young, Thalla had a wise face that befitted her colorful gypsy  costume. It

wasn't always possible to see her face, because the  brilliant handkerchief that she wore as a headdress

drooped down  beside her cheeks like the blinders on a horse. 

At least those blinders helped Madame Thalla concentrate on the  person whose fortune she was telling. There

was another point that  interested Harry quite as much. Though she advertised herself as a  palmist, Madame

Thalla told fortunes by playing cards instead. The  particular type of cards she used were the oldfashioned

tarots, with  curious pictures embellishing their faces. 

At present, Madame Thalla was dealing the tarots for a blonde young  lady who wore a white dress. Since

Cardona was noticing Gregor, Harry  decided to look at the blonde instead. In fact, he shifted his chair so  he

particularly gained a ringside seat to the conference between Madame  Thalla and the girl in white. 

What Harry heard made him forget the hazard of being observed by  Cardona. 

"Your name," Madame Thalla was saying, in a low, sharp tone. "I can  read it here in the cards." 

"My name?" exclaimed the girl. "But that's impossible." 

"It is not impossible," declared Thalla. "It is Janice. Wait, I can  read the rest! Your full name is Janice

Bradford." 

From the way the girl drew her breath, Harry knew that Madame  Thalla had scored a tenstrike. Then: 

"That is my name," the girl admitted, soberly. "But surely, the  cards could not tell you." 

"The cards tell everything," asserted Thalla. "Most of all, they  warn of danger. The danger that comes to

those who wear the yellow  flower." 

Janice Bradford went tense. Harry Vincent saw her hand creep to the  lapel of her jacket, where a daffodil was

pinned. A rather unusual  flower, thought Harry, and apparently Thalla was of the same opinion. 

"Three nights now you have worn it," the gypsy told the girl, "and  each night brings more danger. I warn you,

it is not safe to come  here!" 


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"But I have come here safely " 

"And you may not find it safe to stay." Thalla pointed a shapely  finger to one of the tarot cards. "This is the

sign that tells your  future." 

Janice stared at the card, much puzzled. 

"But that card is blank!" she exclaimed. "How did it come to be  among the others?" 

Thalla shrugged as though she didn't know. 

"But since it is blank," persisted Janice, "how can you read it?  What does it tell?" 

"Your future." Thalla intoned the words solemnly. "No future.  Blank, like the card!" 

Thalla could say no more, for Gregor was drowning all sounds with  the maddened shriek of his fiddle. Then,

with a burst that seemed to  strain the violin's strings, the wild music ended. 

The sudden silence seemed sharp. It made ears keen, too, for Harry  could hear a peculiar sound from

somewhere along the wooden fence. The  more he listened, the more that sound reminded him of something

gnawing  at the wood. Immediately the thought of rats sprang to Harry's mind,  though it seemed unlikely that

rats would try to chew their way into as  populated a spot as this outdoor garden. 

And then, from within the Cafe de la Morte came the strokes of a  strange gong, announcing the beginning of

the midnight revel. 

A revel that tonight spelled death! 

CHAPTER IV

JANICE BRADFORD was rising before the gong strokes ended. Madame  Thalla was saying something to

the girl and again Harry Vincent caught  the words, when the gypsy repeated the admonition. 

"Your future will be blank," Thalla stated, "unless you heed my  warning. Go, before the message of the tarots

can be fulfilled. The  blank is one that allows you another choice." Sweeping the cards from  the table, Thalla

held them as though about to deal, then shook her  head. "But tonight, we have not time to continue. Go!" 

Deciding to go, Janice was nevertheless reluctant. As she left the  table, she looked for her waiter in order to

pay the check and was  rather bewildered when two skullhooded men ignored her as they passed.  Finding

your waiter wasn't easy at the Cafe de la Morte. 

As yet Cardona hadn't noticed Janice, nor was it likely that he  would. The inspector was concentrated upon

Thalla as the gypsy woman  strolled past his table. Watching Thalla, Cardona picked up one of her  table cards

without letting his eyes leave the fortune teller. 

Shuffling her tarot cards, Thalla was moving past Gregor and the  wise look she gave him brought a fresh

scowl from the violinist. This  time, Cardona didn't miss it and if he had, Gregor's action would have  been

enough to declare the spite that existed between him and the  fortune teller. 

Tossing his head, Gregor brought his chin down upon the violin and  immediately broke forth with a fanfare


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of barbaric music that denoted  anger in every chord. So fierce, so frenzied was the music that it  drowned

every other sound. Among those sounds was an unheard clatter  that came from the wooden fence. 

A portion of that fence, approximately three feet square, opened  like a thing of cardboard and through it

writhed a loathsome creature  so far from human that any resemblance seemed completely coincidental. 

The thing that twisted itself into sight looked like a rat of  mansized proportions that had borrowed

somebody's clothes simply to  disguise the fact that it was a rodent, not a human. 

It was the creature's face that made the impression most  convincing. 

No face could possibly have been so ugly, so vicious in its own  right alone. Its owner must have purposely

misshapen it, or practiced  facial contortions to the limit, in order to acquire such grotesque,  inhuman features. 

If the arrival looked like a rat, he was even quicker. 

With a snarl that drowned the high notes of the violin, the thing  from the fence reached Gregor. In its course,

the contorted creature  flung tables right and left; their crashing froze Gregor in the midst  of his wild

rhapsody. Recoiling, the musician flung his arms, violin,  bow and all, in warding fashion as he tried to crouch

for shelter. 

From Gregor's lips came a shriek of higher pitch than his violin  had ever reached, as he screeched the name: 

"Malmordo!" 

In his effort to escape the terrible creature he called Malmordo,  Gregor made one great mistake. It was a

natural thing, to go diving  away from a huddly creature that had launched itself from a selfmade  mansized

rathole. Natural too, for both Joe Cardona and Harry Vincent  to lunge toward Malmordo, stretching as they

drew guns, intent upon  aiming downward. But they were as mistaken as was Gregor. 

The thing called Malmordo unlimbered, lengthening itself in an  astounding fashion. With his left hand, the

unkempt creature flung a  light table sideward, sending a shower of skullmugs with it. Cardona  dodged the

missile; it skimmed him and forced Harry to duck it too. By  then, all was up with Gregor. 

Malmordo's right hand had whipped out a long, thinbladed knife and  was overtaking Gregor with it. The

long, hooking thrust of the knife  point seemed to carry Malmordo after it. If Gregor had turned or

straightened, he could have at least coped with his attacker, but his  instinctive crouch and mad effort to

escape were his undoing. 

The thin knife buried itself in Gregor's back and stayed there. The  musician sprawled, his violin and bow

flying ahead of him, while  Malmordo, now unarmed, wheeled to meet other foemen. 

Cardona and Harry were aiming their guns upward, straight at the  leering face that was Malmordo's. Even the

intensity of the moment  could not lessen the hideous impression that those grotesque features  gave. Indeed,

the situation accentuated the appearance of Malmordo. 

A livid face, all out of shape, from its bulging teeth to beady  eyes, a face that seemed uglier than the snarl that

spat from a mouth  that looked lipless. Above the face was shaggy hair, strewing down upon  a forehead whose

lines seemed continuations of the misshapen grimace  which was fixed on Malmordo's visage. 


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Again, this human monstrosity showed the cunning that went with  Malmordo's rattish looks. From his

stretched position, Malmordo  telescoped into his former pose, dwindling so suddenly that for the  moment he

appeared to be plunging himself, corkscrew fashion, down  through the flagstone paving of the garden. 

This was illusion, nothing more, but it completely fooled both men  who were trying to drop Malmordo in his

tracks. Two guns blasted in  unison, their shots whizzing high. Then, before Harry or Cardona had a  chance to

fire again, Malmordo was flaying them with a new deluge of  tables that he scooped up during his flinging

whirl. 

And now Malmordo was a gone rat indeed, a rat scampering in  maddened flight. He was cutting a swath

among tables and chairs,  apparently in search of some outlet. He couldn't regain the hole that  he had literally

gnawed through the fence, for from hands and knees,  Harry and Cardona were starting over to block that

outlet. Nor could he  scoot into the cafe itself, for the skullhooded waiters were coming  from that direction,

some of them with revolvers. They were the ones  who dodged the next tables that Malmordo threw, until he

found another  use for the furniture. 

Feinting with a table, Malmordo suddenly planked it on top of  another table that was standing by. Grabbing a

chair with his other  hand, he sprang upon the first table, planting the chair on the table  above. At the same

time, his free hand deftly whipped a clasp knife  from a pocket of his baggy trousers, flipped it open, and cut a

taut  rope that slanted by his shoulder. 

That rope was the control line for the canopy that sheltered the  patrons of the garden on rainy days. With a

sudden rumble, the canvas  came rolling down along the metal rods that formed a track above  Malmordo's

head. Even before the canvas reached him, Malmordo was  clambering to the chair above the upper table and

his longbladed clasp  knife gave another slash that met the canopy when it arrived. 

Guns roared upward, too late. Everybody was aiming for the chair,  but Malmordo was no longer there. 

He'd gone, with a leap, right through the opening in the canvas  that his handy knife had ripped, using the

nearest slanted rod to help  him complete the rapid hoist. In a trice, Malmordo had staged as  spectacular a

getaway as The Shadow's departure from the hold of the  Santander, and under conditions far more pressing. 

Except that here, Malmordo lacked the benefit of a solid shield  like a ship's deck. Beneath him was canvas,

nothing more. As he went  through the slit in the canvas, he flung his clasp knife at one waiter  who was

aiming a revolver and the man in the skullhood had to dodge.  But there were others with guns, who were

shifting to drill the canvas  and ferret out the rattish Malmordo with bullets. 

Malmordo must have expected it, for hardly had the first guns  talked before a roundish figure came rolling

down above the canopy,  marking its progress by the way it sagged the canvas. A clever trick,  this, rolling

straight for the back alley behind the green fence. It  explained why Malmordo had gone to such exaggerated

measures in the  first place. Here he was slipping the men who had tried to round him  up, gaining the very

outlet from which they had blocked him off! 

It was a long chance though, taking a roller coaster trip above the  heads of the very men who sought to stop

him. Before the trip was over,  guns were blasting at the traveling bulge that followed down the canvas  and

although they were again belated, it was largely luck that caused  them to miss the object they sought. 

Over the edge of the canopy, just ahead of frantic bullets, even  then, Malmordo wasn't out of danger. There

was a terrific clatter of a  landing in the rear alley, indicating that Malmordo must have  overturned a waiting

ashcan and before the clangor ended, Cardona was  through the gap in the rear fence, aiming for Malmordo

in the darkness. 


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The alley ran parallel to the fence and shots responded from both  directions, shots fired by distant, crouchy

men, who were obviously  leagued with Malmordo. But the killer himself couldn't have headed in  either

direction. There was only one place where Malmordo could have  gone, into a deep, dark courtyard across the

narrow alley. 

That space represented a connection between two sections of a  storage building that rose windowless above.

Cardona knew that Malmordo  must have gone there, because he heard the ashcan rolling that  direction;

therefore, it followed that Malmordo must have taken it  along to serve as an improvised pillbox. 

Putting a whistle to his lips, Joe Cardona blew a signal that would  bring all the police from blocks around, for

on the way here, he had  instructed various patrolmen to be on the alert. 

Whoever this Malmordo was, whatever his purpose in Manhattan, the  law was prepared to eliminate him on

the scene of his first crime! 

CHAPTER V

THE shrill of Cardona's whistle roused Harry Vincent from the  excitement of the chase. Abruptly, Harry put

away his gun, realizing it  wasn't good policy to be brandishing one unofficially, even after  siding in behalf of

the law. 

Looking about at the waiters, Harry saw that they had already  adopted the same notion. They were not only

gunless, some of them had  peeled away their skullhoods to reveal their faces. A few looked  tough, but most

of them appeared to be scared. This left Harry  wondering as to how many had been in on the gun work. 

Cardona at least was giving the waiters benefit of doubt, for he  was ordering them to quiet the customers, to

keep the place closed, and  to admit only arriving police. Since Malmordo had chosen to play rat,  Cardona

right now was acting the cat, for he was watching the hole  where the murderer had gone and did not want to

be disturbed. 

Dropping back, Harry crossed to the doorway that led into the cafe  proper and halted there beside some

blackdraped curtains. A hand  emerged suddenly from the darkness and gripped his arm; before Harry  could

take action, a voice intoned for silence. 

It was The Shadow, just arrived, for from his hidden lips came the  one word: "Report." 

Before Harry could do more than point out Gregor's body and name  Malmordo as the murderer, there were

voices from the front of the cafe.  The first of the police were arriving and taking over in characteristic  style.

The Shadow pressed Harry in among the black curtains and blotted  himself against another wall. Observation

at this moment was more  important than a report. But Harry noted to his satisfaction that the  spot The

Shadow had chosen, slightly away from that slanted roof  leading down to the side of the bar, offered a good

outlook to the rear  garden where Cardona was still playing pussy cat at Malmordo's  rathole. 

It took the police only a few minutes to learn that no one had fled  the Cafe de la Morte by way of the front

door, or for that matter, by  any route other than the garden. They learned this from the stammering  reddevil

who minded the cloak room and from a helpless looking  manager. Old Jerry, the bartender, corroborated

everything with nods  while he calmly polished the barglasses and Jerry, being a wellknown  character of

unimpeachable quality, was the sort whose word would  stand. 

Then, brushing past the curtains where Harry was hidden, and  totally failing to notice The Shadow


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blackedout against the opposite  wall, the police reached the garden to find Inspector Cardona. By that  time,

Cardona was already gaining further aid, consisting of a few  detectives who had come in from the side alleys. 

These men were reporting that several ratty looking characters had  scurried away as soon as they appeared,

which to Cardona meant that  Malmordo's followers had been forced to abandon their chief.  Nevertheless,

Cardona wasn't taking chances on a counterthrust. 

"Don't come through here," Joe warned the detectives, referring to  the hole in the fence. "We've got a rat

trapped in the court across the  way and he might start shooting. Go around to the front of the place,  where

you'll find a patrolman on duty. He'll let you in. 

"Then round up all the customers and the waiters, so I can quiz  them. Nobody is to come in or go out. As for

you fellows"  this was to  a pair of patrolmen who were in the garden, crowding up to Cardona's  shoulders 

"keep watching that courtyard. I'll send for some tear gas  and tommyguns. They'll be good rat poison." 

Harry could hear all this, though it was around the corner from  him. At the same time, he was watching

blackness glide out to the  garden. The Shadow was on his way to study the Malmordo situation at  close

range, which left it to Harry to check on matters inside the cafe  proper. 

Waiting until the detectives appeared at the front door and talked  to the brawny patrolman stationed there,

Harry did a quick shift among  the curtains to see how the customers and hired help reacted. First,  the police

were lining up the waiters, listing their names; then,  having tallied them, they told the waiters to assemble the

customers. 

For a few moments, the waiters were moving here and there; during  that period Harry noticed that one of

them had put on his skullhood.  Harry was shifting to watch where the waiter went, when something else

attracted his attention. Hearing whispered voices nearby, Harry leaned  among the curtains to eavesdrop. 

The voices belonged to Madame Thalla and Janice Bradford.  Apparently the gypsy fortune teller had

discovered the blonde girl  crouched in an alcove. 

"You must go from here!" Thalla was telling Janice. "You believe  me, when I say there is danger!" 

"I did believe you," began Janice, "but I should be safe, now that  the police are here." 

"They will ask you questions," asserted Thalla. "They will not tell  you answers, like I did. Do you want to

answer questions?" 

"No," admitted Janice, "but if the police merely consider me a  regular customer " 

"It is not what the police think! It is what Malmordo will think.  You understand?" 

"In a way, yes " 

"And in a way is enough. Even the police can not protect you if  Malmordo knows where you are! Come!" 

Footsteps shuffled away and when Harry managed to peer from beside  a curtain, he saw Thalla, stooped

beside a counter in the corner,  lifting a trap door. The gypsy woman gestured Janice down into the  cellar,

spoke some reassuring words, then lowered the trap. 


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Did this mean that Thalla was doublecrossing Janice? The idea  struck hard through Harry mind, particularly

when he saw the fierce,  vengeful expression that registered itself on Thalla's wise features.  Then, the gypsy

woman was stalking along the wall, peering everywhere,  as though looking for someone else. 

Perhaps Thalla was seeking that lone waiter who had put on the  deathhood. But now, for some reason,

others were doing the same. It  was impossible to tell which was which and Harry gained the sudden

impression that some new trouble was about to start. 

Then, from the other side of the curtains came The Shadow's low  tone. Harry shifted over to report to his

chief. Instead, it was The  Shadow who opened the discussion. 

"The wall above the canopy," stated The Shadow. "You saw it before  the curtain rolled down. Describe it." 

"It was just a building wall," expressed Harry, "with two small  windows." 

The Shadow undertoned a laugh. 

"The ceiling over there," he spoke. "Part of it is slanted, ending  down in back of the bar." 

Harry had noticed that stretch of ceiling before. It was the slant  four feet wide, that hadn't much impressed

him at the time. Now  suddenly, he realized what it meant. 

"An inside stairway!" Harry's whisper was excited. "Coming down  from the second floor. If that rack of

bottle shelves could open, it  would bring you out right behind the bar!" 

At that same moment, Harry was noticing that the bar was singularly  empty. Old Jerry, the bartender, had

disappeared. As Harry still  stared, Cardona came stalking into the cafe and the place the inspector  looked first

was toward the bar. Striding over, Cardona took a look  across the bar, then turned and bellowed at his men. 

"Who let this happen?" demanded Cardona. "Here's old Jerry slugged  and unconscious, down in back of the

bar!" 

"The hooded waiter!" Harry told The Shadow. "He came from that  direction. I didn't watch him, the only man

who was still wearing his  hood, because I was listening to Madame Thalla and Janice Bradford.  Thalla was

steering Janice down into the cellar, through a trap door  over there!" 

As Harry pointed from the curtains, he saw Thalla again. The  excitement over finding Jerry had caused the

gypsy woman to change her  mind about remaining in the cafe. Thalla was at the trap again, this  time using it

for her own departure. 

The trap was dropping above Thalla, just as Harry pointed, and  before The Shadow could do a thing about it,

Cardona heard the trap  door slam. Instantly, the inspector was on the pounce, calling upon the  detectives to

follow him. 

A singular circumstance, this. True to police practice, Inspector  Cardona was accepting the situation close at

hand, forgetting the  greater issue of Malmordo, trapped in the courtyard behind the  alleyway. Yet by that

freakish shift of judgment, the law was actually  on Malmordo's trail. 

Such was The Shadow's analysis, and once again The Shadow was  right! 


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CHAPTER VI

THE rush for the trap door brought with it three of the hooded  waiters and Cardona did not order them to stay

behind. In fact, he gave  them precedence over his detectives, because they knew these premises  and would

therefore be helpful in the pursuit of the unknown who had  gone into the cellar. 

Madame Thalla knew that cellar too. 

There wasn't a trace of the gypsy woman when Cardona and his human  bloodhounds reached the cellar. All

they saw were crates, casks and  other impedimenta of the sort commonly found in the cellar of a  restaurant. 

Standing beside a door that he had flung wide, Cardona ordered the  searchers to fan out and find the person

who had fled by this route.  The waiters were to shift the crates and casks, while the detectives  stood by with

ready guns. 

Upstairs, The Shadow was profiting by the changed situation. In  drawing men to the cellar, Cardona had left

the cafe guarded, so far as  the door was concerned, but the men there were so occupied with such  duty that

they were unable to watch elsewhere. 

Telling Harry to join the other patrons and glean any details that  might arise, The Shadow started on a foray

of his own. Even if the  police at the door had been looking The Shadow's way, it was unlikely  that they could

have seen him. For Harry, who could guess what his  chief was about, found it difficult to trace The Shadow's

progress. 

Gliding blackness seemed to fold itself fantastically as it  streaked along the slanting width of ceiling that

marked the  blockedoff stairway down from the second floor. Yet only eyes like  Harry's, looking for such a

token, could have observed it, for the  background itself was dark and absorbed the moving silhouette. 

Somebody had propped old Jerry in a chair behind the bar to give  him air and he was showing signs of

recovery. It might have been  Jerry's own shadow that moved along the bottleracked wall behind him,  to be

swallowed by darkness further on. 

Then came the ticklish portion of The Shadow's expedition. Slowly,  blackness moved upward, until it

obscured the center row of shelves.  Next, those shelves moved outward, doorfashion. Harry saw the motion,

but realized that the very fact he could discern it meant that The  Shadow was cutting off the line of vision

from the front of the cafe. 

