Title:   CRIME CIRCUS

Subject:  

Author:   Maxwell Grant

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PDF Version:   1.2



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CRIME CIRCUS

Maxwell Grant



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Table of Contents

CRIME CIRCUS................................................................................................................................................1

Maxwell Grant.........................................................................................................................................1

CHAPTER I. THE SHADOW'S SEARCH .............................................................................................1

CHAPTER II. THE SHADOW'S AGENT ..............................................................................................6

CHAPTER III. ON THE LOT ...............................................................................................................13

CHAPTER IV. THE PASSWORD.......................................................................................................19

CHAPTER V. THE RED CIRCLE.......................................................................................................23

CHAPTER VI. SPIES OF THE NIGHT...............................................................................................28

CHAPTER VII. THE GAME BEGINS .................................................................................................33

CHAPTER VIII. AT THE HOTEL.......................................................................................................37

CHAPTER IX. WORD TO THE SHADOW........................................................................................41

CHAPTER X. MOBSMEN MOVE......................................................................................................46

CHAPTER XI. CRIME'S AFTERMATH .............................................................................................51

CHAPTER XII. ONE MAN MISSING .................................................................................................56

CHAPTER XIII. THE SHADOW'S CHANCE .....................................................................................61

CHAPTER XIV. SAWDUST AND SHOTS .........................................................................................65

CHAPTER XV. GATHERING CLOUDS............................................................................................70

CHAPTER XVI. PLANS FOR CRIME................................................................................................75

CHAPTER XVII. THE NIGHT BEFORE............................................................................................79

CHAPTER XVIII. THE SILENT SHADOW.......................................................................................83

CHAPTER XIX. MEN ACCUSED .......................................................................................................88

CHAPTER XX. THE MOB BREAKS ..................................................................................................93


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CRIME CIRCUS

Maxwell Grant

CHAPTER I. THE SHADOW'S SEARCH 

CHAPTER II. THE SHADOW'S AGENT 

CHAPTER III. ON THE LOT 

CHAPTER IV. THE PASSWORD 

CHAPTER V. THE RED CIRCLE 

CHAPTER VI. SPIES OF THE NIGHT 

CHAPTER VII. THE GAME BEGINS 

CHAPTER VIII. AT THE HOTEL 

CHAPTER IX. WORD TO THE SHADOW 

CHAPTER X. MOBSMEN MOVE 

CHAPTER XI. CRIME'S AFTERMATH 

CHAPTER XII. ONE MAN MISSING 

CHAPTER XIII. THE SHADOW'S CHANCE 

CHAPTER XIV. SAWDUST AND SHOTS 

CHAPTER XV. GATHERING CLOUDS 

CHAPTER XVI. PLANS FOR CRIME 

CHAPTER XVII. THE NIGHT BEFORE 

CHAPTER XVIII. THE SILENT SHADOW 

CHAPTER XIX. MEN ACCUSED 

CHAPTER XX. THE MOB BREAKS  

CHAPTER I. THE SHADOW'S SEARCH

"SO Dombo Carlin is still in town, eh?" 

The questioner was a stocky, swarthyfaced man. He was seated  behind a battered desk in a small office.

Detective Joe Cardona  at  present an acting inspector  was quizzing a pastyfaced, rateyed  little fellow

who sat in front of him. 

"Yeah. Dombo's in town." The little man whined the statement. "But  don't let nobody wise that I told you,

Joe. They'd croak me  honest  they would." 

"You're safe, Dowdy," growled Cardona, impatiently. "We pulled in  fifty others like you with the dragnet.

Nobody will know who talked.  That is"  Cardona's gaze narrowed  "nobody will know anything if you  tell

me all you know." 

"I'm tellin' you, Joe," pleaded "Dowdy" earnestly. "Honest, I am. I  seen Dombo Carlin aroun' at a coupla of

the joints. He was smart enough  to dodge the net, that's all. He an' those three gorillas that are  stickin' wid

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him." 

"And you think we could grab him tonight?" 

"Sure. But don't use the net. He's too wise for that, Joe. But  don't ask me to go with you. I ain't no stoolie." 

"You'll stay here"  Cardona eyed the little man steadily  "until  after we've checked up on what you've told

me. If you've been handing  us a stall, Dowdy, it won't be good for you." 

"I ain't been stallin', Joe " 

The ratfaced speaker stopped suddenly. He was staring at the  detective across the battered desk, where the

scratched woodwork showed  the dull reflection of the ceiling light above. Into the sphere of  light had come a

shade of fleeting blackness. It was like the passage  of a cloud in front of a brilliant sun. 

Dowdy turned nervously. A man had entered the office. 

TALL, stoopshouldered, the intruder bore a dull face as pasty as  Dowdy's own. The man was clad in old

clothes. He was carrying a mop and  bucket. 

Dowdy stared; then turned back to Joe Cardona. The detective was  chuckling. 

"Who's that?" questioned Dowdy, in a hoarse tone. "What's he doin'  here?" 

"He's the regular janitor," returned Cardona. "Going his usual  rounds." Then, to the stoopshouldered arrival:

"Hello, Fritz. Another  one of your early nights, eh?" 

"Yah." 

Dowdy was watching as the janitor spoke. He observed the man's  expressionless stare. He saw the fellow

clank bucket on the floor and  lift the mop to begin his scrubbing in the corner. 

Fritz had moved from the central range of light. Yet his tall,  stooped figure still caused a manifestation of his

presence. Stretching  across the floor beside the bucket was a long streak of blackness that  ended in a hawkish

silhouette. Dowdy failed to see the darkened  splotch. He was studying the janitor's face. 

"Don't mind Fritz," came Cardona's injunction. "All places are  alike to him. He wouldn't know the difference

between headquarters and  the morgue. Would you, Fritz?" 

"Yah." 

The expressionless tone curbed Dowdy's qualms. The ratfaced  product of the underworld turned toward

Cardona. Eying the little man  steadily, Cardona resumed his quiz. 

"I'm going to get Dombo Carlin," announced the detective sternly.  "I'm sending out thirty men to look for

him and his gorillas. I'll be  on the job myself. It's going to mean a lot of trouble, Dowdy. If the  tip you've

given me is phony " 

"It ain't phony, Joe," insisted Dowdy. "I tell you, I seen Dowdy  an' I know he ain't worryin' about no

dragnet." 


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"I'm taking your word for it. But it sounds like a stall." 

"Why?" 

"Because Dombo Carlin is too wise a mug to stick around for no good  reason." 

"He's got a reason, Joe!" 

"He has, eh?" Cardona's gaze narrowed. "So there's more than what  you've already told me? I thought so.

Come on, Dowdy. Spill it!" 

"I don't want to make trouble for nobody," whined the ratfaced  prisoner. "But I ain't tryin' to stall you,

neither. I thought maybe  you'd know why Dombo was stickin' aroun' town, Joe. He's after Beef  Malligan." 

"Beef Malligan?" Cardona laughed gruffly. "Say, Dowdy, what's this  you're handing me now? Beef Malligan

cleared town a month ago  or more   along with his pal, Croaker Zinn." 

"Croaker got out, Joe, but Beef didn't. He's still here in town,  hidin' out somewhere." 

"What's he hiding out for? I'm not looking for him  or Croaker,  either. I thought the two of them had dived

for the sticks, along with  those mugs that used to work with them before their bum racket busted." 

"Croaker cleared out," explained Dowdy, "an' so did the muscle men.  I don't know where they went, Joe.

There ain't nobody in the know. But  Beef stayed aroun'  alone." 

"Why?" 

"To send the gorillas along to Croaker. They've been sorta slidin'  out one at a time. It looks like Beef has been

hearin' from Croaker." 

"And sending the old boys along the line, eh? Well, that doesn't  bother me. The more that clear out, the

better. But why is Beef keeping  under cover?" 

"So Dombo Carlin won't find him." 

"I get you now, Dowdy," nodded Cardona. "Why didn't you spill this  story in the first place? Let's see"  the

detective paused  thoughtfully  "first the racket goes haywire. Croaker Zinn leaves  town. He finds some

happy hunting ground and Beef Malligan stays here  to steer the mobsters along to join Croaker." 

"That's what it looks like, Joe." 

"And all the while, Beef is hiding out. He's afraid of Dombo  Carlin. Now we're looking for Dombo and his

best bet is to take it on  the lam. But he's sticking around a while hoping that he can take a  shot at Beef." 

"That's the dope, Joe." 

CARDONA arose and paced across the floor. Dowdy eyed him with an  anxious gaze. All the while, Fritz

continued with his slow, methodical  mopping. 

"Do you think Dombo has located Beef?" queried Cardona, suddenly. 


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"Yeah," responded Dowdy. "That's what he's stickin' aroun' for,  ain't it?" 

"It looks that way, according to your story. If your dope is  correct, Dowdy, Dombo is likely to come out of

some dive with three  gorillas at his heels. He'll be starting on the warpath to get Beef  Malligan." 

The detective paused abruptly. He stalked to the door and shouted  for Sergeant Markham. A burly detective

arrived in response to his  call. 

"Take this fellow back to a cell," ordered Cardona, indicating  Dowdy. "We're giving him another night's

lodging." 

"I'm gettin' out in the mornin', Joe?" pleaded Dowdy. 

"Maybe," responded Cardona. "It will probably be healthier for you  tomorrow, Dowdy." 

"You mean " 

"That I'm following your tip. I'm leaving the joints alone. But if  Dombo Carlin and his gunners start out to get

Beef Malligan, they'll  find a wrecking crew tagging them." 

Cardona was chuckling at his own plan while Markham was leading  Dowdy away. The clatter of a bucket

handle reminded the acting  inspector that he was not alone in the office. Cardona turned to see  Fritz picking

up the bucket. Mop in hand, the janitor headed toward the  hall. 

"Good night, Fritz," remarked Cardona. 

"Yah." With his dull response, the janitor departed from view. 

CARDONA thought no more of Fritz. Joe had important plans that now  concerned him. The capture of

Dombo Carlin was paramount. 

The dragnet had failed to land the wanted crook and his three  gorillas. Raids on underworld dives would

probably prove fruitless. But  to intercept Dombo and trail his crew while they were seeking Beef  Malligan

seemed a logical and effective course. 

While Cardona was planning this procedure, Fritz was shambling  along the dismal corridor. The janitor

reached a secluded spot. He  opened a locker, removed his overalls and placed them on a shelf. 

Hands drew black cloth from the locker. Rising arms released a  garment. The folds of an inkyhued cloak

settled over stooped  shoulders. Then a slouch hat topped the bowed head. The faint whisper  of a laugh

sounded by the locker. 

A transformation had taken place. No longer was Fritz, the janitor,  in view. In his place stood a tall, spectral

being. Burning eyes blazed  from beneath the hat brim. 

Fritz had become The Shadow! 

With gliding, noiseless tread the phantom figure moved from the  locker. The whispered laugh was repeated

as The Shadow made his way to  a side exit. A blackened shape merged with the darkness of a street.  From

then on, The Shadow's course was untraceable. 


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HALF an hour later, a stalwart man of chiseled countenance entered  an obscure store near an East Side

elevated. He stepped into a  telephone booth and dialed a number. A voice came over the wire: 

"Burbank speaking." 

"Marsland," informed the chiseledfaced man. 

"Report." 

"No trace of Beef Malligan." 

"Any signs of Dombo Carlin?" 

"Yes. He's at the Black Ship." 

"Instructions." Burbank's voice was a monotone. "Watch Dombo. He  and his mob are after Beef. Learn if

they have located him." 

"Instructions received." 

Leaving the store, the stalwart young man wended his way through  the darkness of narrow streets that were

walled with decadent  buildings. Cliff Marsland, agent of The Shadow, was well acquainted  with the

underworld. Cliff had a rep among mobsters. It enabled him to  keep tabs on new gang movements. 

Yet until tonight, Cliff had gained no lead that might enable him  to locate "Beef" Malligan. Cliff knew

certain facts that Dowdy had  reported to Joe Cardona, namely, that Beef was hiding out and that he  was

evidently sending gorillas to "Croaker" Zinn. But the news that  Beef was evading "Dombo" Carlin was

something that Cliff had learned  for the first time. 

Cliff reached the Black Ship. The place was a notorious dive. Cliff  had left the joint earlier in the evening; his

return excited no  comment, for he was known in the place. There was nothing extraordinary  in the fact that

Cliff chose a table close by a corner where Dombo  Carlin and three cronies were gathered. 

Minutes passed while Cliff sat stolidly staring toward the wall. He  could hear Dombo's growl; at times, he

glanced sidewise to observe the  man's ugly, unshaven countenance. Then came a query from a gorilla that

brought Cliff to attention. 

"Time we was leavin', ain't it, Dombo?" 

"Not for a half hour yet," was the growled response. "It ain't far  over to Clipper's." 

"But we're goin' in the back " 

"Sure. That's where he is, ain't it? On the second floor? Keep your  shirt on, mug. I'm running this." 

"I get you, Dombo." 

Cliff Marsland shoved away a bottle and glass. He arose and  strolled from the Black Ship. "Clipper's," to

Cliff, meant an old hotel  near The Bowery. It was called the Hotel Santiago, but mobsters called  the place

"Clipper's" in honor of its hardboiled proprietor. 


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Cliff had never thought of the Santiago as a potential hideout for  Beef Malligan. The crumbling hotel was

but one of many others in its  vicinity. Dombo Carlin had not mentioned Beef Malligan's name, but  Cliff, with

Burbank's information, was sure that he knew whom Dombo  sought. 

IT took Cliff seven minutes to reach a secluded telephone. In the  quiet corner of a little cigar store, Cliff

called Burbank. He passed  the word to the contact man; then hung up and leaned against the wall  in response

to Burbank's order to wait for a reply. 

Five minutes passed. Cliff lifted the telephone receiver a second  after the bell began to ring. He spoke in

monosyllables to acknowledge  Burbank's instructions. Sauntering out into the night, Cliff headed in  the

direction of the Hotel Santiago. 

The Shadow's search was ended. For two weeks, the blackgarbed  master had been keeping Cliff Marsland

on duty to gain some trace of  Beef Malligan's whereabouts. Through Dombo Carlin, Beef's hideout had

been learned. 

Joe Cardona sought Dombo Carlin. Hence Joe would be in the game  tonight, with detectives at his heels. But

The Shadow's quest concerned  Beef Malligan. The Shadow was depending upon Cliff Marsland as his lone

aid. 

Amid these different purposes, Dombo Carlin and his gorillas were  out to get the man whom The Shadow

sought. Plans and counterplans were  in the making; and the Hotel Santiago was to be their focal point! 

CHAPTER II. THE SHADOW'S AGENT

HALF an hour had elapsed since Cliff Marsland's departure from the  Black Ship. During that interval,

nothing had occurred to disturb the  quiet that surrounded the old Hotel Santiago. 

Situated on a side street, half a block from The Bowery, the old  brickwalled hotel stood away from the

rumble of traffic and the  clatter of the elevated. Staring from its plate glass window was  Clipper, the

hardboiled proprietor. 

Though riffraff formed the patrons of the Hotel Santiago, the  challenging proprietor was strict regarding

guests. Clipper knew many  mobsters by sight. If they were wanted by the law, they were not  welcome in his

hotel. Clipper had no yen for police visits. 

It was because of this policy that Beef Malligan had chosen the  Santiago as his place of residence. Seated in a

tawdry upstairs room,  Beef was smoking a cigarette while he read the contents of a letter.  Thicklipped and

uglyfaced, Beef leered with satisfaction. 

Beef was not wanted by the police; nor were the gorillas who had  previously formed his racketeering crew.

Hence Beef enjoyed security  and had the privilege of receiving the visitors whom he desired. 

Those whom Beef did not want to see  specifically, Dombo Carlin  and his crew  were in wrong with the

law. Hence Clipper, with no  welcome for Dombo and his ilk, was unwittingly serving as a sentinel in  behalf

of Beef Malligan. 

Beef Malligan knew of the rear entrance to the Hotel Santiago. He  had, however, given it but little thought.

Confident that no one had  breathed the news of his whereabouts, Beef felt quite free from  intrusion. 


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In fact, he saw no reason to lower the torn shade that was rolled  above the only window in his room. The

window opened on a low roof at  the side of the building, and Beef was convinced that no prying eyes  would

appear from that direction. 

Blackness alone greeted Beef's gaze as the thicklipped ruffian  happened to glance toward the window.

Rising from his chair, Beef tore  up the letter that he had been reading. He applied a match to the  fragments

and crumpled the ashes after the flame had died. He turned to  let the charred remnants fall into a lopsided

wastebasket. 

It was then that eyes appeared where blackness had been. Blazing  orbs flashed from the darkness beyond the

opened window. Vaguely, the  outline of blackness upon blackness manifested itself in the form of a  sinister

shape that Beef Malligan did not see as he swung past the  window. 

The Shadow, like a specter of the night, was looking in upon Beef's  hideout. 

EYES vanished as Beef made a turn toward the window. The  exracketeer saw nothing there but blackness.

Then his stare turned  suddenly toward the door. The sound of a muffled footstep caused Beef  to become

suddenly alert. 

Beef had left the barrier unlocked. Impelled by instinctive  nervousness, he stepped forward to turn the key.

He was too late. The  door swung open as he reached the center of the room. 

A sour twist showed on Beef's thick lips. With Beef's expression  came a snarl from the door. A heavy,

unshaven intruder shouldered his  way into the light. Beef Malligan was face to face with the man who  sought

his life: Dombo Carlin. 

"So this is your hideout, eh?" growled Dombo. "Figured I wouldn't  get by Clipper, did you? Well  you

figured wrong." 

Beef had no reply. He could see other men beyond the doorway. He  knew that his enemy was backed by a

squad of gorillas. 

"Guess you thought I'd taken it on the lam," sneered Dombo. "Well   that's just what I'm going to do  after I

finish with you, mug. Maybe  I'll run into that sidekick of yours, Croaker Zinn. If I do, I'll hand  him the same

dose that I'm giving you right now." 

"Lay off, Dombo," pleaded Beef, in a hunted tone. "I ain't doin'  nothin' to queer your game." 

"You're right, you ain't," rasped Domino. "You did enough  you and  Croaker  when you muscled in on my

racket, six months ago." 

"The racket went sour, Dombo. It wasn't no good to any of us." 

"Yeh? Says you? I thought it was good enough. When you guys queered  it for me, I had to go into the

stickup game. That's why the bulls are  on my trail. That's why I've got to head for Chi  but I'm squaring

with you before I start." 

"That won't do you no good, Dombo," Beef continued though pleading  seemed useless. "If you put me on the

spot, the bulls will have  somethin' new on you." 


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"Huh?" Dombo snorted. "Listen, bimbo, you won't be the first mug  that got the works from me. The bulls

didn't wise up the last two  times. They won't wise this time. Three is my lucky number." 

Beef stared as he saw Dombo coolly raise his gun to a steady level.  For the first time, he had learned that

Dombo was a murderer. Quaking,  Beef eyed the muzzle of the .38. He saw an eager finger resting on the

trigger. He stared into Dombo's sullen, evil eyes. To his amazement,  Beef saw those optics bulge with sudden

alarm. 

Dombo Carlin was staring past his victim. A chance shift of gaze  had enabled him to see the figure that Beef

had not observed. Beyond  the opened window, Dombo caught the glare of burning eyes; he saw the  outline of

a sinister shape that commanded recognition. 

The Shadow! 

LIKE other hardened rogues of scumland, Dombo knew the menace of  The Shadow. He had heard gasped

utterances of rats who had tried to  combat this superfighter. He had listened to coughed stories from dying

lips  tales of an avenger clad in black who had struck down those who  deserved to die. 

With a snarl from his ugly lips, Dombo Carlin raised his gun. His  aim was shifting from Beef Malligan to that

figure at the window.  Dombo's finger yanked the trigger. The .38 crackled its prompt message.  A bullet,

whistling past Beef's ear, found its resting place deep in  the battered woodwork of the window frame. 

Dombo's shot had come from a moving gun. The crook had fired before  the muzzle was squarely toward the

window. With a quick snap of his  recoiling wrist, Dombo sought to despatch another bullet, less than a

second after he had delivered that first wide shot. 

The action was too late. The Shadow, dealing in split seconds, sent  his answer within the brief interval. An

automatic roared from the  darkness of the window. Dombo faltered. His revolver fell from his  hand. His

convulsive finger snapped at emptiness. No trigger remained  for it to pull. 

Three gorillas were springing in to their leader's aid. While Dombo  Carlin staggered, half slipping toward the

floor, flashing revolvers  showed in the hands of uglyfaced mobsmen who had seen The Shadow at  the

window. 

Revolvers barked quick, wild shots. Like Dombo, these minions were  shooting while they aimed. But The

Shadow's response was perfect in  both timing and precision. The staccato bursts of his automatics  sounded a

knell to evil foemen. 

One mobster staggered back toward the door. A second slumped to the  floor. The third was marked for doom

when Beef Malligan, leaping  desperately forward, locked in conflict and tried to wrench the  gorilla's revolver

from his grasp. 

An arm swung. Beef rolled away as the gun glanced from his head.  Dropping behind Beef's slumping form,

the gorilla snarled an oath as he  aimed for The Shadow. 

An automatic spoke from the window. The gorilla sprawled to the  floor. In aiming, he had peered from beside

Beef Malligan's shoulder.  He had received The Shadow's bullet through his brain. 

The first mobster, wounded in the left shoulder, had jumped for the  hall under cover of the struggle between

Beef and the third gorilla.  Out of The Shadow's range, this mobsman raised his gun to fire at the  stairs, where

a newcomer had put in a sudden appearance. 


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It was Cliff Marsland, armed with an automatic. Cliff's arm came up  with the speed of the gorilla's. Revolver

and automatic echoed  simultaneously. 

Either because of haste, or weakened by the wound that he had  received from The Shadow, the gorilla fired

wide. Cliff's shot,  however, was well placed. The last of Dombo Carlin's crew rolled on the  floor. 

Cliff reached the door of Beef's room. He saw Dombo Carlin and two  gorillas lying motionless. Beef

Malligan, on hands and knees, was  trying to rise from the floor. He was groggy from the blow that he had

received. 

Then came the blare of a whistle. Shouts from outside. Pounding  squads at the rear door of the old hotel. Cliff

knew the answer.  Police, trailing Dombo Carlin and his crew, had heard the gunfire.  Bluecoats and detectives

were already on the stairs. 

A HISS came from the window. Cliff stared. He saw the figure of The  Shadow. A pointing finger, projecting

into the room, was directed at  Beef Malligan's form. With a nod, Cliff grabbed the exracketeer under  the

arms and hoisted Beef's body up to the window. 

The Shadow gripped the burden. With a quick sweep, he whipped  Beef's body through to the darkness of the

roof. Cliff scrambled after.  He could see The Shadow's shape, silhouetted against a dull glow from  the front

street. Across the blackened shoulders was the form of Beef  Malligan. The Shadow was carrying Beef like a

bag of hay. 

Following, Cliff reached an opened window in an old house at the  other side of the low roof. He dived

through the opening. The window  sash came down with a dull thud. The Shadow's hand drew Cliff away

from  the window. 

The action was timely. Already, police had reached Beef's room in  the Hotel Santiago. Flashlights were

sending sweeping gleams across the  roof. A glare focused through the window of the old house and made a

luminous circle on the further wall; but it revealed none of those who  had arrived there. The beam moved

away. 

"Come." 

In response to The Shadow's whisper, Cliff groped his way through a  door and down a flight of stairs. A door

swished open; Cliff found  himself stumbling across the cracked cement of an abandoned court; then  through

the door of another old dwelling. 

Another path through darkness. Then came a hand that stopped Cliff.  The Shadow's agent heard Beef

Malligan slump groaning to the floor. 

"A coupe in the alley." The Shadow's whisper was close to Cliff's  ear. "Take him to your place. Await

instructions while you talk to  him." 

"Order received," responded Cliff, in a low tone. 

A slight swish as The Shadow moved away. Groping, Cliff found a  door. He threw his arm around Beef's

body. As he raised the  exracketeer, he heard Beef grumble incoherently. Then, with Beef  stumbling beside

him, Cliff moved through the door into the quiet of a  little alleyway. 


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The coupe was standing beside the door. With an effort, Cliff  hoisted Beef into the seat. He slammed the door

of the car, hurried  around, and gained the wheel. The motor purred as Cliff presser the  starter. The car moved

forward and shot out into the traffic of The  Bowery. 

"Hey, you " 

Cliff jammed the accelerator as he heard the call. A police whistle  blared two seconds later. But Cliff had

already picked his spot.  Negotiating a swift left turn, he cut across the path of a looming  truck and sped to

safety as the driver jammed his airbrakes. 

IT was a quick getaway and Cliff followed it with a tortuous  course that he knew would baffle any pursuers.

He turned corners,  doubled on his course and threaded a speedy way among the East Side  streets that he

knew so well. 

At last he reached the quiet of an isolated street and brought the  coupe to a stop. He nudged Beef Malligan. 

"Who  who are you?" blurted the racketeer, rubbing his head. 

"Never mind," responded Cliff. "You'll be safe if you come along." 

He shoved Beef from the coupe, grabbed the man before he fell and  dragged him through a secluded

stairway; then up a flight of stairs to  a room on the second floor. This was Cliff's lodging in the underworld. 

Beef slumped in a chair as Cliff guided him to it, but when Cliff  turned on the light, Beef seemed very much

alive. He stared at the man  who had brought him here. His eyes widened with recognition. 

"Cliff Marsland!" he exclaimed. 

"The same," responded Cliff, calmly. 

"Say"  a gleam showed on Beef's face  "you're the bird that  plugged Dombo Carlin. Ain't you?" 

Cliff nodded. He was standing by the door. Beyond Beef, who was  facing the door, was a window that led to

a low roof above a rear  porch. 

"He was goin' to croak me, Dombo was," announced Beef. "Only you  come in an' handed him curtains. Him

an' his mob. Say, Cliff  you're a  regular." 

"Never mind the thanks, Beef. I had it in for that false alarm. I  wasn't going to see him hand you a final ticket.

Getting Dombo wasn't  the tough part, though. I had more trouble pulling you out before the  bulls arrived." 

"Say"  Beef's expression showed alarm  "do you think they trailed  us?" 

"Not much chance. But Joe Cardona was with them. I heard his voice.  He'll be looking for me." 

"Why for you?" 

"Because I came through the front." Cliff made this statement so  emphatic that Beef nodded in belief.

"Clipper saw me. That was while  Dombo and his gang were coming through the back." 

"That don't matter, Cliff. We can use this joint as a hideout,  can't we?" 


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"You can, Beef. You were hiding out at the Santiago anyway, weren't  you?" 

"Yeah." 

"Well, keep this place then. You'll be safe here. But two of us   well, that would be taking too big a chance.

I'd rather scram, Beef.  New York's getting too hot for me anyway." 

Beef rubbed his bruised head. He smiled. He preferred to hide out  alone; the offer was to his liking. He saw a

double advantage in  acquiring this unexpected friend. 

"Listen, Cliff"  Beef's tone was inquiring  "where do you figure  on heading?" 

"No place in particular," responded Cliff. "Just out of New York,  that's all." 

"Croaker Zinn knows you, don't he?" 

"He ought to. I saw him at a lot of places while you and he were  working together." 

"That makes it jake. Have you got any dough, Cliff?" 

"Enough to clear town." 

"Great. How would you like somethin' soft at the end of your trip?" 

"I wouldn't mind it. What's the lay?" 

BEEF MALLIGAN motioned to a chair by the door. Cliff Marsland sat  down to listen. Beef leaned forward

and spoke in a confiding tone. 

"I'm stickin' here, Cliff," he explained. "because I'm still  workin' with Croaker. He's in on the best racket you

ever heard of.  I've been diggin' up the old mob, one by one, an' sending 'em along to  Croaker. He needs some

good torpedoes, see?" 

"I get you, Beef." 

"I was waitin' for a guy to show up tonight. I won't see him on  account of what happened. So the job's yours

if you want it." 

Beef dug in his pocket and pulled out a small envelope. He handed  it to Cliff, who opened it. Cliff stared as

he pulled out slips of  paper. 

"What are these?" he questioned. 

"Passes to a circus," returned Beef with a grin. "That is, one of  'em is a pass to the circus; the others will take

you in to the other  shows." 

"Larch Circus and Greater Shows," read Cliff, as he looked at the  slips of paper. "Pass one. This one is signed

by Tex Larch  here's one  with the signature Captain Guffy " 

"The circus is playin' at a town called Marlborough," broke in  Beef. "That's where you go, Cliff." 


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"And what do I do there?" 

"Use those passes." 

"Is that all?" 

"No. Somewhere along the line, you will hear somebody say the word  'Ceylon'. That's your tipoff. You ask

that person: 'Where is Ceylon?'   an' then you'll get told what to do next." 

"Have you gone screwy, Beef? Let's see where that gorilla slugged  you." 

"Listen Cliff"  Beef's tone was impatient  "this is on the level.  Maybe it sounds screwy, but it ain't. I'm

lettin' you in on a racket  that's got a load of gravy. I've sent plenty of the real guys along to  get in on it. This

is your chance. I ain't forgettin' that you took me  off the spot tonight." 

Cliff Marsland stared toward his uglyfaced companion. But his gaze  saw more than Beef's thicklipped

countenance. Beyond the racketeer,  framed in the opened window, was a shrouded figure of blackness. The

Shadow had followed. The Shadow had heard. 

A gloved hand projected into the room; instead of pointing, it  moved up and down. The action symbolized a

nod. Cliff Marsland rose to  his feet and thrust the envelope into his pocket. 

"All right, Beef," he declared firmly. "You're on. It sounds like a  good lay  even though I don't know the

details. I'm taking it." 

"You're wise, Cliff. I'm tellin' you, it's real." 

"Keep this hideout. I'm beating it. The sooner I get started, the  better  before Joe Cardona gets on my trail." 

Cliff thrust out a hand. Beef shook it. The Shadow's agent turned  and opened the door. He closed the barrier

behind him and descended to  the street. 

CLIFF was wearing a smile as he reached the coupe. He had no fear  of Detective Joe Cardona. His pretence

had been for the purpose of  gaining the very result that he had attained. 

Following The Shadow's lead, Cliff Marsland had learned facts that  he had previously known only as rumors;

namely, that Beef Malligan was  shipping gunmen on to Croaker Zinn. 

More than that, Cliff had carved his way into the select outfit. He  had taken credit for The Shadow's work. He

had passed himself as Beef  Malligan's rescuer. He had received his reward. 

A secret agent of The Shadow, Cliff Marsland was on his way to  learn the inside working of hidden crime.

As The Shadow's emissary,  Cliff would send back word of the game which concerned the notorious  Croaker

Zinn. 

Cliff Marsland had received the order of The Shadow! While Beef  Malligan remained secure in the hideout

which Cliff had offered him,  The Shadow's agent would be at work uncovering crime instead of  abetting it. 

Such was the work of The Shadow's agent. Behind it lay the strategy  of The Shadow himself! 


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CHAPTER III. ON THE LOT

"THIS way to the big show! Buy your tickets to the big show! Only  five minutes before the show starts!" 

The barker's cry rose strident above a medley of sounds. The  mechanical music of a carousel; the puffing

motor of the Ferris wheel;  the wheezy tones of a calliope  all became a background to the call. 

People were moving along the "midway" that formed an avenue to the  big tent. The circus was the magnet

that was drawing the crowd at  present. The other shows, housed in smaller tents, were quiet while the  barker

sought to bring the throngs into the big top. 

The Larch Circus and Greater Shows formed the chief attraction in  the town of Marlborough. Yet of the

many people who had been drawn,  mothlike, by the attraction of the lights, few were actually buying  tickets.

Most were idlers who had merely come to look on. The actual  customers formed a mere trickle past the ticket

booths. 

Back near the entrance to the circus grounds, two men were  alighting from a large sedan that was parked

behind a fringe of tents.  One was a grayhaired individual, whose face showed a stern dignity.  The other was

a stubby, silent fellow who wore a chauffeur's cap. Both  were looking toward the circus tent. 

"Come along, Lennox," ordered the grayhaired man. "Be sure to lock  the car first." 

"Yes, sir." 

The chauffeur performed the action; then jaunted to catch up with  the grayhaired man, who was choosing a

course behind the nearest  tents. 

"There's the office car," remarked the older man, as the chauffeur  caught up with him. "See it?" 

He pointed between two tents. Lennox nodded. 

"A little further on," said the grayhaired man, "and I can cut  through to go directly there. I don't want to be

too conspicuous." 

"Of course not, Mr. Wilbart." 

"This is the best time to come," added Wilbart. "Every one is  inside, or busy, so there is less chance of talk. I

don't care to have  all the people with this show telling that Jonathan Wilbart came to  hold another conference

with Tex Larch." 

"I understand, sir." 

"They might think that I was overanxious to buy this show, Lennox,"  added Wilbart, pausing as he stepped

between two small, darkened tents.  "Well  I'll buy it on my own terms, or not at all. It's a tawdry  outfit,

Lennox. It does not compare with the smallest circus in my  chain. What do you think, Lennox?" 

"I agree with you, Mr. Wilbart." 

"You always do, Lennox," chuckled Wilbart. "Well  look around the  midway until I come back. The

ballyhoo will begin on the smaller shows  after the circus gets started in the big top." 


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STROLLING out into the midway, the grayhaired man shouldered his  way past clustered idlers and crossed

to a spot where a light truck was  parked between two tents. 

Attached to the truck was a trailer that looked like a small,  shortened bus. This car had a rear door marked

"Office." Two steps led  up to the entrance. 

Reaching his objective, Jonathan Wilbart ascended the steps and  opened the door. The interior of the car

formed a larger room than one  would have expected from a view of the exterior. It was furnished with  seats

attached to the wall; at the front end were two desks also fixed  in position, beyond them a small, curtained

window. 

A broadshouldered man was seated at one of the desks. He heard the  door close as Wilbart entered. He

swung around and showed a thickjawed  countenance, with pudgy nose and quick eyes. 

"Hello, Mr. Wilbart!" he exclaimed. 

"Hello, Stuffy," rejoined Wilbart, advancing to receive the man's  handshake. "Where's Tex Larch?" 

"In New York," responded "Stuffy." 

"Again?" Wilbart's tone seemed incredulous. "It seems as though I  never manage to find him with the show.

Let me see  he was in New York  the last two times I came to talk with him." 

"He isn't exactly in New York tonight," corrected Stuffy. "He's on  his way here, Mr. Wilbart. Might be in at

any time. If you want to wait  here " 

"I'll stay a while," interposed Wilbart. "What are you doing,  Stuffy? Running things while Tex is away?" 

"Kind of," replied Stuffy. "It ain't exactly my regular job, but  I'm sort of a head handy man with the outfit.

Here you are." 

He reached in his pocket and pulled out some printed cards. He  handed one to Wilbart, who had seated

himself. The visitor smiled and  nodded as he read it: 

STUFFY DOWSON 

General Agent 

LARCH CIRCUS GREATER SHOWS 

"Everybody knows me as Stuffy," remarked the general agent.  "Wouldn't do to have put my real moniker on

a card. Everybody in the  show business would have thought it was someone else. They've called me  Stuffy

ever since I was a punk." 

"I envy your past, Stuffy," commented Wilbart. "I came into the  circus business as an owner  only a few

years back  and I am scarcely  used to the smell of sawdust. The real way to learn a business is to  grow up

with it; not to buy into it." 

"Maybe so, Mr. Wilbart," returned Stuffy, as he stepped toward the  door of the office. "But I notice that some

of the old timers in the  game are finding the sledding tough, while your shows are bringing in  the dough. It

looks to me like the fellow that knows business better  than he does a circus is the best guy to run a circus


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business." 

With this statement, Stuffy opened the door and stepped toward the  ground. He motioned to the visitor to

remain in the office. 

"I'll be back in ten minutes," informed Stuffy. "Just going out to  pass the word to the shows. They can start

their 'bally' now that the  big top is working." 

STUFFY closed the door as he reached the ground. The show had  started in the circus tent; only a few late

customers were passing  through the turnstiles. 

A big, glowering man was standing on the platform in front of the  side show, ready to start a ballyhoo. Others

were waiting expectantly  in high ticket booths outside of other tents. 

Stuffy started for the midway. He stopped as a rangy man blocked  his path. 

"Where are you going, Stuffy?" 

"Hello, Tex." Stuffy stopped as he recognized his chief. It was  "Tex" Larch, back from New York. "Say 

don't go in the office for a  minute. I want to tell you something." 

Tex stared from beneath the broad brim of a felt sombrero. His gaze  was quizzical. Cold gray eyes flashed

from a weatherbeaten  countenance. 

"Wait 'til I start the talkers, Tex," pleaded Stuffy. "They're  sitting tight until I flash the word for the bally." 

With these words, Stuffy hurried out to the midway and waved his  arms toward the man on the platform in

front of the sideshow.  Immediately, the big fellow began a sonorous spiel, while idlers  gathered to form a

crowd. Other talkers followed along the line. The  midway became a babble of barkers. 

"Cap Guffy was waiting like a hawk," chuckled Stuffy, as he  rejoined Tex. "Did you see him there, outside

the TeninOne? Say  he  can't wait for the show to start in the big top. I never saw a guy like  him " 

"All right, Stuffy," interrupted Tex, standing with a suitcase in  his hand. "Forget about Cap Guffy. What's the

matter in the office?  Some rube sheriff putting up a squawk? I paid a fixer to square things  in this town " 

"The sheriff ain't in there, Tex." It was Stuffy's turn to  interrupt. "Everything's jake. Wheels running like

clockwork along the  midway." 

"Well who's in there then?" 

"Jonathan Wilbart. That's who." 

TEX'S stare became a glower. It was plain that he was not pleased  by the information. Stuffy watched a grim

twist appear on the circus  owner's lips. 

"I told him you was in New York," began the general agent. "Then I  said you'd be back tonight. Wilbart said

he'd wait." 

"You're a fine palooka," sneered Tex. "I told you to keep your  mouth shut about where I'd gone." 


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"I ain't told anybody on the lot, Tex. But I thought you wouldn't  mind Wilbart knowing " 

"Wilbart! He's the biggest heel in the business. He don't belong in  the show game. I missed him the last two

times he was here. But there's  no chance to dodge him this trip. What does he want? Trying to buy my  show

again?" 

"He didn't say." 

"That's what he's after. He's a fox, that guy is. It's just like  him to blow in while playing a bloomer. That's the

first thing he'll  talk about  the bum business that this show is doing." 

Stuffy waited while his boss stared speculatively toward the door  of the office. Then Tex Larch shrugged his

shoulders and handed his  suitcase to the handy man. 

"Lug this kiester over to my tent, Stuffy," ordered Tex. "I'm going  in to see what Wilbart wants." 

Stuffy nodded as he took the suitcase. He headed off among the  tents while Tex ascended the steps and

pushed back the door of the  wheeled office. 

The fragrance of expensive tobacco brought a sniff from Tex.  Wilbart, seated at the side of the office car,

looked up to see the  owner of the Larch Circus. 

"Hello, Tex," greeted the visitor, dryly. "I've been waiting to see  you. Stuffy told me you would be in from

New York." 

"Stuffy's a good talker," returned Tex, removing his big hat and  tossing it on one of the desks. "Maybe I

ought to use him on a bally  platform." 

Wilbart smiled at the suggestion that Stuffy had talked too much.  He watched Tex go to a desk and look over

mail that was lying there. He  waited for some remark. None came; so Wilbart made one of his own. 

"How is business this week?" he questioned. 

"Take a look for yourself," rejoined Tex. "The door slides to the  right. You can see the whole midway." 

"I mean business in the big top." 

"I don't know. I just got in from New York. Maybe you can figure it  better than I can; you were here while

the crowd was going into the big  top, weren't you?" 

Wilbart smiled but made no comment. Tex turned from the desk and  faced his visitor. Wilbart returned his

stare. 

The two men formed a contrast as their eyes exchanged a steady  gaze. Tex Larch looked the part of an

outdoor showman. His face,  toilworn and deeplined, seemed to tell the story of a rigorous  career. Jonathan

Wilbart, dignified even to his mode of puffing his  cigar, gave the impression of a successful business

magnate. 

It was Tex who broke the silence. He studied his visitor coldly;  and his eyes flashed with an iron glint as he

spoke: 


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"The show's not for sale, Wilbart." 

THE visitor chuckled. He seemed to enjoy the blunt manner in which  the circus owner had come directly to

the subject. Wilbart pulled a  cigar from his pocket and offered it to Tex. The circus owner grunted;  then

accepted the perfecto and bit off the end of the cigar. 

"I want to buy your show, Tex," stated Wilbart, quietly. "I know  that you don't want to sell. You told me that

before. But people have  the privilege of changing their minds, even when they are in the circus  business." 

"Change yours then." 

"I own five shows, Tex. I can use yours. You should be glad to  receive an offer, with the poor business that

you are doing." 

"The show's doing all right." 

"You are exaggerating, Tex." 

"Maybe you've been checking up. All right, Wilbart, have it your  own way. We've had some bloomers on this

tour. A lot of them. This week  is a bloomer. But there's some red ones coming." 

"I wish you luck, Tex. It's preferable to make money on the lot  than to run into New York looking for new

angels." 

Tex scowled. The remark had hit home. Wilbart had made the logical  assumption regarding his trip to New

York. Several seconds passed  before he countered: 

"So you think I'm on the rocks, eh? This show looks like a bum bet,  does it? Well, if that's the way it is, why

do you want to buy the  outfit? You've got five shows of your own. Why look for another  headache?" 

"The headache is yours, Tex," remarked Wilbart. "I am trying to  ease it for you. I do not intend to keep this

show running after I buy  it." 

"You want to scrap it, eh?" 

"Precisely. You only own the circus. The other shows are  independent, although they are presumably under

your management. I can  absorb your equipment into my own shows." 

"What about the star attractions?" 

"You've hit it, Tex," smiled Wilbart. "They are what I am after. I  want the two main acts. To obtain them, I

am willing to buy the entire  show." 

"I thought so." Tex chewed savagely at the end of his cigar. "You  won't be satisfied, Wilbart, until you've

crowded all the real showmen  out of the circus business. There were a lot of good small shows  working until

you came into the game with your idea of a new combine." 

"There were small shows starving," commented Wilbart. "I took them  over and put them on a paying basis.

Acts like Eric Wernoff and Lucille  Lavan would bring money to one of my shows. But they aren't drawing

for  you." 


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"I admitted that this week is a bloomer." 

"My shows stay away from towns like Marlborough." 

"Why waste time, Wilbart?" questioned Tex, in a challenging tone.  "Eric Wernoff, the Animal King, stays

with the Larch Circus. So does  Lucille Lavan, Queen of the High Wire. That's final!" 

"Even if you have to go to New York," smirked Wilbart, "when you  need money to move the show." 

"So that's what you think, eh?" demanded Tex, suddenly. "Well, take  another guess. I'm raising dough 

you're right about that  but the  reason is that I'm expanding. I've got this outfit motorized. That was  my first

step. My next is to buy Cap Guffy's TeninOne and some of the  other shows on the midway. The Larch

Circus and Greater Shows will be  all one by the end of this season!" 

Jonathan Wilbart rose, smiling quietly. It was plain that he did  not believe Tex Larch's statement. He made no

comment, however, to  indicate that disbelief. 

"I shall visit you again, Larch," he remarked. "I think that you  may decide to change your mind. Particularly"

Wilbart's smile  broadened  "after your show arrives in Hamilcar. That town is the  worst bloomer on the

map. You will have to dig deep in the savings fund   if you have one  to move out of Hamilcar." 

TEX LARCH stood glowering while his visitor stepped from the  office. Jonathan Wilbart closed the door

behind him; still smiling, he  strolled across the midway. Lennox joined him near a small tent. The  chauffeur

followed his master toward the car. 

"Any luck, sir?" inquired Lennox. 

"No," responded Wilbart. "Tex Larch refuses to sell. Evidently he  has found an angel in New York." 

"He was in New York the last two times we were here, sir." 

"I know it." Wilbart smiled. "Well, he may have to make some more  trips there before he is finished. How

did business look, Lennox?" 

"Very poor at the big top, sir." 

"Did you watch the turnstiles closely?" 

"Yes, sir. There were plenty of 'shills' going through. But they  didn't bring many followers." 

The two men reached the parked sedan. Lennox unlocked the car and  Jonathan Wilbart entered. Then Lennox

took the wheel and the sedan  pulled away. 

Wilbart looked toward the rear seat; his gaze followed through the  back window for a last glimpse of brilliant

circus grounds. 

"I would like to know the game that Tex Larch is playing," was the  magnate's final comment to Lennox.

"That show of his is not breaking  even. There is something in back of his persistent refusals to sell." 

The car turned a curve in the road. The lights disappeared from  view. Jonathan Wilbart settled in his seat with

a grunt that Lennox  understood. The utterance was more than an expression of  disappointment. It was an


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indication of future action. 

Lennox knew the persistence of his employer. The chauffeur was  convinced that his purpose would not end.

Sooner or later  Lennox was  positive  the Larch Circus and Greater Shows would be under the banner  of

Jonathan Wilbart's combine. 

CHAPTER IV. THE PASSWORD

WHILE Jonathan Wilbart was taking a last glimpse of the circus  which he hoped to buy, another man was

gaining his first view of the  Larch Circus and Greater Shows. This was Cliff Marsland, newly arrived  in the

town of Marlborough. The Shadow's agent was passing beneath the  canvas arch that marked the entrance to

the midway. 

Hands in coat pockets, Cliff was thumbing the paper slips that Beef  Malligan had given him. Cliff had

reached Marlborough later than he  expected. He knew that it was too late to see the circus. The passes to  the

smaller shows could be used tonight, however. 

"Step in folks! See the strangest freak in captivity! Jubo, the  wild man from Java! Jubo, with his friends the

reptiles! One dime,  folks! Ten cents!" 

Cliff stopped beside a small tent where the barker was ensconced in  a high ticket booth. A light showed

through the canvas; long, raucous  growls were coming from within. Curious passers were idling by the

entrance; ticket sales, however, were lacking. 

"Jubo the wild man! Jubo and his hideous reptiles!" The blatant cry  persisted from the ticket booth. "See

Jubo, folks. He plays with  snakes! He talks with snakes! He lives with snakes!" 

Two men were standing close by Cliff. They looked like circus  roughnecks. Listening Cliff overheard their

muttered conversation. 

"Are you goin' to shill for Jubo the Geek?" questioned one. 

"Yeah," responded the other. 

"Let's start in," suggested the first. 

"Wait a couple of minutes," rejoined the second. "Give the talker a  chance to get 'em started." 

"That guy? Say  he's the cheesiest talker on the lot an' that's  sayin' plenty. If we don't shill pretty quick, there

won't be nobody  left to follow us." 

"You don't need a good talker on a geek show. See 'em gatherin'  around? Those hicks are listenin' to the

squawker. It'll draw 'em." 

Cliff decided that the 'squawker' must be the device that was  producing the fierce, prolonged growls from

within the tent. His  conjecture was proven by the next statements that he overheard. 

'They keep on fallin' for the squawker," laughed one of the  roughnecks. "It's a great gimmick. A guy sittin'

out of sight at the  front of the pit, pullin' on a tarred rope hitched to a keg. You  wouldn't think it would make

them heavy growls, would you?" 


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"Who's runnin' the squawker here in the geek show?" 

"Some punk that was hangin' around the lot. The talker slipped the  kid four bits for the evenin'." 

"He'll be lucky if he takes that much in at the gate. C'mon. Let's  shill." 

THE roughnecks started for the ticket booth. Cliff pulled his  passes from his pocket and found one that was

marked 'Jubo.' He  followed the other two men and stopped while they reached their hands  up to the counter to

make a pretence of paying a dime. 

"Shill," Cliff heard them say. The ticket seller nodded and  motioned toward the tent. He resumed his talking

to the crowd as Cliff  approached and delivered the pass. 

The growl of the squawker became louder as Cliff entered the little  tent. As the roughnecks had remarked, it

came from the front of a pit.  The ropepuller was hidden from view by canvas curtains. The pit was  also

surrounded by old, grayish canvas. Cliff leaned on a wooden rail  to survey its occupants. 

Jubo the Geek, as the roughnecks had termed him, was seated on a  torn canvas that lay on the ground. He was

a wildlooking monstrosity,  clad in black tights. His face and hands were a deep brown; Cliff  fancied that it

was stain, not a natural color. 

A mop of crinkly hair showed on the wild man's head. His eyes  stared vacantly at the handful of people who

watched him and his lips  kept spreading to display an idiotic grin. Half a dozen snakes were  squirming lazily

about the pit. Cliff recognized them as large, but  harmless "bull" snakes. 

The geek, in the midst of his facial contortions. broke suddenly  into an apish chatter and pounced upon one of

the reptiles. The snake's  wriggling indicated that it was anxious to get away from its captor. 

Jubo babbled as he twisted the snake about his arms and neck; then,  like a child tired of a toy, he threw the

reptile to the ground and  leaped to grab another of his squirming pets. 

Cliff watched the inane proceedings for five minutes. A few  customers had filed into the tent; it was plain

that Jubo the Geek  intended to do no talking other than his inarticulate gibberish. Cliff  strolled from the tent. 

A ballyhoo was ending at the big sideshow. Cliff joined the throng,  just as a cortege of freaks stepped from

the platform and went back  into the tent. Over the entrance, Cliff saw the statement: 

CAPTAIN  GUFFY'S 

TEN SHOWS IN ONE 

A lumbering man was still standing on the platform; his yachtsman's  cap indicated that he must be Captain

Guffy. Guffy appeared to be the  talker as well as the manager, for he was winding up a fervent spiel  that

referred to the collection of human curios inside the tent. 

THE crowd was pressing close. Captain Guffy gave a sweeping  gesture. Two ticket sellers took up his cry

from their booths. Cliff  saw the men who had shilled at Jubo's show as they went up and  pretended to buy the

first tickets. 

They were followed by others  also shills  and the regular  customers began a march as Captain Guffy

stepped impressively from the  platform. 