The shelved door closed and the blackness was gone. The Shadow was  using the hidden route to the second

floor. 

From those little windows at the rear of the building it was easy  to look down above the slanted canopy and

study the rear courtyard  where a clumpy shape awaited the attack by the police. The Shadow could  make out

the form that represented Malmordo, something impossible for  the men at the hole in the fence, due to the

lack of visibility at that  lower altitude. 

Waiting for teargas and tommyguns seemed a wasteful delay to The  Shadow. He preferred to settle the

question of Malmordo by a rapid  probe with bullets. Drawing a .45 automatic, The Shadow planted bullets

into the huddly object. 

Every bullet brought a clang. 


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There were echoes from the courtyard, as sharp as shots themselves.  The patrolmen at the fence thought that

Malmordo was shooting back at  the unknown marksman up above. They opened fire at the courtyard, too,

whereupon The Shadow ceased his fire and declared himself with a weird,  challenging laugh, which the men

below recognized. Realizing that The  Shadow was on their side, confident that his taunt represented triumph,

the patrolmen charged through the fence shooting as they went, intent  upon taking the courtyard by storm. 

The Shadow saw the bluecoated cluster surge into the court.  Thrusting himself through the window, he

rolled himself down the canopy  at an angle, his feet reaching the lower edge first. There, The Shadow

dropped adroitly to the nowdeserted alley and landed cleanly in its  darkness. Instead of joining the attack,

he moved swiftly toward the  street at the alley's end. 

Having found his own means of departure from the Cafe de la Morte.  The Shadow was taking his own

measures toward the capture of Malmordo.  Not only was The Shadow undeceived by Malmordo's methods;

he was  informing the police that they had chosen a blind trail. 

This latter point was proven when Inspector Cardona reached the  yard, attracted up from the cellar and out

through the garden fence by  the sounds of repeated gunfire. In the courtyard, Cardona found the  patrolmen

staring stupidly at an ashcan which was lying on its side,  the contents of said ashcan being a pair of baggy

trousers and an  oversized blouse which had been Malmordo's costume. 

Then did Cardona guess Malmordo's ruse. 

"That's what rolled down the canopy!" The inspector kicked the  bulletriddled ashcan. "Malmordo must

have had it rolled up in the  canvas. We thought it was Malmordo and when it landed, we thought it,  was

something he'd knocked over! 

Turning, Cardona stared up at the little windows above the canopy. 

"There's where Malmordo went!" Joe added. "He came down in back of  the bar and slugged old Jerry! Then

he must have ducked down through  the trap door to the cellar. That was his trail, so let's follow it!" 

Speedily, Cardona led the chase back through the cafe, down to the  cellar, past the open door at the bottom,

and through to a deep corner  where the detectives and the hooded waiters were lifting a grating  beyond a

stack of crates. They had found the final exit, an outlet  leading up to the front street. 

With one accord, the group poured up through, to resume the belated  rathunt. 

There were others beside Malmordo who knew of that front street  outlet. One person was Janice Bradford

and she had learned about it  from Madame Thalla. Already, Janice was well away from the Cafe de la  Morte,

but her escape was by no means complete. 

In fact, Janice was fearful that she had not escaped at all. At  least there had been security in a place that the

police dominated,  Thalla's arguments to the contrary; but here, among the helterskelter  streets of Greenwich

Village, danger seemed very rife. 

In her dash from the cafe, Janice had lost her sense of direction  and now the streets were not only unfamiliar,

they all seemed to lead  into darkness, perhaps back to the Cafe de la Morte itself. The blocks  were brief, the

streets crossed at diagonals, and their silence made  Janice think of lurkers in every doorway. Nowhere could

she spy the  distant glimmer of an avenue, where she might find a cab. 

Then, as if Janice's own fears had hatched it, the menace became  real. 


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From somewhere came a snarled hiss, like a vicious command.  Doorways showed the very figures that Janice

had imagined would be  there; slinky, darkclad men who moved into sight like whiskered rats,  boldly

showing themselves in the open. 

Each way Janice turned, a lurker blocked her off and despite the  darkness, the girl could see the ugly grins

they gave her. 

They numbered at least half a dozen, these ratmen, and all seemed  lesser editions of the murderer,

Malmordo, who had slain Gregor while  Janice watched. They moved in crouching fashion and Janice could

tell  from the way their hands were buried in their jackets that they, like  their monstrous overlord, preferred

the knife as a quick and silent  death weapon. 

Again, that snarly voice, repeating a strange, unintelligible  command, at least unintelligible to Janice, though

her stalkers seemed  to understand it. 

With a shrill, desperate scream, Janice darted for the nearest  corner, realizing that doom would probably

overtake her on the way,  which well it might, but for the fact her terrified cry brought  immediate results. 

Janice's shriek was answered by a mocking laugh, but its taunt was  meant for the slinky men, not for Janice.

The street seemed to fill  with snarls as the ratmen whipped back into their doorways, putting  away their

knives and drawing guns instead. Looking across her shoulder  as she reached the corner, Janice saw a

cloaked figure weaving into  sight, purposely choosing a streetlight as a background. 

Guns spoke from the doorways, all aimed in the direction of The  Shadow. Those hasty shots were wide and

they were answered by a rising  laugh that echoed eerily from surrounding windows as though The Shadow

were everywhere. With that peal came the staccato bursts of The  Shadow's own guns, his shots probing the

doorways, too close for the  comfort of the occupants. 

In picking revolver spurts as targets, The Shadow could come closer  than his opponents, when they had his

shifting form to aim at. And as  he fired, The Shadow was no longer there. He had faded into darkness so

swiftly, so surprisingly, that his blending with that element had all  the effect of an instantaneous vanish. 

Malmordo's tribe didn't wait to argue further. They scattered  amazingly, traveling every direction except

toward The Shadow. Janice  was traveling too, her high heels clattering the sidewalks, until she  found herself

blocked anew. Other shooters were entering the general  fray, Cardona and his detectives, but Janice didn't

recognize them as  such for with them were men who wore the skeleton jackets that featured  the waiters at the

Cafe de la Morte. 

Instinctively, Janice turned toward the shelter of a corner  doorway, set in the narrow angle of the junction of

two diagonal  streets. She recoiled suddenly as she saw a man step out; then, his  hand was gripping her arm,

and he was pressing her into the shelter  that he had just left. 

The man was tall and in the slight light, Janice could see his  face, blunt, squarejawed and quite unperturbed.

The man was wearing a  darkgray suit, which was a helpful contrast to Janice's white attire. 

"Stay in the doorway," the man ordered, in a low but forceful tone. 

"Those fools will shoot at anything they can see." His eyes, a  clear gray in the darkness, studied Janice

intently. Then he added:  "What are you doing around here, anyway?" 


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Janice started to say something, then tightened her lips. The gray  man's eyes fixed on the yellow flower that

sprouted from Janice's  dress. 

"You came from the Cafe de la Morte?" 

Again, Janice decided not to answer. The man, quite unalarmed by  the shots that were echoing around this

very corner, drew a notebook  from his pocket, wrote something on the lower portion of a space, tore  off the

half sheet and handed it to the girl. 

"There is the best clue to Malmordo," the man said, coolly, "but be  careful when you follow it. Now go

straight down this street"  he  thrust Janice out the other side of the doorway  "and you will reach  the

avenue." 

Crumpling the unread note in her hand, Janice turned in the  direction indicated and saw the lights of the

avenue, only half a block  ahead. This street was silent, but Janice wasn't taking chances that it  would remain

so. She headed for the avenue on the run. 

As for the man in gray, he turned in another direction and walked  along a street where shots still echoed, but

did not perturb him,  because they were moving away. Within half a block he turned into a  side street where

all was quiet. 

Complete silence soon gripped that little corner doorway where  Janice had met the man who knew about

Malmordo. It was then that  another figure arrived there, emerging so suddenly that he seemed to  come from

nowhere. 

The new arrival was The Shadow. He saw the lights of the avenue and  seemed to know that they must have

spelled safety to Janice Bradford. 

With a low, strange laugh which seemed to link the future with the  past, The Shadow glided into the

allenveloping night. 

CHAPTER VII

POLICE COMMISSIONER WESTON was staring at the exhibits that lay  upon his desk. They formed a

mass of evidence, those exhibits, even  though they had the symptoms of a hodgepodge. 

The exhibits tallied as follows: 

A long, thin knife, defined as a Borgia stiletto. 

A large, crude claspknife of the variety preferred by Parisian  Apaches. 

A man's costume consisting of a pair of baggy trousers and an  oversized blouse. 

A waiter's costume from the Cafe de la Morte, comprising a  skeletonpainted jacket and a skullhood. 

A wallet and its contents, formerly the property of a Hungarian  violinist, one Gregor Shaksha, deceased. 

Several tarot cards of European manufacture, including one blank. 


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Announcements bearing the name of Madame Thalla. 

A sample menu card from the Cafe de la Morte. 

The top half of a menu card, with crayon circles around three  words, producing the message: "Midnight 

Morte  Monday." 

Along with these were copious reports provided by Inspector Joe  Cardona, who was present in person to

amplify them. Arms folded, stolid  as usual, Cardona was watching Weston mull over the items on the desk  in

what the commissioner probably considered to be an official style. 

Commissioner Weston was a broadfaced gentleman with a  shortclipped but pointed mustache. For years

he had carried a military  bearing which he had acquired during the First World War. Just when  Weston had

been about to forget that he'd once been an army officer,  the Second World War had come along to remind

him of the fact. Since  then, Weston's manner had been more military than ever. 

Finished with his survey, Commissioner Weston leaned back in his  big swivel chair, waved his hand

brusquely at the exhibits and ordered: 

"Add them up, Inspector!" 

"All right, Commissioner," said Cardona, "but there are some loose  facts that go with them." He gestured to

the report sheets. "Facts  mentioned in there." 

"Include them as you proceed." 

Cardona proceeded. 

"The case seems to revolve around a character named Malmordo," the  inspector declared. "He has a face like

a rat and he acts like one. He  murdered Gregor. I saw him. He used that stiletto." 

Weston eyed the Borgia dagger with its wicked blade of icepick  proportions. It was the kind of weapon that

could deal sure death with  a single stab. Then the commissioner gestured to the Apache knife. 

"And this?" 

"Malmordo cut the canopy rope with it," returned Cardona, "and  slashed his way through the canvas. He

slung the knife at somebody and  found time to dump these things"  Joe was gesturing to the baggy  costume

"into an ashcan that was parked up above the canopy. It  rolled down to the back alley and we thought it

was Malmordo." 

Weston set his chin in his hand. 

"About that costume," he inquired. "Why did Malmordo get rid of  it?" 

"So he could double as a waiter," replied Cardona, promptly,  pointing to the skeleton jacket and the skull

hood. 

"Malmordo doubled down through the cafe, by means of a blocked off  stairway. He'd been wearing the jacket

under the blouse he'd discarded,  so all he had to do was put on the hood. He slugged old Jerry the  barkeep

and slid across to a trap door leading down cellar. That's how  he got out to the front street." 


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"And all the while," put in Weston, crisply, "you thought he was a  waiter." 

"I did," acknowledged Cardona, "until I found the outfit  afterwards, parked behind a crate in the cellar." 

Weston picked up Cardona's report and riffled its pages. Then: 

"Your report mentions some other waiters," remarked Weston, "who  helped you hunt for Malmordo." 

"Three of them," Cardona admitted. "They went out through the front  grating with us." 

"Wearing their hoods?" 

"Yes." 

"Didn't that strike you as suspicious?" 

"No. We thought they didn't want Malmordo to recognize them if they  ran into him." 

"And what became of them?" 

Cardona drew a long breath before answering Weston's question. This  part of the story bothered him. 

"We spotted some ratty looking characters," explained Joe, "not far  from the cafe. They looked like

secondrate editions of Malmordo and we  naturally linked them with him, particularly when they started

shooting. So we opened fire on them, and next thing the waiters who  were with us pulled guns and began

shooting too." 

"You should have placed them under immediate arrest," chided  Weston. "They had no right to be carrying

guns." 

"We were glad they had guns, right then," returned Cardona. "They  helped us send those rats to cover. Except

that would probably have  happened anyway. Because when the shooting kept on, we kind of realized  that the

waiters and the rats weren't shooting at each other." 

Weston gave a stiff stare. 

"At whom were they shooting?" 

"Take it or leave it, Commissioner," replied Cardona, "they were  shooting at The Shadow." 

Cardona expected an outburst, but none arrived. Officially, The  Shadow was not supposed to be mentioned in

police reports because an  identity such as his, based on the evidence of a cloak and hat, might  technically be

assumed by anyone. In this instance, however, there was  a counterbalancing factor in Malmordo, whose

own attire, trousers and  blouse, were about the only proof that he existed as a personality. 

So Weston let the question ride. 

"And then, Inspector?" 

"Next thing, the waiters were gone," declared Cardona, "hoods and  all. They'd scattered just like the rats in

the baggy clothes." 


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"You checked on them at the cafe?" 

"Yes. There were half a dozen legitimate waiters still there. The  ones who had helped us chase Malmordo and

then skipped, were trading  under phony names." 

"Any good descriptions of them?" 

"None. But it's a safe bet they were an inside mob planted there by  Malmordo." 

Weston raised his eyebrows at the word "bet" and then lowered them.  The word that Weston really regarded

as horrid, whenever Cardona used  it, was "hunch" because the commissioner didn't believe in hunches. 

"Malmordo had another plant back at the cafe," continued Cardona.  "A gypsy fortuneteller named Madame

Thalla. We haven't been able to  find her since." 

"And how," inquired Weston, "did Madame Thalla slip away?" 

"By the cellar route," explained Cardona, ruefully. "We found out  later that she'd ducked down there. She

must have hidden until we went  through; then she was free to follow." 

"But where could she have hidden? You searched the place, didn't  you?" 

"Everywhere except behind the door. I didn't remember until later  that hiding behind a door is an old gypsy

trick. But we weren't looking  for Thalla at the time." 

Cardona paused, awaiting questions, but none came, so he brought up  another factor. 

"There was a girl mixed in the thing," declared Joe. "A girl in a  white dress, wearing a yellow flower. Some

of the waiters remembered  her. She'd been at the Cafe de la Morte for the last three evenings." 

"Her name?" 

"Nobody knew it." Joe scowled. "Nobody, except maybe Madame Thalla.  Or Gregor." 

"Why would they have known?" 

"Because Gregor had his eye on the girl," explained Cardona, "and  Thalla didn't like it. People at the cafe

think Thalla was sweet on  Gregor and therefore jealous, the way gypsies are." 

"Gregor was a gypsy too?" 

"No. Hungarian. We checked over the cards in his wallet." 

"Then you think Madame Thalla was working with Malmordo?" 

"Very likely. She spoke to Gregor several times and acted rather  angrily. Only Malmordo wouldn't have

killed Gregor just to please  Thalla. Unless Thalla trumped up something against Gregor, to make  Malmordo

think he was dangerous." 

"Thalla would have preferred to make trouble for the girl, wouldn't  she, Inspector?" 


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"You can't tell," concluded Cardona. "Nobody can figure out  gypsies. Thalla was telling the girl's fortune,

though, and she may  have threatened her then. The girl certainly disappeared in a hurry." 

"How?" 

"We don't know, unless she skipped through the cellar too." 

"That might link her with Malmordo." 

"Yes, Commissioner, it might." 

The discussion having reached a temporary impasse, Weston began  drumming the desk as though it might

bring him an idea. Finally he  reached for a slender report that lay at hand. 

"The stowaway on the Santander," recalled Weston. "Patrolman  Moultrie reports that he said something

about Malmordo just before the  logs fell and crushed him." 

"Malmordo and morto," nodded Cardona. "Whether morto meant death or  the cafe, we don't know. There was

another word, but we aren't sure  what it was. The important thing, though"  Cardona was becoming

emphatic  "is that there were other stowaways on board that ship.  There's been a lot of stowaways coming

into port lately, human rats we  call them, and they tally with the tribe that Malmordo had around last  night." 

More drumming from Weston, but it produced no new opinions. So  Cardona supplied one. 

"Our best clue is this." Joe picked up the half menu from the Cafe  de la Morte. "This was a tipoff,

Commissioner. Somebody is working on  our side and whoever it is, wanted us to block what happened last

night." 

Hesitating a moment, Weston inquired: 

"The Shadow?" 

"I don't think so," replied Cardona. "He was with us, one hundred  percent, but this isn't the kind of message

The Shadow would send. If I  could only " 

A knock interrupted at the door. Weston recognized it as belonging  to his secretary and pressed a buzzer,

giving the word to enter. The  secretary, a dapper man, reached the desk and turned apologetically  from

Weston to Cardona. 

"Beg pardon, Commissioner," the secretary said, "but there's a  gentleman outside who says he must speak to

Inspector Cardona." 

"If he's a gentleman," blustered Weston, "tell him to send in his  card!" 

"He did," began the secretary, "but it's a most unusual card " 

The card was unusual. Cardona snatched it the moment the secretary  showed it. The card was the lower half

of a menu from the Cafe de la  Morte. 

Eagerly Cardona matched it with the halfcard he already held. The  two fitted, proving that the visitor was

the unknown informant who had  tipped off the law to impending murder at the Cafe de la Morte! 


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CHAPTER VIII

THE visitor was shown in promptly. 

He was a bluntfaced man with square, solid jaw, shortclipped hair  with a trend toward iron gray, about the

same color as his dark suit. 

This was the same man who had been blocked off from the Cafe de la  Morte the night before, after bullets

had begun to dominate the streets  nearby. The same man, in fact, who had met Janice Bradford, drawn her  to

shelter, and then pointed her to the avenue. 

However, Cardona was not thinking in terms of subsequent events,  particularly as he knew nothing about

them. Joe was still concerned  with the tipoff. Separating the halves of the menu card, he gestured  the top

portion and demanded: 

"You sent me this?" 

The visitor supplied a short, stiff bow, then declared in a precise  tone: 

"That fact should be apparent." 

"Good enough," snapped Cardona. "Now tell us who you are and what  you know about Malmordo." 

Quite unperturbed, the visitor seated himself and looked slowly  from Cardona to Weston. The gray man had a

deliberate way that  impressed his viewers. Cardona, for one, was ready to concede that this  stranger would be

a tough nut to crack. 

Coolly, the visitor announced: 

"I must request your absolute confidence before I speak. No word of  this conference can be given to anyone." 

Terms like that went against Cardona's grain, but before Joe could  protest, Commissioner Weston gave the

nod. For once, Cardona realized  that the commissioner was right. 

If the visitor preferred to remain silent, there would be no way of  making him talk. Charges against the gray

man would be very slender on  the mere strength of the menu card. Indeed, he could rest on his  dignity, with

the fact that he had really aided the law being something  in his behalf. It was best to hear him out. 

At Weston's nod, the gray man ran his thumbnail down the lapel of  his coat. The cloth spread apart and from

between, the visitor drew out  some thin papers, which he unfolded on the desk. In matteroffact  tone, he

stated: 

"My credentials." 

The credentials bore an official stamp from Scotland Yard. They  named the gray man as Trent Stacey, of the

C.I.D., or Criminal  Investigation Department. A thin photograph was with them; it tallied  with Stacey's

features. In routine style, he matched his approved  signature, as shown on a document, using Weston's desk

pen. Finally, he  called special attention to a brief order accompanying his credentials. 

This order was from Scotland Yard, informing all law enforcement  officers throughout the British Empire


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that they were to maintain  strict secrecy regarding Stacey's presence, wherever he might be. 

"I am aware," put Stacey bluntly, "that your jurisdiction is  outside of such limitations, Commissioner. But I

trust in your judgment  to honor this request so long as we both deem it expedient." 

"Quite right," agreed Weston, only to add sharply: "Provided you  can prove the existence of such

expediency." A bow from Stacey. Then: 

"I can," he declared, "and in a single word. That word is the name   Malmordo." 

Weston and Cardona sat right back to listen. Their visitor needed  no further go sign. 

"Malmordo is a notorious criminal," asserted Stacey. "In fact,  until recently, he was the most notorious

criminal on the European  scene. He would still be  if he happened to be in Europe." 

"His name would indicate that," stated Weston. "I take it that the  name is derived from mal and morte, words

signifying "evil death" or  its equivalent." 

Slowly, Stacey shook his head. 

"You are wrong," the gray man declared.. "The term mal means  opposite and mordo means something that

gnaws or bites. Hence the term  is a corruption " 

"In what language?" put in Weston. "Spanish?" 