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Cliff pulled out a pass marked 'Circus Sideshow.' He delivered it  to a ticket seller and moved inward with the

throng. He decided that  Captain Guffy's ballyhoo must have been a good one, for this show was  drawing in a

crowd. 

The interior of the TeninOne was divided lengthwise by a wooden  rail. Beyond the barrier were the freaks,

all but their heads obscured  from view by canvas that hung from the railing. Captain Guffy was  approaching

one end of the tent; the crowd was following. Gawky  customers thronged about as the manager began his

lecture. 

Baby Liz was the first freak. Guffy described her as the "fattest  of all fat women" and went into particulars

regarding her age and  weight. Baby Liz smiled complacently from above a triple chin and  nodded in response

to Guffy's statements. 

When the 'Captain' moved along to the next platform, Baby Liz began  to talk in a highpitched voice,

offering picture post cards of herself  at a dime apiece. 

Cliff lingered; then moved along to the platform where Guffy was  discoursing on his "Happy Family." He

had reference to a large cage  which contained a jabbering monkey, a sadeyed poodle, a Maltese cat, a  white

rabbit and a squawking parrot. The fact that these creatures  behaved in friendly fashion seemed sufficient to

make them a curiosity. 

While Guffy was talking, the monkey made a bound toward the cat.  The parrot squawked and Guffy grabbed

a stick to deliver a savage poke  into the cage. The monkey jumped back to a corner and the cat settled  down

to another nap. Evidently the family kept happy under proper  supervision. 

On the next platform, Cliff observed a most curious individual. A  pastyfaced man was reclining on an army

cot. His eyes were half  closed; when they opened at Guffy's urging, the man gazed indolently at  the

spectators. 

He reached to his lips and weakly removed a cigarette stump that  clung there. He let it drop into a metal

wastebasket beside the cot;  then made a feeble gesture. 

Captain Guffy plucked a fresh cigarette from a large box and placed  it between the reclining man's lips. An

attendant sprang forward with a  light. Eyes closing, the pastyfaced occupant of the couch began to  puff new

clouds of smoke. 

"This is Cleed," announced Captain Guffy, in a sorrowful tone.  "Behold him, ladies and gentlemen: Cleed,

the Cigarette Fiend. His  story is a tragic one. He is a freak with a strange history. The child  of a wealthy

family, he began the use of tobacco at the age of five  years. 

"Nicotine took complete hold of his system. He is saturated with  it, folks. His growth was not affected; nor

was his constitution  weakened. But his senses dulled. His craving for tobacco became a  mania. Look at him;

you see him as he is. In every waking moment, he  demands a puff of the weed. Only when stupor seizes him

does he cease  from his perpetual smoking." 

As Guffy completed his blatant lecture, Cleed finished another  cigarette. The glowing stump dropped from

his hand. The attendant  hastened to place a fresh cigarette between the pasty lips. Cleed  puffed as though his

life depended upon a new supply of smoke. 

"Hokum," growled someone in the crowd, as Guffy moved on to the  next platform. "That story don't go with

me." 


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"Maybe the fellow's a dope fiend," suggested another spectator. "It  looks like something was wrong with

him." 

"He's been smoking steady ever since we came into the tent,"  remarked a third spectator. "Looks like he can't

get along without  puffing a cigarette." 

"Quiet, please!" came Guffy's call. "Here we have Luke, the  Tattooed Man. He is a living picture gallery,

covered with works of art  from head to foot " 

Cliff studied the tattooed man while Captain Guffy continued to  spiel his story. No grumblers classed Luke as

a fake. The man fitted  the description that Guffy had given him: he was a living picture  gallery. 

Removing his shirt, Luke revealed a broad back that was covered  with samples of tattooed art  huge designs

in blue and red. Facing the  spectators, he displayed a goldtoothed grin; then exhibited arms and  legs to show

smaller designs in permanent ink. 

COMPLETING his lecture with the statement that Luke was a  specialist in tattooing, Guffy proceeded to the

next platform. Luke,  still smiling, looked for customers among the crowd. Two men began to  bargain with

him. Cliff listened to their conversation; then strolled  to the next platform in the line. 

Here, Captain Guffy introduced a man who wore a tawdry dress suit.  This was Professor Solva. The professor

drew back a curtain; a tall,  thin woman appeared to take a bow. She was introduced as Madame Solva. 

The pair put on a mind reading act that lasted for several minutes.  While they were selling horoscopes to the

crowd, Guffy approached a  pit. Cliff joined the early arrivals and saw a woman seated on a chair,  a snake

coiled about her arm. 

"Princess Marxia," introduced Guffy. "Queen of the Reptile World.  No poisoned fangs can harm her.

Mankilling snakes obey her word. Step  this way, folks. Princess Marxia is about to begin her astounding

performance." 

The snake charmer was a hardfaced woman. Her eyes carried a glare  that seemed as venomous as the beady

optics of the snake that writhed  from her arm. After allowing several snakes to crawl about her head and

shoulders, she cast the reptiles aside and lifted a box that lay in a  corner of the pit. 

The sharp crackle of a rattler came in immediate response. Princess  Marxia stepped back and pointed to the

coiled snake that had been  beneath the box. She did her own talking to the crowd. 

"The rattlesnake," explained Marxia, in a harsh voice, "carries  deadly poison in its fangs. The noise that you

hear is its warning. It  is a sign of death to any one who comes too close." 

With that, the woman approached the snake step by step. The rattler  steadied its beady gaze; yet it did not

strike. The charmer apparently  knew the danger point; yet she deliberately persisted in her effort to  arouse the

reptile's ire. 

"The rattlesnake strikes quick," came Marxia's harsh announcement,  "but those who know its ways can

escape when it strikes. Watch me." 

The woman swung quickly toward the snake. A hiss came from the  reptile. Its head shot forward with a swift

stroke; but Marxia was  speedier in her twist. While the crowd murmured in amazement, the snake  charmer

swung clear of the rattler's vicious stroke. 


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Stepping away from the corner where the angry snake remained,  Marxia opened another box. She reached in

and began to draw out the  form of a huge black reptile. The creature responded slowly; then its  large head

came into view. The snake began to coil lazily about the  woman's body. 

"This is the terrible python," declaimed Marxia. "Its coils can  crush the body of a tiger. Human beings are

helpless in its grip; but I  have power over the python. It will obey me  this big snake from  Ceylon." 

Cliff Marsland stared. The python was slowly uncoiling. Princess  Marxia was forcing its twisted shape back

into the box. The customers  were moving toward the next exhibit, in response to Guffy's call.  Cliff, however,

remained. He had heard the word for which he was  waiting. 

Ceylon! 

That was the password that Beef Malligan had ordered Cliff to heed.  It had come from the lips of Princess

Marxia, the socalled snake  charmer. All others had moved along. Cliff stayed. He knew that from  Princess

Marxia he would gain the order that he had come here to  receive. 

CHAPTER V. THE RED CIRCLE

"Where is Ceylon?" 

Princess Marxia turned toward the front of the pit as she heard the  question. She stared at Cliff Marsland, the

person who had asked it. 

"What was that?" demanded the woman, harshly. 

"I heard you mention that the python came from Ceylon," responded  Cliff. "I wondered where Ceylon was.

Somewhere near India, isn't it?" 

"Do you see that fellow over there?" questioned Marcia, pointing as  she placed her elbow on the rail of the

pit. 

"You mean the tattooed man?" asked Cliff. 

"Yeah," stated Marxia. "Well, that guy's been everywhere. His  tattoo marks prove it. He's been to Ceylon,

along with other places. He  can tell you all about it. Go over and talk to him." 

"Thanks." 

Princess Marxia grinned as Cliff strolled toward Luke's platform.  She looked up to observe Madame Solva

staring at her. The snake charmer  nudged her thumb in the direction that Cliff had taken. 

"Another goof," was Marxia's comment. "Did you hear him?" 

"I heard," Madame Solva nodded. "What makes all those mugs ask  about Ceylon? He ain't the first that

sprung that question. Seems like  there's been a half a dozen." 

"You can't figure these hicks," decided Marxia, eying the mind  reader shrewdly. "I guess it's the python that

gets 'em wondering where  Ceylon is. Anyway, a lot of 'em have asked me." 


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"Why do you send them to Luke?" 

"That guy kids 'em," replied Marxia, approvingly. "He's got a gift  of lingo, Luke has. He gets talking about

places where he's been and  sells 'em a tattoo job. You keep watching  you'll see him do some  needlework on

that hick before the poor sap gets away." 

CLIFF, meanwhile, had reached Luke's platform. The tattooed man was  seated beside a table that bore his

electrical equipment. He was  arguing price with a prospective customer. The haggling reached its  finish while

Cliff looked on. The customer decided that he could do  without tattoo marks. 

"Well?" quizzed Luke, as he stared toward Cliff. "So you want some  designs done?" 

"I want to ask you something," responded Cliff, quietly. 

Luke stepped from his chair and dropped over the edge of the  platform. He eyed Cliff as if The Shadow's

agent were another customer. 

"Well?" questioned Luke. 

"Tell me something," requested Cliff, in an undertone. "Where is  Ceylon?" 

The effect of the question was electric. Luke made no immediate  reply. Instead, he beckoned Cliff up to the

platform. He pointed out a  chair beside his own. Cliff sat down with the tattooed man. 

"Who sent you to this platform?" asked Luke. 

"Princess Marxia," replied Cliff. "I asked her the question first." 

"I see. Well"  Luke raised his voice  "maybe I can talk it over  with you while I'm doing your design. Take

a look at this arm of mine.  How does the blue anchor look to you? Good?" 

As Cliff stared at Luke's arm, the tattooed man turned his own gaze  toward the platform on his left. Cleed, the

cigarette fiend, was  puffing away in his incessant fashion. He was apparently oblivious to  the world about

him; yet he caught the rise of Luke's voice. Cleed's  head turned sidewise. His eyes opened. 

It was not toward Luke that Cleed looked but toward Cliff Marsland.  Squarely against the black curtains of

the mind reader's platform,  Cliff's profile formed a perfect outline. Cleed studied the chiseled  profile of The

Shadow's agent. After this inspection, Cleed let his  eyes meet Luke's. 

Slowly, the cigarette fiend rubbed his cheek against the canvas of  his cot as he delivered a nod. Luke gave a

response of silent  understanding. Then the tattooed man spoke to Cliff again. 

"That's the one you like, eh?" he questioned. "All right. Pull up  your sleeve  the left one. I'll get to work." 

Cliff looked puzzled as Luke took the design book from his hands  and began to prepare an electric needle.

Nevertheless, he drew up his  sleeve as Luke had ordered. The tattooed man poised the needle over  Cliff's

forearm. 

"You're from Beef Malligan?" came Luke's question, in a whisper. 

"Right," responded Cliff. 


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"I thought so," whispered the tattooed man. "Well, this is part of  the racket. Hold your arm steady. I won't

take long." 

THE needle began its jabs. Each puncture of the implement left a  tiny dot of red. Cliff watched the procedure

while he listened to  Luke's next statements. The buzz of the electric machine covered Luke's  subdued voice. 

"This puts you in the outfit," informed the tattooed man. "You're  just a hometown guy from here in

Marlborough. Got the bug to join up  with the circus. See?" 

Cliff nodded. The needle was moving along the arc of an imaginary  circle, forming the beginning of a red

ring on Cliff's forearm. 

"Hoof it down by the big top," resumed Luke. "Ask for Hank. Tell  him you want to join up. Just another

roughneck for the crew. Let your  sleeve slide up while you're talking. Then Hank will know you're with  it.

Savvy?" 

"I get it," responded Cliff. 

"Don't go shoving this mark around under people's noses," warned  Luke, as he continued with the needle.

"Just keep flashing it, here on  the lot, whenever you run into a new gazebo. Let the guy lamp it if  he's looking

for it. Get the idea?" 

"Right." 

"Then you won't need a visiting card. Get me? You'll know the crew  and they'll know you. If any trouble

starts, roll your sleeves up.  Then's the time to make sure we all know each other. But in the  meantime, just

pass along any word when you get it and be on the job  when you're needed. That's the why for this red

circle." 

The buzz stopped as Luke finished speaking. On Cliff's arm was an  indelible circle of red. Luke made a

gesture. Cliff pulled down his  sleeve. The tattooed man arose from his chair. 

"Come around tomorrow if you want any more work done," informed  Luke, again using his louder tone. "We

ain't moving for a couple of  days yet. If there's any local boys want some good work reasonable,  tell them to

come up here." 

"Sure thing," responded Cliff. 

Cliff slid down from the platform and sauntered to the entrance of  the TeninOne. The show had finished;

Captain Guffy had returned to  the platform to begin another bally. With him were The Solvas, and  Princess

Marxia, and other performers whom Cliff had not seen during  his interrupted trip. 

REACHING the midway, Cliff paced toward the circus tent. He glanced  at the huge painted banners outside

of the TeninOne as he walked  along. Luke, Cleed, Princess Marxia, Baby Liz  all were portrayed in

mammoth exaggeration upon the gaudy, painted sheets of canvas. 

Cliff passed concession tents where "percentage" wheels and other  games were drawing customers. He

watched patrons make unsuccessful  attempts to knock down tenpins with swinging bowling balls. He saw a

big farmer swinging a sledge hammer against the springboard base of a  "high striker." 


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Cliff smiled. It was a far cry from the badlands of New York. There  was something wholesome in this

outdoor atmosphere. Cliff could feel  the lure of the show business. He realized that there were rackets  among

the concessions; that con men might be among the crowds, looking  for dupes. But it all seemed mild

compared with the environment that  Cliff had left. 

This feeling persisted in Cliff's mind as The Shadow's agent swung  from the beaten path of the midway and

headed off toward parked trucks  at the side of the circus tent. Then, in a twinkling, Cliff was carried  back to

the realm of the underworld when a burly figure blocked his  course and a snarling voice demanded: 

"Where you goin' mug?" 

Cliff eyed his challenger. The burly man had stepped from behind a  truck. He was evidently with the circus.

But his speech and his manner  were those of a gangster. Cliff sensed that the fellow must be one of  the

gorillas whom Beef Malligan had exported from Manhattan. 

"I'm looking for a guy named Hank," retorted Cliff. "They said I'd  find him down here by the big top." 

"Yeah? Well move along. I'll take you to him." 

The challenger let Cliff go first. That was another indication of  the fellow's origin. The typical circus

roughneck would have led the  way. This rowdy was following. 

A hardfaced, sweatered man was standing by the entrance of a  lighted tent. The circus grounds were wired

with electricity from the  Marlborough plant; a cord, hooked to the tent pole, showed the features  of this

individual. Like the roughneck who was following Cliff, the  standing man looked like one of Beef Malligan's

old mob. 

"There's Hank," came a growl from in back of Cliff. 

The Shadow's agent nodded. He decided to forget the fellow who was  trailing him. He approached the man

by the tent flap and looked him in  the eye. 

"Is your name Hank?" he questioned. 

"Yeah," was the reply. "Who are you?" 

"They call me Cliff. I'm from here in Marlborough. Thought I'd like  to join up with the circus. Any kind of a

job will do. Pulling stakes   pitching tents " 

Other men had appeared while Cliff was talking. Two of them looked  like mobsters; the others were

apparently bona fide circus roughnecks.  Cliff paid no attention to their arrival. As he spoke of doing heavy

work, he made a natural gesture of drawing up his sleeves. He flashed  the red circle that Luke had tattooed on

his arm. 

HANK spotted it. He nodded. Methodically, he began to roll his own  sleeve. The rising sweater enabled Cliff

to glimpse a red circle. 

The man who had followed Cliff was stepping into the light. His  sleeves were already up. He shifted his arm

with the palm outward, so  Cliff could catch the quick sight of another circled token. 


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"Guess we can use you, bud," growled Hank. "The old man don't kick  if we take on a few extra roughnecks 

providin' they're husky. Come  along up to the office. I'll fix it for you." 

They passed another hardfaced fellow as they neared the fringe of  the light. Cliff saw Hank make a gesture

toward his sleeve. The man  flashed a red circle. Cliff did the same. Then came a stretch of  darkness. Hank

was leading the way to the office. 

Cliff smiled. He had become the follower. 

Yet there was grimness in Cliff's expression. Already, he was  learning the inside of the game. Planted with

the circus, traveling  with the midway, were agents of crime. Tattooed circles of red were the  recognition

marks that kept this compact band together. Cliff knew of  the comradeship that ruled circus folk; he realized

that these rogues  were using it as a cover for their crooked purposes. 

He also knew that Croaker Zinn must be the head of this secret  crew. He had not noticed Croaker on the

circus lot; probably the  mobleader was keeping out of sight. Hank, Cliff decided, was just one  of the gang

who had stepped to a position of small authority with the  circus. He was the fellow who took on the

mobsmen who came from Beef  Malligan. 

When they reached the office, Hank entered without ceremony,  beckoning to Cliff to follow him. Stuffy

Dowson was just inside the  door. Hank greeted him by his nickname; then spoke to Tex Larch who was

sitting by a desk. 

"What is it, Hank?" questioned the circus owner, wheeling in his  pivoted chair. 

"I'm hirin' another roughneck," informed Hank. "Brought him up here  with me, Mr. Larch. This is the

fellow." 

Tex Larch eyed Cliff. 

"He looks all right," commented the circus owner. "Sure you need  him, Hank?" 

"We can use him. Looks like a couple of roughnecks are gettin'  ready to blow. We may need more before we

leave this burg." 

"All right, Hank." 

Tex wheeled back to the desk. Hank nudged his thumb toward the  door. Nothing further was necessary. Cliff

Marsland had become a  roughneck with the Larch Circus and Greater Shows. 

Outside the office, Cliff and Hank bumped into Captain Guffy coming  over from the TeninOne. As they

sidestepped Guffy, Cliff paused to  let a girl walk by. She, too, was bound for the office. Her attractive  face

and her red hair brought a recollection to Cliff. He fancied that  he had seen the girl before. 

"Who was the girl?" Cliff questioned Hank, as they were walking  toward the circus tent. 

"Lucille Lavan," informed the mobster. "The skirt that does the  high wire act in the big top." 

Cliff nodded. He had seen Lucille's picture on the billboards,  coming into town. That was why he had

recalled her face. Then his  thoughts of the girl dwindled. Cliff's brain pondered on a more  immediate subject. 


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Cliff had reached his goal. He was a member of the crooked band  traveling with Tex Larch's circus. Tonight,

he would find opportunity  to slip down to the town of Marlborough and send a wire to New York. 

For Cliff Marsland sensed that crime was already brewing. Wise to  the ways of crooks, he could tell that the

atmosphere was already  charged with some lawless game. More than that, Cliff could see the  menace of the

future. 

Word to The Shadow! That was Cliff's next step. From the inside of  the racket, The Shadow's agent was

prepared to notify his mysterious  chief that he had found a hotbed of crime! 

CHAPTER VI. SPIES OF THE NIGHT

"TAKE a look around the lot, Stuffy." 

It was Tex Larch who spoke. Stuffy Dowson nodded. He stepped from  the office and closed the door behind

him. Tex Larch was alone with the  two persons who had just entered: Captain Guffy and Lucille Lavan. 

"What's up, Tex?" 

Guffy put the question as soon as Stuffy was gone. He knew that Tex  wanted privacy to talk some business.

Like Tex, Guffy was blunt and to  the point. 

"Nothing to worry about, Cap," responded Tex. "Just wanted to talk  things over with you. Jonathan Wilbart

was in here tonight." 

"Jonathan Wilbart!" The exclamation came from Lucille Lavan. 

"Jonathan Wilbart in person," declared Tex. "Wanted to buy me out.  Like he tried to do before." 

"A stubborn fellow, Wilbart is," commented Cap Guffy. "What did he  offer you?" 

"We didn't get that far, Cap. I told him there was no sale. He  walked out." 

"You did right, Tex!" put in Lucille. "The nerve of him! After all  the years you've been in the show business!

I would like to have talked  with him!" 

"He would have liked to talk with you, Lucille," returned Tex, with  a slight smile. "You're one of the two

reasons why he wants my show." 

"You mean he wants me to star with one of his circuses?" 

"That's it, Lucille." 

"Never! I'd quit the show business before I'd work for Jonathan  Wilbart!" 

"Hmm." Cap Guffy was the one who spoke in response to the girl's  outburst. "What do you have against

Wilbart, Lucille? I didn't know you  went in for grudges." 

"I don't." Lucille pouted wistfully. "I know I'm wrong. I wouldn't  mind Wilbart if he wasn't trying to buy Tex

out. You know how I feel  about it, Cap. Tex is  well, he's been like an uncle to me  and I  know what this


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show means to him. It's not Wilbart I don't like  it's  anybody who'd try to take me away from this show." 

"Suppose I should sell out, Lucille?" inquired Tex. 

"You wouldn't," retorted the girl. 

"But suppose I had no dough," persisted Tex. "Suppose I'd have to  fold." 

"You'll never fold. You've got too many friends in the business,  Tex. If you really had to find money  well,

I'd help raise it for  you." 

"I believe you would, Lucille. I know you would. Well  Wilbart's  not buying this outfit. Just the same, it's

not easy to talk him out of  trying." 

"Why not, Tex?" inquired Cap Guffy. 

"I'LL tell you why," returned Tex. "Wilbart is a man who goes after  business in a big way. He deals fair

enough; but he gets what he wants.  That's why he worries me. He wants this show. 

"He says he needs Lucille and Wernoff  wants them for star acts.  Wants to put them with his other shows.

That part's on the level. But  he also says that he would scrap this outfit if he bought it  he  didn't say 'scrap';

he said 'absorb'  but it amounts to the same  thing." 

"He probably would." 

"I don't think so. That's where he's trying to bluff me. I think  he'd keep on running this show as a smalltime

outfit. He might build  it over and trade on the name of Larch." 

"Maybe you're right, Tex." 

"Well, that would be his privilege if he bought the show. So he  keeps coming around here  and he picks

every week that looks like a  bloomer. What's the answer? He knows I'm losing money, Cap. He's  figuring

that I'll have to sell. So pretty soon he'll get the idea that  I don't want to sell to him. He'll think I've got a

grudge against  him." 

"Let him think it, Tex." 

"I don't want to, Cap. If Wilbart thinks that I'm prejudiced  against him, he'll try some other stunt. That's what

I'm afraid of." 

"You mean he'll go after the midway?" 

"Right. Those concessions are paying for their privileges. Suppose  they hear that they can open with one of

Wilbart's circuses  play  better towns and fork over less dough. How long do you think they'd  stick with

me?" 

"I don't know, Tex." 

"A couple of weeks, maybe. That's all. What if Wilbart offered to  buy your TeninOne?" 

"I wouldn't sell it. I'm like you, Tex. I'm sticking in the show  business." 


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"Suppose, Cap"  Tex eyed the sideshow owner steadily  "suppose I  offered to buy your TeninOne.

Would you sell to me?" 

"Not a chance, Tex." 

"Well, suppose you found you had to quit. Would you let me take  over the TeninOne?" 

"I might." 

"That's all I want to know. Listen, Cap: you're doing business even  if I'm not. These crowds that pass up the

big top seem to like the  TeninOne. They're bum burgs for a circus, but they're good spots for  a sideshow." 

"It looked that way tonight, Tex." 

"Well  suppose I gave Wilbart the idea that I'd bought out your  TeninOne. Suppose I told him that what I

was losing in the big top, I  was making up along the midway. That might make him think a bit." 

"It ought to." 

"All right. Give me an option on the TeninOne. I'll give you a  thousand dollars as a deposit. Call it a

tentative sale. Date the  papers back a couple of weeks. We'll put you down in the pay book as  sideshow

manager, on a salary." 

"I get the idea, Tex. You'll make Wilbart think that you were  bringing in the green before he came around to

make his offer. Then  he'll watch the business at the TeninOne. Figuring that you shoved  out dough to buy

it, he'll think that you're taking in the gravy all  along." 

"That's it. What's more, Cap, he won't try to buy you out. The  option will scare him off." 

"Are you going to work the same gag with other people on the  midway?" 

"Not with the concessions; but maybe with the rides. I think  they'll help me out. They're doing pretty fair

business. If Wilbart  thinks I'm buying up the whole outfit, he's liable to pull in his  horns. At least, he will

think there is a good reason when I refuse his  offer." 

"All right, Tex." Cap stared stolidly at the circus owner. "I'll  think it over. But remember  I'm keeping my

TeninOne. It means as  much to me as the big top does to you. If all you're trying to do is  cover up the real

reason why you won't sell out to Wilbart, I'll stick  by you." 

"Wait a minute, Cap." Tex's voice was hard as Guffy stepped toward  the door. "Get this straight. The reason I

won't sell is because I  belong in the show business. That's all." 

"Did I say anything else?" quizzed Guffy, from the door. 

"No," admitted Tex, "but it didn't sound so good  the way you  spoke. Maybe I could ask why you're so

stubborn about hanging on to  that sideshow of yours." 

"It's bringing me the dough, ain't it?" 

"It ought to, with that cheap bunch of freaks you're carrying." 


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Guffy's fists tightened. Lucille stepped in to prevent an  altercation. Tex had risen in challenging fashion; the

girl motioned  the circus owner back to his seat. She turned to the door. 

"Run along, Cap," she said to Guffy. "Put the freaks to bed and see  that the rattlers are tied up for the night.

There's no use in you and  Tex acting like a couple of punks." 

"All right, Lucille." Guffy stared hard at Tex as he spoke. "I'll  forget it. Guess there ain't no use in being

touchy. I'm minding my  business. I guess Tex can manage his." 

"GUFFY'S hard to figure out sometimes," growled Tex, as the door  closed behind Cap. "If he's so

independent, why don't he buy up a few  shows and go out on his own? He's socked away some dough, to hear

him  talk. What does he want to travel along with me for, if he could be the  big shot of his own outfit?" 

"Cap likes to bluff, Tex," decided the girl. "He always acted like  he had money, even when you knew he

didn't have a dime. You remember  when he first joined us." 

"Yeah." Tex nodded. "I liked him because he minded his own business  and didn't butt into mine. He was the

first sideshow man that was  satisfied to run his own top. Maybe it was time I cut him loose. I  wonder " 

"What?" questioned Lucille. 

"Well"  Tex was speculative  "I ain't just satisfied with the way  things are going on the lot. Cap Guffy may

be getting too important." 

"You've been leaving the show too often, Tex." 

"Stuffy's here, ain't he?" 

"Yes; but he isn't important enough." 

"He would be, if Cap Guffy wasn't around. That's the trouble with  promoting a fellow like Stuffy. The gang

don't recognize him like they  should." 

"Why not hire a new general agent?" 

"Maybe that would do." Tex nodded, then shook his head. "I guess  I'll have to let things slide along, Lucille.

The season's pretty well  through. I'll make out until we close. Cap will get over his huff " 

Tex paused suddenly as he heard a slight scruffing sound outside  the office car. He shot a look at Lucille;

then sprang to the door. He  called to a pair of roughnecks who were passing. 

"See who's sneaking around here," ordered Tex. "Move lively, you  fellows." 

"O.K., boss." 

The roughnecks  hardfaced fellows  sprang into the darkness  beside the trailer. Tex stepped back into the

office to find Lucille  standing beside the little window between the front desks. 

"Any one there?" quizzed Tex. 


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"I don't think so," replied Lucille. "The glass is out of this  window, though. Somebody could have been

listening to our talk." 

"Sounded like a snooper coming up," declared Tex. "We would have  heard him climbing out of the truck if

he'd been there at the window.  No  I don't think anybody was listening in. Come on. We'll see who the

roughnecks scared up." 

THE two men whom Tex had despatched for a search had reached the  front of the truck while the circus

owner was talking to Lucille.  There, in the darkness, they had encountered a human form. One brawny,

barearmed ruffian was clutching a crouching figure while the other  turned a flashlight on the pair. 

"Say!" The exclamation came from the roughneck who had made the  capture. "It's Jubo the Geek! What're

you doin' here, Jubo?" 

Jubo was showing his teeth in a fierce grin. His eyes glared  downward toward the arm of his captor. The geek

gave a grunt as he saw  a red circle tattooed above the roughneck's wrist. 

Wriggling his own hands free, Jubo pulled up the left sleeve of his  black jersey. His captors exchanged stifled

utterances as they saw the  same symbol on the geek's forearm. Jubo was obviously a member of their  band. 

"Scram," growled the man with the light. 

Jubo nodded. As the other roughneck released him, the geek slunk  off into the darkness. The two roughnecks

turned and walked back toward  the trailer. A flashlight blinked in front of them. It was Tex, coming  from the

office. 

"Who was it?" growled the circus owner. 

"We didn't find nobody," growled the roughneck with the light.  "Guess maybe it was just some guy cuttin'

through by the office." 

"All right," nodded Tex. 

The three men moved away. 

Gloom persisted beside the truck. Then, from the darkness of the  vehicle came a swishing shape. A spectral

figure reached the ground and  stood silently against the darkened side of the office trailer. 

Staring toward the glow of the midway, sharp eyes saw a stalwart  figure moving past the steps of the office.

It was Cliff Marsland,  heading for town to send his report to The Shadow. 

A soft, sinister whisper sounded beside the trailer. From his  vantage point in the rear of the truck, this

invisible watcher had  heard the conversation in the office. He had seen Jubo the Geek  prowling by the truck;

he had witnessed the encounter between the  mobsters who passed as roughnecks and the slinking wild man

whom they  had captured and let go. 

Weirdly, a spectral shape moved forth into the darkness. Again, a  whispered laugh was confined to a small

area. That laugh was a token  which none but its author heard. Yet it symbolized strange  understanding. 

The Shadow had not waited to hear from Cliff Marsland. He had  followed his agent to the town of

Marlborough. Like a phantom of the  night, he had come to the circus grounds to begin a secret  investigation


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of his own. 

The Shadow had listened. The Shadow had watched. Already he had  formed conclusions to carry him along

the trail of crime! 

CHAPTER VII. THE GAME BEGINS

BRIGHT lights glittered along the midway. A new night had come.  Business was good for the Larch Circus

and Greater Shows. The outfit  had struck a "red one"  a town where customers had cash that they were

willing to spend. 

Marlborough had been a "bloomer" for Tex Larch. He had welcomed the  move to the next town on his route.

The tents were pitched on the  outskirts of Burnsville, a small but thriving city. 

Thanks to a "fixer," the concessions were running at full blast.  Percentage wheels were clicking profits for

their operators. Crowds  were jamming the rider carousel, Ferris wheel and whip. The circus had  done good

business on its opening and Cap Guffy was jamming them in at  the TeninOne. The smaller shows  like

Jubo the Geek's  were also  getting their share. 

A tall, hawkfaced man was strolling along with the crowd that was  coming from the circus tent. He had seen

the show in the big top. Like  others, he seemed to be looking for new amusement. His keen gaze took  in

every attraction along the midway. 

The stranger paused to light a cigarette. He was jostled by passers  in the crowd, so he stepped aside and

stopped by a ticket window where  a seller was counting up receipts. His tall form cast a curious shadow

along the grounds. It was a splotch of blackness that ended in a sharp,  well defined profile. 

This stranger was The Shadow. Tonight, he had temporarily abandoned  his garb of black. He had become a

patron of the circus grounds;  already, he had found events of interest. The spot where he had stopped  was

well chosen. 

Two men were standing near the ticket window. They were not circus  folk; nor were they part of the

pleasureseeking crowd that thronged  the midway. Like The Shadow, these sternfaced individuals were

here  with a purpose. Moreover, they had managed to render themselves  inconspicuous. 

A dart game was operating in a concession booth close to the ticket  window. The Shadow stepped in that

direction to watch the customers  throw feathered pointers at tags that were supposed to bear lucky  numbers. 

A SHILL was having great luck. His wellaimed dart landed on a card  that hung from the board behind the

counter. The operator pulled out  the dart and turned the card to show the number 21. He took a huge  kewpie

doll from his display and handed it to the shill. A sucker  stepped up to aim darts at the tag which the

concessionaire had  replaced upon the board. 

"Hello, Casey. Got any big bills?" 

The question came in a woman's voice. The Shadow let his keen eyes  turn toward the ticket booth. Madame

Solva had come over from the  TeninOne. She was holding a large stack of onedollar bills. 

"Sure thing," responded the ticket taker. "How many ones have you  got there, Madame?" 


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"A hundred and fifty. Give me some tens and twenties." 

"All right." 

Casey took the ones and shoved out the required bills. Madame Solva  started for the other side of the

midway. 

The Shadow saw one watching man nudge the other. A nod; one fellow  kept his eye on Madame Solva while

the other stepped up to the ticket  window. Casey was counting over the bills that the woman had given him. 

"Say, Bud," remarked the man who had approached, "give me change  for a five spot, will you?" 

Casey nodded and counted off five from the bundle of ones. The man  passed in a fivedollar bill; then

returned to join his companion. Out  of Casey's sight  they were at the closed side of the booth  they  turned

their backs and examined the bills between them. 

The Shadow saw the bills go in one man's pocket. He noticed grim,  knowing nods. Then the two sauntered

out toward the midway, idling in  the direction that Madame Solva had taken. 

An argument was starting at the counter of the dart game. The  sucker had landed a pointer in the lucky card.

The operator had turned  the tag to show its face. 

"Number twentyseven," he was saying. "Well, friend, that wins you  a tin whistle." 

"Twentyseven?" The angry customer growled. "Say  when the last  guy stabbed that card, it was

twentyone." 

"You must be mistaken," informed the operator. "Look at the card  yourself. Number twentyseven." 

The sucker held the card in stupefaction. The Shadow smiled as he  stepped toward the midway. He had seen

what the sucker had not noticed. 

When the shill had landed the card, the operator had displayed it  as 21 by holding his thumb over the bar of a

7. Thus the sucker, after  aiming a few dozen darts for what he thought was a sure win, now found  himself

holding a tag that actually bore the number 27. He was grunting  in disgust as the operator handed him a

twocent whistle instead of a  dollar doll. 

The Shadow, meanwhile, was nearing the center of the midway. He saw  the destination that the sternfaced

men had chosen. They were picking  their course to a little tent off in back of the TeninOne. 

While the pair stopped in front of the closed flaps, The Shadow  circled around another tent. He wound up in

back of the tent that the  two men were watching. He found a hole in the canvas and peered  through. 

THE SOLVAS were alone in the tent. The professor had opened the  drawer of a wardrobe trunk. He was

taking the money that his wife had  brought. He put the large bills in one partition of the drawer; from  another

section, he brought out a stack of ones. 

"Here's two hundred more," he said, in a low tone. "Take them out  and peddle them around the concessions.

Don't pass more than fifty at  any one joint " 


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The professor broke off suddenly. His jaw dropped. His wife turned  to find him staring at the front of the tent.

The flaps had opened. The  two sternfaced men had entered. One was holding a levelled gun while  he

displayed a badge. 

"Got you, eh?" growled the intruder. "Well  come along. Grab that  queer, Dunham. Take the whole

drawerfull." 

The second man nodded. He shoved The Solvas aside and pulled out  stacks of onedollar bills. The mind

readers began a sudden protest.  The man with the gun stopped them. 

"No talk from you two," he ordered. "You're coming with us.  Quietly, too. You and your phony mazuma.

Ready, Dunham?" 

"All ready, Slade." 

"Our car's off past this tent," informed the man with the gun as he  eyed The Solvas coldly. "Dunham will lead

the way. You'll follow. Come  on. We're moving." 

The Shadow watched The Solvas make their forced departure. A soft  laugh came from his thin lips after the

mind readers and their captors  were gone. The Shadow had spotted the sternfaced men as secretservice

agents. He had guessed their purpose here; he had witnessed the  culmination of their efforts. 

Looking for passers of counterfeit money, the federal men had found  The Solvas. Quietly and efficiently,

they had captured the mind readers  and were taking them from the circus lot. 

THE barker at Jubo's tent was shouting out his spiel as The Shadow  again appeared upon the midway. Still in

the character of a visitor to  the circus grounds, The Shadow walked up and bought a ticket. He  entered the

tent and studied the freak in the pit. 

The hidden squawker was giving raucous roars from its hiding place  beneath the canvas. Jubo was grinning

from his pit while he clutched  viciously at squirming snakes. 

The Shadow watched the antics of the geek. He studied the  brownstained face. A smile appeared upon the

thin lips of The Shadow's  masklike countenance. 

Leaving the geek show, The Shadow strolled toward the bannered  front of the TeninOne. Captain Guffy

had just finished his last  bally. The crowd was entering for the final show. The Shadow bought a  ticket and

followed. 

Inconspicuous in the crowd, The Shadow listened to Cap's lecture on  the various freaks. He eyed Cleed, the

languid cigarette fiend. He  studied Luke, the tattooed man. He noticed Cap Guffy's glower when the  lecturer

stopped at the curtained platform where The Solvas should have  been. 

Abruptly, Cap passed on to the snake pit occupied by Princess  Marxia. He continued his lecture; but all the

while, he kept watching  for the return of The Solvas. When he reached the last exhibit, he  spoke to an

attendant who was standing there. The man nodded and left  the sideshow. The Shadow knew that Cap had

sent him to locate The  Solvas. 

The attendant returned as Cap finished his lecture. Guffy caught a  shake of the fellow's head. He promptly

announced that the show was  finished. The crowd headed for the exit. 


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The Shadow, however, remained. He watched while Cap Guffy  approached Princess Marxia and pointed to

the platform where The Solvas  should have appeared. The snake charmer shrugged her shoulders. Luke,  the

tattooed man, came from his platform to join the discussion. 

The Shadow drew closer. He could hear Cap Guffy's growl. The owner  of the TeninOne was angry.

Marxia and Luke were nodding in agreement  as he spoke. 

"I thought they were ready to blow," asserted Cap, "Well  that's  the end of 'em. Nobody ever jumps a show

of mine and gets back on it." 

Cap turned about. He stopped, face to face with The Shadow. He eyed  the countenance before him. He stared

at the firm, masklike visage of  the waiting stranger. He caught the steady burn of eyes that peered  from either

side of an aquiline nose. 

"Well?" queried Cap. "You here to see me?" 

"Yes," replied The Shadow, quietly. "You are Captain Guffy, aren't  you?" 

"Yeah. What about it?" 

"My name is Zoda. I came here to see about joining your outfit." 

"Yeah? What's your act?" 

"Mind reading." 

"Huh?" Cap seemed surprised. "Say  you're just the guy I want to  talk to. Where's your partner?" 

"I work single." 

"Single? How do you get away with that?" 

"I have my own methods. I require no partner." 

CAP stared. This was a new one on him. He was used to double acts  on the mind reading platform. He was

impressed, however, by Zoda's  confident gaze. Cap nodded. 

"You're in," he announced. "You can use the tent The Solvas lived  in. I'll shove their stuff in one of the

trunks. Got your trunk with  you?" 

"No. I am traveling light. I have a car outside the lot, with some  suitcases." 

"I'll send a punk to get the kiesters. What about books? You'll  need 'em won't you?" 

"Yes. Do you have any?" 

"Over here"  Cap led the way to the curtained platform and opened  a box at the rear edge. "Here's some

horoscope books The Solvas were  using. I bought the books myself, along with a lot of slum. The Solvas

were paying me while they used 'em. You can have what's left. 


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"You'll work on salary. Twenty a week and cakes. I was paying The  Solvas thirty; but there was two of them.

What you get from the books  is yours. How does that suit you?" 

"Satisfactory." 

"All right, Zoda. Any time you want to scoff, go down to the cook  tent and charge it up to me. The grub's

good. We all scoff there.  That's where I'm going now. Want to come along?" 

"No, thanks. I had dinner in the town. Show me the tent and I'll  move my stuff in." 

Cap led the way to the tent that The Solvas had occupied. He  shouted for a couple of roughnecks. A thin

smile appeared upon Zoda's  lips as Cliff Marsland appeared with another man. Cap Guffy pointed the  trunk

that stood in the tent. It was closed; a detail to which the  secretservice men had attended before leaving with

their prisoners. 

"Shove this on one of the trucks," ordered Cap. "Send some punk in  here. I want him to bring some kiesters

from a car." 

TEN minutes later, Zoda, the mind reader, stood alone in the tent.  His suitcases were lying in a corner. His

eyes turned in that  direction. His lips formed a thin smile. His hand turned out the light  that hung fastened to

the tent pole. 

Then came the click of an opening bag. After that, the swish of  cloth. Two minutes later, a ghostly figure

emerged from the tent and  moved in spectral fashion away from the closing midway. 

The gliding form reached a parked coupe. It entered. The motor  buzzed. The coupe rolled away. As it struck

the road leading into  Burnsville, a soft laugh came from the darkness of the car. 

Zoda had become The Shadow. Unseen, unnoticed, he was leaving the  circus lot upon a secret errand. 

CHAPTER VIII. AT THE HOTEL

A TOWN clock was chiming midnight when The Shadow's coupe rolled to  a stop on a side street in the town

of Burnsville. Few people were  abroad. All the night owls of this nineo'clock town had gone to the  circus

and had returned directly to their homes following the closing  of the midway. 

The only buildings that still showed lights were a small lunch room  and a decrepit hotel which bore a battered

sign proclaiming it as the  "Depot House." Railroad tracks, half a block away, showed the reason  for the

hotel's name. 

Shrouded in the darkness of a side street, The Shadow moved  alongside the old hotel Looking upward, he

spied a pair of lighted  windows on the third floor. A long arm swished upward and caught the  swinging

bottom of a fire escape. The Shadow began a silent ascent. 

Reaching the third floor, the invisible prowler entered by a fire  exit and moved softly along a dim corridor.

He passed two doors; then  stopped at a third. Cautiously, he applied a keylike instrument to the  lock. The

door opened with a slight click. 

A tiny flashlight beamed. It showed that the room was empty. The  Shadow edged toward a door in the corner.

Again, his key did its work.  The door opened by inches. The Shadow spied the blocking back of a huge


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wardrobe that was set caticornered in a lighted room. 

People were talking as The Shadow slipped into the hiding place  that so neatly suited his convenience. He

closed the door under cover  of the wardrobe. He moved to the edge of the big object and found a  wide space

between the wardrobe and the wall. From this vantage point,  he commanded a good view of the room. 

There were four occupants. Two were Dunham and Slade, the  secretservice operatives. The others were The

Solvas. The mind readers  were sitting sullenly in chairs while they faced their inquisitors.  Slade was

growling. 

"So that's all you've got to say, eh?" he demanded. "Well  we'll  see. You'll have a chance to tell your story

again. We've got a friend  coming. He'd like to hear it, too." 

Brief minutes passed. Then came a cautious knock at the door.  Dunham opened it to admit a stocky,

heavyset visitor. This was the man  whom the operatives had expected. His stern features; his square jaw  and

cold, steely eyes marked him as a personage of keenness and  ability. 

THE SHADOW knew the identity of the arrival. This man was Vic  Marquette, one of the most capable

operatives in the secret service.  His path had crossed The Shadow's in the past. The Shadow had expected  Vic

to appear tonight. He knew that operatives such as Dunham and Slade  would be waiting for a chief. 

"Hello, Vic," greeted Slade. "Here's a pair we pinched up at the  circus. Grabbed them in a tent, along with a

drawerful of queer. Want  to hear their story?" 

"Yes," responded Vic, in a steady tone. "Let's have it." 

He eyed The Solvas as they spoke. The woman began to squawk a  denial. Her husband growled for her to be

silent. He faced Marquette  and spoke in a sullen tone. 

"You got us with the goods, all right," admitted the man who styled  himself Professor Solva. "But we don't

know where the stuff come from.  We got horsed into the racket, that's all. It came out of a clear sky  and it

looked too soft to pass up." 

"Go ahead." 

"We was working in the TeninOne show. Had a platform there, along  with a boxload of books. The

Madame, here, went to get some books one  night and found a note, along with a onedollar bill. She showed

me the  note and the one spot. I tore up the note." 

"What did it say?" 

"It told me the dollar bill was phony. It said that for every ten  bucks of real mazuma I could get fifty of the

queer. Told me to put the  good money in the book box and leave it there after the show. Said that  I'd find the

other stuff in its place." 

"So you tried it, eh?" 

"Sure. We loaded up with the counterfeit stuff. Took the phony ones  and kept them in our tent. Every night,

my wife would go around the  grounds and hand out onespots for bigger bills. We was building up big  when

these guys grabbed us." 


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"What's your name?" 

"Harry Gruck. I call myself Professor Solva. This is my wife,  Mamie. She's Madame Solva." 

"Listen to me, Solva. I want to know who gave you the queer money.  It will be easier for you if you tell me

the whole story." 

"Wisht I could." Solva spoke in earnest. "I ain't got no love for  the guy that horsed me into this mess. But I

don't know who he is.  Honest, I don't. We fell for the gag  my wife and I  but we played it  straight because

it looked good." 

"All right." Vic Marquette was standing with hands in pockets.  "Take them away, Slade. I want to talk with

you and Dunham." 

Handcuffs clicked as the lesser operatives applied them to the  wrists of the prisoners. Vic Marquette alone

remained in The Shadow's  view as Slade and Dunham led The Solvas into an adjoining room. Then  came the

thud of a closing door. Slade and Dunham returned. 

"A FINE pair, you two," spoke Vic Marquette to the other  operatives. "One more big mistake to your credit. I

thought I told you  to lay off making a grab until you heard from me." 

"What could we do, Vic?" protested Slade. "You didn't show up here  last night like we expected. We went

out to the lot just to look  around. We happened to see the dame shoving the queer and " 

"So you grabbed her and the man," interposed Vic. "Why didn't you  leave them alone? They would have kept

until tomorrow. Listen, boys.  The first pinch was all right. You took in a concessionaire four weeks  ago. You

had the goods on him. He told a story that sounded on the  level." 

"The same one as these people," growled Slade. 

"Yes," responded Vic. "So you went back two weeks later and picked  a fellow out of the cook tent. He gave

you the same line, didn't he?" 

"Yes." 

"Well, that was when I told you your mistake had been proven. But  you were still itching to make another

grab. You've done it. This time  you've landed two more small fry." 

"They were shoving the queer, Vic." 

"Of course they were, you simpleton. But they aren't in the know.  They're like the others that you grabbed 

nothing but blinds. All the  while I'm trying to spot the real people in the game you're making it  harder for

me." 

Vic paused to pace back and forth across the room. He waved his  fellow agents to the chairs that The Solvas

had vacated. Then, in a  cold, steady tone, he began to lay down his orders. 

"There's a ring behind it, men," voiced Vic. "They are operating  with the Larch Circus. They have flooded

every town with plenty of the  queer. It goes out through ticket windows. It shows up in salaries. It  passes over

concession counters. It filters in through purchases of  supplies. 


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"There are dozens in the racket and they know we're after them. So  to cover up, they pick dupes. Like the

concessionaire you grabbed. Like  the fellow at the cook tent. Like these people  The Solvas. 

"The crooks figure out just what operatives like you would do. They  knew that you would come to the circus

lot and look for somebody who  was passing the queer. You did; you grabbed the ignorant dupes. 

"Suppose you had pinched fellows at the ticket windows? Suppose you  had questioned others like the

concessionaires? They would all have  given you the same story. They would have said that people like The

Solvas had come to them to give change for large bills. 

"Don't you see the game? Take that fellow at the ticket window  tonight. You saw him get the queer from The

Solvas. You figured that he  was all right. Maybe he is. On the contrary, maybe he belongs to the

organization. 

"If he does, he's getting plenty of the queer and passing it out  from his booth. But if you grabbed him  right

or wrong  he'd give you  the one story. He would protest his innocence and back up his statement  by pointing

out that you saw The Solvas work their game on him." 

Silence followed Vic's denunciation. Slade shifted uneasily and  grumbled. Dunham echoed his companion's

utterance. It was Slade who  spoke. 

"I KNOW you're right, Vic," he admitted. "Come to think about it,  there's so much queer around these towns

we've been to that we can't  lay it all on the suckers that we grabbed. But what are we going to do?  Pull in the

whole circus?" 

"No!" Vic was emphatic "We're going to the heart of the thing. Let  me tell you something. This gang is

organized. It's loaded with thugs.  They're ready for business. It's like a mob, with a leader passing word

around the crew. 

"But in back of it"  Vic paused to wag a knowing forefinger  "is  a hidden big shot. He sees that the queer

starts its rounds. He  collects the real cash that the mob turns in. It's all done between the  mobleader, who is

one of the circle, and the big shot, who keeps  aloof." 

"I get you, Vic," acknowledged Slade. "Who do you think is the big  shot?" 

"I don't know," admitted Marquette. "What I'm trying to find is the  mobleader. It's like an endless chain, that

ring of crooks. If I can  really spot the one man who sends orders around the circle, I can  concentrate on him.

By watching the mobleader alone, I'll find the big  shot when the two make contact." 

"Great stuff, Vic." 

"It was great, Slade, before you two fellows made this bull  tonight. I don't know what will happen now." 

"Why not? The game will go on, won't it? It kept on after we  grabbed the first fellow  and the second " 

"I'm afraid this grab is one too many. The ring quit shoving the  queer after you took in the fellow from the

cook tent. That is, they  quit for a few days. I think they'll quit again this trip. If they do,  I'll have to wait a

while." 

"What'll we do, then?" 


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"Sit tight. Follow the show wherever it travels. Don't make a move  until you hear from me. If the ring keeps

on working, I'll know it  before you do." 

The other operatives nodded sheepishly from their chairs. Vic  Marquette paced toward the door and stood

with his hand on the knob. 

"Hold The Solvas," he ordered. "Make them write a letter to Captain  Guffy, who runs the sideshow. See that

the letter is posted from New  York. 

"Have The Solvas tell Guffy that they jumped because they had a  better offer. Tell them to send money along

so that their luggage can  be shipped to New York. Use an address where Guffy can send the baggage  checks.

General delivery in some small town between here and New York  would be the best bet." 

"All right, Vic," responded Slade. "We'll do it right. Nobody on  the circus lot will know that The Solvas were

grabbed." 