"In Esperanto," replied Stacey, "an international language.  Malmordo's activities were so far flung, that

before the war, the  police officials in various countries used Esperanto in their  interchangeable reports, in

order to puzzle Malmordo's followers." 

"And did it work?" asked Weston. 

"It worked well at first," replied Stacey. "Quite a few of  Malmordo's workers were trapped. But then they

began using Esperanto  too. At that time, Malmordo was known to the police in European  countries as

"Mordetbesto" which in Esperanto means a rodent. That  angered his followers who called him

"Malmordetbesto" meaning just the  opposite of a rat. They shortened it to "Malmordo" and there it  stands."

Stacey gave a shrug. "So we accepted the term too." 

By "we" Stacey obviously meant more than just Scotland Yard. He was  including all the law enforcement

agencies of Europe. 

"If Malmordo made such a stir in Europe," inquired Cardona, "how  come we never heard of him in

America?" 

"The war intervened," explained Stacey. "The Nazis hired Malmordo  and his fellowrats to squirm into every

occupied country. There, they  not only fomented vicious trouble; they destroyed all records  pertaining to

themselves." 

"But why have they come here now?" inquired Cardona. 

Stacey took that question blandly and put another as its answer. 


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"Why have other rats come to America?" 

"Because it's the only place where they can find what they want,"  conceded Cardona. "They're after food and

Europe has gone short of it." 

"And Malmordo's rats are after loot," specified Stacey. "Europe has  gone short on that commodity too." 

It made sense to Cardona and with it, the inspector remembered  something. He plucked up Moultrie's report

and read the words of the  dying stowaway: 

"Malmordo  morto  noktomezo !" 

"That's Esperanto," acknowledged Stacey. "It means Malmordo  death   midnight. I heard those words

spoken yesterday afternoon, Inspector.  That's why I sent you the marked menu card." 

"And a patrolman heard them just before midnight," declared  Cardona, "spoken by a dying stowaway in the

hold of the Steamship  Santander. I get it now: the fellow must have thought Malmordo  doublecrossed him." 

The news interested Stacey. 

"There is your link," he declared. "Malmordo has been bringing his  riffraff into port. Until yesterday they

were around the Black Star  Warehouse, but today they are gone." 

Cardona gave Stacey a sharp eye. 

"Why didn't you let us in on that?" 

"Because I had too much consideration for your very fine police,"  returned Stacey, coolly. "It would be

suicide to invade a fortress  belonging to Malmordo unless you first stopped every human rathole  connected

with the place. I was still checking on the place when I saw  some of Malmordo's rats slink away and I

followed them to the Cafe de  la Morte." 

Weston was taking time out to call the Black Star Warehouse. He  held a brief conversation, then hung up

abruptly. 

"That's odd," announced the commissioner, "but it fits. At the  Black Star they say they were going crazy on

account of rats  they  meant the usual kind  but today, they've begun to disappear." 

"Because Malmordo's men are gone," nodded Stacey. "They are no  longer there to feed the rats." 

"Why should they feed the rats?" Cardona demanded. 

"So the rats won't feed on them," Stacey explained. "They could  never hope to drive the rats from the

miserable places that both breeds  prefer, so they befriended them. Then they get along comfortably  together." 

Such solid knowledge of Malmordo and his ways was giving Trent  Stacey an invaluable status in the eyes of

Commissioner Weston. Folding  the credentials, Weston returned them to the C.I.D. man and announced: 

"We shall give you full cooperation, Mr. Stacey. In return, I want  you to tell us everything else you know

about Malmordo. Tell us what  crimes you think he intends to attempt, what measures you believe he  will

employ, and most of all " 


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The commissioner paused; then repeated himself for emphasis: 

"And most of all, tell us how we can trap him!" 

CHAPTER IX

IT took Trent Stacey half an hour to cover the full subject of  Malmordo, though it wasn't all continuous

talking on Stacey's part.  Weston and Cardona had numerous questions, all apt ones, that they  inserted at

intervals. 

Stacey's summary was this: 

Before the war, Malmordo had adopted aggressor tactics of his own,  including the Fifth Column system. He

and his ratty followers slipped  into countries, established themselves in the most detestable of  hideouts,

which were therefore the most difficult to search, and from  such headquarters, made deals with local

criminals. 

Crimes were accomplished and the greater percentage of the stolen  goods reached Malmordo and his

followers, like water seeking the lowest  level. Malmordo preferred objects such as rare paintings and famous

jewels, because he disposed of them in other countries. Always,  Malmordo and his tribe filtered out as

remarkably as they had arrived. 

Stacey had the explanation for this: Malmordo and his human rats  used gypsies as accomplices. Traveling

gypsy tribes were common  throughout Europe. In going from country to country, their wagons were

thoroughly inspected, but customs men seldom cared if gypsies carried  odd items through, particularly as the

gypsies could get away with it,  anyway. 

There were thieves among gypsies, but they were an individual clan  and they strictly avoided local criminals.

Therefore nobody looked upon  them as carriers of highly valued property; indeed, no criminal of any  sense

would have entrusted such stolen goods to gypsies in the first  place. So Malmordo had instituted something

novel and unexpected, when  he mingled his followers among gypsy troupes. Malmordo's rats had  carried

their own loot with them. 

Then war struck. 

Instantly Malmordo and his despicable followers commanded high  premiums from the Nazis. No longer were

gypsies fronting for the human  rats; now, refugees were the cover up. Poland, France, the Balkans all  suffered

from the same infiltration process. According to Stacey, they  were responsible, Malmordo's men, for many of

the most outrageous  robberies that brought the treasures of occupied countries into  Nazidom. 

Stacey's descriptions sounded like a digest of a casebook. When he  had finished, he delivered added facts

that gave still higher value to  his account. 

"Malmordo came to England," stated Stacey, "at the time of the  blitz. In fact, we are sure that some of his

tribe, perhaps Malmordo  himself, mingled with the troops that were rescued from Dunkirk.  Malmordo started

operations in London, expecting the Nazis to arrive.  They never did, and Malmordo gave his game away. 

"Unfortunately, Malmordo and most of his rats escaped in fishing  boats across the Channel before we had

time to unearth them. We  discovered, though, that they had plans for supercrime and that they  intended to use

pressure upon important men who had been engaged in  subversive dealings with the Nazis. 


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"When the war ended, we expected them to filter back into England.  They failed to appear, so we decided to

look for them in various  British dominions. I was assigned to Canada and began my search in  Montreal.

There was no sign of Malmordo in that city, but I gained a  lead that brought me to New York." 

That summed Stacey's account. He sat back, ready for questions and  received some. "This Malmordo," asked

Cardona. "What does he look like,  or haven't you ever seen him?" 

"I have seen him," replied Stacey, solemnly. "He is so hideous, so  grotesque, that it would seem impossible

for any human face to be so  contorted. In appearance, he is twisted and deformed, yet singularly  agile." 

Cardona nodded. That fitted his impression of Malmordo. 

"How did you happen to see him?" inquired Weston. "And where?" 

"I was born, raised and educated in Canada," explained Stacey, "but  I lived in Montreal and learned French

along with English. I spent  three years among German settlers in Canada and learned their language  too.

Among other languages"  for the first time Stacey smiled, but  barely  "I learned Esperanto." 

"Which made you useful in trailing Malmordo," suggested Weston. 

"Exactly," acknowledged Stacey. "That was why Scotland Yard took me  on." 

"And what would you suggest now?" 

"That you give me a few days to trace Malmordo" requested Stacey.  "It is imperative that I operate on my

own, as I always have, but I can  report at stated intervals directly to Inspector Cardona." 

Weston pondered, then agreed. 

"Until you have actual facts as to the whereabouts of wanted  criminals," decided the commissioner, "there

can be no reason why you  should not act in unofficial  or I might say individual  capacity.  Meanwhile,

Stacey, rest assured that we shall mention this visit to no  one." 

With that promise, Trent Stacey left. 

When Commissioner Weston made a promise he kept it, but he also had  an innate curiosity for things

unusual. That was why, a few hours  later, Weston walked into the Cobalt Club, his regular offhour  habitat,

reading a pocketsized book that interested him so intently  that he almost stumbled over a chair containing a

friend of his, Lamont  Cranston. 

Few persons could take matters more calmly, almost indifferently,  than did Cranston. He was a man with an

impassive face that impressed  some observers as masklike and his features, viewed at certain angles,  gave a

hawkish appearance. Cranston's eyes were easy, but steady, a  fact which characterized them now. Indeed,

only by gaze did Cranston  imply that he was interested in anything that could so preoccupy  Weston. 

The commissioner seemed to realize it, for he became apologetic,  then enthusiastic. 

"Sorry, Cranston," began Weston. "I should have remembered I was to  meet you here. But you see, I've run

across something quite  fascinating. Did you ever hear of Esperanto?" 


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"I have made a few trips around the world," responded Cranston. "Do  you think I would have started without

equipping myself with an  auxiliary language that is known everywhere?" 

Weston hadn't thought of that. "Then you speak Esperanto,  Cranston?" 

"Mi parolas Esperante," replied Cranston, "Mi trovas la elparoladon  tre facila." 

Weston began looking through the book, so Cranston saved him the  trouble by translating for him. 

"I said that I speak Esperanto," stated Cranston. "I added that I  find the pronunciations very easy." 

"Do you know the meaning of the word noktomezo?" 

"That would mean midnight." 

"And what would Malmordo mean?" 

"Something that doesn't bite. It sounds more like a name, though,  than a word commonly used in Esperanto." 

"You are right, Cranston," conceded Weston. "It is a name. The name  of the world's most desperate

criminal." 

With that beginning, Weston reeled off all the data that he had  gained from Trent Stacey, excepting of course

any mention of the C.I.D.  man himself. All the while, Cranston listened intently, without showing  it. Behind

that impassive face of Cranston's lay a keen mind, the mind  of The Shadow, for the guise of Cranston was

one that The Shadow  adopted in the more ordinary stages of his career. 

It was palpable to Cranston that Weston had acquired all this  information very recently. The reason: if

Weston had known all this  last night, Malmordo would not have cavorted in such murderous style at  the Cafe

de la Morte. In his casual way, Cranston decided to seek the  source. 

"I suppose you learned all this at the Cafe de la Morte," remarked  Cranston. "I read about a mysterious

murder at that place last night." 

"Malmordo was involved," admitted Weston, "but they know nothing  about him at the cafe." 

"Then you captured some of Malmordo's men?" 

"Those rats? Impossible! They have even abandoned their hideaway at  the Black Star Warehouse, they and

their pets, the ordinary type of  rats." 

Cranston could have raised his eyebrows, but didn't. Weston hadn't  mentioned the Black Star Warehouse in

his runup on the Malmordo  question. He regarded it as too closely associated with Stacey. So  Cranston was

getting somewhere with his casual inquiry. 

"I didn't mean Malmordo's regulars," corrected Cranston. "You say  he enlists local malefactors wherever he

goes. I supposed you might  have captured some of the Manhattan contingent that was working with  him." 

"Some were on the job last night," declared Weston, "but they got  away before we could identify them." 

"I have it, then," expressed Cranston. "You've been questioning the  local gypsies." 


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"You can't quiz gypsies," declared Weston. "They never tell the  same story twice. They have a king who acts

as spokesman, but he's out  of town at present. King Dakar, they call him, and every gypsy we've  asked says

he's away. None of them ever heard of Madame Thalla, the  fortune teller at the Cafe de la Morte. They'd say

the same about  Malmordo." 

There were a number of inconsistencies in Weston's speech, but  Cranston didn't suggest that the

commissioner might be something of a  gypsy himself. Instead, Cranston broached a last query. 

"The customers down at the Cafe de la Morte," mused Cranston.  "There weren't any missing later, were

there?" 

"One was," recalled Weston. "A girl in white, who wore a yellow  flower and had her fortune told. We don't

know her name though, or  anything else about her. Maybe I should have asked " 

There Weston cut himself off in his own brusque style and threw a  challenging glare at Cranston. When

Cranston became persistent, he made  people tell things they didn't mean to say and Weston had come near

mentioning Stacey. Of course Cranston couldn't have been fishing for  information; he was just helpful, that

was all  or so Weston thought. 

Anyway, the commissioner didn't want that kind of help. 

"Sorry, Cranston, but I have an appointment." That was Weston's  best way to relieve the pressure of this

conversation. "I'll be seeing  you later." 

Remembering that he too had an appointment, Lamont Cranston  strolled from the Cobalt Club and out into

the gathering dusk. 

There Cranston became The Shadow. 

CHAPTER X

JANICE BRADFORD wasn't wearing white tonight. Instead she'd chosen  a dark blue sweater dress with a

beret to match. Janice wasn't taking  chances on dodging bullets this evening. 

Or knives for that matter. 

That was the part that bothered Janice, the way the slinky men  seemed to be around again. What they were

doing here, away from the  docks and warehouses, away from the Village and the Cafe de la Morte,  was

something that wasn't too hard to guess. 

Like Janice, they were probably looking for Madame Thalla. 

Regarding Thalla as a friend, Janice was trying to find her  somewhere along Gypsy Row and that was just the

trouble. Thalla wasn't  around, but the human rats were; at least Janice fancied that she could  see them poking

their imaginary whiskers out of practically every  cranny. 

Silent houses here, with no signs on the windows denoting fortune  tellers as Janice had supposed there might

be. She realized now that  gypsies wouldn't advertise such talents in their own neighborhood, just  as she

recognized they wouldn't talk about each other. The best thing  Janice could do would be to find a cab. She'd

stopped in too many  stores to inquire about Madame Thalla. The people who had given her  dumb looks and


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headshakes might not be so dumb as they looked. 

It was thought of Malmordo however, that worried Janice most. And  again, she made the mistake of thinking

that obscurity would shield her  from that Master Rat. 

Turning into a side street, Janice hadn't gone a dozen paces before  she saw a slinker move from a doorway, as

though to sidle across the  street and cut off her retreat. There was a doorway on this side and  instinctively,

Janice turned toward it, then shied away, only to have a  firm hand emerge as on the night before and draw her

into shelter. 

The girl gasped; then, thinking she recognized the clasp, she  breathed: 

"It's you again! I thought it wasn't until tomorrow night " 

Janice interrupted herself when she saw that her present friend  wasn't the bluntfaced man in gray, whose

name, though she didn't know  it, had today been disclosed as Trent Stacey, but only to Commissioner  Weston

and Inspector Cardona. 

Oddly though, Janice had found another friend, a rather handsome  and selfassured young man whom she

remembered from the Cafe de la  Morte. In the light that slanted into the doorway, Janice was looking  at

Harry Vincent, who in turn was getting another and more detailed  impression of the girl herself. 

However, it wasn't wise to stare too long, because the process  required light and light was dangerous with

lurkers about. Satisfied  that Janice regarded him as a friend, due to his lack of resemblance to  any of

Malmordo's clan, Harry drew the girl deeper into the doorway. 

"Speaking of tomorrow night," undertoned Harry, "I was worried  about last night. I saw Thalla steer you out

of the cafe, but what  happened after that?" 

"Why  why"  Janice stammered a moment. "I  I managed to get  away, that was all." 

"Somebody else helped you?" 

"Well  yes." 

"Somebody you were to meet near here," defined Harry, "and tomorrow  night. You mistook me for him." 

There was silence for a moment. Janice gave a slight shudder,  worrying about the slinkers. 

"Whoever he was," suggested Harry, "he found a cab for you,  probably over on the avenue." 

Janice remained silent. 

"There will be a cab here shortly," promised Harry. "I can get you  away in it, if you tell me about this other

chap. After all, he and I  are working toward the same purpose, to trap Malmordo." 

At the name "Malmordo" Janice supplied a really appreciable  shudder. Then quickly she said: 

"I don't know who he was. I promised to meet him tomorrow night,  but not here. Unless I know more about

you, I don't think I should tell  you more." 


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"My name is Harry Vincent," was Harry's reply. "Now who was your  other friend?" 

"I don't know," expressed Janice truthfully. "He didn't have time  to tell me his name." 

"Did you tell him yours?" 

Janice tightened her lips, then said: 

"No." 

From the way she said it, Harry decided that the girl wasn't going  to give her name now. Nevertheless, he

waited patiently, confident that  Janice's interest in the expected cab would make her talk. The process

worked. Fumbling in her purse, Janice brought out a folded slip of  paper; with a little pencil, she wrote

something on it. 

"There's the message," she undertoned, "and I've written my name on  the back. You can have the paper when

you give me the cab." 

Lights were coming around the corner and lurkers were scooting for  cover. Stepping out boldly, Harry

flagged the cab. As it stopped, he  opened the door and beckoned to Janice; as the girl hurried into the  cab,

Harry reminded her of the paper and Janice planted it in his hand. 

Then the cab was off with Janice as a passenger and Harry was  making a quick dart, openly, toward the

corner, to draw attention his  way. At that, Harry couldn't feel that he was taking much risk because  he'd been

expecting a cab piloted by a driver named Shrevvy who was to  drop off The Shadow at this very corner. If

any lurkers had taken  potshots at Harry, they'd have received plenty more virulent bullets  in return. 

Apparently the lurkers had been smart enough to be on their way,  but at that they'd outsmarted themselves.

For Harry was scarcely past  the corner before another cab pulled up and this time it was Shrevvy's.  Not until

then did Harry realize that he'd flagged a chance cab that  had happened to swing into that side street just

before Shrevvy's  scheduled arrival. 

A whispered voice sounded almost at Harry's elbow, out of darkness  that seemed vacant. It ordered: 

"Report." 

Briefing his report to The Shadow, Harry finished by extending the  folded paper. A hand took it and moved

into the light, where Harry saw  another hand join it. It was a rather astonishing effect, watching  those gloved

hands unfold the slip of paper and turn it over, for the  hands seemed like independent creatures floating in

midair. 

Even more startling in a way was the slip of paper itself. Staring  eagerly, Harry blinked when he saw that it

was blank. 

"That's the message somebody gave the girl," Harry was saying, "and  she wrote her name on back of it " 

Only it wasn't the message and Janice hadn't written her name and  she hadn't gone away in Shrevvy's cab. So

far as The Shadow was  concerned, the girl was still Miss X, which represented an unknown  quantity. 

Nevertheless, The Shadow's laugh came softly as though he  appreciated the humor of the thing. Then, leaving

Harry to figure some  way of redeeming himself, The Shadow glided off into the darkness. 


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Better luck was waiting a few blocks away. There, The Shadow  stopped in front of a dimly lighted store

which proved to be a  petshop. Inside was a customer, a wizened little man, who looked  normal enough for

this neighborhood. The proprietor, a squatty,  sleekhaired man, was warning the customer not to bother the

pets and  particularly the little green love birds. 

The customer answered to the name of Hawkeye and he worked for The  Shadow, but of course he hadn't

stated either of those facts. What  intrigued him about the love birds was that they would peck at odd  things,

like the cover of a match pack, something that the average  parrot would ignore, at least after the first taste. 

"Those birds not for sale," the squatty storekeeper was saying.  "Customer already buy them. Closing shop

now. Come back tomorrow." 

The storekeeper was brushing Hawkeye away from the cage, where one  of the green birds was reclaiming the

piece of cardboard that had  dropped between the bars. Wrapping a cloth around the cage, the squatty  man

took it to the back of the shop, then returned to pull down the  shades in the show window. 

Shambling out in slow fashion, Hawkeye would have sped his pace the  moment that he turned past the

window, if The Shadow had not stopped  him with a whispered signal. The result was that Hawkeye paused,

then  shuffled across the street in careless fashion while the blackness that  represented The Shadow continued

the swift glide in the original  direction. 

Through an alley and around to the back street, The Shadow was  waiting when the squatty man came from

his darkened shop bearing the  covered cage that contained the green birds. After a hurried look from  right to

left, the storekeeper headed for an opposite alley. 

The Shadow took up the trail. 

That trail ended after a zigzag route through several back streets.  The squatty man tapped at an obscure door

which opened cautiously. A  few words passed through the crack, then the door widened enough for  the cage

to follow. His order delivered, the owner of the pet shop  waddled away. 

A few moments later, The Shadow, invisible in the shrouding  darkness of the doorway, was opening the door

itself to cross the  threshold of a new adventure. 

CHAPTER XI

THE narrow hallway was pitchblack, its floor so old and creaky  that it responded, though ever so slightly, to

The Shadow's usually  noiseless glide. 

At the end was another door, which The Shadow found by a careful  probe. His gloved hand muffled the rattle

of the loose knob; even the  groan of the rusted hinges was suppressed as The Shadow pressed the  door

inward. 