"They may not know it," retorted Vic, "but they will suspect it.  Just the same, it's the best that we can do to

make up for your  mistake. Remember: sit tight until you hear from me." 

With that, Vic Marquette opened the door and stalked from the room.  The closing barrier was the final mark

of his departure. 

But Vic was not the only one who chose a convenient portal through  which to leave the room where Slade

and Dunham remained. 

Silently, The Shadow had opened the door behind him. Like a gliding  specter, he passed through the

unoccupied room and made his way to the  fire escape. He descended by the fire tower and formed a

blackened  shape beside the parked coupe. 

A laugh came from that same car as The Shadow rode in the direction  of the circus grounds. The master

sleuth was returning to resume his  role of Zoda, the new mind reader. Like Vic Marquette, The Shadow was

planning to uncover the big shot behind the game of crime. 

CHAPTER IX. WORD TO THE SHADOW

ANOTHER prosperous evening had ended on the circus lot. The  remnants of the crowd were strolling from

the midway. The front of the  TeninOne was closed. Freaks and performers had left their platform,  with the

exception of the new mind reader. He was arranging his books  while Cap Guffy was closing up. 

The flaps at the entrance were pushed aside. Guffy, about to bark a  challenge at the intruders, stopped as he

saw Tex Larch coming in. With  the proprietor of the circus was Lucille Lavan. Following them was a

thickfaced man: Eric Wernoff, the Animal King. 

"Hello, Cap," greeted Lucille. "We just came up from the office. I  wanted to see this new mind reader that

everybody is talking about." 

"He's finished his act," informed Cap, gruffly. "There he is,  though, over on the platform. Come on over if

you want to meet him." 

Cap took the visitors to the platform. Zoda gave a profound bow as  he was introduced to Lucille Lavan. The


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girl stated the purpose of her  visit. 

"We've heard a lot about your act," she said. "They say that you  work it single. How in the world  well, how

do you manage it without  someone in the crowd to have people ask them questions?" 

"I let persons write their questions," came Zoda's steady response.  "For instance"  he reached to a table on

the platform and stepped down  to the rail  "take this pad and pencil. Write any question that you  wish. Then

tear off the paper." 

"And give it to you?" 

"No. Keep the paper in your own hand. That's right. Look at the  words that you have written. Raise your hand

toward your eyes." 

The girl followed the directions, keeping the writing toward  herself. Zoda shook his head. His lips formed a

thin smile. 

"A bit higher." He reached forward and grasped the girl's right  wrist lightly. "On a level with your eyes so

that you can read and  concentrate. That's right." 

A mirror glimmered from the palm of Zoda's left hand. The mind  reader was the only one who saw it; for the

back of his hand was toward  the others. His keen eyes saw the reflection of the words that Lucille  had

written. They were in reverse; yet Zoda read them with a glimpse.  He stepped back to the platform. 

"Fold the paper," he ordered. "Press it lightly against your  forehead  thus." 

Lucille nodded and copied Zoda's action. While she held the paper  slip, Zoda stared steadily toward her eyes;

then spoke in a solemn  tone. 

"Your question," he stated, "is a simple one. You wish to know if  the future holds luck for you. I can answer

it. Your fortune is already  made. Others know what you have not yet learned. That is all." 

"Wonderful!" exclaimed Lucille. "This slip of paper was never out  of my hand! What do you think of it Tex

and you, Eric?" 

"Very goot," responded Eric Wernoff. "I haff seen nothing so clever  before this time. Very goot." 

IT was plain that the animal trainer had not detected Zoda's smooth  trickery. The action of touching Lucille's

wrist had been well  accomplished, in a most natural fashion. 

Tex Larch was baffled also; but it was plain that he was thinking  of something that Zoda had said. His

weatherbeaten face was stern as  his shrewd eyes studied the masklike visage of the mind reader. 

"Let's go back to the office, Lucille," suggested Tex, gruffly.  "I've got some business there. Come along.

We'll see you later, Cap." 

"I'll walk along with you," responded Guffy. "I'm going down to  scoff. I'll keep on to the cook tent." 

He started to follow the others; then paused and waved them ahead.  He turned back to speak to Zoda. 


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"Those boxes of yours are in town," he told the mind reader. "They  came into the station tonight. I'll send

down for them in the morning.  What're you going to do? Rig up this platform different?" 

"Yes. I intend to place pillars by the rail; with steps leading  down to them. My act will be different then. I

shall be closer to the  spectators." 

"That sounds like a good flash. Your act is a knockout, Zoda; it  was a break for me when The Solvas

jumped the show." 

"Have you heard from them?" 

"Yeah. They wrote in saying they were going to join up with another  outfit. Said I'd hear from them later, so I

could ship their stuff." 

"Mr. Larch has left," reminded Zoda, in his eventoned voice.  "Weren't you going with him, Cap?" 

"No," responded Guffy. "I was going along down the midway; that's  all. I changed my mind, though. I'm not

talking much with Tex Larch  right now. He's a good scout  a trooper like myself  but he's got his  business

and I've got mine. Going to scoff with me down at the cook  tent, Zoda?" 

"Sorry," replied the mind reader. "I am very seldom hungry after  the show. I shall see you later, Captain." 

Guffy left the tent by himself. Zoda remained on the platform for a  short while; then followed and made his

way toward the tent that had  formerly been the living quarters of The Solvas. 

WHILE The Shadow  as Zoda  had been demonstrating his act to  Lucille Lavan, other events had been

moving on the circus lot. Cliff  Marsland, down by the circus tent, had run into Hank, the first man who  had

shown him a red circle. 

"See that tent?" Hank pointed out an isolated spot where a faint  glow showed through brownish canvas.

"We're covering it. Sneak over to  the side of that first truck. Don't go any closer to the tent  and see  that

nobody else does." 

"Right," agreed Cliff. 

Reaching the truck, The Shadow's agent posted himself as a member  of the guarding group. He knew that

others who carried the red circle  must be in the vicinity. Most of the lights had been turned off along  the

midway; pitch blackness reigned in this portion of the lot, except  for the dull light from the secluded tent. 

Until tonight, Cliff's only inkling of crime had been the presence  of the mobsters who formed part of the

circus crew. He knew that some  of the MalliganZinn gang were established as ticket sellers and

concessionaires. Cliff knew nothing about the counterfeiting end of the  game, for the roughnecks were not

used as passers of the queer  currency. 

Cliff had decided that Croaker Zinn was with the outfit. Yet Cliff  had not seen the mobleader. The only two

persons who might have contact  with Croaker were Luke and Princess Marxia, for they had steered Cliff  into

the red circle.  Mobsters  all pretended roughnecks  were  covering the lighted tent. To Cliff, that meant that

a meeting must be  under way. Hank's order not to approach too close to the tent was  indication that even the

mobsmen were to remain in ignorance of the  persons at the meeting. Cliff knew that the mobsmen would

obey the  order to keep their distance. 


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That was the very reason why Cliff decided to approach. He was one  of a cordon stretched around the tent.

The darkness was thick. It  offered opportunity. Easing away from the truck, Cliff dropped to his  hands and

knees and groped his way toward the dull light. 

He reached the tent without encountering any obstacles. Crawling  with hand against the canvas, Cliff found

the flap as he listened to  the mumble of voices from within the tent. Lying flat on the ground,  Cliff raised a

tiny peephole and peered into the lighted interior. 

Facing him was Luke, the tattooed man. At Luke's side was the woman  called Princess Marxia. Cliff was not

surprised to see them here. But  the sight of a third figure brought a silent gasp to his lips. Seated  crosslegged

on the ground was Cleed, the Cigarette Fiend! 

The man began to speak as Cliff watched. The harsh tone of his  voice  it was giving the first words that

Cliff had ever heard Cleed  utter  was enough to reveal the man's identity. Cleed, the pretended  dope, was

Croaker Zinn! 

CLIFF suddenly realized why his acceptance into the band had been a  prompt one. Cleed's platform was next

to Luke's. Thus Croaker Zinn,  disguised by his pasty face, had looked Cliff over and passed the word  of

approval to Luke. 

"The Feds are watching all right," came Croaker's growl. "They  grabbed The Solvas like they did the other

saps that we used for  blinds. That makes the third grab." 

"The Solvas can't tell 'em nothing," put in Luke. "I don't see how  it hurts us. Leave a note for another sucker,

with one of those phony  dollar bills. How about one of the guys on the Ferris wheel?" 

"We've got to quit shoving the queer," decided Croaker. "The Feds  ain't dumb, like dicks. Getting the same

story from three people will  show them that there's something bigger than they thought. 

"We're laying off on the queer until I talk it over with the big  shot. The vacation won't hurt anybody. We'll

wait a while. That's all." 

"But you've got to keep on feeding dough to your gorillas,"  protested Luke. "Sending real mazuma around the

circle ain't going to  please the big shot while he's got nothing coming in. I know he's  leaving you handle the

mob so he don't have to look like he's with it;  but he didn't pin any medal on you the last time you quit

shoving the  queer." 

"No?" questioned Croaker. "Well, guess again, Luke. I'm handling  things with the big shot. I'm close to him.

We figured this would be  coming. We've got something else beside the queer. Listen  these  gorillas that are

working as roughnecks ain't just ornaments. It's  going to be their turn while we're laying off the queer." 

"You know the password  both of you. The one I told you to keep  until you needed it. Well, I'll tell you

when to start it. When it goes  round the circle, there'll be five gorillas who will know what to do.  Neither of

you know the game that I've been holding up my sleeve. It's  just as well you didn't. 

"We don't have to shove the queer. This new gag will do the  business. You'll get my tip in a couple of nights,

Luke. Pass it to  Marxia; then both of you shoot the word along. We'll pull in as much  dough as we've been

getting with the queer." 

Croaker arose. He reached for the light. Cliff Marsland wriggled  away from the tent as Luke began to ask

some question. Cliff was almost  back to the truck when the light went out. He gained his objective and


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waited there. 

A sound came to Cliff's ears. The Shadow's agent fancied that he  heard someone moving near the truck. Was

it a spy, sent around the  cordon, to make sure that all the watchers had remained at their posts?  As Cliff

listened, the creeping ceased. Then came a flashlight,  blinking toward the truck. 

"Are you there?" 

It was Hank's voice. Cliff grunted an affirmative response and  received a growled order to move along. Hank

went on his way. Cliff  realized that Hank had been watching the light in the tent. He had  allowed time for the

occupants to move out; then he had come to  disperse the watchers. 

LUKE and Marxia, with Cleed  otherwise Croaker  were waiting  somewhere in the darkness. With the

cordon gone, they would sneak back  toward the TeninOne, unseen by friends as well as enemies. Cliff

sauntered off through the darkness, obeying Hank's injunction. 

Heading toward a tent that he occupied with other roughnecks, Cliff  stopped suddenly. He was sure that he

heard footsteps following his  own. He moved along and stopped again; once more, he sensed an echo. 

When he reached the tent, Cliff turned on a light and looked  around. None of the other roughnecks were here.

Empty cots, suitcases  and boxes were all that Cliff saw. After a suspicious glance toward the  flap that he had

closed behind him, Cliff pulled a sheet of paper from  his pocket. Producing a fountain pen, he wrote a coded

message and  sealed it in an envelope which he pressed upon the top of a box. 

The envelope lay before him as Cliff was putting the pen back in  his pocket. A faint rustle showed at the tent

flap. Forgetting the  envelope, Cliff pounced to the front and thrust his body through the  canvas. He seized a

moving form and grappled with it. 

Catching his antagonist off balance, Cliff whirled the fellow  around and sent him sprawling into the tent.

Pouncing in, Cliff  crouched above the man whom he had captured. He found himself staring  into the

brownish face of Jubo the Geek! 

As Cliff stood ready to resume the attack, the grinning wild man  plucked at the sleeve of his jersey. As the

garment crept up, Cliff saw  a red mark on Jubo's arm. It was the circle that showed its owner to be  one of

Croaker's band. 

Cliff pulled up his own sleeve, Jubo saw the tattoo mark. Rising,  the geek grinned again as he moved in

crouching fashion toward the tent  flap. Cliff allowed him to go unmolested. He heard Jubo slink off  through

the darkness. 

Cliff was perturbed. Why had Jubo followed him here? Until this  encounter, Cliff had not suspected that Jubo

belonged to the crime  crew. Cliff's worry began to increase. It was possible that Jubo had  been working as a

rover, going the rounds to watch the cordon. 

Against this was the fact that Hank had made no provision for such  a prowler. Jubo in circling the conference

tent, would naturally have  been challenged by every one on watch. Then it occurred to Cliff that  Jubo might

have been another watcher. The geek could have heard Cliff  crawling by the truck and followed him to make

sure that he was a  member of the band. 

Cliff smiled. He felt that his red circle had squared him with  Jubo, just as the geek's tattoo mark had made it

right with Cliff. That  point settled, The Shadow's agent remembered his important envelope. He  swung


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toward the box; then stopped short. 

A hand had raised the side of the tent by the box. An arm was  coming inward from solid blackness. Gloved

fingers were resting on the  envelope. As Cliff watched, the hand moved away, carrying the envelope  with it. 

The Shadow! Cliff's chief had come to gain the report prepared for  him. He had been waiting to get this

message before Cliff left to mail  it to New York. 

A smile of confidence crept over Cliff's features as the side of  the tent dropped to cover the departing hand.

With The Shadow close at  hand, Cliff felt ready for any emergency that might arise. 

Five minutes later, a swishing sound occurred in a small tent. Then  came the clicking of the clasp on a

suitcase. A hand pressed the light  switch. Zoda, the mind reader, was revealed by the glare. His hands  opened

an envelope and read an inked message. The writing faded. Zoda  tore up the blank sheet. 

The Shadow had received Cliff Marsland's message. He had learned  that Cleed and Croaker Zinn were one.

He had gained a report of the  conference in the tent. Cloak, hat and gloves were packed away. As  Zoda, The

Shadow was prepared for coming crime. 

CHAPTER X. MOBSMEN MOVE

IT was the last night in Burnsville. Business was good in the  TeninOne. Zoda was working with his newly

arranged platform. He was  the big attraction in the sideshow. Wearing a turban above his full  dress suit, the

mind reader was holding the crowd with his marvels. 

"Whisper a question to any of your friends," he told the throng.  "Let them be ready to confirm the thought

that is in your mind. That is  all I ask, as I stand here upon my small platform. Proceed " 

Zoda indicated a lady in the audience. The woman spoke in the ear  of a man beside her. A suave smile

appeared upon Zoda's lips, as his  eyes met the woman's gaze. 

"That gentleman is your husband, madame," announced the mind  reader. "You mentioned the name of your

child and wondered if I could  catch the thought. The child is a girl. Her name is Myrtle." 

A buzz passed among the spectators as the woman's gasp showed that  Zoda's answer had been correct. The

mind reader turned to a man who was  standing by himself. 

"Choose someone," ordered Zoda. "Tell that person your name  the  date of your birth  any bit of

information that you care to give. I  shall divine the thought." 

Thus speaking, Zoda turned to pick up a crystal ball from its  pedestal. Staring into the clear sphere, he

announced: 

"You are thinking of your birthday, sir. September the twelfth,  1897. You are also concentrating upon your

name. Since you have  mentioned it to the person beside you, I shall announce it. Your name  is Herbert" 

Zoda polished the crystal  "Herbert Ranger." 

The man nodded. There was further buzz. Zoda singled out more  persons and answered their questions. Then

as Cap Guffy signaled from  beside Princess Marxia's pit, Zoda produced his supply of books and  began to

sell them to the crowd. 


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One man remained after the others had passed along. It was Cliff  Marsland. He had come into the

TeninOne as a shill. He had also  started the book sale by making one of the first purchases. He was

reading his horoscope as he stood by one of the pillars that Zoda had  set up in front of the platform. The mind

reader, up on the platform,  was arranging his books on a table at the rear curtain. 

"The password went around." Cliff moved his lips in a faint  whisper. "Everybody in the circle sent it along.

The word was  'pyramid.' I don't know what it was for, or who was supposed to act on  account of it. But I

think it went to some of the fake roughnecks." 

Cliff thrust the horoscope book into his pocket and strolled along  past Marxia's pit. 

EVERY word that he had whispered had reached The Shadow's ears. For  Zoda, the mind reader, was wearing

a pair of earphones in his turban. 

Wires ran beneath his suit to metal plates on his shoes. These  formed contact with copper nails in the

platform. The nails, in turn,  were connected by wires to microphones in the pillars out in front of  the

platform. The tiniest whisper from near those pillars was audible  to the mind reader. 

This was the secret of the startling act that The Shadow had  performed in the guise of Zoda. He had arranged

the hook up while the  TeninOne was empty. But his work had not stopped with the placing of  the

microphones in the pillars. 

Along the ground ran other wires. One terminated in a mike by  Marxia's pit; another was set beneath Luke's

platform; the third was  under the little stage where Cleed was resting. Thus The Shadow was  ready to hear

anything that the conspirators might say. 

He knew that the word had been passed along. Just after the first  show, he had caught a low grunt from

Cleed. Luke had left his platform  to sneak to Marxia. Both had spoken  individually  to lounging

roughnecks who had worked as shills. 

Hence Cliff's report had been unnecessary. It had told The Shadow  neither more nor less than he had already

heard. No one had given any  explanation for the word "pyramid." It had merely been started along  the chain,

through Luke and Marxia, at the instigation of Cleed. 

A roughneck was approaching Luke's platform. Zoda moved away from  the table with the books. He sat

down in a chair and let his feet rest  upon a definite spot. Words clicked through the earphones, muffled by  the

protecting turban. The roughneck was talking to Luke. 

"I've got a job for you," the roughneck was saying. 

"Tattooing?" questioned Luke. 

"Sure." The roughneck laughed. "That's your work, ain't it? Get  busy. I'm the first, I guess." 

"What kind of a design?" 

"Anything. Only make it quick. And spread it over this red circle." 

"What?" 

"You heard me. Say  ain't you in the know?" 


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"Sure thing." Luke laughed. "Only I got to look like I'm surprised,  ain't I?" 

The buzz of the electric needle began. The smile showed on Zoda's  thin lips. The Shadow knew from Cliff's

previous report that tonight's  plans were between Croaker Zinn and certain mobsters whom he had  probably

prepared in advance. The chosen ones were the only members of  the circle who had understood the meaning

of "pyramid." They were  following instructions. For some reason, they were having the red  circles

obliterated. 

A few minutes later, Cap Guffy came along the line, followed by  Princess Marxia. He noticed that Zoda had

become suddenly busy with his  books. Cap passed the mind reader's platform. He stopped to watch Luke  at

work on the tattoo job. 

"Go ahead, Luke," decided Guffy. "I was going to use you on the  bally stand; but since you're doing a job,

you can stay here." 

CAP moved along to Cleed's platform. Zoda, obscured by a curtain,  promptly moved to a new location. The

conversation that followed was  audible through the earphones. It was an odd conversation, for Cap  Guffy was

the lone speaker. He was talking to Cleed and the answers  from the pastyfaced man were nothing more than

weary signs with his  head. 

"Come on, Cleed. I'll use you on the bally... What's that?...  No?... When I say come along, you come along...

Don't want to, eh? Well   I get the idea. You're supposed to be too dopey to get up... That's  right. You gave

me the nod that time... Well, keep on nodding. Get off  that cot. You can act like you are a hophead when

you're on the bally  platform... Still saying no, eh? Listen. I'll call a couple of punks  and have them grab you

when you start to collapse. It'll look good...  Yes? That's better. Come along." 

Zoda was looking from his platform when Cap Guffy conducted Cleed  toward the front of the tent. The

Cigarette Fiend was leaning heavily  on Cap's shoulder. Cap was talking to him as they walked along. Cap's

words, however, were inaudible to The Shadow, for they had passed the  range of the microphone. 

Luke had finished his tattoo job when the acts came back from the  bally platform. Cleed had evidently pulled

his collapse stunt, for two  roughnecks were carrying him into the tent. Customers were buying  tickets in

frantic haste, anxious to see what had happened to Cleed. 

The roughnecks dropped their burden on the army cot. One of them  sauntered away. The other climbed up on

Luke's platform. Again, the  earphones served The Shadow. This fellow wanted a new design to cover  up the

red circle. He was showing Luke a butterfly design on his right  forearm. He wanted it matched with one on

the left. 

THE show went on. Luke paused in his tattooing to display his  pictured back to the crowd while Cap Guffy

lectured at the platform.  Then, as the throng moved along, Luke resumed his work. When the round  had been

completed, Cap bellowed out for Marxia and Zoda to come out  for a new bally. 

The snake charmer brought along a pair of bull snakes. Zoda looked  impressive with turban and crystal ball.

Cap, as an afterthought, added  Cleed and instructed the fake freak to "do another flop." 

Luke was again eliminated. He had finished with his second  customer; but a third had promptly arrived. The

bally finished; and  another show went on. The procedure continued. When the last show was  in progress,

Luke had supplied five roughnecks with new tattoo marks to  cover their red circles. 


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Cliff Marsland was a shill on the last show. He lingered in front  of Zoda's platform and whispered his report

into the mike. Cliff had  been watching the roughnecks along the midway. He had not witnessed the  tattooing

done by Luke. 

"Five of the mob have slipped out," informed Cliff. "I watched them  pull away in an old car. I don't know

what they're up to." 

There was no response from Zoda. Cliff went back to the midway. He  was needed at the circus tent, for

roughnecks were getting ready to  pull down the big top and load it for tonight's jump. 

A recent message from The Shadow had instructed Cliff to pass his  information to Zoda. Hence Cliff had a

hunch that Zoda and The Shadow  were the same. He realized that to play his part successfully, The  Shadow

had been forced to let the five mobsters embark upon their trip.  Cliff, however, could see purpose in The

Shadow's action. 

Already, the counterfeiting game was known. But it had been put on  the shelf, at Croaker's order. The best

way for The Shadow to learn  Croaker's new game of crime was to let it go unmolested on the first  attempt. 

THE big top was coming down. Cliff joined other roughnecks on the  stakepuller. This was a long shaft that

projected from an axle between  two wagon wheels. A roughneck grabbed a chain that hung from the other

side of the axle and wound it around a stake that had been driven deep  in the hard ground. 

Then Cliff and the others grabbed the high end of the shaft and  bore it downward. The leverage yanked the

heavy stake clear of the  ground. The wheels revolved as the roughnecks rolled the stake puller  along to make

another hitch. 

While Cliff was aiding on this job, the last show finished in the  TeninOne. The freaks departed from their

platform. Princess Marxia's  snake boxes were carried from the tent. 

While Cap Guffy was out calling for roughnecks, Zoda remained  alone. Unobserved, he detached the

microphones and packed them. Then he  strolled out along the midway, where the concessionaires were

packing  up their joints. 

Jubo the Geek was working with the ticket seller who ran his tent.  He had become a very tame wild man; but

that excited no comment among  the circus folk. They knew that all geeks were fakes. Thus Jubo,  rolling

canvas, was an object of interest only to the few townsfolk who  were staring from the fringes of the circus

lot. 

As Zoda's tall figure stopped near a tent close by the office  trailer, Cap Guffy strode into view. Tex Larch

was talking with Stuffy  Dowson outside the office. Cap came up with an angry scowl on his face. 

"Say, you!" he hurled his challenge at both Tex and Stuffy. "What  about them roughnecks that's supposed to

be tearing down my top? Where  are they?" 

Tex Larch stared. Neither he nor Cap Guffy had patched up their  differences since they had left Marlborough.

Both had been reasonably  cordial, but Guffy's outburst looked to Tex like an effort to widen the  breach. 

"Don't stand there like a couple of hicks," roared Guffy. "Where's  the roughnecks? It's your job to supply

them. That top of mine is ready  to come down." 

"What about the roughnecks, Stuffy?" questioned Tex, turning to the  general agent. 


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"They ought to be up at the TeninOne," returned Stuffy. "I had  eight men on Cap's top." 

"Hear that, Guffy?" challenged Tex. "You've got eight roughnecks  waiting for you." 

"Have I?" demanded Cap. "Have I? Well, you go up and count them.  Maybe you can make two and one add

up to eight. There's three  roughnecks using the stake puller. That's all I've got." 

"Take a run up there, Stuffy," ordered Tex. 

Stuffy nodded. He departed. 

Neither Tex nor Cap knew that Zoda was watching them as they  resumed a silent feud. Each showman was

curbing his temper. Cap Guffy  stared sullenly while Tex Larch bit the end from a cigar and applied a  match

to the stogy. 

A FEW minutes passed; Stuffy came back on the run. 

"Cap's right, Tex," informed the general agent. "Only three  roughnecks there." 

"What do you say to that?" quizzed Guffy. 

"Nothing much," retorted Tex. "When you need roughnecks, ask for  them. If you give us reasonable notice,

we'll have them when you want  them." 

"I didn't know they were gone," growled Cap. "I saw them around a  while ago. They came in the

TeninOne. They shilled for the shows.  They didn't blow until the top was ready to come down." 

"That's just the time when they would blow," returned Tex, coolly.  "Go down to the big top, Stuffy. Yank

five roughnecks off of it and  send them up to the TeninOne. Does that suit you, Guffy?" 