A dim light issued from within, showing a tawdry room furnished  with battered chairs and table, a turkeyred

curtain hanging across a  doorway beyond. If eyes behind that curtain could notice the door's  motion, The

Shadow's gaze was even keener. He observed the curtain's  quiver. 

Inching the door slowly inward, The Shadow literally baited the  watcher beyond the curtain. He could sense

when someone there was ready  to surge; then, boldly, suddenly, The Shadow flung the door fully open  and

whirled through. 


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As he twisted, The Shadow produced an automatic from beneath his  cloak. He completed a full turn that not

only carried him away from the  wideopen doorway, but brought him back against the door itself,  clattering

it against the side wall of the room so it formed the long  side of a triangle which included the brief stretch of

front wall  between the corner and the doorway. 

This peculiar double process completely fooled the man beyond the  curtain. He came charging through, only

to halt blankly and bewildered,  not knowing how or where to aim the oldfashioned pistol that he  clutched in

his tawny hand. Then, as The Shadow delivered a shuddery,  whispered laugh, the man's face enlarged in

terror. 

His face was the darkish face of Panjo, the man who had contacted  the sailor on the Santander. 

The Shadow's whisper phrased the name "Panjo." As the darkish man  quivered, he saw blackness stretch to a

table near the door and whip  away the cloth covering of an object standing there, to reveal a cage  containing

two green birds. Then the whisper formed words, in accusing  tone: 

"Panjo! Avakle avnas tut chirikla!" 

In gypsy dialect, The Shadow was saying: "Panjo! These were your  birds," to which Panjo could only nod.

Then came The Shadow's sharp  query: 

"Ti romni?" 

Panjo broke into a wild babble. 

"Mri romni odoi geyas," he pleaded, "oi n'avel pale. Na janav so  pes lake talindyas." 

The Shadow had asked about Panjo's wife and in reply Panjo was  saying that his wife had gone away and not

come back; that he did not  know what had happened to her. 

In gypsy talk The Shadow ordered Panjo to give him the gun, which  Panjo did, quaking the while. Then, in

sinister tone, The Shadow  suggested that perhaps Panjo's missing wife might be responsible for  Gregor's

death. Before Panjo could chatter a denial, The Shadow  wheeled, flinging the door shut to reveal a trembling

woman in the  space represented by the corner. 

The woman was Madame Thalla. Quivering, she dropped the knife she  held. The Shadow had been ready for

the trick that Thalla had used to  elude Cardona and had imprisoned the woman behind the door where she  had

hidden. And now Thalla was chattering wildly: 

"Me na chinghiom les! Me na chinghion les! 

Thalla was repeating "I did not kill him!" in reference to Gregor  and The Shadow's laugh eased to a tone that

made Thalla realize he  believed her. The Shadow had accomplished what he wanted; he had linked  Panjo

with Thalla. 

And now, in a sterner tone, The Shadow demanded: 

"Kai baro kralis th'arakas?" 

The Shadow was asking where he could find their great leader, which  to Panjo and Thalla meant King Dakar,

so lately reported out of the  city. Eagerly, Panjo and Thalla conducted him past the turkey red  curtain, where


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Panjo rapped at a door beyond. The door opened and The  Shadow found himself facing King Dakar, a

gentleman whose surprise  diminished rapidly when Panjo, and Thalla chattered to him in gypsy  talk. 

"Yek Ushalyin!" Panjo exclaimed. "Laskoro Romeskero!" 

"Ov hin Rom!" added Thalla. "Na gajo!" 

The title 'Yek Ushalyin' was Panjo's way of saying "The Shadow."  Translated literally it meant 'a shadow' but

in Romany, the indefinite  article 'a' also meant 'one'. In defining the visitor as 'One Shadow',  Panjo was

seeking to confer a distinction upon so notable a guest. 

Also, Panjo had added that Yek Ushalyin was of the gypsies and  Thalla had supplemented the claim by

declaring: "He is gypsy, not a  foreigner," for the term Rom meant someone of the gypsy race, while  gajo

signified any nongypsy. 

From there on, The Shadow took up the conversation and King Dakar,  hearing his speech, bowed low. To

term Dakar a 'king' seemed ludicrous,  for he was a drab, sunken sort of man, whose broad, droopy face was

so  weatherbeaten that it had lost its natural color. Nevertheless, if The  Shadow deserved a title, so did King

Dakar. 

For after he heard The Shadow declaim in pure Romany, Dakar did  likewise. The language that they talked

showed that Panjo and Thalla  were limited in gypsyspeech to a hodgepodge of varied dialects. 

It was a pleasure, Dakar told The Shadow, to hear some one speak  the lacho romano chib, or pure gypsy, and

not the posh romani toward  which so many of Dakar's people trended. They were even forgetting  their

romnipen, or gypsy ways. 

The Shadow inquired if that applied to a Rom named Gregor and Dakar  was startled. When The Shadow

wanted to learn the connection between  Gregor and Malmordo, Thalla became terrified and even Panjo was

shaken.  Then, Dakar standing speechless, The Shadow calmly expressed himself in  English, interspersed with

gypsy terms, to clarify the purpose of his  visit and how he had arrived here. 

"At the pier, I learned that Panjo was Rom," declared The Shadow.  "When he saw me, he cried 'Vourdalak'

and 'Nosferadu' meaning he  mistook me for a vampire, which any Rom might. Yek Rom, seeking birds,  such

was Panjo. Why should he want chirikla? Because birds are used for  telling fortunes. Bring your chirikla,

Panjo." 

Panjo went to get the birds. 

"On the boat was a gajo who died very suddenly," The Shadow told  Dakar. "He said three words: 'Malmordo

morto  noktomezo.' Do you  understand those words, Dakar?" 

Dakar's expression had gone rigid. As it relaxed, he nodded slowly. 

"I know who Malmordo is," said Dakar. "But those other words"  he  shook his head  "they are in the

language that we do not understand." 

"The words meant death and midnight," declared The Shadow. "I knew  of the Cafe de la Morte and assumed

that the man might refer to it. I  went there and saw Madame Thalla, a fortune teller. A romni who tells

fortunes"  The Shadow gestured to Thalla  "would not her husband be a  Rom who would buy chirikla like

these?" 


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The Shadow completed another gesture, toward the green love birds  which had just arrived in their cage,

carried by Panjo. Then, as if to  acknowledge The Shadow's skill at deduction, Panjo took the birds from  the

cage while Thalla brought a little box containing rows of small  cards, about the size of place cards used at a

dinner party. At a  signal from Panjo, one of the birds flew to the box, picked up a card  with its beak, fluttered

over to The Shadow and deposited the card in  the visitor's gloved hand. 

"Chirikli dela tuke, Yek Ushalyin," said Thalla. "He is giving you  the card, the bird is, that you may read

your fortune. So kamavela?"  Thalla gave a professional shrug. "What will come? Kon janalo? Who  knows?" 

A quaint custom this, of having birds pluck cards and deliver them  to customers, so that each could read an

individual fortune. Traveling  gypsies had trained such birds for centuries, but in recent years, palm  reading

and interpretations of the tarots had superceded this  picturesque type of divination. 

"Panjo and Thalla went in hiding," explained King Dakar. "It was  then that Panjo remembered his trained

birds. He sent word for them to  be brought here so that no one could find him through them. But you  were

very wise, Yek Ushalyin." 

The Shadow put a sharp question to Dakar. 

"As wise as Malmordo?" 

"Wiser, Yek Ushalyin. So we hope!" 

"Perhaps Malmordo already knows where to find you!" 

"No, no!" Dakar spoke excitedly. "That is why I am in hiding too!  So Malmordo can not find me." 

"Nor have the police managed to find you," declared The Shadow. "It  is curious you do not wish to talk to

them." 

"They could not protect us against Malmordo!" exclaimed Dakar.  "That is why we can not talk to them." 

"It has given them a singular impression," stated The Shadow. "The  police believe that you are friendly to

Malmordo." 

That brought a storm of indignant denial from Dakar, with Panjo and  Thalla joining in the protest. Every

curse that could be invoked in the  gypsy language was uttered and all were directed against Malmordo. To

another visitor, it would have seemed that the gypsies were overdoing  it, but not to The Shadow. They had

called him Rom; they had termed him  Yek Ushalyin. To him they would only tell the truth. 

"We Rom have suffered much from Malmordo," asserted Dakar when the  hubbub ended. "We have been

called many names in many lands, such names  as heathen and outcasts. But in only one land, Egypt, were we

called  robbers. They gave us the name Harami there. And now today, Malmordo  would have us called

Harami everywhere." 

"I have heard," affirmed The Shadow, "that Malmordo and his gaje  traveled with your comrades in Europe." 

"Because we thought them poor strangers," argued Dakar. "Malmordo!  Bah! The other name they called him,

Mordetbesto, was a better name for  him. It sounds like the beast he was. So low did he sink that he was  taken

as a freak to be exhibited for copper money by the foolish Rom he  deceived. A divio gajo, a wild man they

thought he was and others of  his kind posed as the same. They learned our customs, romnipen, to help  them


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on their way." 

"You should have learned more about them," reproved The Shadow.  "You avoided the criminals with whom

they dealt. Why did you not avoid  them?" 

"But Malmordo and his gaje never dealt with others!" protested  Dakar. "We would surely have known if they

had." 

King Dakar meant it, but as a gypsy leader it was his part to claim  he knew everything. His statements did not

tally with what The Shadow  had learned from Commissioner Weston. Dakar might give the gypsies  benefit

of doubt where connections with Malmordo were concerned, but he  would not extend the courtesy to

common criminals. However, The Shadow  had a way to test King Dakar further. 

"You have said that Gregor once was Rom," The Shadow asserted. "But  Gregor called himself a gajo and he

was at the Cafe de la Morte " 

Madame Thalla babbled an interruption and King Dakar halted her.  With all the dignity of his office, Dakar

declared: 

"As Rom, we both hate and fear Malmordo. But I have ordered my  people that if they do neither, Malmordo

may not harm us. None were to  speak to Malmordo once he arrived here, nor to watch him. Gregor was  one

who would not obey and when I chided him, he said he was no longer  Rom, but gajo. 

"What Gregor learned about Malmordo, we do not know. How he learned  it also puzzles us. But since Gregor

was watching for Malmordo, it was  necessary that we watch Gregor. I chose Thalla for that duty because  she

could tell fortunes at the Cafe de la Morte. Because her husband,  Panjo, often bought birds from the sailors, I

told him to watch the  ships. That is all." 

Dakar had put it well. The Shadow could have queried what the gypsy  king intended next, but such a question

was unnecessary. The Shadow  simply waited, knowing that Dakar would declare himself. And Dakar did. 

Across Dakar's weatherbeaten face came a vengeful expression  inspired by the demand for justice. 

"Gregor was Rom." There was finality in Dakar's tone. "Gregor was  murdered by Malmordo. Whoever may

ask me to help destroy Malmordo will  have the services of any Rom I can supply. I, King Dakar, have so

sworn, and I can be found here whenever I am needed." 

That promise was meant for The Shadow and it ended the interview.  Turning, the cloaked master, whom the

gypsies styled Yek Ushalyin made  his exit through the red curtain. Only the whispered echoes of a  parting

laugh remained, as The Shadow went out into the night. 

The Shadow needed no further pledge from King Dakar. Already the  gypsy leader had provided him with a

trail, through Madame Thalla. The  card that the trained bird had given The Shadow was not inscribed with

some trivial fortune. 

Instead it bore a name, one which Madame Thalla had learned and  knew that The Shadow would want. 

The card read: Janice Bradford. 


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CHAPTER XII

IT was late the next afternoon when Inspector Cardona looked up  from his desk to meet the steady gray eyes

of Trent Stacey. It was  rather startling, the way this visitor had arrived, though Cardona's  office wasn't

difficult to enter unannounced. 

However, whatever annoyance Cardona might have felt he instantly  suppressed. Stacey was a special case, by

mutual agreement. This was  the right way for him to appear here. 

In his cool style, Stacey inquired: 

"Any reports on rats, Inspector?" 

"Plenty," assured Cardona, "but not the sort we want, though they  may be a lead. I've been checking with the

warehouses around the  waterfront to learn how badly they are infested by rats. I haven't  forgotten what you

said about Malmordo's gang making pets of the  pests." 

Stacey's straight forehead formed a frown. 

"You may arouse Malmordo's suspicions " 

"Not the way I'm handling it," interposed Cardona. "I'm working  through the health department. The trouble

is the rats are bad news  everywhere, big fighting rats, so big they kill some of the cats that  are planted to kill

them." 

"The boldest rats would be where Malmordo is. His men would see to  it that they spread out from ordinary

hiding places." 

"I figured that. You were right about Black Star. It's really free  of rats, that warehouse, so we're no longer

bothering with it." 

Stacey gave a short, pleased nod. His gray eyes were reflective for  a moment; then he brought up another

subject. Spreading a sheet of  paper on the desk, Stacey pointed to a rough diagram that he had drawn. 

"Malmordo's present headquarters," he declared. "There is a chance  we may trap him there tonight." 

"This isn't a warehouse," remarked Cardona, studying the chart. "It  looks more like some old residence." 

"Malmordo never stays with his tribe," explained Stacey. "He  doesn't want them to know too much about

him." 

"Then how did you find out about this place?" demanded Cardona. "By  staying away from Malmordo's

mob?" 

Stacey smiled and nodded. 

"In a sense, yes," he stated. "I overheard a few roustabouts  talking in that doggerel form of Esperanto that

Malmordo's followers  use. They mentioned his headquarters, because naturally they have to  contact him. He

will probably go there tonight." 


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Cardona began to study the chart more intently. 

"At dusk, I can go in there," suggested Stacey. "Give me at least a  half hour's leeway before any of your men

even approach that area." 

"But suppose you meet Malmordo, in the meantime?" 

"I should like to meet Malmordo," replied Stacey, grimly. "It would  be a pleasure to take him by surprise.

However, I don't expect him  there that soon." 

"What if some of his men are on guard?" 

"I talk their language. I can pose as a representative of the local  talent that Malmordo is lining up. But I don't

expect them either. What  I want to do is get at any loose evidence that may be lying around." 

That part pleased Cardona immensely. He could foresee that some  sort of a case would have to be built

against Malmordo to make the  public believe that such a vicious and fabulous criminal existed. So  Joe asked: 

"After I post my men  what then?" 

"If Malmordo appears," returned Stacey, "let him through. Then  close in and box him. I can work from the

inside and drive him right  back into your hands." 

Cardona thought that over. Then: 

"We might nail him going in." 

"Malmordo won't come within a block of that house," objected  Stacey, "if you are any nearer. You are

dealing with a Master Rat and  don't forget it. Outdoors, Malmordo has a way of keeping just beyond a  good

marksman's range. You can sight him, but never hit him." 

"You're right," Cardona agreed, remembering how elusive Malmordo  had been, even in the restricted area of

the dining garden at the Cafe  de la Morte. "The only game is to turn that house into a rattrap,  which judging

from the address, it probably is already." 

Methodically, Cardona made a brief timesheet with a carbon copy  which he gave to Stacey. Then, as the

C.I.D. man was about to leave,  the inspector asked: 

"One matter I meant to mention yesterday  were you in the Cafe de  la Morte before Malmordo appeared

there?" 

"Not on the night he murdered Gregor," replied Stacey. "I was on my  way there at the time. But I was in the

place on previous evenings." 

"Did you see a girl in white, wearing a yellow flower? The blonde  who talked to Madame Thalla?" 

"Yes. I saw her after the murder, too." 

"Where?" 


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"A few blocks from the cafe. She was dodging the shooting. I  realized that something must have happened at

the Cafe de la Morte and  I took it that she had fled with other patrons. I directed her to the  avenue." 

"And did you learn her name?" 

"Unfortunately no, but I would recognize her again." 

"That's what everybody else says," declared Cardona, grimly, "but  we haven't been able to find her. If you

should see her anywhere again,  be sure and let me know." 

Pausing at the door, Stacey gave a slow, emphatic nod and said: 

"I shall." 

Though it wasn't dusk yet, Cardona's office was getting dark  because it had an eastern exposure through a

nonetooample window.  Several minutes after Stacey left, Joe decided to turn on the lights.  When he did, a

new surprise was staring him in the face. 

The surprise was a gentleman named Lamont Cranston. 

And a real surprise this. 

Cranston's usual contact with the law was Commissioner Weston.  Though he knew Cardona well, Cranston

had rarely visited the  inspector's office, at least not as himself. 

There was a special reason for Cranston's visit. He hadn't been  able to find Weston. The commissioner had

slipped away somewhere to  study his Esperanto. This in turn meant there was little use in trying  to interview

him, because when Weston concentrated on one thing, he  dropped others. Cranston had gotten the hint that

Weston was leaving  the case of the Cafe de la Morte to Inspector Cardona. 

There was someone else that Cranston hadn't been able to locate:  Janice Bradford. That was why Cranston

had come here, to sound out the  law as represented by Joe Cardona. 

Almost immediately Cranston discovered something; namely, that  Cardona was fidgety. This was so unusual

that it showed, even though  Joe managed to keep his usual deadpan expression. So Cranston, ever  calm,

immediately became calmer than ever. He had something to chat  about, he said, but it could wait. So

Cardona's eyes went to the rough  chart on the desk and Joe decided to act as Weston had in Cranston's

presence the day before. 

Cardona simply said as much as he could without saying too much. 

Using his phone, Cardona called a couple of special men and told  them to bring certain others. He summoned

one detective to his office,  showed him the rough chart and drew a larger plan, pointing out where  all hands

would be stationed. All the while, Joe tried to make it look  like mere routine. 

"There's been a little trouble in that neighborhood," the inspector  told the detective. "I'll make the rounds after

you're all posted." 

All the while, Cranston was sitting by indifferently, getting  occasional glimpses at the chart and hearing the

detective's queries.  He took in something that the detective didn't; namely, that a certain  house marked on the

diagram could well be the center of the whole  thing. 


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Next, Cardona glanced at his brief timechart, then turned it over  and pushed it to one side, among some

loose papers. Here Cardona copied  a bit of Cranston's indifference. 

"Don't post yourselves too soon," Cardona told the detective. "You  might be noticed. It will be dusk about

seven o'clock, so make it seven  thirty." 

Glancing at his watch, Cranston remarked that it was already seven  o'clock, which pleased Cardona. 

"Get started," Cardona told the detective, "and take the others  along." Then, as the detective left, Joe added:

"Sorry, I'll have to be  leaving in a few minutes, Mr. Cranston." 

"Very well." Cranston arose in leisurely style then paused. "I just  wanted to ask about a girl named Janice

Bradford." 

"Never heard of her." 

"She seems to be missing," continued Cranston. "Maybe she just went  away for a rest." 

Cardona shrugged as though that didn't belong in his department. 

"She might need a rest," decided Cranston, "after experiencing a  lot of excitement. Some of her friends say

that she was very fond of  the Cafe de la Morte." 

That brought Cardona around. 

"What does she look like?" Joe demanded. "Is she a b1onde?" 

"I didn't think to ask," replied Cranston. "I simply thought you  might be interested. Only her friends know

nothing more." 

"What about her family?" 

"She has a father, but he is missing, too, which is the oddest  part. They seem to have moved from one hotel to

another and stopped  giving forwarding addresses. The father's name is Andrew Bradford and  the hotels " 

Pausing, Cranston reached for a loose sheet of paper and added:  "Here, I'll write out the data fo you." 

Cranston wrote the names of the persons and the hotels, folded the  sheet of paper and laid it back upon the

desk. Cardona didn't observe  what happened during the folding process for he was on the wrong side  of the

desk. In folding the paper toward himself, Cranston brought a  smaller slip into view, his own view. It was

Cardona's time chart and  it automatically came with its writing side up. 

The list was as follows: 

Stacey  7:00 p.m. 

Cardona  7:30 p.m. 

Malmordo  ? ? ? 


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In putting the folded paper on the desk, Cranston turned it  downward so that the list dropped beneath it,

writing side also down.  He gave the folded paper a slight slide, so it glided toward Cardona,  who picked it up

and creased it again as he put it in his pocket.  Seeing the blank side of the sheet that bore his list, Cardona

picked  it up too, keeping the writing away from Cranston's sight. Pokerfaced,  Joe hid the grim satisfaction

that he felt at thus outwitting the  astute Mr. Cranston. 

Cardona didn't know that Cranston had swapped one name for another,  that of Janice Bradford in return for

Trent Stacey or at least the  Stacey part of it. Nor did Cardona begin to guess what Cranston would  do about

those other facts he had learned, once he discovered their  importance. 

In the dusk that was heavy outside police headquarters, the  departing Mr. Cranston hailed a waiting cab and

once inside it merged  with darkness. For the cab was Shrevvy's and from a secret drawer  beneath its rear seat,

Cranston produced and put on the regalia of The  Shadow. 

The address that Shrevvy heard his chief give was very close to the  old house that Trent Stacey had defined

as the probable headquarters of  a supercriminal called Malmordo. 

CHAPTER XIII

SIGHTSEERS wishing to view the house that Malmordo used as his  headquarters can find it by looking for

the most decrepit house in the  most dilapidated section of Manhattan south of Fortysecond Street and  west

of Fifth Avenue. 

The house had to be about that bad because it was empty and during  the housing shortage in New York

practically any house that still stood  of its own accord was remodeled in some fashion or another so that it

could he occupied. 

To say that this house was standing of its own accord at first  sight seemed an exaggeration. Its brick front was

falling apart in such  chunks that it looked as though it were propped between the two  adjacent houses that

formed part of the solid block. But those houses  were so ramshackle that they couldn't have supported more

than their  own weight, therefore Malmordo's house must have been standing on  whatever trifling merit it still

possessed. 

This block and those surrounding it were gloomy and quiet when  Cardona's men put in an appearance on the

fringes. They managed to keep  out of sight without trouble, taking advantage of the very gloom which  had

probably attracted Malmordo to this area. There was one fault,  however, which worked against Malmordo

and pleased Cardona immensely as  he began his rounds to tell his detectives what this was all about. 

A grimy street light stood directly opposite the empty house,  making the building perhaps the most

conspicuous in the block. It  probably annoyed Malmordo, that light, but since this was the only  empty house

in the neighborhood, or for that matter about any  neighborhood, he had to make the best of it. 

Cardona now understood why Trent Stacey had chosen dusk as the  right time to enter and had also wanted a

reasonable leeway. Stacey had  probably waited while it grew dark, until just the time when street  lamps

began to flicker. That was his cue to get into the house in a  hurry, before the glow appeared from across the

street. 

How long Stacey had been inside was a question but a rather  important one. The really important question

was how soon Malmordo  would arrive, if at all. 


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It happened sooner than the ace inspector had hoped. 

Out of the surrounding gloom that might have harbored a few dozen  lurkers came as grotesque and distorted

a figure as any freak show ever  boasted. 

The term human rat was hardly adequate for Malmordo. He had the  writhe of a human snake. 

Malmordo's figure, clad baggily as at the Cafe de la Morte, seemed  to grow right out of the grimy sidewalk

and coil itself up the front  steps. Watching from nearly a block away, Cardona started to move in,  his men

copying his example, but as he did, Joe realized how right  Stacey was in saying that long range fire couldn't

reach Malmordo. The  human monstrosity was safely in the shelter of his own doorway before  anyone could

have aimed a gun. 

And then, as if to tantalize anyone who happened to be watching,  Malmordo poked his head and shoulders

into sight. The street lamp  opposite gave a full but fleeting view of those misshapen, vicious  features that

were so unmistakable. Only one man could have displayed  such an ugly, twisted visage: Malmordo. 

He fitted the rat definition as he peered up and down the street,  in a quick doubletake. Then, rat fashion he

was gone again, into the  house itself. 

There was proof that Malmordo had really gone. 

A long streak of blackness that sliced from across the street began  to take on line. A shadowy stretch, that

was all, and its waver could  have been due to a flicker of the street lamp. But there was solid  blackness

moving in the streaky gloom that shrouded it. 

Solid blackness called The Shadow. 

At the steps, The Shadow did a curious sidle, up toward the edge of  the doorway. 

Malmordo had been misshapen; The Shadow was shapeless. 

Growing blackness, that was all, like something unreal, which  evaporated, smokefashion before anyone

could define it. The fade took  place when The Shadow deftly twisted himself into the doorway, from  which,

unlike Malmordo, he did not take a last quick look. 

Even Inspector Cardona was deceived. On the move, he thought that  the rise of darkness and its curious

fadeaway were due to the changing  angle of his vision. Besides, Cardona couldn't picture even The Shadow

as part of a scene which had been unearthed exclusively by Trent  Stacey, a man whose own ways were

exceptionally undercover. 

Inside the house, The Shadow was hearing creaks. 

The house was a three story affair, by this time the creaks were  going up beyond the second. They

represented footsteps, though they  were not distinguishable as such. Rather they were a cross between a  creep

and a snaky progress which defined them as Malmordo's. What The  Shadow was hearing were the

transcribed sounds of Malmordo's ascent as  reproduced by the old beams and shaky flooring. 

A tiny flashlight spotted its glow along the hall, shrouded by the  folds of The Shadow's cloak. With that light

The Shadow picked out the  stairs and began a climb of his own, a trifle slower than Malmordo's  but

considerably more efficient. For as he reached the second floor,  The Shadow could hear the creaks upon the


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third, which wouldn't have  been possible had The Shadow been producing such sounds himself. 

As near noiseless as was possible in this old house, The Shadow was  betraying no token of his presence. But

now, hearing a pause in the  sounds that meant Malmordo, The Shadow slackened his climb to the third  floor,

practically feeling each step ahead, shifting his weight by  degrees, so that not even the slightest token of his

approach could be  sensed. 

Almost at the third floor, The Shadow heard the muffled closing of  a door. He was conscious next of creaks

that must have come from a  hallway, moving toward the rear. It was as if some eavesdropper were  stealing

away, eager for haste, yet anxious for silence. The closing of  the door, however, indicated that Malmordo had

isolated himself in a  room; therefore whoever was sneaking along the third floor could do so  without too

much risk of being heard, at least by Malmordo. 

In turn, The Shadow increased his speed, knowing that Malmordo  could not hear him and recognizing that

the interloper was making  enough sounds of his own to drown any that The Shadow made. That  interloper, of

course, would be a man named Stacey, who had been listed  at seven o'clock on Cardona's schedule. Right

now, The Shadow was  summing the whole arrangement between Stacey and Cardona, though he had  already

assumed that it might be something of this sort. 

Had Stacey boxed Malmordo? 

Hardly, not in so short a time space. Rather, Malmordo had boxed  himself, though certainly not too solidly.

As The Shadow reached the  third floor he could hear creaks in the rear of the house and below,  indicating

that Stacey had found a back stairway as a better way down. 

What Stacey should do was obvious. By promptly summoning Cardona  and the detectives, Stacey could lead

them up to the room where  Malmordo was, with little chance of being heard. Then Malmordo would be  really

trapped, provided he remained in that room. 

There was another proviso. 

Could half a dozen men or more come up the front stairs and the  back without multiplying those creaks to

such a degree that Malmordo  would surely hear them? The Shadow doubted that such a mass invasion  could

be muffled; yet he knew Cardona well enough to realize that the  inspector would attempt it. Cardona believed

in using men when he had  them and tonight he had them. 

The solution was simply for The Shadow to trap Malmordo first and  hold him until the police arrived. 

Licking along the hall, the flashlight picked out a closed door  half way to the back of the house. It fitted with

the location of  Malmordo's final creaks and the muffled sound of a closing door; it  also explained why Stacey

would have taken the back way down. The back  stairs were nearer and toward them was an open doorway

from which  Stacey might have watched Malmordo enter the room which now was closed. 

Silently, swiftly, The Shadow reached the closed door. He placed  one hand on the knob while his other drew

an automatic. Expertly, The  Shadow turned the knob with a squeeze. He eased the door inward and saw  a

room with a tiny, shaded window; a room lighted by a single candle  that was burning on a table beside an old

trunk. 

The trunk was opened and its tray was strewed with envelopes and  papers. More important, in front of the

trunk was the crouched figure  of Malmordo, huddled as though reading something by the candlelight.  There

were no chairs in the room, but its floor was covered with a  frayed carpet, which came clear to the door. 


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In fact, the door, in opening inward, had lifted the edge of the  rug, scruffing it just enough to show the glint

of a wire that ran  beneath. The Shadow, ever alert for detail, was quick to note that  item. For already, as he

lunged across the threshold, The Shadow had  sensed something wrong with the bunched figure of Malmordo. 

It seemed to be swaying, that crouched form, but the reason was the  waver of the candlelight. In order to

produce such an illusion, the  figure had been set between the light and the trunk, therefore Malmordo  couldn't

be reading anything at all. The figure itself wasn't Malmordo,  it was a dummy. The lack of chairs in the room

was an indication of the  structure on which the dummy was formed. 

Malmordo had simply planted his baggy garb upon a chair. The wire,  running straight toward the trunk, was

obviously connected with a  boobytrap. Half into the room, The Shadow could lose more time by  turning

than he would in completing his surge. So he turned his drive  into a dive, hitting the chair shoulder first. 

It was a cushioned armchair, the kind it had to be to give  sufficient bulk to the improvised dummy. Taking

the chair with him, The  Shadow somersaulted at an angle past the trunk, to a corner of the  room, where he

landed, chair uppermost. 

And just in time. 

As the chair legs kicked toward the ceiling, the trunk exploded  with a sullen blast that filled the room with a

pungent white smoke  which echoed with the rattle of flying metal fragments, ricocheting  from the walls! 

CHAPTER XIV

VIEWED from the street, the old brick house seemed to jolt and  shake itself under the force of the blast. If

the charge had been  planted in the cellar, the structure might have given way, but as it  was, the building

settled back to normal, except for a flying shower of  broken windows that burst from every floor. 

Curiously, the crash of the windows was like a sequel to the  explosion and another followup occurred a

dozen seconds later. The  front door came flying open, disgorging a plunging figure that righted  itself at the

bottom of the steps and arose to reveal itself as Trent  Stacey. 

At least Cardona recognized the man as Stacey, though the  detectives didn't know who he was. Except that

they were sure the man  couldn't be Malmordo, the writhy thing that had entered the house only  a short while

before. 

Stacey looked bewildered for the moment, then hearing the pound of  approaching feet, he knew that they

must mean Cardona's squad. With an  eager wave of his arm, Stacey gestured the detectives into the house  and

led them in a rush up the front stairs, with Cardona pressing to  the fore. 

Meanwhile, the smoke was clearing in the third floor room that  Malmordo had designed as a deathtrap.

From the corner came a whispered  laugh, a battered chair came flinging through the air to land where the

trunk had been. Enveloped in the remnants of the smoke, The Shadow  appeared as a ghost as he arose and

surveyed the damage all about him. 

The room was really wrecked. Chunks of plaster had fallen from the  walls, along with portions of the ceiling.

On the floor lay a broken  square of wood; above it, a similar hole in the ceiling, indicating  that the thing was

a trap door. Malmordo's papers had vanished in a  puff of brilliant flame, accompanying the blast. If The

Shadow had been  caught unshielded in the midst of that explosion, he would have been  hurt badly and

perhaps permanently. 


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As it was, he remained unscratched, thanks to the protecting chair  which had taken the brunt of the blast. 

And now, with footbeats pounding on the stairs, The Shadow needed  the quickest exit that would keep him in

active circulation. One loomed  above, the gaping hole where the trapdoor had been. Using the now  unsteady

chair, The Shadow reached the hole with his hands and chinned  himself through, fading like the drifting

smoke, just as Stacey arrived  with Cardona and the crew of detectives. 

The devastation amazed them, so much that Cardona's men weren't  surprised to see the inspector talking

things over with a total  stranger, which was what they regarded Stacey to be. 

"Malmordo was here!" asserted Stacey. "I was looking at some papers  in the tray of a trunk that was right in

the center of the room, when I  heard him coming up the front stairs. So I sneaked down the back way." 

"You saw him come in here?" queried Cardona. 

"Yes," replied Stacey, "and he closed the door. It was open when I  first came here." 

"What about the papers?" 

"I snatched a few that looked important." Stacey tapped his inside  pocket. "I didn't want to disturb too many,

not after I heard Malmordo  coming. He might have noticed it." 

"Looks like he did notice it," gruffed Cardona. He was looking  along the carpet, scorched by the blast, and

now showing the line of  the wire. "That's why he rigged this room into a trap. Unless " 

Joe had glanced up. He saw the open gap above the rickety chair. 

"That's where Malmordo went!" exclaimed Cardona. "Out through that  trap door! We'll go after him!" 

On the theory that what goes up must come down, Cardona was too  smart to take his whole squad to the roof.

He sent men to the ground  floor to cover the front door and the back, gesturing Stacey along with  them. The

detectives were to spread, while Stacey was to stay across  the street and watch the front door. From there, he

could signal up to  the roof as needed. 

This was decided amid the sweep of flashlights, for the explosion  had snuffed Malmordo's candle. It was

during one of those sweeps that  Cardona had spotted the open trapdoor, but now Joe was using a  flashlight

to bore straight up through that space as two detectives  gave him a hoist and then prepared to follow. 

Sweeping the flashlight around the flat roof, Cardona saw only  blackness, so he turned off the light and laid

low while one detective  boosted the other, who promptly leaned back through the opening and  helped his

companion up to join him. Then, as the three men spread,  they began to slice everywhere with their

flashlights, producing prompt  results. 

From behind a chimney, where only blackness seemed to dwell, an  automatic opened fire. 

Those shots weren't directed at Cardona and the detectives. They  stabbed toward the roof of one adjoining

house, then at the other, in  quick, alternating precision. They brought wild yells and even wilder  fire. 

The Shadow fired those initial shots. He was aiming at crouched  gunners who were entrenched on each side

of the empty house. Catching  them unaware, The Shadow had broken up an ambush that would have been

ruinous to Cardona and his men. As it was, the return fire was hasty  and most of it directed at the chimney.


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This gave Cardona and his two  companions time to flatten and start jabbing at the ambushed crooks. 

Those gunners were ambushed no longer. They heard a fierce,  strident laugh from behind the chimney, a

taunt that mocked their  futile gun fire. Recognizing that laugh as The Shadow's, the crooks  turned and fled

down through trapdoors in the adjoining houses,  peppered by gunfire as they went. 

From their appearance and the fact they shouted in English, it was  apparent that these were hired hoodlums of

the breed that had served as  waiters at the Cafe de la Morte. Since Malmordo was gone, it seemed  obvious

that he was using this crew to cover up his flight instead of  employing his own band of slinky rats. This fitted

with Stacey's data  regarding Malmordo and the alliances he formed with local criminals  wherever he

operated. 

The Shadow wasted no time in going after one batch of fleeing  hoodlums. Hearing the laugh trail in that

direction, Cardona recognized  the fact and motioned his men to pursue the other half of the fugitive  tribe.

People living in the houses adjoining the empty were startled  and cowed by what seemed human stampedes

coming down the stairways. 

All was quiet on the street until suddenly two doorways gushed a  divided human tide. Three men poured

from each exit; those from the  house where The Shadow had headed were staggering, the reason being  that

two were literally carrying along a third. He was coughing his  last, that thug, so they dropped him on the

steps. 

Across the street, Trent Stacey dropped away from the light and  into shelter just as a rakish car came roaring

from the corner. Five  hoodlums should have hopped on its running board, but only four did.  The fifth man

had a wounded arm that dangled so that its hand couldn't  grab, so he dived for shelter in the darkness in front

of Malmordo's  house. 

In the wake of the rakish car came a speeding cab and as it passed  the doorway just beyond Malmordo's, a

cloaked figure whirled down the  steps, cleared the dead thug lying there, and sprang into the cab as it  briefly

slackened speed. All with one twist, The Shadow opened the cab  door and closed it with himself inside; then

was off to the chase. 

There was an interval between; in fact, the car had turned the  corner before the cab arrived. During that

interval, Stacey emptied his  revolver after the fleeing car, but its speed carried it beyond range.  By then,

Cardona and his two detectives were piling from the other  house; from both corners came other headquarters

men who had spread  themselves too far. 

Stacey shouted to them that one of the thugs was still at large;  then, looking up, he waved his arms in a mad

warning. The detectives  looked up to the roof of the empty house, as Stacey sprang into the  shelter of its

doorway. 

The shout that Stacey gave was this: 

"Look out! Malmordo is still up there!" 

Cardona bellowed for his detectives to dive to cover instead of  standing flatfooted in the middle of the

street. They did and thereby  cleared the way for the crippled thug to make a rush for it. The fellow  popped

from the darkness of an area way in front of the empty house,  but that lunge was his last. Hardly across the

sidewalk, he sprawled as  something overtook him and planted itself between his shoulders. 


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The thing was a longbladed throwing knife that had whizzed down  from the dark. Its glinting handle told

what it was and instantly  Stacey leaped down the high steps from the doorway of the empty house  and turned

to aim his replenished revolver straight upward. 

Stacey's stream of bullets did nothing more than nick the cornice  along the rooffront and the same applied to

the leaden deluge that  spurted from the guns of Cardona's squad as they sprang out to copy  Stacey's example.

Cardona bawled for some of them to race up through  the empty house again and find Malmordo on the roof,

but Joe didn't go  along; he knew it would be useless. 

With dozens of adjoining houses to choose from, in this block and  the next, Malmordo would be sure to reach

the ground. The only thing  was to spread out through the neighborhood and try to spot him, but  knowing the

elusive qualities of the Master Rat, Cardona doubted that  he could be snared. 

More imperative at the moment was the questioning of the dying thug  who had received the blade of

Malmordo's uncannily thrown knife. With  Stacey, Cardona stooped above the man and recognized him as a

freelance thug named Kirky Schleer. Seeing that Kirky was nearly gone,  Cardona lost no time in trying to

make Kirky talk. 

"Hello, Kirky," put Cardona. "We know you were working for  Malmordo. He doublecrossed you when he

saw you couldn't get away.  We'll square it for you if you tell us all you know about Malmordo." 

"Malmordo." Kirky repeated the name parrotstyle, with a spread of  ugly, leathery lips, "Doublecross. You

want to know about Malmordo.  I'll tell you " 

That sentence ended with a grimace, Kirky's last. Kirky Schleer  sagged back and the facts that were on his

lips died with him in an  unintelligible groan. 

CHAPTER XV

SHREVVY'S cab pulled over to let a patrol car shriek by with its  siren going full blast. There was no use in

going further. The carload  of crooks had made its getaway, despite Shrevvy's efforts to overtake  it. 

Inspector Cardona had calculated too well. In hope of trapping  Malmordo, he had brought in police from

everywhere. With its head  start, the rakish car that had made away with a load of gunzels had  found the clear,

while The Shadow's cab in hot pursuit had been snarled  by the incoming traffic. 

If Shrevvy expected criticism, he didn't get it. Instead, a low,  whispered laugh sounded from the darkened

back seat of the cab. Low  spoken orders; then the slight slam of a door. The Shadow had left,  after telling

Shrevvy to report in order to be available later, if  needed. 

This was over on the East Side, wellremote from the house where  Malmordo had stirred up so much chaos.

In a slight way, however,  Malmordo had done The Shadow a favor, or rather the fugitive car had.  The

Shadow was in a vicinity where certain information awaited him,  information which the pressure of other

business had prevented him from  gaining earlier. 

On foot, The Shadow covered several blocks in rapid, phantom style.  He reached an obscure doorway in a

row of silent houses and paused  there. From his lips, came an unexpected sound, a chirp much like a  bird's. 

The signal was answered. 


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From a darkened window beside the door came an answering chirp, a  genuine one. Then, barely discernible

in the darkness, a green love  bird fluttered from a slightly opened window and placed a fortune card  in The

Shadow's hand. The bird flew away and The Shadow focused his  concentrated flashlight upon the card. 

Instead of a name, this card bore a drawing. It was simple and  handcolored in crayon. The sketch showed a

tiny yellow lantern. 

The Shadow's whispered laugh was whimsical. He had come a long way  to learn where he could have gone

immediately after leaving Malmordo's  house. The Yellow Lantern was the name of a small, obscure cafe over

on  the West Side. It had taken a trip to the East Side to acquire the  necessary facts. 

So The Shadow set out upon what was a trail in reverse, confident  that the gypsies had learned something

about the Yellow Lantern which  would develop when he arrived there. 

Something was already developing at the Yellow Lantern. 

The little restaurant was quiet and not too crowded. Nobody seemed  to notice the girl who had slipped in

from the side street. She was  wearing dark clothes again tonight, but just for luck  good or bad   she was

wearing a yellow daffodil. 

The girl was Janice Bradford. 

Quiet though the place was, Janice felt nervous. 

From her purse, the girl had taken a folded slip of paper, half of  a larger sheet. She kept reading the brief

message that was written on  it. The message said: 

"The Yellow Lantern, Wednesday evening, eight o'clock." 

A yellow lantern  a yellow flower. 