"All right." Cap's tone seemed mollified. Turning on his heel, the  owner of the side show stalked back toward

his tent. Tex Larch grinned  sourly as he watched Cap's departure. 

Zoda was not the only witness of the scene. Peering from between  two trucks, another person was looking on.

The keen eyes that burned  from Zoda's masklike countenance saw the pasty face of Cleed. The man  whom

The Shadow knew as Croaker Zinn turned suddenly and headed back  toward the TeninOne. 

Cliff Marsland, coming up with four other roughnecks whom Stuffy  had delegated to the TeninOne was

just in time to observe Zoda's tall  form moving into the tent that had once been The Solvas'. 

But neither Cliff nor any of the others saw the tall, blackgarbed  figure that later emerged from the canvas

flaps. When they had finished  tearing down the TeninOne, they dropped the small tents also. Zoda's  bags

went aboard a truck along with the rolls of canvas. 

Once more, The Shadow was strolling unseen about the circus lot.  His figure was invisible as it kept away

from the scattered spots where  lights aided the roughnecks who were loading the trucks. 

Five men had left the lot tonight. The Shadow knew that they had  fared forth on crime. But The Shadow was

unperturbed. Like Vic  Marquette, he was biding his time. Like Vic, The Shadow was waiting to  spot the big

shot whose hidden hand was guiding the deeds of Croaker  Zinn. 


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CHAPTER XI. CRIME'S AFTERMATH

"LAST town was a red one. This will be another bloomer." 

Cap Guffy made the statement from the front of the TeninOne. The  show was on the new lot, outside the

town of Hamilcar. Evening had  arrived; yet the crowd was straggling. 

"There's an hour yet before the big show starts," observed Stuffy  Dowson. He was standing beside Cap

Guffy. "You've got to give 'em a  chance to come on the lot." 

"Yeah?" questioned Cap. "On opening night? Say  this midway ought  to be jammed. Look at it, though.

There ain't a wheel clicking. Listen,  Stuffy; sometimes I've squawked because Tex wouldn't let me start my

show until after they got going in the big top. But I ain't kicking  tonight. It won't need big figures to count up

the 'take' that's coming  in tonight." 

"Tex wants to see you down in the office, Cap," remarked Stuffy, in  a conciliatory tone. "Thought maybe I'd

better tell you a while before  you opened." 

"All right by me," returned Cap. "Say  does Tex think I'm still  sore about them roughnecks? I ain't. This new

crew is better than the  old one." 

"That's good, Cap. No, the roughnecks don't matter with Tex. I  guess some of the five that blew are back

again. We weren't  shorthanded when we set up the big top today." 

"Moving around, eh? Well, that's the way with roughnecks. You can't  count on them." 

"Hank may have taken on some new ones," admitted Stuffy. "He's the  guy that keeps tabs. Well  it's up to

him. That's one job he can keep   watching the roughnecks. I don't want it." 

As Cap Guffy strolled in the direction of the office, keen eyes  spied him from a tent beyond the TeninOne.

That was Zoda's tent; but  it was a different shape than Zoda's that moved forth into the  thickening gloom. 

A blackened shape against the darkening sky, The Shadow was moving  toward the truck to which the office

trailer was attached. He was  choosing that vantage point to observe what happened in the office. 

Other forms appeared among the tents after The Shadow had followed  Guffy's path. One was that of Jubo the

Geek. Another was the figure of  Cleed. Passing roughnecks chanced to observe these prowlers. They paid  no

attention to them. It was customary for the freaks to stay away from  the midway while the crowds were

gathering. 

CAP GUFFY entered the office with a bang. He let the door slam as  he closed it. Tex Larch looked up from

one of the desks and gave an  affable nod. He laid a newspaper aside. Cap approached and glanced at  it. 

"Reading about that Almsburg robbery, eh?" questioned Guffy. "Say   those birds pulled something, didn't

they? Got away with about fifty  thousand bucks. Almsburg's near here, ain't it?" 

"About thirty miles away," responded Tex. "I wasn't reading about  the robbery, though. It don't interest me.

Sit down, Cap. I want to  talk to you." 

"Maybe you was reading about this," chuckled Cap. "More hokum about  that missing heiress, Lucy Aldon.


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Girl out in Cincinnati claims to be  the girl, eh? Well, it don't look like she's getting away with it.  Here's a

statement from the Aldon lawyer  look at the name of the  gazebo  Adoniram Towne." 

"Forget the paper," growled Tex. "It's the bunk. Here. Give it to  me!" 

He yanked the newspaper from Cap's hands. Guffy's fists began to  clench. Tex pulled a cigar from his pocket

and began to chew on the  end. 

"Getting kind of grouchy, eh, Tex?" quizzed Cap. "What's the idea   grabbing a newspaper while I'm reading

it? Hand it back to me. I want  to see the rest about the Aldon millions." 

"She ain't the gal," returned Tex, crumpling the newspaper and  throwing it under a desk. "That lawyer with

the funny name said she  ain't. It's just some more of that bunk you read in the papers. That  robbery don't

mean anything to us, either. Almsburg's thirty miles  away. Those fellows that blew the bank safe won't be

over to spend  their money on this lot." 

"Guess you're right about that, Tex," declared Cap, forgetting his  animosity as he grinned. "We'll be lucky if

we pull in a crowd from  right here in Hamilcar. Say, Tex  how long have you been in the show  business?" 

"Thirty years. Why?" 

"Well, I just figured it would take experience to pick a bloomer as  bad as this one. I couldn't do it." 

"It's worse than I expected," admitted Tex. "It's mighty bad, Cap.  That's why I wanted to talk to you. It's no

time now for us to keep on  being sore. I've got to run into New York." 

"You need dough, eh?" 

"I will before we finish this stand." 

"Can you get it?" 

"Yeah. I'm leaving on the next train. But I'm not telling Stuffy  where I'm going." 

"Why not, Tex?" 

"Because he don't know how to keep his mouth shut. He's all right  with the folks on the lot, but he begins to

talk if anybody important  shows up." 

"Like Jonathan Wilbart?" 

"Yeah." 

"I see." Cap sat down and nodded speculatively. "You're expecting  Wilbart, are you?" 

"I am," announced Tex. "That's why I'm leaving tonight. I want to  be out of here when he comes around. I'm

going to tell Stuffy to let  him talk to you. Remember that proposition, Cap, that we were talking  about when

we got sore in Marlborough?" 

"About my saying I'd sold out to you, Tex?" 


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"That's it. Well  there's no papers to show it, but you stick to  the story, will you? Maybe you're still sore at

me, Cap, but just the  same " 

"I know. We're both showmen and Wilbart ain't. I get it, Tex. Well,  I'm agreeable on that score. If we've got a

grudge, it ain't big enough  to keep us from helping the other guy kid Wilbart. That's settled, Tex.  What do

you want me " 

Cap stopped as the door slid open. It was Stuffy. Another man was  following the general agent into the

office. 

TEX LARCH stared as he saw Jonathan Wilbart. The circus magnate had  arrived sooner than Tex had

expected. 

"Good evening," greeted Wilbart. "Am I interrupting a conference?" 

"No," growled Tex. "Slide out, Stuffy. Stay here, will you, Cap?  Sit down, Wilbart." 

"It doesn't look so good on the midway,"' observed Wilbart, as he  settled in a seat. "I told you this would be a

bad town, Tex." 

"We had a red one," returned Tex. "We're due for a bloomer. How  about it, Cap?" 

"Maybe this town won't turn out bad," was Guffy's comment. "You  can't never tell, Tex." 

"You are both optimists," decided Wilbart. "Well  if you feel that  way, Tex, I suppose there is no use trying

to buy your show tonight." 

"Not tonight or any night," retorted Tex. "I'm staying in the  business, Wilbart. With this show, too. In fact" 

he shot a look  toward Guffy  "I'm doing some buying of my own." 

"What?" exclaimed Wilbart. "Another circus?" 

"A sideshow," answered Tex. "Cap Guffy's. I'm taking over his  TeninOne. I've got an option on it." 

"Where's the money coming from?" questioned Wilbart, narrowly. 

"I've got all I need," returned Tex. 

"It didn't come in through your turnstiles," argued Wilbart.  "What's more, you can't tell me that the

concessions are making up the  deficit." 

"I'm making money out of this show," asserted Tex, emphatically.  "I'm satisfied with business. If you want to

stay around town until we  move, you'll be here to see me hand one thousand dollars to Cap Guffy." 

"So you're making money, eh?" chuckled Wilbart, wisely. "That's a  good one, Tex. Best I've heard yet. All

right. I shall take your word  for it. The Larch Circus is showing a profit. That is established. That  means the

other shows are making money, too. Yours, for instance,  Guffy." 

"That's right," responded Cap. 

"You're making money, are you, Guffy?" questioned Wilbart. "Then  why are you selling out to Larch?" 


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Tex scratched the lobe of his left ear. He looked at Cap Guffy, who  had no reply. Then he turned to Jonathan

Wilbart. 

"Cap's ready to retire," explained Tex. "Figures that he's been in  the show business long enough. How about

it, Cap?" 

"That's right," responded Cap. "I've made my sock. With what Tex is  offering, I won't need to stay on the

road." 

"That is another excellent story," commented Wilbart. "If you have  money, Guffy, it didn't come through the

front of your TeninOne.  Well"  Wilbart paused to nod  "it's possible that one of you is  right." 

"How do you mean?" questioned Tex, in an uneasy tone. 

"Well," resumed Wilbart, "you may have struck a gold mine on one of  the circus lots. Maybe you do have

money, Tex. Or"  Wilbart turned to  Cap  "perhaps you are the man who has been finding nuggets, Guffy." 

Cap shrugged his shoulders. He did not appear uneasy. Jonathan  Wilbart arose. He stepped toward the door

and delivered a quiet smile. 

"I shall come back, Tex," he declared. "Perhaps you will have a  different decision before you have finished

with the town of Hamilcar.  Or"  the smile increased  "should I say before Hamilcar has finished  with you?" 

ALTHOUGH angered by Wilbart's friendly sarcasm, Tex seemed unable  to make a retort. He shifted uneasily

by the desk. Cap Guffy said  nothing. He seemed to be thinking deeply as Jonathan Wilbart prepared  to leave.

Before the magnate had reached the door, however, the barrier  slid back and a burly, big fisted man stamped

into the office. 

"I'm Sheriff Howard," he announced. "Are you Tex Larch?" 

He put the gruff question to Jonathan Wilbart, who shook his head.  The magnate pointed to Tex and stepped

toward the door. The sheriff  stopped him. 

"Are you going off this lot?" demanded Howard. 

"Certainly," replied Wilbart, in a tone of surprise. "Have you any  objection?" 

"Who is this gentleman?" questioned the sheriff. He indicated  Wilbart as he spoke to Tex. "Does he have

anything to do with this  show?" 

"He wants to buy it, that's all," replied Tex. "He's Jonathan  Wilbart. Owns five shows of his own. Just came

in here to see me." 

"That's all right, then," acknowledged the sheriff. "Sorry to hold  you back, Mr. Wilbart. Wait a minute." He

scrawled with a pencil on a  slip of paper. "When you get outside the grounds, hand this to one of  the men that

stops you. That's all. You've got a car, haven't you?" 

"Yes," said Wilbart. "And a chauffeur." 

"They'll let you drive by," declared the sheriff. 


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Wilbart looked perplexed. Then, seeing that Howard was waiting for  him to leave, he nodded to Tex and Cap.

Stepping to the ground, the  magnate closed the door behind him. 

"What's the trouble, sheriff?" inquired Tex, affably. "You aren't  going to slough the wheels, are you? I

thought we were going to be  allowed to run all the games in this town." 

"That's not what I'm here about," stated the sheriff. "Who is this  fellow here with you?" 

"Captain Guffy," introduced Tex. "He runs the TeninOne  the  sideshow." 

"He's with the show, then. Helping you run it?" 

"He owns the TeninOne." 

"All right. He can hear what I have to say. Nobody's going off this  lot tonight without my permission." 

"The customers?" inquired Tex. 

"There's no more coming in. We've looked over the ones that are  here. They're mostly folks from Hamilcar.

We know them." 

"Who do you mean by 'we'?" 

"The men in my posse. I've got sixty of them, all around the  grounds. Just posted them." 

"What's up?" demanded Tex, furrowing his forehead in worried  fashion. "I don't get it, sheriff." 

"There was a bank robbery in Almsburg last night," explained  Howard. "The robbers got away; but a

watchman saw them. He took the  number of their car. We found it this afternoon, near this lot. We  think the

crooks are hiding out with your circus." 

"That's no reason to keep people away from the show," retorted Tex,  hotly. 

"No?" queried the sheriff. "Well, I think different. You've heard  my orders. You can tell your people to stay

in bounds." 

"I can't tell them anything," pleaded Tex, suddenly. "Listen,  sheriff. This show is going broke. I don't want it

to fold. I have to  go into New York on the next train to see if I can raise some money.  It's all the more

important, now that you're killing the little  business that we might do tonight." 

"Go ahead," agreed the sheriff. "I'll let you past. You're the head  man of the outfit. You can leave. Will

Captain Guffy be in charge?" 

"Yes," replied Tex. "He and my general manager, Stuffy Dowson. Wait  a minute. I'll call Stuffy." 

He stepped to the door and called for Stuffy. The general manager  appeared for instructions. The sheriff

looked over Tex's shoulder to  get a view of Stuffy. 

"Get my kiesters, Stuffy," ordered Tex. "They're all packed. Hurry  them up. I'm leaving town." 


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"One of my men will drive you to the station," informed the  sheriff. "Come along with your bags. We can get

a car out in front of  the lot." 

Stuffy showed up with the suitcases. There were two bags; both  large and heavy. Tex took one and ordered

Stuffy to carry the other.  Cap Guffy waited at the door of the office while the sheriff walked  with Tex and

Stuffy to the entrance of the midway. 

INTENT as he watched Tex's departure, Cap Guffy did not sense a  slight motion at the window in the front

of the office. Nor did he see  the phantom shape that reached the ground beside the truck. 

That form was still invisible when it reached the fringe of the  circus lot. Enshrouded in gloom, The Shadow

watched Tex and Stuffy  place the heavy bags into the rear of a parked sedan. Tex took the seat  beside the

driver. The sheriff gave an order and the car rolled away. 

Pacing men with rifles formed a large encircling cordon about the  circus lot. The glare of the lights was

sufficient for these sentinels  to distinguish moving figures. But their eyes failed them when a  spectral shape

glided noiselessly toward the roadway. In the gloom,  that form was nothing more than an elongated splotch

of blackness. 

A creature of the night, The Shadow was proving his power to pass  unseen. His soft laugh was no more than

a whispered echo. It marked the  end of Zoda. The Shadow had resumed his cloak of blackness. 

Finished with his temporary role, informed of the situation which  existed, The Shadow was ready for the

aftermath of crime. On the lot  and off, he was preparing to play his part in the events that were due  tonight. 

Circling the pacing members of the posse, The Shadow again  displayed his uncanny spell. With the glide of a

grim ghost, he chose  another opening and retraced his course back toward the office where  Cap Guffy

awaited the return of Sheriff Howard. 

CHAPTER XII. ONE MAN MISSING

WHEN Sheriff Howard returned to the office he promptly began to  issue orders to Cap Guffy and Stuffy

Dowson. The veteran showmen  listened soberly while Howard explained his plan for rounding up the  bank

robbers. 

"Run the circus as usual," the sheriff said to Stuffy. "You do the  same with your show, Captain. My posse

will see to it that everybody  stays on the lot. Meanwhile, I'll be strolling around with the watchman  and a

couple of my deputies." 

"Looking for the crooks?" questioned Stuffy. 

"Yes," replied Howard. "We'll go into the circus tent like we were  regular customers. Give us seats in the box

right in front of the main  ring. We'll be looking over the whole tent. If we don't see the men we  want, we'll go

to the other shows and look in the concessions." 

"And if you don't find them then?" 

"We'll scour the lot. Line up everybody. I could do that to begin  with; but I don't want to. It's better as a last

resort. You see"   Howard paused craftily  "I reckon that those robbers don't know the  watchman saw them.

If they're here with the circus, they've probably  got the swag hid somewhere. So they'll try to stand pat, not


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knowing  that we've got the goods on them." 

Cap Guffy was seated at a desk. He was weighing the sheriff's  words. Cap had no comment. He kept

strumming on the woodwork while he  stared toward the speaker. Stuffy Dowson, however, did not keep

silent. 

"Say"  Stuffy wagged a finger toward the sheriff  "maybe those  roughnecks was in on that bank robbery.

There was five of 'em blew on  the night we was leaving Burnsville." 

"Last night, eh?" 

"Yeah." 

"Are they back with the show?" 

"I don't know. We can't keep tabs on them roughnecks  leastwise, I  can't. But the five of 'em was supposed

to tear down Cap's top. They  wasn't there when we needed 'em." 

"Are they back with your tent now?" questioned the sheriff, turning  to Cap Guffy. 

"No." Cap shook his head emphatically. "The boys that set up my top  was the ones that Stuffy brought up

instead of the bunch that blew." 

"Where would the fellows be then, if they returned?" 

"I don't know." 

"Maybe with the big top," put in Stuffy. "They could have slid in  with that crew. If they don't know nothin',

you're likely to see 'em  while the show is on." 

"Good," decided the sheriff. "Now we've got to do something to  explain why I've got a posse here. You two

chaps go out and spread the  news that this town is hot. Tell your people that a lot of toughs tried  to bust up a

carnival that played here a couple of weeks ago. 

"Tell them that's why I'm on the job. I want to stop any riots that  may start. That's why all the circus folks

have got to keep in bounds.  We're protecting them as well as the town people. 

"That story ought to hold them  all except the five guys that  we're after. And if the five try to beat it, we'll

nab them easy. And  listen: while you're spreading the news, check up and see if any hands  are missing." 

THE three men left the office. Stuffy headed toward the big top.  Cap went in the direction of the

TeninOne. He spoke to  concessionaires as he passed them. He stopped and talked to the ticket  seller

outside of Jubo's tent. This fellow nodded and went inside to  speak to the geek. 

When he reached the TeninOne, Cap found a few of the freaks  gathered inside. He made a general

announcement for their benefit. 

"We're opening late tonight," said Cap, gruffly. "The 'tin star' is  on the lot and he's got a bunch of deputies on

the job. He thinks  there's going to be trouble, so he's looking out for us. Some of these  townies think they're

tough and the tin star wants to make it soft for  us. Guess he's afraid we might yell a 'Hey Rube.' So keep on

the lot   all of you." 


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The freaks nodded. Since the show was opening late, they began to  leave the tent. Cap went over to Cleed's

platform, where the  pastyfaced man was lying on his cot. Cleed was the only one who had  not heard Cap's

announcement. 

After Guffy spoke to him, Cleed arose lazily from the cot and  nodded. While Guffy remained alone in the

silence of the tent, Cleed  followed the other freaks. They had gone out through the back canvas. 

TEN minutes later; Cliff Marsland, carrying a bucket past the big  top, was encountered by Hank. The big

mobster spoke to Cliff in an  undertone. 

"Shove that bucket," he ordered. "Cover by the truck. There's a  meeting in the tent." 

Cliff nodded. He stowed the water bucket under the stake puller. He  made for the truck and took his stand

there. Dusk had settled early,  for the day was cloudy; yet the gloom was not thick enough to risk  another

crawl to the dimly lighted tent that stood one hundred feet  away. 

In fact, Cliff fancied that he could make out the figures of other  roughnecks whom Hank had posted as a

cordon. His watching eyes caught  sight of a stooped form crouching outside the circle. It looked like  Jubo the

Geek. Cliff saw the figure move away. 

Then his eyes became transfixed. Moving along the ground within the  circle was a splotch of blackness. It

was a strange, uncanny shape that  suddenly passed from view. When Cliff glimpsed it again, the shape had

become a motionless streak against the side of the lighted tent. 

No challenge came from any watcher. Cliff realized that he alone  had seen that weird manifestation of a

living being. 

Cliff smiled grimly. He had not dared venture toward the tent; but  there was one who had taken the chance,

with success. The Shadow had  slipped through the cordon of mobster roughnecks. The master of  darkness

was listening in on the new conference. 

INSIDE the little tent, Cleed was talking in the growl that  characterized Croaker Zinn. Luke and Princess

Marxia were listening to  his statements. Their faces showed apprehension; but Croaker's faked  countenance

was emotionless. 

"You heard the story that Cap Guffy is passing around the lot,"  stated Croaker. "Well  we know the real

dope. Cap's just handing out  the line that the hick sheriff told him to spread. They're really after  the bunch

that pulled the robbery in Almsburg. I know it and so does  the big shot. 

"We've got to give those five gorillas a break. At the same time,  we're not going to bust up the racket on their

account. I saw this  coming; that's why I had the five cover up those red circles by letting  you use the blue

needle, Luke." 

"I figured that," responded the tattooed man. "Say  it had me  stumped when the first guy came in. But after

that  after you gave me  the nod " 

"Never mind," interrupted Croaker. "Let's talk about tonight. Those  five gorillas have got to stick together.

We'll let them fight for  themselves and scram together. If they have trouble getting away, we'll  shout a 'Hey

Rube.' But I don't think we'll need it." 

"Why not?" 


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"I'll tell you. First of all, you pass the word to Hank. He knows  who the five gorillas are. Have him shove

them on the cat cage." 

"For Wernoff's animal act?" 

"Yeah. There's plenty of guns used in that part of the show.  They're to keep under cover until Wernoff goes

on. They'll be the crew  that rolls the cat cage into the room. Then when " 

Croaker broke off suddenly. He had heard a noise outside. He sprang  to his feet and turned off the light. He

growled to Luke to beat around  the side of the tent. 

The Shadow was moving away before Luke acted. He, too, had heard  the noise. What was more, he had

located it. Moving stealthily along  the ground, The Shadow could see a crawling figure making its way

toward a stack of crates. 

Members of the cordon were closing in, following the signal of the  extinguished light. Motionless, The

Shadow saw the figure rise from  among the boxes. He recognized the bouncing gait of Jubo the Geek. 

The prowler had slipped past the cordon. It was The Shadow's turn  to do the same. He moved toward the

truck where Cliff Marsland had been  stationed. He gave a low hiss as his agent came in toward the darkened

tent. Cliff paused as The Shadow glided past. 

One minute later, the light clicked on in the little tent. Croaker  and his aids were resuming their interrupted

conference. Roughnecks  moved back to their posts. Two minutes followed; again the lights went  out. 

Once more the roughnecks inspected; then moved away. This time, the  freaks stole from the tent. Croaker

had completed his instructions. The  Shadow had not gained the opportunity to hear the final statement of  the

mobleader. 

A soft laugh came from beside the truck that Cliff had left. The  Shadow had no need to return. He had heard

enough. His keen brain had  divined the rest. Noiselessly, The Shadow glided away from the truck. 

THE freaks were returning to the TeninOne. Marxia and Cleed were  preparing to enter through the back

canvas. The snake charmer paused to  speak to her companion. 

"What about the swag?" she whispered, "If those five have to scram  with " 

"The big shot's got the swag," came Croaker's low growl. "Don't  worry. He's taking care of it. The sheriff

may make trouble for the  gorillas, but he won't find the swag on this lot. Keep mum, Marxia.  Remember: I'm

Cleed; not Croaker." 

The two entered the tent. Another figure moved from twenty feet  away. It was Jubo the Geek. 

Scarcely had he departed when Luke arrived and entered the back of  the tent. The tattooed man went to his

platform. He nodded as he looked  toward Cleed. It was Luke's signal that he had seen Hank. The orders

would be followed. 

Cap Guffy was striding along in front of the rail. He was wearing a  frown as he looked toward the platform

next to Luke's. He turned to the  tattooed man. 

"Where's Zoda?" demanded Cap. 


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"Haven't seen him," returned Luke. 

"His outfit ain't here," snorted Cap. "Say  I bet that guy blew  the show. I'm going to find out." 

Cap strode toward the entrance. A tent flap rose as he neared the  spot. In stepped the sheriff. Cap stopped

short. 

"What about your crowd?" asked the sheriff. "Checked up on them?" 

"There's one man missing," replied Cap. "I was just coming to tell  you." 

"Who is he?" 

"Zoda, the mind reader. A new act. Came on the show back in  Burnsville." 

"Do you think he's on the lot?" 

"No. He must have cleared out with his stuff before you put the  posse on the job." 

"Where do you think he went?" 

"I don't know. Maybe he headed for the station. Tex started early  for that train. It hasn't gone out yet. Say 

suppose I run down there  in my car and see if Zoda is waiting for it." 

"Where's your car?" 

"Right out back." 

"All right. Take one of my deputies with you." 

Cap and the sheriff moved out through the back canvas. They found  Cap's car  a coupe  standing near the

tent. A wardrobe trunk was  resting in the rumble seat. 

"Say"  Cap turned to the sheriff  "I'd forgot about that trunk.  It gives me an idea. It belongs to a pair that

jumped the show  The  Solvas  and I got a letter from them asking me to ship it to New  York." 

"Well?" 

"Well  I ain't had time to ship it. Suppose, now, that Zoda is  down at the station. He may be on the lookout.

But if he sees me drive  up to the baggage room and unload this trunk, he won't think I'm after  him." 

"What then?" 

"I can sneak out of the baggage room and squint along the platform.  He won't know it." 

"That sounds all right. Wait here until I get a deputy." 

Cap Guffy grinned as he looked at the trunk in the rumble seat. His  idea evidently appealed to him. The

sheriff's approval seemed to his  liking. The deputy arrived promptly; he and Cap entered the car and  started

for the station. 


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CAP pulled up at the baggage room. He and the deputy unloaded the  trunk. Cap checked it and dropped the

check in his pocket. He watched  the trunk go aboard the baggage truck. The baggage master started the  truck

along the platform just as a whistle sounded to announce the  approach of the train. Rails began to click. 

"What about the fellow we're looking for?" questioned the deputy,  anxiously. 

"Now's the time to spot him," responded Cap. "Come with me." 

The pair edged to the platform just as the train arrived. Brakes  brought the string of cars to a grinding stop.

Cap saw Tex Larch step  aboard, lugging his heavy bags. He looked in the opposite direction and  observed the

trunk going in the baggage car. 

"All aboard!" 

The conductor's cry brought a shake from Cap's head. The owner of  the TeninOne turned to the deputy and

spoke in a disappointed tone. 

"Zoda didn't get on that train," he announced. "I'd have spotted  him, sure. We'll have to look for him back on

the lot." 

"And if he isn't there?" 

"One man missing," stated Cap, as he took the wheel of the coupe.  "It'll be the sheriff's job to find him." 

Cap smiled grimly as he phrased this decision. The deputy nodded as  they started back along the road to the

circus grounds. Cap's manner  seemed to indicate that the disappearance of Zoda was a matter of grave

consequence. 

A watching figure was shrouded in the darkness behind the  TeninOne. Keen eyes saw Cap Guffy wave the

deputy away. They watched  the showman lift the canvas and enter the rear of the tent. 

Those were the eyes of Zoda, the missing mind reader. They were  also the eyes of The Shadow. Noiselessly,

the blackened figure moved  away. The Shadow was heading toward the big top, where the shouts of  barkers

were urging the slim crowd into the show. 

The sheriff and three other men were entering the main tent when  The Shadow spied them from a darkened

spot near the office. Two of the  sheriff's companions were deputies. The other was a squatty individual   the

bank watchman who had come to identify the robbers. 

A soft laugh whispered from hidden lips as The Shadow circled past  the big top. Grim duty faced The

Shadow. He was seeking a wedge with  which to plan a counterthrust to coming crime. 

CHAPTER XIII. THE SHADOW'S CHANCE

THE path which The Shadow had taken was fraught with danger of  discovery. Tenseness ruled the circus lot

tonight. Flashlights  glimmered here and there about the big top as roughnecks maintained a  ceaseless vigil. 

This was the circus custom. It was the duty of the roughnecks to  keep a clear space about the big top.

Usually, they nabbed boys who  were trying to crawl under the canvas. Such captures were followed by

admonitions of "Beat it, you punk." But the roughnecks  whether  genuine circus folk or camouflaged


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mobsters of Croaker's crew  were  apt to deal harshly with adult prowlers. 

The fact that the circus lot was virtually under quarantine had  caused much speculation around the big top.

Stuffy had instructed all  the roughnecks to grab any one who had no business near the main tent.  This had

followed a suggestion by the sheriff. It was a ruse to cover  up the fact that he was searching for crooks among

the people who  belonged on the lot. 

The Shadow, as he glided onward, was cunning in his stealth. He was  seeking to avoid any encounter; as a

result, he chose a zigzag path to  escape the patrolling roughnecks. A light glimmered from ahead; one

showed from the other direction. The Shadow chose the cover of a  wheeled cage. 

Human beings had not discerned The Shadow's presence. But in his  present move, the blackgarbed venturer

came within sight of huge green  eyes that glowed from within the cage. A roar resounded in the night.

Massive paws clanked against the bars at the front of the cage. 

"Ganges," the ferocious tiger, knew that someone was lurking close  by. The rumble from his furry throat told

of his discovery. The vicious  growl was repeated. Then came a low hiss that reached the tiger's ears. 

The creature dropped back from the bars. The hiss came again, in a  low, commanding tone. Muffling his

growls, Ganges backed angrily away  from the bars. He did not roar again. His eyes were blinking as he

squatted, half cowering. 

A GLOVED hand rattled the padlock that held the door of the tiger's  cage. A steel pick clicked while The

Shadow probed. The lock yielded. 

The door of the cage moved inward. Ganges growled but made no move  as The Shadow silently closed the

door and sprang the lock in place. 

The hiss sounded close beside the tiger. With a catlike whine, the  big beast shifted its position. It raised one

paw, as though in final  protest. The hiss was repeated. Ganges moved to the bars and settled  there; his striped

head between his paws. 

Four roughnecks had reached the cage. Their flashlights glimmered  upward between the bars. They revealed

the crouched body of Ganges; but  they did not show the shaded figure that was stooped against the solid  back

of the cage. 

Sight of the new intruders inspired Ganges to lift his head and  show his teeth in a whining growl. He clattered

at the bars with one  big paw. A roughneck jumped back at another's warning. 

"Look out for Ganges!" The tone showed dread. "He's a maneater,  that cat. Even Wernoff has trouble

handling him." 

"He's a killer," came another comment. "So it's Ganges that was  growlin', eh? Huh. He'd raise a roar if he saw

a shadow. There ain't  nobody around here." 

Lights were sweeping along the ground about the cage. Every bit of  area was being covered. The roughnecks

resumed their conversation. 

"Say," suggested one, "maybe somebody hopped in the cage." 


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"With Ganges?" The man who answered gave a snort. "If he did,  there's no use botherin' about him. He's

dead." 

"The door is locked," put in a third speaker. 

"Come along then," decided the first. "That cat was just actin'  mean." 

"Like he usually does." 

The men moved away. As the lights flickered, Ganges arose to  deliver a parting roar. He paced angrily. Then

came the commanding  hiss. The roughnecks were too far away to hear it. They were also too  distant to

witness the effect on Ganges. 

As a blackened hand loomed before the tiger's nose; as hidden lips  repeated their weird hiss; as burning eyes

met the tiger's greenish  gaze, Ganges cowered in complete submission. He watched the eyes move  backward

toward the door. He heard deft hands click at the lock. The  door opened as The Shadow moved outward. The

door swung shut; the lock  clicked in place. 

The master of the night was gone; yet Ganges remained cowed. The  tiger was a killer; like humans who dealt

in death he had felt the  dominating power of The Shadow's amazing presence. Other animals in  nearby

cages seemed to know that Ganges had been vanquished. Complete  silence persisted as The Shadow moved

forward into the night. 

NEW glimmers blinked as The Shadow neared a long, low, lighted  tent. The Shadow avoided them by raising

the canvas. He glided inward  and came up behind a row of trunks and boxes. 

These were set across the end of the tent. The curve of the canvas  wall produced a space between the trunks

and the end of the tent. Thus  The Shadow was totally concealed as he listened to voices from the  other side of

the trunks. 

Clowns were making up. They were talking among themselves as they  painted their faces in front of mirrors

that were attached to trunks  and boxes. Then came an interruption. It was the voice of Stuffy  Dowson: 

"Hey there, Koko." 

"Hi there, Stuffy," responded a chuckling voice. It was "Koko"  Thoden, the chief clown. "What's on your

mind, my boy?" 

"All your gang here?" 

"All presented and discounted for," kidded Koko. 

"All right," returned Stuffy. "Keep 'em all on the lot after the  show." 

A buzz began as soon as Stuffy had gone. Mumbles included mention  of the sheriff; then the posse; finally

someone spoke of "bank  robbers." It was plain that the clowns had guessed the reason for the  quarantine. 

"Say, gang." The buzz stopped as Koko spoke. "Maybe that yap with  the tin star does have the idea that some

safe crackers are hiding out  with this show. All right. If he does, let's kid him. I've got a stunt  that I've been

holding back. This would be a good time to pull it." 


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"Let's hear it, Koko," came an eager chorus. 

"You know that old dummy safe we used to use?" questioned Koko.  "Well  a couple of you fellows dig it

out. Have it ready while Lucille  is doing the aerial act. That's when we come in." 

"While they're setting up the big cage." 

"Right. Go ahead and do your regular stuff. Then four of you put on  bandanna handkerchiefs for masks and

get ready to run the safe down in  front of the main ring." 

"What about you, Koko?" 

"I'll be by the safe. I'll give you the word when to start with it.  Then I'll follow you, with a couple of guns." 

"Goin' to wear a tin star, Koko?" 

"No. I've got a better gag than that." Koko arose and unlocked a  drawer of his trunk. "Did you fellows ever

hear of The Shadow?" 

"Sure. We've read about him. He's the bird with the creepy laugh.  Goes around in a black cloak and hat.

Shoots down crooks." 

"You've got it right," declared Koko, as he opened the drawer.  "Well, gang, take a look at this layout." 

"Say!" came an exclamation. "Ain't that a daisy. You've got a black  cloak  a hat  even a pair of gloves.

What'll you be, Koko? The  Shadow?" 

"You guessed it," affirmed Koko. "I'll duck out while you boys are  clowning. I'll put on this rig and come

back to the runway. Have the  safe ready." 

"You'll have to work quick, Koko. They won't hold up Wernoff's act  just for us." 

"That won't matter. You fellows keep on lifting the safe and  setting it down whenever I come close to you. I

won't do any shooting  until we get in front of the boxes. 

"If they turn out the regular lights and throw the spot of  Wernoff's cage before we get in front of the boxes,

just set down the  safe and stick where you are. I'll wait with you. 

"Then as soon as the cat act finishes and the lights come on, we'll  pick up where we left off. That way we

won't have to cut any of our  regular stunts. Got the idea?" 

"Sure thing, Koko." 

A call came from the front of the tent. Clowns sprang to their feet  and finished their makeup. They jogged

forth toward the big top, ready  to begin their first array of stunts. The big show had begun. 

The steamy melody of a calliope came faintly to the emptied tent as  a figure arose from behind the row of

trunks. The head and shoulders of  The Shadow loomed and cast a shaded silhouette upon the opened drawer

of Koko's trunk. 


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The burning eyes of The Shadow spied the blackened garments that  the clown had laid upon a chair. A soft

laugh sounded in uncanny tones  from the hidden lips beneath those blazing optics. 

Koko's stunt had gained the approval of the clowns. It had won The  Shadow's approval also. Chance had

served to aid The Shadow's plans.  Within this very tent, The Shadow would make his first step to counter

new and desperate crime. 

CHAPTER XIV. SAWDUST AND SHOTS

"THAT'S Lucille Lavan, eh? Boy! Look at the way she balances on  that high wire!" 

"Best act I've ever seen." 

The speakers were two deputies, sitting beside Sheriff Howard.  Their comments brought a growl from their

chief. He and the squatty  bank watchman were watching the rings  not the high wire. 

"We're looking for some tough guys," the sheriff informed his  deputies. "You won't see 'em up there at the

top of the tent. Keep your  eyes down." 

"All right, chief." 

The sheriff turned to the watchman beside him. The squatty man  needed no injunction. His one purpose here

was the identification of  the robbers. He seemed determined to complete it. 

"See any suspects?" questioned the sheriff. 

"Not one," returned the watchman, soberly. "I could tell any of the  five, sheriff. I saw them clearly when they

made their getaway." 

"Too bad you didn't shoot a couple of them." 

"I was excited, sheriff. I saw them unexpectedly while they were  escaping. But tonight"  the man shifted his

hand to his pocket  "I'm  ready to help you when we see them." 

"If we see them," returned the sheriff ruefully. "It looks like  we'll have to search the grounds after this show

is over. There's been  a lot of faces out there; but you haven't picked even one." 

The sheriff's sentence ended just as an outburst of applause came  from the small audience. Lucille Lavan had

completed her act. Dropping  from the high wire, the slim girl landed in a net. Her red hair formed  an

attractive, tousled mass as she bobbed her head to the plaudits of  the crowd. 

As Lucille walked from the ring, shouts arose and a flock of clowns  came bounding along the track. The

spectators began to laugh at their  capers  all except the sheriff and the bank watchman. The sheriff's  face

was steady; the watchman studied every clown without a smile. He  was looking for the robbers in this band

of funmakers. 

"Say," growled the sheriff. "If those robbers are working as  clowns, it's going to be tough to spot them. You

couldn't recognize  your own uncle in back of a lot of paint like that. If we don't see the  birds we want, the

first bunch we'll look over after the show will be  the clowns." 


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The watchman nodded. He was forced to admit that the painted makeup  made it impossible for him to view

the clowns successfully. Yet he  persisted in watching their merrymaking. He was studying the gait of

different clowns, trying to find some token of identity that might  enable him to pick a rogue from among

them. 

ROUGHNECKS were rolling in the big cage. Then came the smaller  cages, with the lions, tigers and

leopards. Eric Wernoff appeared; he  was greeted by applause. While attendants aided him, he saw to the

opening of cages. 

One by one, the growling "cats" responded to his prods. Armed with  sticks and gun, Wernoff was forcing his

dangerous pets through doors  from small cages to large. 

This work completed, the smaller cages were wheeled away. Wernoff,  sternfaced and imposing, was ready

to enter the big cage. He was eying  Ganges while he waited. The big tiger, usually defiant, was acting in

subdued fashion  something that Wernoff could not understand. 

Cavorting clowns were finishing their stunts. They were scamping  along the track, getting out of the way

before the animal act  commenced. The spectators were already forgetting them. The ring master  was waiting

to make his introduction. 

Off by the runway, four clowns were mumbling among themselves. They  had placed blue bandanna

handkerchiefs across their eyes. They were  peering through holes that they had cut in the cloth. Beside them

rested a bulky wooden box, painted in imitation of a safe. 

"Where's Koko?" queried one. 

"Don't ask me," growled another. "He ought to have been here three  minutes ago. Say  maybe we ought to

hold this stunt until after  Wernoff has finished in the cage." 

"We will hold it if Koko doesn't show up pretty quick." 

"Here he is now!" 

The other clowns turned as the last one spoke. They stared at sight  of the blackcloaked figure that had

appeared in the runway. Tall and  sinister, the mysterious form of The Shadow stood before them. A gloved

hand was stretching from the cloak; its forefinger pointing toward the  track. 

"Come along," gasped one of the clowns. 

The four grabbed the fake safe and carried it out into the track. 

A LAUGH greeted them from a sprinkling of spectators. The clowns  faked a stumble and dropped their

burden. They looked over their  shoulders. The cloaked figure was following them. Frantically, the  clowns

seized the box and staggered forward. 

"Say," panted one. "That rig of his is spooky. It gives me the  creeps." 

"Act like you was scared," suggested another. 

"Like I was scared!" retorted the first. "Say  if I wasn't sure  Koko was under that cloak I'd be so scared I'd

hop in the big cage just  to get away from him." 


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The clowns did another stumble further along the track. Laughter  was greeting them. It died as the spectators

spied the pursuing figure.  Something in the carriage of that swiftly stalking shape made the  observers stare in

wonder. 

"Say"  a clown gasped as he helped hoist the wooden safe  "Koko's  working it good. He's got the hicks

woozy. Look at him." 

The others looked back as they prepared to run. One of them spoke  in a voice that sounded serious. 

"He's got me woozy, the way he's comin' after us," the funmaker  declared. "That walk of his! He's comin' as

fast as we're runnin'." 

The next stumble was a brief one. The cloaked figure was looming  closer. Gloved hands were swishing from

the black garments.  Businesslike automatics appeared in rigid fists. 

"Lug it 'til we get in front of the cage," gasped a clown. "That's  where he's goin' to spring the 'shootin'." 

"Too late," returned another. "There go the glims. Drop the box." 

The clowns were only a dozen yards from the box where the sheriff  was seated with his deputies. The

officials were turning to view the  cause of excitement on the track, when the lights were suddenly

extinguished. 

DARKNESS was only momentary. An instant later, a mammoth spotlight  hurled its brilliant glare from

across the ring. The steel bars of the  cage glistened. The ring master mounted a pedestal and waved toward

Eric Wernoff. 

"Ladies and gentlemen!" came the ring master's bellow. "Before you  stands the king of all wild animal kings.

He is the celebrated trainer  whose name is known throughout the civilized globe whenever " 

The four clowns were not listening to the coming introduction. They  had dropped the wooden safe at the very

fringe of the spotlight's  glare. They formed a clustered, whispering group as they gazed toward a  spot a dozen

feet away. 

There, at the inner edge of the track, stood their blackgarbed  pursuer. His vague form was barely discernible

in the rim of brilliant  light. There was something spectral in the figure's bearing. The clowns  could catch the

flash of glittering eyes that were turned toward the  big cage. 

"Look at the way the light hits him," gasped one clown. "Say  his  eyes are brighter than the big tiger's!" 

"Whew!" exclaimed a second, mopping his painted brow with the  bandanna that he had wrested from his

temples. "If it wasn't Koko " 

"Maybe it ain't Koko!" 

The other clowns laughed at the suggestion; but their mirth was  feigned. Something in the statement worried

them. They gathered close  about the wooden safe. Not for an instant did they cease to gaze at the  strange

figure which stood so motionless before them. 

"Presenting the same famous performance"  the ring master's  announcement had reached its highest pitch 

"that he has given before  the crowned heads of Europe and Asia. Ladies and gentlemen. I take  pleasure in


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introducing  Eric Wernoff!" 

Cheers and handclaps came with enthusiasm. The ring master stepped  from his pedestal and mopped his

forehead with a huge silk  handkerchief. Wernoff gave a short bow; then turned to enter the cage. 

Roughnecks who wore the coats of uniforms approached with poles and  revolvers, to take their stand about

the cage. Wernoff entered a door  and closed it behind him. He was in a little compartment. He received a

whip; opened the next door and stepped into the center of the cage. 

A lion opened its jaws to growl. A leopard leaped down from its  pedestal and prepared for a spring. Wernoff

snapped his whip. The  lion's growl ended; but the leopard remained crouched. Another whip  snap failed to

make the beast retire. Wernoff fired a blank straight  for the spotted cat's face. The leopard snarled; then

turned back  toward its perch. 

Even the sheriff had forgotten his mission here. With the deputies,  he was staring tensely at the cage. The

watchman alone remembered his  appointed purpose. He plucked the sheriff's sleeve. 

"Look!" he exclaimed. "That man at the side of the cage! Outside   by the right corner " 

"Holding a revolver?" 

"Yes. He's one of the robbers. And the fellow next to him  the one  turning this way  he's another of the

bunch. Look! There's a third!" 

The sheriff was rising. His badge caught the flash of the spotlight  and returned it with a brilliant glitter. The

watchman was pointing out  another pair of roughnecks. 

Eric Wernoff was cracking his whip with savage fury inside the  cage; but the act no longer thrilled the sheriff

and the men with him. 

The sheriff had growled a command. Deputies and watchman were  reaching for their guns. Their rising forms

were conspicuous before the  spotlight. They did not realize the mistake that they were making. 

THE roughneck who had turned uttered a sharp cry. Like a flash, his  four companions turned toward the box.

Gleaming revolvers showed in  their fists. One gun barked its first, quick warning. A bullet whistled  past the

sheriff's head. 

The roughnecks had become furious, leering mobsmen. Hardfighting  gorillas, they were whirling to beat the

sheriff and his men in a quick  duel of shots. The guns that they held were not charged with blanks.  They were

loaded with bullets, in readiness for this fray. 

A second shot ripped splinters from the back of a chair beside the  watchman. The sheriff and his aids were

caught flatfooted, with their  hands fumbling for guns. They were helpless targets for desperate  murderers.

Five guns were aiming toward them before they had drawn a  single weapon! 

Three of the clowns by the fake safe had turned toward the ring at  the sound of the first gunshot. Only the

fourth man had still kept his  eyes upon the blackcloaked figure that they thought was Koko. It was  his cry

that brought the eyes of the others toward the same spot. 

"Look! Look quick!" 


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As gorillas fired, the tall black figure stepped suddenly forward.  Above the crackle of revolvers; above the

roars from the big cage came  a laugh that rose with weird crescendo. Like a mammoth moth within  range of

an attracting flame, The Shadow stood revealed with  outstretched arms. 

It was The Shadow  not Koko. The flames that belched from his huge  automatics were tokens of that truth. 

An aiming mobster slumped as he turned to meet the menace that the  taunting laugh had warned was present.

The gangster had picked the  sheriff's glittering badge as his target, but he never fired the shot  that he

intended. 

The other gorillas snarled as they swung their leveled gats.  Revolvers crackled while the automatics

thundered. Certain in aim, The  Shadow dealt with crooks as they deserved. One  two went down as their

wild bullets sped past the living target that they sought. 

As the last pair aimed, shots burst from the box ahead. The sheriff  and a deputy had gained their revolvers.

Their bullets dug up sawdust  in front of the big cage. These were hasty shots that went wide of the  fighting

roughnecks; but they served a vital purpose. 

The Shadow was dealing with spreadout foemen. Had the mobsters been  clustered, his rapid fire would have

vanquished them entirely. These  last two gorillas, however, had gained the edge while The Shadow was

mowing down their pals. 

The fire of the sheriff and the deputy gave The Shadow a momentary  respite. Both mobsters faltered for an

instant as the new shots broke  in their direction. The Shadow, acting in fifth of seconds, performed a  sidewise

drop as the gangsters pressed triggers with fingers that had  rested for a fractional interval. 

Bullets whistled past the tall form as it rolled in the sawdust of  the track. The shots were high as they sped

above the cloaked left  shoulder. Yet, as he performed his fadeaway, The Shadow guided the  sweep of his

left hand. Its automatic barked as The Shadow struck the  ground. One mobster staggered, wounded. 

The other swung to new aim. He was twenty paces distant from his  pal. The Shadow's right hand poked its

gun upward from the sawdust. A  gloved finger pressed the trigger. 

The Shadow's aim, however, was not directed toward the last  gorilla. In the split second that he had to fire, he

aimed for a more  certain target  the spotlight. 

GLASS shattered as the light went out. The last mobster blazed away  in darkness. He was shooting at the

spot where he thought The Shadow  was; but the total blackness played havoc with his aim. His shots found

sawdust  not The Shadow. 

Chaos reigned within the big top. Shouts of men  screams of women   the roars of maddened beasts within

the cage  above all these came  the barks of guns as the desperate mobsman turned his aim toward the  box.

Shots from the sheriff, the watchman and the deputies  delivered  toward the ring  were answered by the

last gorilla. 

Flashes of guns were the only targets for these fighters who  numbered four against one. Yet the gorilla held

the advantage. His  enemies were clustered in the box. He was moving across the ring. A  deputy groaned as

he sank wounded. 

The mobster thought that he had finished with The Shadow. He was  wrong. An unseen shape was moving

from the sawdust. The Shadow was  picking the moving target by the spurts of the revolver. Cool amid the


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darkness, he gauged the gorilla's speed by the interval between two  shots. 

An automatic spoke. Its flash came an instant after a shot from the  ring. Sheriff Howard and two companions

kept up their fusillade. There  was no reply from in front of the big cage. A weird laugh whispered  from the

track. It seemed to trail as it faded into nothingness. 

Flashlights were appearing. Their beams swept toward the ring, the  center point of all attention. Then, of a

sudden, the tent lights came  on. Gasping spectators stared toward the ring. It showed a scene that  captured all

attention. 

Eric Wernoff had gained the safety of the little entry to his cage.  He was away from the roaring, snarling

beasts that were fighting and  sprawling in the space behind the bars. On the sawdust in front of the  big cage

lay three motionless mobsters. Two others were on hands and  knees, seeking to regain their guns. 

The sheriff and the unhurt deputy came leaping from the box. The  wounded gorillas tried to aim at them.

Sheriff and deputy each picked a  man. As mobster guns came up to fire, the men of the law shot  pointblank.

Riddling bullets dropped the two crooks whom The Shadow  had crippled in the final moments of his fight. 

Standing in the ring, the sheriff looked all about. So did the four  clowns who were cowering by the wooden

safe. Spectators followed their  example. They were looking for the weird, blackclad warrior who had  brought

down the desperate mobsmen. 

None found the object of their search. The Shadow had departed.  Blood stained the sawdust where dead

gorillas lay; but no token  remained of the one who had vanquished the bulletriddled crooks. 

The trailing laugh had marked The Shadow's swift passage to the  runway. He had left the big top just before

the lights came on. The  results of the brief warfare remained as evidence of his mighty  prowess. 

Coming from darkness, The Shadow had won the conflict  singlehanded. He had left the fruits of victory 

represented by the  murderous gorillas  where the law could find them. The sheriff had  found the robbers

that he sought. Dead, they could offer no resistance. 

The Shadow  his work accomplished  had returned to the darkness  from which he had emerged to strike

down fiends of crime. 

CHAPTER XV. GATHERING CLOUDS

"WELL? What about it, Stuffy?" 

"We can open tonight, Cap. The tin star says it's all jake." 

"It's time he made up his mind about it. The crowd  or what there  is of it  won't stick around much longer." 