The connection was enough to bring Janice here. She felt no danger,  rather a sense of assurance. However

this message might relate to  Malmordo, it had been given to her by someone who had helped her, the  gray

man with the blunt square features whom she had encountered after  her flight from the Cafe de la Morte. 

That was why Janice kept looking up from her table, hoping that the  gray man would arrive. Suddenly her

hopes were realized. Strolling in  from the front door came the very man she wanted to meet again. 

The man was Trent Stacey. 

In his bland fashion, Stacey came over to Janice's table and sat  down. From his pocket he produced a batch of

papers and glanced through  them. Then, looking at Janice, Stacey smiled slightly and said: 

"These belong to the police, but I won't have to deliver them until  later. Meanwhile, suppose we introduce

ourselves. My name is Trent  Stacey. And yours?" 

"Janice Bradford." 

Stacey's gray eyes fixed steadily. 

"You are Andrew Bradford's daughter?" 


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The girl nodded. 

Putting away the papers that he had brought from Malmordo's, Stacey  produced the compact credentials that

he carried in his lapel and  presented them to Janice. The girl's eyes widened when she saw their  reference to

Scotland Yard. 

"We nearly trapped Malmordo tonight," stated Stacey. "The police  are searching for him now. I couldn't help,

so I excused myself,  because I remembered my appointment with you. I should like to hear  your story." 

"Very well," Janice decided. "My father had a partner named Lucien  Thorneau, who handled business here

while my father and I were in  Mexico." 

"I know," nodded Stacey. "An oil business." 

"Correct," said Janice. "Then Thorneau died and we came to New  York. Everything was wonderful until a

man named Malmordo sent word to  father that he wanted a mere quarter of a million dollars to hush up a

slight scandal that involved the business." 

"And your father told you about it?" 

"No. I found out for myself. I saw the letters that came and I  overheard some phone calls. It seems that

Thorneau faked a deal with  some Nazi agents and wrote off a half a million dollars profit as  loss." 

"Your father knew about it?" 

"Of course not!" Janice's tone was indignant. "Now Malmordo is  trying to collect half of that money. He said

he would suggest a way  that would be mutually satisfactory." 

"What way was that?" 

"I don't know. Father was to meet Malmordo at the Cafe de la Morte,  wearing a yellow flower to identify

himself. He decided not to go, so I  went there instead." 

"Were others to do the same?" 

"I think so. But since father, an innocent man, refused to go  there, it's not surprising that guilty parties

wouldn't. I was just  foolish enough to want to see what would happen. I waited three nights  for Malmordo to

arrive and when he did come, he murdered Gregor." 

Stacey gave a slow, understanding nod. 

"Gregor was the reason," he decided. "Malmordo must have known he  was on the watch for him. That was

why Malmordo wouldn't talk to you.  Has your father heard anything since?" 

"Not yet." 

For a while, Stacey pondered. As he did, he brought a halfsheet of  paper from his pocket and matched it

with the torn note he had given  Janice. 

"Just my way of positive identification," explained Stacey. Then he  added, emphatically: "I think, Miss

Bradford, that you should await  further word from Malmordo." 


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"But I can't!" Janice objected. "You see, father, has been moving  from hotel to hotel, so there is no way of

tracing us. I'm not afraid  of Malmordo." The girl set her chin defiantly. "In fact, I want to meet  him. If you

know where he is, tell me!" 

Stacey pointed from the window. Across the street, Janice saw the  looming bulk of an old warehouse that

bore a huge black star painted on  its wall. 

"That's where he was," expressed Stacey. "In the Black Star  Warehouse, living with the rats he called his

followers. That's why I  wanted you to come here." 

"So I could meet Malmordo!" 

"Quite the contrary," declared Stacey, coolly. "I knew that  Malmordo would be avoiding this neighborhood.

By present calculations,  his human rats are now infesting the building owned by the La Plata  Grain Storage

Company, four blocks north of here. I intend to report  that to the police tonight." 

Still wearing that determined expression, Janice opened her lips,  then closed them. What she was about to

say, she didn't say, but it  would have been another defiance of Malmordo. Perhaps Stacey realized  it, because

his tone was serious when he said: 

"Believe me, Miss Bradford, you must avoid Malmordo. Whatever I can  do to help your cause, I shall. If you

will tell me where I can reach  you " 

"At the Azalea Plaza," interposed Janice. "Any time you care to  call there, Mr. Stacey. Father is registered

under the name of Howard  Gantry." 

Stacey arose with a bow. 

"It would be better if we left separately," he decided. "If the  coast is clear, as I am sure it will be, there will be

no reason for me  to return. Allow about five minutes and if I do not come back, you can  go"  he paused and

gave Janice a steady look  "directly home to the  Azalea Plaza." 

Janice nodded that she understood. She watched Stacey leave and  waited the full five minutes in accordance

with his instructions. But  from then on, Janice decided to act upon her own. Instead of leaving by  the front

door, as Stacey had, she went out the side way. Then, instead  of hailing a cab, Janice turned directly north for

a four block walk. 

Despite Stacey's advice, Janice was determined to meet Malmordo,  the archfiend who would at least

recognize the token of the yellow  flower. 

Or would he? 

Debating it, Janice could see no reason why he wouldn't. Yet as she  walked bravely northward, Janice felt

worried. Looking back to see if  anyone were following her, the girl saw only blackness. 

There were wavers in that blackness as though some phantom figure  had picked up the trail that Janice

Bradford hoped would bring her to  Malmordo. 

Such wavers could not be real. In forced fashion, Janice laughed  them off as she trudged onward. 


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CHAPTER XVI

FINDING a way into the La Plata Storage Building was a problem in  itself. The place appeared to have only

one door, big enough to drive  the biggest truck through, and blocked by a steel barrier that would  have

stopped a Sherman tank. 

Going around the building, Janice looked in vain for other  entrances and in her hunt, she was annoyed when

her high heels caught  in a steel grating that looked like the opening of a culvert. Stumbling  onward, Janice

decided to be more careful, so she looked back at the  grating to check it in case she encountered another like

it. 

That was when footsteps shuffled up beside her. Turning, much  startled, Janice found herself confronted by a

pair of leering faces  that looked yellow and apish in the dim light. Instantly, she knew that  these two men

must belong to Malmordo. 

They proved it by the deft quick way they laid their slimy hands  upon Janice's arms. So tight was the grip that

the girl was afraid to  resist. She felt that if she did, those hands would go to her neck and  strangle her on the

instant. 

Now, swiftly, these fiends were sweeping Janice back to the broad  grating. They lifted it, slid her through,

and the bars dropped with a  clang, against the sidewalk above. Bent forward by the gripping arms,  Janice was

rushed through a low, pitchblack tunnel, where she heard  things scurrying ahead. 

Those things were rats and big ones. 

Janice saw the rats when she emerged into the dim light of a lower  cellar that they reached by a downward

slope. But the rats  and there  were dozens of them  were not the worst sight that Janice faced. In  fact, the

rats were scurrying for cover, as though they dreaded  something. 

That something could well have been Malmordo. 

He was standing there beyond the brink of a slimy pool that ebbed  in a corner of the slanted cellar. The pool

was composed of stagnant  water that had accumulated as the result of a stopped drain and it  looked deep and

sullen. 

So deep that Janice shuddered. Somehow, she felt as though that  Stygian pool had been gathered to receive

her. For at sight of  Malmordo, Janice found herself wishing that she had never wanted to  meet him. 

The other night, Janice had no more than glimpsed Malmordo's face.  He had been in action and murderous,

but he had seemed more like a  fighter finishing a feud than something belonging to an actual realm of  fiends.

Now, snakish, his body practically coiled, his face as twisted  as his contorted frame, Malmordo was his most

terrible self. 

The words that Malmordo mouthed were unintelligible to Janice, but  the fiend's followers understood them.

Dragging Janice along, they  brought her past the far end of the pool, to a ledge that ran along its  brink. As

they passed Malmordo, he whipped a knife from a frayed jacket  that he wore and Janice, her gasp stifling the

scream she wanted to  give, found herself staring at the deadly blade, raised to the level of  the ugly fangs that

were Malmordo's bared teeth. 

All this was by wavery light, the glow from ship's lanterns hanging  along the low ceiling. The recoil that


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Janice gave brought a happy  snarl from Malmordo and it was echoed by similar glee from other ratty  throats.

For now, as Janice's two captors pressed her against the wall  at the ledge, the girl could see a dozen or more

of Malmordo's ugly  clan, peering from niches and other openings in the cellar wall. 

Small wonder the rats had scurried away, when this fiendish  assemblage was about to hold court! This was no

feeding time for the  pets kept by Malmordo's followers. Malmordo, champion of injustice, was  about to

deliver some evil verdict. 

It dawned on Janice then what Malmordo intended. The two men were  starting Janice along the ledge,

dragging her between them in what  could best be described as a sideward single file. From further along

came a sucking sound and as Janice turned her head, mostly so she  wouldn't have to look at Malmordo, she

saw where the sound came from. 

There was a gap in the ledge, crossed by a plank, which was at the  mouth of a small, low archway, no more

than waist high. The sound came  from that arch; it was an outlet that sucked the overflow from the  stagnant

pool which was being gradually replenished by water seeping  from the walls about. 

And it was down through that black, forbidding arch that Malmordo's  two followers intended to thrust Janice! 

"Ni mortigos la malliberulo senpere!" announced Malmordo. "Morgau  la laboro estos finita!" 

Those final words echoed: "La laboro estos finita" as if uttered by  the leering lips that showed from every

crevice. Yet it was not  Malmordo's men who added that shout. The echoes were from Malmordo's  voice

alone. 

The very tone made Janice shudder. If she could have translated  that statement, she would have realized that

it was her epitaph. What  Malmordo had announced was this: 

"We shall kill the prisoner immediately! Tomorrow the work will be  finished!" 

The pair who were working Janice along the ledge understood what  Malmordo meant. The man on her left

was already on the plank that  bridged the open arch, hauling at Janice to bring her along, while the  man on

her right was pushing from his side. A few feet more and Janice  would be on the plank alone, ready for a tilt

that would carry her back  and down into that flowing depth that emptied into some pit from which  there

would be no return. 

And then, as if picking up the echoes of Malmordo's pronouncement  came a shivery laugh that rose to a sharp

crescendo which ended in  these words: 

"Mi estas malgusta, Malmordo! La laboro komincegas nuntempe! 

That pronouncement was The Shadow's. He was saying, "You are wrong  Malmordo! The work is beginning

at this moment!" Those words,  understood by Malmordo's followers, produced a consternation that  proved

his statement. Whatever Malmordo's idea of work, The Shadow's  was rapid action. Instinctively, Malmordo's

men swung into it thereby  playing into The Shadow's hands, since they were complying with his  wish. 

Guns spurted everywhere  at echoes. 

The Shadow's tone, caught up by the walls, was quite as elusive as  Malmordo's. The shots that were fired at

him never found him, but they  formed a camouflage for his own. For among the numerous gunbursts,  there

was no way of identifying which The Shadow supplied. Malmordo's  men began to reel among their niches,


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but which shots produced that  result, nobody knew. 

Not even Malmordo. 

At least the Master Rat realized the futility of combating The  Shadow. 

"Zorge!" came Malmordo's shout. "Venu! Rapidu!" 

He was telling his followers to look out, to come along, and to  hurry. Like the rats they were, they dived

among the crannies. They  fired parting shots at the only targets they could see, the lanterns,  hoping to black

out The Shadow's marksmanship with them. 

Only two remained, deserted by their fellow rats. They were the  pair who held Janice captive. One lantern

had been missed in the  general barrage; it was the lantern hanging near the planked ledge. Its  glow showed

one man hauling, the other shoving, in a last effort to get  Janice on the plank; to hold her fate in their own

hands as a threat to  The Shadow, or at least a compromise. 

But already, blackness was gliding into that lamplight, along the  ledge itself, like an encroaching mass of

doom; not for Janice but her  captors. And with it came The Shadow's sinister tone telling Malmordo's

stranded malefactors that they were too late: 

"Tro malfrue!" 

The man on the near side of the plank let go of Janice, whipped out  a knife and flung it into blackness,

shrieking: "Prenu la ponardo,  Ombrajo!" but The Shadow did not take the knife as the hurler hoped.  The

blade flicked into blackness only and from below its line of flight  came wellplaced gun stabs that toppled

the chunk of human scum into  the shallow slime of the unsightly pool that flanked the ledge. 

Next, The Shadow was gripping Janice's arm as he sidestepped as far  as he could to aim at the man still on

the plank. But before The Shadow  could fire what would have been a certain shot, Janice's other captor

released his hold. 

The plank swayed and heaved as Janice left it, hauled to safety by  The Shadow. The girl heard a wild,

incoherent shriek behind her and  turning, she saw her late captor writhing in a strange fantastic twist  that

carried him away from sight, down through the arched opening. With  him went the plank, crackling as it

disappeared, as though some  superhuman force had carried it along with its occupant. 

The walls quivered with solemn echoes. This time, The Shadow's  laugh was like a knell, in appreciation of

justice singularly  delivered. Whatever it was that produced that sudden climax, snatching  a foe from the very

muzzle of his gun, The Shadow seemed to know its  source. 

But now The Shadow was rushing Janice up through the grating, where  on the sidewalk, he paused long

enough to deliver bullets,  turretstyle, at scattering creatures who represented some of  Malmordo's human

rats, fleeing their underground lair. Next, police  cars, with whining sirens and slicing searchlights, were

roaring into  the scene, but by then, The Shadow had rushed Janice well away. 

There was a cab around the corner and The Shadow pointed Janice to  it. Stumbling ahead, the girl was sure

that her cloaked friend was in  the background, ready to aid her in case of last minute complications.  She

thought she was meeting such when a man sprang suddenly from the  curb and gripped her arm. Then she

recognized his voice: 


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"Miss Bradford! Why did you come here?" 

It was Trent Stacey, chiding Janice on the fact that she had come  to this vicinity against his advice. In her

turn, Janice was stammering  that she was all right, that she was sorry, that all she wanted was to  get away.

They were at the cab door; the driver was opening it, and  Stacey saw that the cab was empty. He helped

Janice inside and closed  the door. 

Then to the driver, Stacey said: 

"Take this young lady wherever she wants to go  and forget where  you took her." 

To remind the driver to forget, Stacey handed him a five dollar  bill and the cab wheeled swiftly away.

Turning, Stacey went to look for  Inspector Cardona, who by now had probably reached this area. 

If Trent Stacey thought that he was really Janice's rescuer, he was  wrong. He was mistaken, too, if he thought

that the cabby would  purposely forget the address the girl gave him. For the cab driver  happened to be

Shrevvy, The Shadow's standby. 

Back by the corner a whispered laugh denoted The Shadow's  satisfaction as Janice's real rescuer faded into

the thickness of  night. 

CHAPTER XVII

"Kion vi demandis?" 

"Nenio." 

"Pri kio estas? 

"Me tute ne scias." 

"Kion vi volas?" 

"Parolu pli laute." 

The little man who had been asking the questions gave a nod and  mopped his forehead with a handkerchief.

Commissioner Weston, who had  given the answers, leaned back in his chair and beamed across the desk. 

As a chance visitor, Lamont Cranston looked puzzled. The  Commissioner gave a gesture to the little man. 

"This is my Esperanto teacher," defined Weston. "He has been giving  me questions and I have answered

them." 

As proof, Weston handed Cranston a list of questions and answers.  The first three, which were checked, ran

thus: 

What did you ask? 

Nothing. 


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What is it about? 

I haven't an idea. 

What do you want? 

Speak louder. 

"A few more lessons," decided Weston, "and I can question any of  Malmordo's men we capture. In fact, we

nearly captured some last  night." 

Cranston's expression remained unchanged, so Weston decided he was  interested. 

"They had a quarrel among themselves," explained Weston, "in the  cellar of a warehouse where they made

their headquarters. One of them  was killed." 

"Too bad you didn't have a chance to quiz him," remarked Cranston.  "Where did the rest go?" 

"To some other warehouse," returned Weston. Then, glumly, he added:  "We don't know which. We shall

have to wait until we learn where the  rats are the thickest." 

Cranston gave a nod as though he understood and Weston in turn was  quite surprised. Then Weston

demanded: 

"How would you know, Cranston?" 

"The same as you would, Commissioner" Cranston replied. "From our  mutual friend Mr. Stacey." 

"You mean you know Trent Stacey?" 

"Of course I know Trent," returned Cranston, picking up the first  name instantly. "I met him in Europe." 

The Shadow was playing a good hunch that Stacey had recently come  from Europe in order to know so much

about Malmordo. Weston, nodded,  then said dubiously: 

"Odd that Stacey didn't tell me you were a friend of his." 

"Not odd at all," declared Cranston. "He doesn't know you are a  friend of mine. He wrote me he was coming

here on business and would  look me up later. I assume he is still busy." 

"He is," said Weston. "How long ago did he write you?" 

Cranston pondered, as though trying to recall the exact time.  Weston put a prompting question: 

"Was it after he came back to Canada?" 

"It was" replied Cranston. "Not more than a week or two ago." 

The Esperanto teacher having left before this conversation started,  Commissioner Weston decided he could

speak quite freely. And since  Cranston, in whom Weston usually confided important matters, knew so  much

about Stacey already, it wasn't long before the commissioner  detailed the remaining facts. 


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All those details interested Cranston. Stacey's Canadian  background, the fact that he had gone to school there,

the way he had  acquired other languages, gone out to see the world, and finally become  invaluable to

Scotland Yard in the widespread search for Malmordo  all  marked Stacey as the one important key to quick

results. 

Which in turn meant that the sooner Cranston contacted Stacey, the  better. Indeed, Cranston expressed that

point in a calm, casual way,  when he spoke: 

"Morgaula laboro estos finita." 

"What's that, Cranston?" Weston looked up to see his friend  glancing at some of the language sheets. "Did I

hear you saying  something in Esperanto? 

"I was trying to pronounce the words in this lesson." Cranston laid  one of the sheets aside. He stared at some

papers Weston had taken from  the desk drawer. "But what do you have there, Commissioner?" 

"Some odd papers Stacey picked in Malmordo's place," Weston  declared. "They give something of an insight

to Malmordo's ways, but  not enough. Here is evidence that Malmordo was recently in Algeria,  under the

name of Pierre Dubroc. More references to certain notorious  New York criminals, at present in Sing Sing

Prison. Apparently Malmordo  wanted them to operate with him here, so I have sent some detectives to

Ossining to question them. 

"This European police report"  Weston tossed another paper across  the desk  "proves that some of the

gypsies there were leagued with  Malmordo. The same may be true here"  Weston gave a frown  "because

that local leader of theirs, King Dakar, has been dodging me  consistently." 

Gathering the incomplete papers, Weston thrust them back in the  drawer and brought out a largescale street

map. While he was doing  this, the phone bell rang; Weston lifted the receiver, found that the  call was for

Cranston, so passed him the receiver and continued to open  the map. 

Cranston's call was brief. He spoke in monosyllables, then finished  the call abruptly. By then, the map was

spread and Cranston was  watching Weston point out certain buildings, each marked with an X. 

"We have checked this map with Stacey," stated the commissioner.  "All these are warehouses where

Malmordo's band may be hiding, but  there are too many of them." 

"Of which, Commissioner? Warehouses or rats?" 

"Of both," affirmed Weston. "Now we have learned this: there are  underground connections between some of

the warehouses. Stacey  suggested that fact, through having observed the way Malmordo's men  appeared in

various unexpected places. We made a brief check to prove  the fact, but it would have been suicide to send

men probing further or  deeper." 

Remembering the arched pit that had swallowed one of Malmordo's men  as substitute for Janice, Cranston

could have certified the  commissioner's statement, but didn't. Instead he broached a theory of  his own. 

"There could be other passages," suggested Cranston, "leading to  the river. They would account for the fact

that stowaways disappeared  so remarkably along the waterfront." 

Cranston was harking back to that first night when, as The Shadow,  he had witnessed the disappearance of

stowaways plopping overboard from  the Santander. However, Weston, though he approved Cranston's theory


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with a nod, also found reason to smile. 

"Stacey has already analyzed that situation," declared the  commissioner. "But he added a point to prove it." 

"I can do the same," declared Cranston. "There must be connections  between the river and the warehouses

because of the rats. They wouldn't  have traveled above ground as Malmordo's men might." 

"You've struck it exactly!" exclaimed the commissioner. "Stacey's  proof to the dot. But you see what would

happen, don't you, if we  invaded the warehouses wholesale, to capture Malmordo's human rats?" 

"They would take the quickest route out to the river." 

"Precisely. But where would that outlet be?" Weston shrugged  hopelessly. "We would need all the available

men to stage the warehouse  raids, but that leaves too few to watch the piers. Nor do we have  enough police

boats to do more than patrol the water front. However, we  are ready, because if we drive those human rats

from the warehouses, we  will have accomplished half the job and can then concentrate on the  rest." 

Cranston let the discussion end there, since he had an appointment  elsewhere. But as he left the

commissioner's office, Cranston did  something rather rare for him. He smiled. 

Doing things by halves did not satisfy Cranston, either as himself  or The Shadow. He could foresee that if

Malmordo's men were driven from  some warehouse out to the river, only to be allowed to scatter, they  would

assemble again and reoccupy a warehouse as soon as the police had  left it. 

However, there could be a way of finding the right warehouse and,  after that, the outlet which belonged to it.

But first, the person to  find was Malmordo. Cranston had hinted that to Weston by saying "Morgau  la laboro

estos finita" which Weston, if he'd progressed enough in  Esperanto, would have interpreted as "Tomorrow the

work will be  finished." 

Malmordo's words, and today was the tomorrow that Malmordo had  meant! 

Yet there was still time for Lamont Cranston to act as The Shadow.  Like Trent Stacey, The Shadow had a

single lead that could prove vital.  That lead was Janice Bradford. 

Like Stacey, Cranston was following the lead. The call that  Cranston had received in Weston's office was

from Burbank, his contact  man. Hawkeye had just reported seeing a man who looked like Stacey  entering the

Azalea Plaza, the hotel where Janice and her father,  Andrew Bradford, were living incognito. Hawkeye had

been watching the  Azalea Plaza ever since Shrevvy took Janice there last night. 

Whatever Trent Stacey learned from Andrew Bradford, The Shadow  intended to be on hand to learn it too! 

CHAPTER XVIII

IT was only afternoon, but the day was rainy and the low clouds  made it as gloomy as dusk. 

And such gloom made Janice shudder, even though she was safe in a  hotel suite, in the company of her

father, Andrew Bradford, and her  good friend, Stacey Trent. 

Andrew Bradford was a man of elderly appearance but Janice could  testify that his age had begun to show

only recently. Even his broad,  rugged features were sagging through worry and his eyes, usually keen,  had


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become hunted when not listless. 

It had taken Janice half an hour to convince her father that he  should meet Trent Stacey. Once Bradford had

agreed and had seen Stacey  face to face, the result was like a tonic. They had come right to  business, these

two, and Stacey's blunt insistence on settling the  Malmordo question once for all, had given Bradford the real

lift he  needed. 

"The situation is plain," declared Stacey. "Obviously, Mr.  Bradford, you are not to blame because your

business partner, Lucien  Thorneau, wrote off half a million dollars to business losses on  account of South

American shipments which were purchased but never  delivered." 

"Those shipments were to come from Nazi firms," declared Bradford,  seriously. "Thorneau gave the orders

just before the firms were  blacklisted." 

"Which left the whole case legal " 

"Except that Thorneau knew the inside facts," inserted Bradford.  "The shipments were never even planned.

Thorneau paid a quarter million  to a Nazi agent who represented those firms and received a receipt for  a half

million. Each profited equally. Thorneau thought the deal ended  there." 

"You found evidence of this among Thorneau's papers?" 

"Not enough to matter. Here is the real evidence." Bradford brought  some sheets of photostats from his

pocket. "Exact copies of papers that  the Nazis kept. The originals are in the hands of Malmordo; he sent me

these to prove it." 

Stacey nodded. 

"Quite simple," Stacey decided. "Now Malmordo wants the other  quarter million for the originals." 

This time it was Bradford who nodded and Janice gave another  shiver, but not from repressed fright or

harrowing recollections. It  happened that Janice was seated by the door to a connecting room and  she felt a

draft from an open window. 

This was odd in itself, because she was sure the window was closed.  Getting up from her chair, Janice went

into the other room to see and  found that the window really was closed. What she didn't observe was  the

blackness that glided away from that window just before she  arrived. In the dusk of the room, the blackness

followed unnoticed  around the wall and stationed itself behind the open door through which  Janice had come. 

There the blackness stayed while Janice went back to join Stacey  and her father; living, shrouded blackness

that Janice would have  welcomed had she seen it. For the arrival was her cloaked rescuer of  the night before,

The Shadow. 

"My dilemma is this," Bradford was telling Stacey. "Malmordo wants  to pin Thorneau's guilt on me. Given

time, I can assemble facts that  will uphold my innocence. Then I can turn all the data over to the  government

and let them decide the case." 

"At a cost of a quarter million dollars," put in Janice, as she  resumed her chair. "They will probably demand

its repayment." 


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"The government may demand a half a million," declared Bradford,  "but Thorneau's estate will be forced to

pay it, once I can prove that  the claim belongs to his account, not mine. I believe, however, that  Malmordo's

original documents, which include some that he did not copy,  will clear me completely. But I can not gain

them without paying  Malmordo for them." 

From his listening post, The Shadow could well appreciate the  dilemma which confronted Bradford. It was

up to Stacey to provide a  solution and Stacey set to work. 

"About the yellow flower," said Stacey. "Malmordo wanted you to  wear one to identify yourself." 

"Yes," replied Bradford. "I was to come to the Cafe de la Morte and  bring the money with me in cash or

securities." 

Janice gasped at that and Stacey heard her. 

"That must have been your mistake," Stacey told the girl. "Malmordo  picked you as a substitute or a decoy.

He was sure you wouldn't have  the money." 

"But why," asked Janice, "did he kill Gregor instead of me?" 

"Because Gregor was watching for him. Maybe Malmordo was tipped off  by Madame Thalla. He uses

gypsies, Malmordo does, and Gregor was no  gypsy." 

Stacey's analysis was good, a good one hundred percent wrong, since  it was based on the mistaken notion that

the gypsies were leagued with  Malmordo. The Shadow made a mental note of that and waited to check

Stacey's further theories. 

"Since you did not contact Malmordo," Stacey told Bradford, "it is  obvious that he needed some stronger

threat against you. When Janice  acted against my advice and fell into his hands last night, Malmordo  must

have decided that by holding her a prisoner, he could make you  come to terms." 

"Janice is always acting against people's advice," declared  Bradford. "That is why I didn't want her mixed in

this situation at  all. You see, Janice?" Bradford turned to the girl. "Where would I be  now, if you were

Malmordo's prisoner?" 

"You mean where would I be!" exclaimed Janice. She swung to Stacey.  "You're wrong about Malmordo

wanting to hold me as a hostage. His men  were trying to kill me!" 

"Dead or alive," stated Stacey, coolly, "you would still have been  a hostage, or a garantiulo in Malmordo's

language. Did you hear him use  any word like that?" 

"No. He called me a malliberulo or something of the sort." 

"That means a prisoner. But whether he intended to keep you as such  or kill you, he would have told your

father that you were still alive  and redeemable at a cost of a quarter million dollars. Since you  managed to

escape, you can be sure that Malmordo will attempt some new  move." 

Stacey's statement brought a worried look from Bradford who  inquired: 

"How soon?" 


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"Very soon," replied Stacey in a positive tone. "The police are  pressing Malmordo hard and from the way his

scurrying rats were  shouting 'Ombrajo' they were unquestionably having trouble from an  enemy called The

Shadow." 

"I'll say they were!" expressed Janice. "So that's what Ombrajo  meant!" 

"And in your case, Mr. Bradford," continued Stacey, "Malmordo must  know that any delay is in your favor,

which is not true where the  others are concerned." 

Bradford's expression went surprised. 

"What others?" 

In reply, Stacey reached to the right lapel of his coat and zipped  it open, to produce some thin papers from a

hidden pocket, much as he  had once brought his own credentials from the other lapel. Going  through the

papers, Stacey queried: 

"Did you ever hear of Jerome Ghent?" 

"The rubber wholesaler!" exclaimed Bradford. "Why, Ghent had a  regular black market in that commodity.

We even heard about his  operations in Mexico, but nobody could prove anything against him." 

"Malmordo could," declared Stacey, "at least where dealings with  Nazi agents were concerned. Next" 

Stacey thumbed to another paper   "we have Clinton Waybrook." 

"An exporter." Bradford nodded slowly. "With a reputation beyond  reproach. That is why he could have

covered any Nazi dealings, but it  is not for me to judge. Waybrook may be as innocent as I am." 

"I don't think so," declared Stacey. He came to the third paper.  "Felix Kelfert, the jeweler is most certainly

involved. We have already  traced false sales of diamonds that were shipped from Amsterdam and  they lead to

Kelfert through Nazi channels." 

"Who has traced all this?" inquired Bradford. 

"Scotland Yard," explained Stacey. "You see, there were British  blacklists of firms with Nazi inclinations,

differing from the  American. This is confidential data, not final evidence. Unless certain  facts are admitted by

the persons involved, I have no right to make  such cases an international matter." 

"But why should guilty men admit anything?" 

"Because by now they must fear Malmordo. The fact that they were  afraid to contact him is proof. They are

even afraid to contact each  other, but if one man were bold enough to suggest it, I believe the  others would

agree." 

Even before Stacey finished, Janice caught the logical conclusion.  She turned to Bradford and exclaimed: 

"You, father!" 

Halfbewildered, Bradford stared at his daughter, then turned to  Stacey, who nodded. 


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"She is right," Stacey declared. "Your position is enviable, Mr.  Bradford. Since you are innocent, you would

be inclined to regard  others as the same. If you called any of these men, told them your  predicament and said

that you had heard them mentioned in the same  connection, they would be only too glad to come here for a

conference." 

Rising, Bradford became his old strong self, as he announced with  ringing emphasis: 

"I shall call all of them!" 

Call them Bradford did and with the result that Stacey had  predicted. The very mention of the dread name

Malmordo was enough to  make men like Ghent, Waybrook and Kelfert listen. Bradford, a man of  strict

integrity, whose very tone expressed his indignation, was the  perfect man for such a mission. Through his

whole discourse ran a  challenge that he wanted others to accept and in one brief speech he  expressed it thus: 

"Together we shall find a way to end the menace of Malmordo, once  and for all!" 

Grandly though Bradford handled it, the effect was a strain.  Finished with the phone calls he sank back in his

chair, turned to  Stacey and said wearily: 

"They will all be here at nine o'clock. But what shall we do then?" 

For answer, Stacey picked up the telephone and made a call of his  own. The call was to Inspector Cardona. 

"Hello, Inspector," said Stacey. "Yes... This is Stacey... I've  arranged for another try tonight... Yes, we'll need

a squad and a  cordon... No, not too tight... We can go over the details together and  profit by previous

mistakes. 

"I can tell you the location now, so you can check the  neighborhood... It's a hotel, the Azalea Plaza... No, not

Aurelia. It's  Azalea... AZALEA... Not C... Z as in Zenith... PLAZA... That's  right... Azalea

Plaza..." 

The phone call finished, Stacey turned to find both Bradford and  his daughter facing him in amazement and

Janice, for one was quite  pale. 

"Do you mean"  Bradford's voice came with a falter  "do you mean  you expect Malmordo here tonight?" 

"I do," returned Stacey, in a positive tone. "He had local  criminals covering for him last night, but the police

lost track of  them. You can be sure that Malmordo is using some of those crooks to  keep tabs on Ghent and

other men whose names the police don't even  know." 

"Then when Ghent and the rest come here " 

"Malmordo will show up, expecting it to be the payoff; and it will  be, but not in the way Malmordo expects.

Don't worry"  Stacey was  putting on his hat and opening the door  "I'll be here before nine  o'clock." 

As the door closed behind Trent Stacey, Janice Bradford thought she  felt a draft of air from the hallway. She

was wrong; it came from the  window in the other room. That window had opened and closed again, to  let a

cloaked figure slide out and find a rubbersoled footing on the  raindrenched cornice. 

Obscured by the settling dusk, The Shadow delivered a whispered  laugh that was anything but a parting

token. It meant as much as  Stacey's stated words, that mirth. 


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The Shadow, too, would be here by nine o'clock, prepared to deal  with Malmordo! 

CHAPTER XIX

IT was really pouring rain when nine o'clock approached. From the  doorway where Inspector Cardona had

posted them, the detectives could  scarcely see the dim lights that represented the windows of the  sizeable

Azalea Plaza. It was a bad night for the police, which made it  a good night for Malmordo. Perhaps Stacey had

taken that into  consequence when predicting that Malmordo would appear. 

Cardona had compromised by moving the cordon in a trifle closer,  but it still wasn't close enough. Joe could

see better hiding spots  nearer to the hotel, but decided not to use them. They were the sorts  of places that

might be noticed by any one entering the hotel.  Remembering how well Malmordo had taken the bait the

night before and  realizing how capably Stacey had functioned as the inside man, Cardona  was resolved to

play the game as Stacey wanted it. 

Cars were stopping in front of the hotel and some had the lights of  taxicabs. Which was bringing whom,

Cardona didn't know, except that  Stacey was among the visitors. If Joe had let his men move to closer  posts,

they might have identified some of the arrivals, but it didn't  seem important. 

Perhaps it was more important than Cardona supposed. At any rate,  watchers were at those posts, having

reached them easily in the rain,  by keeping clear of the hotel lights. Those watchers were the crooks  who had

fled from Malmordo's roof the night before, hoodlums like Kirky  Schleer and the other thug who had been

left dead on the battleground  in front of Malmordo's house. 

Again, those hoods were here to cover, without the knowledge of the  police! 

Tonight, however, there were others. 

Figures were snaking into the Azalea Plaza right through the outer  cordon of detectives and the inner circle of

crooks. Figures that  emerged from culverts and manholes, wriggled to the gutters and gave  the effect of

swimmers as they moved through the torrents that flowed  there. That was, they would have looked like

swimmers, if anyone had  seen them, but no one did. 

They were Malmordo's own breed of human waterrats. They'd left the  warehouses that the police were

watching, to infest this fancy hotel.  Arrived beside the Azalea Plaza, they wiggled in by side passages and

delivery entrances, found cellar windows to their liking and plopped  into the preserves of the hotel itself. 

Whether he noticed any of these snaky figures when he stepped from  Shrevvy's cab, Lamont Cranston gave

no sign. At least he had provided  for future developments, because over his arm he carried what looked  like

an opera cape but wasn't. It happened to be a black cloak, neatly  folded, with a slouch hat beneath. 

Crossing the lobby, Cranston didn't go to the fifth floor by  elevator. The fifth was Bradford's floor but

Cranston preferred to use  the stairway. Hardly past the first turn, he paused, put on his cloak  and hat and

became The Shadow. From the hat, he removed a small,  waterproof bundle which be tucked beneath his

cloak. 

Cranston's guns, the automatics which were The Shadow's, were  already packed beneath his wellfitted

evening clothes in special  holsters. So now, in the evasive, almost invisible style that  characterized his black

clad self, The Shadow continued up to  Bradford's apartment. Choosing a side hall, The Shadow paused

outside a  door which had a lighted, half open transom above it. From a small box  that he produced from a


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fold of his cloak, The Shadow released a little  green bird that promptly flew through the transom. 

In her own room, Janice Bradford gave a sharp start and a little  cry as a bird fluttered to her hand and dropped

a fortune card from its  beak. On that card was a silhouetted profile of a hawkish face topped  by a black hat,

with cloaked shoulders beneath. Looking toward the  door, noting the open transom, Janice hurried there and

admitted The  Shadow. 

It was hardly necessary, this form of entrance, for The Shadow  could have easily unlocked that door, but he

was sparing Janice's  wellshaken nerves. Besides, he had instructions to give the girl and  along with those

instructions, a revolver. 

"Stay here," The Shadow undertoned to Janice. "If anything happens,  go there"  he gestured to a closet in

the corner  "and if you need to  use the gun, do so. I can assure you that any danger will be brief." 

Then, moving to a far door, The Shadow inched it open. There was a  short passage beyond so he went

through to the next door and handled it  in the same style. This time, however, The Shadow halted the door

after  the first few inches. He was looking into the main room of the suite,  where Andrew Bradford was

receiving his guests. 

Ghent, Waybrook, Kelfert  all three could be defined by their  faces as men of guilt. 

They had no reason to hide that guilt, rather they were proud of  it, although their situation made them tense.

But it was plain that  Ghent, a man with a bigjawed, overbearing face; Waybrook, of bloated  visage with a

triple chin; Kelfert, sallow and scheming in expression,  regarded themselves as comrades in a cause that

included Andrew  Bradford. In fact, this was their way of congratulating Bradford for  his smart work in

arranging a rendezvous with Malmordo on a common  meeting ground. 

Yet honest Mr. Bradford hadn't tumbled to a thing. He wasn't even  surprised by the fact that these visitors had

brought wellpadded brief  cases with them. Charitable at heart, Bradford was hoping that they,  too, were

innocent and he felt the brief cases might contain documents  to prove it. 

A knock sounded at the door of the apartment and the visitors  became alert, Ghent's hand, for one, going to a

pocket of his coat.  Bradford stepped over, opened the door and admitted Stacey, who stepped  into sight

wearing evening clothes. At sight of such a visitor, Ghent  relaxed, thinking perhaps that Stacey was another

member of the  subversive brotherhood, come here to discuss terms with Malmordo. 

Then Bradford made the introduction: 

"Gentlemen, this is Mr. Trent Stacey of Scotland Yard. He has data  that I think will interest all of you." 

Stacey did have. From his pockets he produced it, separate bundles,  small ones, yet much larger than those

tissue paper reports he had  shown to Bradford that afternoon. Stepping behind a table, Stacey laid  the packets

in a row and his viewers noticed that his right hand had  gone to his hip. 

And Stacey's eyes were watching Ghent so coldly, so steadily, that  the bigjawed man let his own hand move

free from his pocket. Then, in  a blunt tone that carried the hardness of flint, Stacey said: 

"Let me see what you have brought." 

Three men opened their brief cases and brought out the contents. 


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"Securities," said Ghent. "All negotiable." 

"Cash," declared Waybrook. "Large denominations, but I suppose you  can find a way to pass them." 

"Diamonds." Kelfert presented a square package. "Good anywhere." 

There was still suspicion in their eyes and noting it, Stacey  laughed. With his free hand he picked out a

packet from the four that  he had laid on the table and tossed it to Bradford. 

"I have already settled with Bradford," declared Stacey. "His case  was rather special. He will assure you that

he is receiving the  documents he wants." 

Beyond the door, The Shadow was removing his hat and cloak. Hanging  them on a hook in the passage, he

stepped into the conference room  quite calmly, just as Bradford gave an amazed exclamation. 

"Why, these are the originals of Thorneau's papers!" exclaimed  Bradford. "They clear my case entirely. Why

why, you must be " 

Bradford was looking up at Stacey, ending the sentence in a gasp.  It was Cranston's calm tone that completed

the statement. 

"Yes," announced Cranston. "Stacey is Malmordo." 

Although ready to admit the fact himself, Stacey couldn't repress a  snarl at hearing it from this unexpected

quarter. He was drawing his  revolver as he wheeled back from the table, but he stopped the draw  half way.

Cranston was already covering him with a very convincing .45. 

"I heard about you from my friend the Police Commissioner,"  Cranston told Stacey, in an even tone. "You

knew a great deal about  Malmordo, so much that you should have been right on all the facts. For  instance,

such points as Malmordo using local criminals and inducing  gypsies to serve as his accomplices. I was quite

sure that Malmordo did  neither." 

The snarl that Stacey gave in reply belonged distinctly to  Malmordo. 

"It was remarkable how well you set the stage," continued Cranston.  "Too well in fact. As Malmordo you

slipped from the Cafe de la Morte;  as Stacey you met Janice soon after. When you told the police to give  you

leeway in order to enter the empty house, you did not go there at  all, until you arrived as Malmordo. Then

you came out as Stacey." 

This time Stacey's snarl became an offkey laugh. 

"Very well," he conceded. "I fooled the police, didn't I?  Particularly when I knifed that crook, Kirky Schleer,

from the doorway  and then took pot shots at the roof, claiming Malmordo was still up  there. They were

making trouble for me, that gang, and Gregor was  spying for them. I had to make the police think they were

part of the  Malmordo setup." 

These statements were bringing a narrowed look from Ghent, the most  aggressive of Stacey's victims. Ghent's

left hand was moving now, not  to his coat pocket, but to his vest, and only the forefinger and thumb  were on

the creep. 


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"I warned Bradford's daughter about a trap," added Stacey, "because  I knew that would make her walk into it.

I was in and out of it, acting  as Malmordo in between. I suppose The Shadow guessed it and told you,

whoever you are." 

"You told me yourself," stated Cranston calmly. "I happened to  overhear the phone call you made to

Inspector Cardona this afternoon."  From the way he spoke, Cranston gave the impression he had heard it

from Cardona's end. "You had told Commissioner Weston that you were  educated in Canada. Your phone

call disproved that you were a  Canadian." 

Stacey, his face showing an ugly scowl that suited Malmordo, was  staring at Cranston, puzzled. 

"In Canada," declared Cranston, "the letter Z is called Zed. When  you spelled Azalea Plaza, you used the

letter Z twice, even terming it  'Z as in Zenith'  an odd thing for a person who would hardly know that  Zed is

sometimes called Z." 

It was Jerome Ghent who supplied a short laugh of approval. He  turned to Cranston with a bow. 

"Very good," asserted Ghent. "The little details are the sort that  crack big cases. But what about these local

criminals you mention? Who  could have hired them?" 

"You did," returned Cranston. "They fit with your black market  operations. You were using them to trap

Malmordo. He called in the  police to counteract them." 

"Correct," acknowledged Ghent, "and the police are always prompt to  respond to a whistle. That is a little

detail which also could work two  ways." 

With a sudden twist behind Waybrook and Kelfert so that their  bodies shielded him from Cranston's gun,

Jerome Ghent flipped a whistle  from his vest pocket and gave it a shrill blast that could be heard for  blocks

around. 

It was Ghent's summons for his waiting mobsmen to appear and deal  with both The Shadow and Malmordo! 

CHAPTER XX

GHENT'S act produced chaos. 

Before Cranston could shift and produce a second gun to cover the  black marketer, Bradford made a spring to

grab Ghent and inadvertently  blocked Cranston's drawn gun, which was aimed at the man who called  himself

Stacey. Already Malmordo had begun to drop the Stacey pose, now  he was acting in full Malmordo style.

Hurling the table ahead of him,  Malmordo sent its papers and its wealth scattering everywhere, then  dropping

behind it with a writhe, he swung his gun upward, and blasted  at where he thought Cranston was. Except that

Cranston was no longer  there; he had wheeled back through the door to become The Shadow. 

Outside, whistles were blaring everywhere and guns were barking in  response, which left Jerome Ghent

frozen in horrified surprise. Ghent's  great stunt had backfired the moment he staged it, for his cordon of

crooks had been surrounded by a larger cordon of police. 

The moment Ghent's men had risen from cover and surged toward the  hotel, Cardona's sharpshooters had

sprung out to chop them down. Even  Malmordo couldn't have figured out a better trap for Ghent's doomed

crew. 


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Tonight, Malmordo had figured out a device all for his own  immediate benefit. 

Just as blackness swung from the connecting passage, skirted the  group of men and came with a surprise

lunge toward Malmordo, doors  buckled everywhere and slinky men with baggy clothes and drawn knives

took over the apartment. 

Malmordo had lost sight of Cranston and was receiving The Shadow  instead. The Shadow, in his turn, was to

become the focal center of a  mass drive delivered by this tribe of murderers who, as humans, did the  term 'rat'

an injustice. 

Janice's gun was popping from the closet in the other room, but  Malmordo's men weren't stopping on account

of it. Bradford was flinging  Waybrook and Kelfert to an isolated corner of the big room and both  were taking

the hint, thoroughly willing to escape with their lives and  take whatever other consequences followed. 

Ghent, hauling out his gun, was lunging at Malmordo, who was now  completely his writhing distorted self,

his evening clothes rendering  him the uglier and more incongruous than ever. All Ghent gained for his  effort

was a deluge of knives that came in response to Malmordo's  snarled order: 

"Mortigu!" 

And then, as Ghent sprawled, Malmordo, twisting half to his feet,  met the cloaked figure of The Shadow in a

sudden surprising grapple. In  all that chaos, Malmordo's arriving followers had scarcely seen The  Shadow's

launching form until the tangle came. Now from the whirl that  followed, they heard Malmordo's call: 

"La Ombrajo! Mortigu lin!" 

The Shadow! Kill him! Unnecessary orders to these fiends. Their  question was how to manage it as The

Shadow spun about with Malmordo in  his clutch. All they could really see were snatches of Malmordo

himself, in the midst of a kaleidoscopic whirl, his hands and face  disappearing and reappearing like a blinking

light. 

The Shadow held the upper hand in that grapple, but to finish  Malmordo would have been suicidal. Any

letup in the struggle would  define The Shadow clearly enough for Malmordo's men to strike with  their

regained knives. In fact, some were already preparing to hack at  The Shadow as he whirled past them with

Malmordo in his grip. 

Whatever The Shadow might have done on his own account  and he had  turned the tables on enemies like

these more than once before  delay  was imperative to protect Bradford and the two men who had now

become  his willing prisoners: Waybrook and Kelfert. Janice too would be in  danger if any of Malmordo's

crowd returned, to seek her. Right now, all  of Malmordo's followers were in a sense immobilized, since they

were  concentrated on the question of The Shadow. 

And The Shadow himself settled that question by changing it,  producing a new bewilderment among his

foemen. 

A slouch hat scaled across the room; next, a black cloak went  flapping after it, as two fighters sprawled apart,

then came to hands  and knees, facing each other. Somehow, The Shadow had lost his  identifying garb and

was now unmasked. To pick him from Malmordo would  be easy, so it seemed. Ready to spring with their

knives, Malmordo's  followers paused briefly, then retained their pose like statues. 


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Writhing from the floor were two Malmordos, each contorted and  vicious. They were pointing at each other

and their faces registered  all the venom that belonged with their snakish postures. And from each  pair of lips

came the selfsame snarl: 

"La Ombrajo! Mortigu lin!" 

The man who was known as Malmordo had encountered an actor whose  skill was equal to his own. That

actor was The Shadow. He was able to  distort his features, those of Cranston, as capably as Malmordo could

twist the face he used when he styled himself Stacey. As they were now,  there was no choice between them. 

How could Malmordo's followers kill when they saw no one to be  slain except Malmordo? 

Both figures were in disheveled evening clothes. Each spoke the  language that the murderous ratmen

understood. If Malmordo had  straightened and let his features snap back into joint, he would have  identified

himself as Stacey, whereas The Shadow, doing the same, would  have answered to Cranston. 

Still there would have been no choice. 

There lay Malmordo's weakness. His followers knew him only by that  forced appearance which made his

features hideous. To show any other  face would have been a symbol of weakness on Malmordo's part. As

Stacey, he would be accepted as the false Malmordo, just as The Shadow  would if he reverted to the looks of

Cranston. 

Snarls passed back and forth and the listeners understood them.  Accusations, but always in the language that

Malmordo had taught his  followers to use. All was at a standstill and the longer it remained  so, the more to

The Shadow's advantage it would be. And so it remained. 

As moments turned to minutes, the time limit ended. Footsteps came  pounding from the hallway, announcing

the arrival of the law. One  Malmordo snarled "Foriru!" telling his followers to go away and the  other gave the

same word in the next breath. With that, the police  appeared. 

It was then and only then, that the situation broke. One of the  writhing figures turned, scooped up the slouch

hat and the black cloak  and made a dive straight for the window. As the window crashed, knives  followed,

but they flew wide, for the police were pumping shots at the  men who threw them. 

Halfcloaked, the Malmordo who had thus declared himself The  Shadow, made a landing on an adjoining

roof a floor below. His rival,  left on the scene as the real Malmordo, straightened in a swift lunge  for the

door, reaching it despite the grabs of the detectives, shouting  "Venu!" as a call for his men to follow, which a

few managed to do. 

Down the stairs and out to the street went the man in tattered  evening clothes, the last of the rat men dashing

with him. Swallowed by  the rain, they were on their way to the warehouse area, with a slender  chance of

beating the roundup planned by the law. Elsewhere, his  course unknown, a figure garbed in black was

bound for the same  destination. 

So far at least, The Shadow had scored. For up in Bradford's  apartment, the law was taking over in a thorough

way. Bradford was  safe, so was his daughter Janice; while two men who had traded with  foreign enemies,

Waybrook and Kelfert, were prisoners, along with their  funds and the papers that proved their guilt, all

abandoned by  Malmordo. 


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They were glad to give up, that pair, rather than share the fate of  Ghent, who lay dead on the floor, with the

evidence of his transactions  spread about him. 

The Shadow had cracked Malmordo's game. The next task was to settle  scores with the Master Rat himself! 

CHAPTER XXI

POLICE whistles were shrilling in the warehouse sector when a  little cluster of men came tearing from a side

street toward a bulky  brick building that bore a big sign saying: 

                       WESTERN CORN EXCHANGE

Sweeping searchlights picked out those fugitives, scrawny men in  baggy clothes followed by a loping figure

that wore the remnants of a  dress suit. Police guns barked, but as they did, a grating came flying  up and the

fugitives dropped through it with all the speed that  characterized Malmordo's rats. 

By the time police reached the grating it was clamped and guns were  shooting up from among its slats. If the

police intended to enter the  corn warehouse, they would have to find some other way. 

There were other ways. Around the corner, a cloaked figure was  already using one. He was climbing the fire

escape of an adjoining  building to reach a little window that led into the warehouse. He was  gone by the time

the police came around the corner. 

Sirens screeched announcing the arrival of more police cars. From  one sprang Inspector Cardona, ready to

take command. Informed that  Malmordo had gone into the corn warehouse, Cardona urged his men to

continue their present plan of invasion and hunt crooks down to the  last rat. 

The police were smashing doors leading into the warehouse when  someone thrust an envelope into Cardona's

hand. By the time the  inspector looked around, the donator was gone; all Cardona saw was a  quick,

shambling figure making off through the heavy rain. Tearing the  envelope open, Cardona read its contents by

the scanty light about him. 

That note, delivered by Hawkeye, was a message from The Shadow, who  had posted Hawkeye in this area to

give it to the right man at the  right time. What Cardona read was something that caused a complete  change in

his personal plans. Leaving the capture of the warehouse to  his subordinates, the ace inspector sprang into the

nearest police car  and ordered it to take him straight to the waterfront. 

Deep beneath the corn warehouse was a scene even more extravagant  than the one that Janice had viewed the

night before. Here was no mere  cellar with a shallow, slimy pool. Malmordo's men had reached a  subcellar

consisting of a succession of low brick arches through which  gushed a broad stream of water flanked by stone

paths that looked like  shelves. 

At the last arch in the line, four of Malmordo's reserves were  prying at a huge grating that looked like a

prison entrance. Once  loose, that would give them exit to a channel leading out to the river.  They would have

to swim for it, because past the arch the outlet became  no more than a rounded pipe, filled almost to capacity.

But these human  waterrats were used to such methods of transit. 

From somewhere far above came clangs and pounding sounds,  indicating that police were crashing their way

into the warehouse.  Then, louder than those muffled beatings, the clatter of footsteps  sounded on stone. From

narrow openings on either side of the sullen  stream, men appeared, arriving from old stairways that led down

from  the cellar. 


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These were the rest of Malmordo's depleted horde, the survivors  from the lopsided fray at the Azalea Plaza,

less a few who had been  clipped by police bullets during flight, but plus a quota of reserves  that had been

stationed upstairs in the warehouse. 

As the big grating wavered, Malmordo appeared from one pair of  steps and snaked his way along the ledge,

shouting to his men above the  gush of the swollen stream. As they turned, the slinky men saw Malmordo

point across the channel. There on the other side, another figure had  arrived. 

The Shadow! 

If Malmordo's men could have found a better footing on the ledges,  they would have blasted their cloaked foe

before he could have opened  fire. But the slime handicapped even these creatures who loved it and  being men

who were quick with knives, they were naturally slower with  guns. By the time they were taking aim, a snarl

came from The Shadow's  side and with it, he peeled off his cloak and hat, flinging them across  the torrent. 

The black regalia landed squarely at the feet of the other  Malmordo! 

Facts dawned suddenly in the ratty minds of the ugly men who saw  this new change of affairs. They had been

tricked at so many turns that  they were ready to accept things in reverse. 

There had been two Malmordos up at Bradford's. One had seized upon  The Shadow's garb just as the police

arrived. 

Why not the real Malmordo? 

As for the other, the one who had called upon surviving rats to  follow him, why could he not be The Shadow?

He had let the fugitives  outrun him and in doing so, they had led him straight to Malmordo's own  stronghold,

the place that the real Malmordo could reach more swiftly  as The Shadow! 

And such was the real answer! 

Two men were straightening on their respective ledges. The one who  had come here as Malmordo revealed

himself as Cranston. The other, who  had just flung the hat and cloak to their real owner, showed the blunt,

squarejawed features that went under the name of Stacey, Dubroc, or  any of a dozen names that Malmordo

chose to call himself, according to  whatever nationality he needed to adopt. 

And yet the question of identity was still in doubt among members  of Malmordo's tribe who still had no way

of telling their real chief  from the false. The doubt might have persisted had The Shadow cared to  let it. But,

knowing the frantic mood of Malmordo's men, he foresaw a  serious problem. 

Malmordo was drawing a gun and The Shadow, as Cranston, would have  to do the same. Whichever fired

first and surest would have the  satisfaction of spilling his adversary into the flood. But in the minds  of half

the witnesses, the victim would be the real Malmordo. They  would aim at the victor the moment that the

vanquished fell. 

Whatever the case, justice would be the winner, for Malmordo would  perish. But The Shadow would be a

loser too, from a personal  standpoint. It would be better to declare himself and shoot it out with  Malmordo's

crew at large, before they had a chance to aim his way. It  would mean avoiding Malmordo's own fire

meanwhile, but that was the  risk The Shadow took. 


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There were factors that decided The Shadow's choice. One was the  topple of the grating, down there at the

lower arch; a few more tugs  and it would fall. The other was a peculiar swirl in the stream itself,  a sign for

which The Shadow looked and saw in the vague light of  lanterns that Malmordo's men had brought with

them. 

Twisting skillfully along the slippery ledge, The Shadow scooped up  the black hat and cloak, planting one

upon his head, the other over his  shoulders. With a challenging laugh that hurled back separate echoes  from

every arch, The Shadow opened rapid fire with his automatics. 

Malmordo made a quick writhe along the opposite shelf and his men  did the same to avoid the ricocheting

bullets. The Shadow found it both  hard to aim and difficult to tell if he scored a hit, the way his  enemies

acted. They were shooting back and wildly, but every blast was  helpful to The Shadow. 

For those shots, with their deafening detonation in these cramped  quarters, were producing what The Shadow

wanted, a strange, twisty  commotion in the stream as though the water itself had begun to rise in  protest.

Then, from beneath his cloak, The Shadow flung the packet that  he carried, ripping its end as it left his hand. 

The missile struck the water down toward the final arch. There was  a terrific burst of flame, for the packet

contained a chunk of  potassium. The rest of its contents consisted of a reddish dye, that  spread like a gushing

blot of blood amid the water. But the flame was  the feature that counted at the moment. 

Heaving itself from the water came a great shape more than twenty  feet in length, a thing that outwrithed

even Malmordo. The creature was  an anaconda, a giant snake of the constrictor class, recently a dweller

among the coastal lagoons of the South American jungle. As it swept its  great head along the ledges, lashing

its coils as if to encircle its  tormentors, the anaconda created terror among Malmordo's crew. 

The grating fell with a loud clang and toward the wide opening  rushed the human rats, their leader Malmordo

among them, all anxious to  reach that outlet and escape the anaconda. After them trailed The  Shadow's laugh,

bidding them a bon voyage as they slipped and slid into  the water, just as some of them had splashed

overboard from the  Santander. 

This scene linked with that night. 

It was then that The Shadow had recognized the presence of the  anaconda. Only such a creature could have

crushed the unlucky stowaway  who had fled to the hold to hide among the mahogany logs. The giant  snake

had come aboard with that shipment in search of rats and birds as  food. 

Only something as powerful as an anaconda could have broken the  hatch above the hold of the Santander.

Once on deck, the snake had  slithered overboard like the rats and stowaways that preceded it,  finding the

same pipeline that they used, leading in from the river to  one of the warehouses. 

The anaconda was the reason why rats vanished from each warehouse  that Malmordo picked for his men to

use as temporary headquarters. It  went where they went, because they coaxed more rats to become their  pets,

which in turn meant more food for the snake. 

And this anaconda was the thing that The Shadow alone had seen  pluck one of Malmordo's men off the plank

from which The Shadow had  rescued Janice Bradford. That was the reason why The Shadow had  expected

the monstrous reptile to be around tonight, ready to act again  if bothered. 

It was turning now, this massive writhing foe that Malmordo's  followers had so unwittingly harbored, and

what disturbed it was the  echoing clang from the grating. By then, Malmordo and his companions  had been


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carried into the pipe beyond the final archway, so The Shadow  had no reason to remain. 

Blackness faded from the lantern light as The Shadow went up the  stone steps leading from the ledge on his

side of the underground  channel. 

Out in the river, Inspector Cardona had taken command of a police  boat and had sent orders to all others to

sweep their searchlights in  among the piers. Finding human figures would have been difficult,  almost

impossible, in such sweeping style, but the police were looking  for something else. 

They saw it. 

From beneath a pier came a great, spreading splotch of dark crimson  that seemed to be reaching for the boats

themselves. It was the dye  that The Shadow had flung into the stream beneath the warehouse, the  type of dye

used by planes to mark large spots in the ocean. 

The tremendous potency of that dye was proving itself as usual, but  tonight its purpose was unique. Having

preceded Malmordo's men in their  last flight, it was marking their outlet into the river. Instead of  continuing a

blind search, the police boats were converging upon one  spot. 

This was Cardona's followup of the instructions he had received  from The Shadow. 

And now, as heads began to bob from beneath the fringes of a pier,  revolver shots peppered at them while

machine guns raked the bottom of  the pier itself. Malmordo's waterrats came out, waving their hands in  wild

surrender from amid the redstained water. Some of them didn't  wave, they merely floated, indicating that

they had stopped some of the  bullets. Nevertheless, the police hauled them into the boats too, just  to make

sure that they were dead. 

Among the faces that he saw, Cardona was looking for one that would  answer to either description of

Malmordo, his twisted features or the  blunt visage that enabled him to pose as Trent Stacey, the man with

credentials that Cardona now knew had been forged. 

Malmordo was not among any of the prisoners or dead men that  Cardona's boat took on board. 

Then came a shout from another police boat. Men were pointing out a  figure that was doing a swift twist back

toward shore, hoping to reach  the concrete buttress of the pier, where bullets wouldn't count. 

It was Malmordo, clear of The Shadow's vengeance and now eluding  that of the law. Yet his fate was already

sealed. 

Something curled around the frantic swimmer. A horrible scream came  from Malmordo's twisty lips as huge

coils embraced him. Hoisted there,  he was a struggling thing in the grip of the great anaconda, which had  fled

the warehouse last of all and had overtaken the one man who had  made an effort to retrace his path. 

Cardona could almost hear Malmordo's body crunch as it went beneath  the surface, warped more grotesquely

than Malmordo had ever managed to  twist himself when faking the part of a human freak. Such was the fate

of the evil genius who had followed the ruin of war to perpetrate crime  and had met his match in a new land

where he had dared defy the power  of The Shadow. 

Silence settled above the murky water where the great ruddy spread  upon the surface was thinning, as though

its work were done. Silence,  except for the beat of rain, the lap of waves, and something else that  seemed to

blend amid those natural sounds. 


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That something else was a weird laugh that Cardona heard from the  shore beside the pier, telling that its

author had arrived to witness  the climax that he had arranged as an end to monstrous crime. 

It faded into shivering echoes that the blanketing night absorbed,  The Shadow's laugh of triumph! 

THE END 


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Bookmarks



1. Table of Contents, page = 3

2. MALMORDO, page = 4

   3. Maxwell Grant, page = 4

   4. CHAPTER I, page = 4

   5. CHAPTER II, page = 7

   6. CHAPTER III, page = 12

   7. CHAPTER IV, page = 15

   8. CHAPTER V, page = 18

   9. CHAPTER VI, page = 21

   10. CHAPTER VII, page = 24

   11. CHAPTER VIII, page = 29

   12. CHAPTER IX, page = 32

   13. CHAPTER X, page = 35

   14. CHAPTER XI, page = 38

   15. CHAPTER XII, page = 43

   16. CHAPTER XIII, page = 47

   17. CHAPTER XIV, page = 50

   18. CHAPTER XV, page = 53

   19. CHAPTER XVI, page = 57

   20. CHAPTER XVII, page = 60

   21. CHAPTER XVIII, page = 63

   22. CHAPTER XIX, page = 68

   23. CHAPTER XX, page = 71

   24. CHAPTER XXI, page = 74