The conversation was taking place in the office of the Larch Circus  and Greater Shows. Cap Guffy and Stuffy

Dowson were done. One day had  passed since The Shadow's battle with the mobsters in the big top. A  new

evening had begun. 

"You can't blame the tin star, Cap." Stuffy Dowson spoke as Guffy  was about to leave the office. "He's a

regular sort of a guy. But he  can't let the law slide just on our account." 


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"We ain't stopping him, are we?" growled Cap. "Say  what does the  yap want? He landed the five bank

robbers, didn't he?" 

"But he didn't find the dough they swiped, Cap." 

"He searched the lot, didn't he? Him and them rube deputies  say,  they even tapped the tent poles to make

sure they weren't hollow. That  swag's off this lot, Stuffy. The tin star might as well make up his  mind to it." 

"He has," declared Stuffy, "and he wants to talk to you about it." 

"Why me?" queried Cap, staring hard. 

"On account of that fellow Zoda," stated Stuffy. "It looks sort of  phony, Cap, that guy blowing the way he

did. The sheriff tells me Zoda  never set up his 'props' last night." 

"That's a fact," declared Cap. "I told the sheriff about it,  though. He thought it was worth looking into, but

that was all." 

"He was still thinking about the robbers," explained Stuffy. "It  wasn't until after he'd nabbed those five heels

that he began to worry  about the swag. Let me give you the lay, Cap. I ain't had a chance to  talk much about

it. 

"You heard about the trouble in the big top. That fight was a pip.  It would have been too bad for old tin star if

the guy in black hadn't  got in his say." 

"Who was the guy, Stuffy?" 

"We don't know. He was gone when the lights came on. Four of the  clowns said he was supposed to be Koko.

So we went over to the dressing  tent and the first thing we seen was a guy in a black cloak and hat,  laying in a

heap by one of the trunks." 

"Was he the fellow?" 

"No. We thought so at first. I figured he'd got shot during the  fight. We grabbed off his cloak  and who do

you think it was?" 

"Koko?" 

"Yeah. But he wasn't the fellow that had been in the big top. It  was Koko that we found; and he was tied up

with a couple of belts. He  had a bandanna gagging him. He couldn't tell us what hit him. He said  he'd been

going to pull a stunt on the track. He was supposed to be a  guy called The Shadow, chasing four crooks. Just

when he was leaving  for the big top, somebody landed on him like a load of bricks. It was  another guy with a

black cloak and hat." 

"The Shadow?" 

"Guess it must have been  only we don't know who The Shadow is.  Well, after we found Koko, the tin star

decides to search the lot.  There wasn't nobody had got away. The fight in the big top was over  quick; the

sheriff's crew was still on guard. The bank watchman picked  the five dead heels as the robbers. So the search

begun." 


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"You got to hand it to the tin star, Cap. There wasn't no chance  for any swag to go off this lot. They watched

all the townies that  left. They've been searching all day. But still they ain't found the  dough they're after." 

"When did they give up the search?" 

"About an hour ago  that's all. Say  here comes the tin star  now." 

THE door was opening as Stuffy spoke. Cap turned to see Sheriff  Howard. The official's face was gloomy. A

curt nod was his greeting as  he sat down at one of the desks. 

"So you're letting us open, eh?" questioned Cap. 

"Yes," responded the sheriff. "I've given the word that the search  is over. Start your shows when you want." 

"Still keeping your men on the lot?" 

"Yes. Enough of them to be ready if there's any trouble. There's  just one guy they're looking for." 

"Zoda?" 

"That's right. If they get any suspects, Captain, I'll bring them  for you to look over." 

"What about the fellow that did the shooting?" inquired Stuffy. 

"How're we going to find him?" demanded the sheriff. "We didn't get  a look at his face. What's more, he was

on our side. If he shows up,  I'll shake hands with him. 

"I've been talking with this fellow Hank that works for you. He  looked over the five dead men. He says they

look like the bunch that  jumped the show and came back. The watchman says they're the robbers. 

"Hank gave me their names. He told me the towns where they joined.  I've sent fliers out to those towns to get

a line on them. I don't  think it will do much good though. The whole five were probably  traveling under fake

names." 

Neither Cap nor Stuffy had any comment to offer on this subject.  When Stuffy spoke, his words related to a

more pressing matter. 

"I'm going down to the big top," he informed. "Got to get ready to  put on the show tonight. See you later." 

"I'm heading for the TeninOne," decided Cap. "Those freaks of  mine don't know there's going to be a

show. Like as not I'll have to  travel all over the lot to round them up." 

Both men left. The sheriff remained alone. His face retained its  glumness. At times, he muttered to himself. 

The failure to regain or trace the spoils of the bank robbers was  wearing on Sheriff Howard. He had felt

elation after the battle in  which the five gorillas had been slain. His triumph, however, had  faded. 

"If only one of them was still alive," muttered the sheriff. "One  that could talk " 

THE door opened as the sheriff mumbled this wish. Howard looked up  to see Tex Larch. 


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The circus owner nodded and dropped his two suitcases on the floor. 

"Well?" questioned Tex, gruffly. "What's the latest, sheriff?" 

"Just get in from New York?" queried the official. 

"Yeah," returned Tex, "but I read about the trouble in a newspaper.  First time anything like it has ever

happened with my show. So you got  the robbers  but not the money." 

"Yeah." 

"I was talking to a couple of the concessionaires when I came along  the midway. They told me you'd quit

searching the lot." 

"I have. We did a thorough job. The money isn't on this lot." 

"Sorry you had bad luck, sheriff." Tex turned toward the door, just  as Stuffy reentered. "Hello, Stuffy. Say 

run these kiesters over to  my tent, will you?" 

"Sure thing, Tex." Stuffy picked up the suitcases. "Your old friend  just blew in, Tex. Do you want to see

him?" 

"Who do you mean?" 

"Jonathan Wilbart." 

Tex scowled. Observing the sheriff's gaze, he changed his  expression. 

"'All right, Stuffy," he decided. "I'll talk to Wilbart." 

Stuffy departed and Wilbart entered a minute later. Tex shook hands  with the magnate. Wilbart nodded to the

sheriff. It was Tex who spoke  first. 

"Suppose you heard about the trouble here?" he questioned. 

"Yes," responded Wilbart. "That is why I came to see you. I thought  perhaps that it might temper your

decision regarding the sale of your  show." 

"Maybe it will," remarked Tex, in a meditative tone. "But I can't  talk about it tonight, Wilbart. Things are in a

mess. Right now I'm  worrying about tonight's show." 

"You are going to open?" inquired Wilbart, in a tone of surprise. 

"I guess so," returned Tex. He looked toward the sheriff, who  nodded. 

"Well, that's a help," declared Tex. "Listen, Wilbart: suppose we  talk matters over some other time. How

about the end of this week?" 

"While you are still here in Hamilcar?" 

"Yes." 


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"Very well, Tex. I shall remain at the Hamilcar Hotel for a few  days. You can communicate with me there, if

you wish." 

Tex nodded. He turned and left the office. He failed to close the  door behind him. Wilbart and the sheriff saw

him walking across the  midway toward the tent where Stuffy had taken the bags. 

"I am glad that you are letting Tex open his show tonight,  sheriff," observed Wilbart. "He certainly needs

whatever business he  may get in this town." 

"Show on the rocks, eh?" 

"Not far from it. Of course"  Wilbart smiled  "if Tex has poor  business this week, he may be more willing

to sell his show to me.  However, sheriff, I do not care to profit by another man's misfortune." 

The sheriff nodded. 

"Of course," resumed Wilbart, "I am counting on his misfortune in a  sense. Tex Larch has been experiencing

poor weeks  'bloomers,' we call  them  and I have considered that fact in making my offers. But those  are

natural hazards, actually of the man's own making. Poor business  judgment is different from unexpected

situations such as the trouble  that this circus encountered here." 

"I've given Larch a break," announced the sheriff. "We've been  searching the grounds here and we haven't

found the money that was  stolen from that Almsburg bank. By right, I could close this show.  Instead, I'm

letting it open. I'm through, so far as further search is  concerned." 

"Your men are still here, are they not?" 

"Only to preserve order. Also in case some clew bobbed up. But I  don't think there will be any. We got the

bank robbers." 

"Are you sure they were the only crooks with the show?" 

"Yes. I'm looking for one fellow  a mind reader called Zoda  who  might have been in with them. But he's

gone. If he shows up on the lot,  maybe we'll grab him." 

JONATHAN WILBART nodded. He extended his hand and received the  sheriff's shake. He walked from the

office and was joined on the midway  by his chauffeur, Lennox. The two men went between tents toward the

spot where Wilbart's car was parked. 

A few minutes later, Sheriff Howard stepped from the office and  looked along the midway. Tex  Cap 

Stuffy  all had gone their  separate ways. Ticket sellers were raising their raucous cries.  Scattered groups of

people were turning toward the big top. 

Turning, the sheriff saw a tall, firmfaced stranger who was  standing a few feet from the entrance to the

office. The sheriff's gaze  met those of a pair of steady eyes that peered from a masklike  countenance. The

stranger raised a cigarette to his thin lips and drew  a long puff as the sheriff turned and walked away to talk

with members  of his posse. 

In that moment, the sheriff had unwittingly glimpsed two  personages, both of whom he would like to have

met. One was Zoda, the  missing mind reader whom the sheriff sought; the other was The Shadow,  who had

saved the sheriff's life. 


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The sheriff had never dreamed that Zoda and The Shadow could be  one; nor did he realize that this

keeneyed observer  who looked like  neither Zoda nor The Shadow  was the double personality who had

played  so stirring a part in the happenings on the circus lot. 

Two men were stopping near the spot where The Shadow stood. One was  Cliff Marsland; the other was

Hank, the pretended roughneck. Hank's low  growl came clearly to The Shadow's ears. 

"Stick by the truck," the big man was informing Cliff. "Wait until  you see the light in the tent. It's comin'

pretty soon  same as  before." 

Cliff nodded. He and Hank were pulling down their left sleeves. In  accustomed fashion, they had flashed

their red circles. The two men  moved away. A smile appeared upon the thin lips of the watching  stranger. 

The Shadow knew that last night's battle had not marked the end of  crime. New clouds were gathering;

further evil was afoot. Again, the  might of The Shadow would be needed. 

CHAPTER XVI. PLANS FOR CRIME

"WHERE'S Cleed?" 

Cap Guffy asked the question as he stood in the TeninOne tent.  The other freaks and performers were

present, clustered about the  platform where Baby Liz, the fat lady, sat in solemn state. 

When the gang joined in powwow, they chose Baby Liz's platform as  a meeting place. It took three men to

hoist the fat lady to her  platform; once there, she remained. Hence, social gatherings among the  freaks were

held in her vicinity. 

"Cleed?" Luke, the tattooed man, echoed Cap's question. "I seen him  around about twenty minutes ago.

Guess he went to his sleeping tent." 

"We're going to open tonight," growled Cap. "I hope Cleed ain't off  the lot. With Zoda walking out on me and

all " 

"Cleed's around all right, Cap. How soon are we goin' to open?" 

"In half an hour." 

"I'll look around for Cleed." 

Luke scrambled from the fat woman's platform. So did Princess  Marxia. Cap beckoned to the snake charmer.

He spoke as she strolled  along with him toward her pit. 

"I'm driving down to the depot," announced Cap. "They sent word up  about that crate of rattlers. They came

in this afternoon." 

"Time we got some more," returned Marxia. "You should have ordered  them a couple of weeks ago, when we

got the bull snakes." 

"Couldn't get 'em," informed Cap. "These are the kind you want   the ones that ain't had the poison taken out

of 'em. You won't be able  to use these rattlers right away." 


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"That's all right." Marxia looked into the snake pit. "I've got  enough of the harmless ones to last for this stand.

When we get to the  next town, Luke and I can fix the new ones." 

"You're welcome to the job," decided Cap. "You won't find me trying  it." 

"It's better to extract the poison ourselves," insisted Marxia.  "Them saps that shift the rattlers don't always do

the job right. When  Luke and I get through with a rattler, we know he ain't going to hurt  nobody." 

Cap nodded. He looked about but saw no sign of Cleed. He was  frowning as he walked toward the closed

entrance of the TeninOne.  Marxia strolled to the back of the tent. She raised the canvas and  ducked out, as

Luke had done just after talking with Cap. 

ACROSS the midway, Cap saw a crouching figure moving on the far  side of a tent. He thought it was Cleed;

he watched as the figure  stopped. Then Cap realized that the stooped form was Jubo the Geek. 

Oddly enough, Jubo was also looking for Cleed. He was noting a  figure behind some tents further down the

midway. As Jubo watched, he  saw Cleed slink into view from in back of Tex Larch's tent. 

Cleed straightened. He dropped his slinking role long enough to  move across the midway, avoiding people

who were going into the big  top. Then he resumed his slinking pace past tents and trucks as he  headed for the

TeninOne. 

Jubo turned and headed toward the midway. His own tent was beside a  concession booth. Jubo ducked under

the canvas just as Cap Guffy  recognized him. Cap was still eying Jubo's tent with keen suspicion  when the

flap moved at the entrance of the TeninOne. 

Cap turned to see Cleed peering from the opening. He turned and  walked into the tent, growling as he joined

the cigarette fiend. 

"Time you showed up," Cap announced, as he closed the flap behind  him. "We ain't opening for half an hour

yet, but I wanted to make sure  you was around. I'm going down to the depot to get a box of snakes that  come

in this afternoon. Be here when I get back." 

Jubo the Geek, when he had ducked into his tent, had not entered  the pit. Instead, he had gone to the front

flaps. Peering through the  opening, he had watched the man who had been observing him. Thus Jubo  had

seen Cleed's face at the flaps of the TeninOne. He had seen Cap  Guffy turn to go in with the cigarette

fiend. 

Jubo remained on watch. His eyes roved from left to right. They saw  Cap Guffy's car roll into view from the

left side of the TeninOne.  They also noted Cleed sneaking forth from the other end of the tent. 

Shifting his position, the mopheaded geek looked toward a distant  tent that he could barely see from the

new angle. It was the isolated  canvas wherein Cleed and his cronies met. While Jubo watched, a light

glimmered from within the tent. 

The glare of the midway was tempered by the pinkish rays of sunset.  Jubo could distinguish forms of

roughnecks moving to form a loose  cordon about the tent from which the signal had come. The meeting was

an early one. There would be little chance for prowlers to escape the  observation of the guarding roughnecks.

Jubo moved back into his tent  and began to let snakes loose in the pit. 


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CLIFF MARSLAND, standing beside the truck where he was stationed,  had come to the same decision as

Jubo. Cliff could see the lighted tent  plainly; also the ground between his position and the meeting place.

Though dusk was settling rapidly, Cliff felt that tonight's watch was a  mere routine. 

Should any prowler appear; should any roughneck move from his  position, every member of the cordon

would promptly notice it. This  fact, to Cliff, was alarming. He sensed that this meeting must be  important. He

was positive that The Shadow  even if present on the lot   would be unable to approach the watched tent. 

Something stirred in the truck above Cliff's head. The Shadow's  agent did not notice the fact. No sound

betokened the unseen movement.  Crouched behind the sides of the truck was the tall stranger whom the

sheriff had noticed near the office. This uncanny personage was drawing  a small flat bag from beneath a seat

of the truck. 

Blackness enveloped the crouching form. Cloak and hat made the  stranger a form of darkness. Groping

toward the rear of the truck, The  Shadow dropped easily to the ground without a sound. Crouching, he  began

the task that Cliff Marsland had classed as impossible. The  Shadow was making his way toward the meeting

tent. 

Of all the watchers, Cliff alone saw moving blackness on the rough  ground. Yet the form that he observed

was no more than a shapeless,  crawling mass. Cliff saw this token of The Shadow because he was  watching

more intently than the other roughnecks; also because he was  closest to The Shadow. 

Wisely, The Shadow had chosen to begin his creep from the spot  where his own agent was established. But as

The Shadow progressed; as  dusk brought a slightly deeper gray to the terrain, Cliff lost sight of  the form that

he was watching. 

INSIDE the tent, Cleed had dropped his air of silence. Again, he  was talking in the evil snarl of Croaker Zinn.

Luke and Marxia were  listening intently to his words. None realized that The Shadow was  without. 

"So we're quitting the racket this week," Croaker announced, with  emphasis. "Those five mugs queered it.

They got what was coming to them  for being so dumb. If that watchman hadn't seen them, they'd never have

been traced to this lot. 

"We were going to play the racket all along the line. Those five  gorillas knew their stuff. I had them set to

crack a crib each time the  show made a jump. Out and back the same night. But they pulled a boner  on the

first trip." 

"It's lucky you had me change them tattoo designs," put in Luke.  "Say  those red circles would have made

plenty of trouble. But those  butterflies and other junk didn't mean nothing to the sheriff when he  saw them." 

"Of course not," declared Croaker. "Tattoo marks are common on a  circus lot. But it wasn't luck, Luke. I saw

what might be coming.  That's why I had you cover up the red circles. What's more  that's not  all that I

figured on. 

"Those five gorillas handed me the swag after they brought it into  camp. I had it ready for the big shot. When

the yap sheriff showed up  and put his hick guards around the place, it looked like we were  getting in a swell

jam. 

"But I slipped the swag to the big shot. He took it out right under  their noses. So when the sheriff finally got

around to looking for it,  it wasn't on the lot. The big shot's put the swag in a safe place." 


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Croaker paused to laugh harshly. Then an evil laugh came from his  lips. It was an odd laugh for one who still

wore the pasty makeup of  Cleed. 

"The sheriff is a sap," decided Croaker. "He figures somebody must  have copped the swag. He's dumb

enough to think it might be Zoda. He  hasn't got brains enough to dope out who Zoda really was." 

"The Shadow!" gasped Luke, in an awed tone. 

"Yeah, The Shadow!" spat Croaker. "Maybe he's still around here,  figuring that there'll be another gang go

out to crack some crib when  we move. But The Shadow, even, won't wise up to what we're going to  pull

now." 

"You got a new game, Croaker?" 

"You bet. First of all, we're going to start shoving the queer,  beginning late tonight." 

"What about the Feds?" 

"They won't wise up. We'll use some sap for a blind. Like we did  before. Then I'll have the cash we take in

and any queer that's left  all ready for the big shot to lug off the lot the night we finish this  stand." 

"And then the gang will blow?" 

"Later. After the big shot gets clear, I've got another job to  pull. Listen, both of you, and keep mum. You've

heard of this missing  heiress, Lucy Aldon?" 

"Sure." Luke nodded. "Lot of talk about her in the papers. Some  lawyer offered five thousand berries to

anybody who'd locate her.  What's the gag, Croaker? You figurin' a way to collect that dough?" 

"FIVE grand!" Croaker snorted. "Say  that Aldon moll is heiress to  a million. Listen. I know where she is. I

know how to get her. She  don't know she's Lucy Aldon. That makes it sweet. 

"Beef Malligan is coming here to Hamilcar. He'll be on the lot, the  last night. After I pass the coin to the big

shot, along with any queer  we haven't got rid of, Beef and I are going to blow. 

"We'll head for a place where nobody will find us. When we get  there, Lucy Aldon will be with us. Then

we'll get some guy to act as  the voice and we'll tell that old lawyer we've got the milliondollar  moll. 

"He'll have to come to terms. We'll be sitting pretty. He's never  seen the girl  get the idea? How can they

find a moll when they don't  know what she looks like  when they don't know anything about her?" 

"Say!" Luke was keen with his exclamation. "How did you get wise to  where this Aldon gal is?" 

"The big shot tipped me off," explained Croaker. "He had sort of a  hunch to begin with. He used his bean and

doped it out. But here's the  lay. 

"When Beef and I beat it, the rest is up to you. As soon as we get  clear, everything has got to go haywire on

this lot. Inside of half an  hour after we've done a scram, you start a riot, Luke." 

"Give 'em a 'Hey Rube'?" 


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"Yeah. The mob will do their stuff. There'll be a lot of people  missing after that scrap is over. Nobody's going

to know where they  went." 

"I get you, Croaker. But  but " 

"But what?" 

"What's the 'Hey Rube' got to do with you and Beef grabbing the  Aldon gal? Where are you goin' to snatch

her from?" 

Croaker laughed as he arose and extinguished the light that hung  from the tent pole. 

"You don't get it, Luke," he growled in the darkness. "Well, it's  just as well you don't. I practically put you

wise to the lay  yet you  and Marxia don't get it. Well, if you don't, after what I've told you,  nobody else

will." 

The discussion was ended. As roughnecks prowled from their posts,  the three freaks emerged from the little

tent and moved toward the  TeninOne. They were no more than skulking figures in the deepening  dusk. 

Silence reigned by the deserted tent. Then came a whispered laugh.  It was the suppressed mirth of The

Shadow, the unseen listener to the  conference of crooks. 

In a sense, The Shadow's laugh was an aftermath of Croaker's evil  chortle. 

For The Shadow had divined what Luke and Marxia had been unable to  guess. He had sensed the important

point of the fell scheme which  Croaker Zinn intended to put in execution. 

Tonight, counterfeit money would begin a new flow through the  circus lot. Its circulation would persist until

the final night in  Hamilcar. Then would come a stroke of crime that would concern a girl  named Lucy Aldon. 

The laugh of The Shadow faded. His tall form merged with the  descending night. As he had struck before,

The Shadow would seek to  strike again, with men of crime his prey! 

CHAPTER XVII. THE NIGHT BEFORE

LIGHTS had dulled along the midway of the Larch Circus and Greater  Shows. The last of the crowds had

departed. Automobiles were heading  townward. Tomorrow would begin the last day of the stand in Hamilcar.

One more night would end the worst "bloomer" of the season. 

Among the cars that were rolling from the circus lot was Cap  Guffy's rickety coupe. Like other vehicles, it

was heading toward  Hamilcar. When it arrived there, it pulled up in front of an old brick  hotel  The

Hamilcar House. 

Two men alighted. One was Cap Guffy; the other, Tex Larch.  Gloomily, the showmen entered the lobby of

the old hotel. While Cap  strolled about, Tex approached the desk and spoke to the clerk. 

"Jonathan Wilbart stopping here?" questioned the circus owner. 

"Room 204," replied the clerk. "Who wants to see him?" 


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"Tex Larch"  the showman paused, then spoke again as the clerk  pushed in a switch and raised a telephone

receiver  "tell him Tex  Larch and Captain Guffy. Two of us." 

Tex stood glumly while the clerk phoned the message. The call  completed, the clerk turned and nodded. He

pointed toward the stairway,  to indicate that Wilbart would receive the visitors. 

Two guests were in the lobby when Tex and Cap went up the stairs.  One was a tall, steadyfaced individual,

who had registered under the  name of Lamont Cranston. The other was a stalwart young fellow who had

arrived two days ago, from New York. He was in the book as Harry  Vincent. 

Lamont Cranston was The Shadow. Harry Vincent was his agent. The  Shadow had summoned this new aid

from Manhattan. Like Cliff Marsland,  Harry Vincent was one upon whom The Shadow could depend when

crime  reached its climax. 

Within two minutes after the pair of showmen had gone upstairs,  Lamont Cranston arose and followed the

same course. He did not,  however, go to his own room. He chose Harry Vincent's, which was on the  second

floor. 

The tall stranger did not turn on the light. Instead, he groped  across the room and found a suitcase that lay

beneath a bureau. Black  cloth swished. A shape appeared by the open window. Weirdly it moved  outward. In

batlike fashion, the figure of The Shadow crept along the  brick wall at the side of the hotel. 

Soft, squdgy sounds announced the progress. With rubber suction  cups attached to hands and feet, The

Shadow was making safe advance  along the vertical surface. His passage ended outside an opened window.

Voices sounded from within a room. Jonathan Wilbart was talking to his  visitors. 

"WHAT is your decision then?" Wilbart was questioning. "Are you  ready to sell, Tex?" 

"I don't know," Tex spoke in gruff rejoinder. "This stand has been  a 'bloomer,' Wilbart. Worse than I

expected. I haven't got the cash to  move my show." 

"Then a sale should be to your liking." 

"Not until I hear from New York. I sent a letter there. I ought to  have a wire by tomorrow night." 

"And if it comes?" 

"Then my answer will be definite. Either yes or no." 

A pause followed. Jonathan Wilbart was speculating on the  possibilities. He put another question. 

"Suppose, Tex," he suggested, "that you receive no word from New  York. Does that mean you will sell?" 

"It means that I'll have to go to New York," responded Tex. "I  can't sell until I get some word." 

"But you won't be able to move the show." 

"I know it. I'll have to leave the outfit on the lot." 

"With Stuffy in charge?" 


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"Yes." 

"I see." Wilbart nodded as he spoke. "Then I can remain here in  Hamilcar and receive your answer." 

"Yes. If I have to go to New York, I'll wire you from there." 

"Very well. Then the best time for me to see you is just before  train time. Is that right?" 

"Yes. I'll be in the office up to the last minute. If I have to go  to New York, I won't leave until after the big

show starts." 

Wilbart puffed at a fat cigar while he studied Tex. Then he seemed  to remember that Cap was also present.

He looked at Cap; then turned to  Tex. 

"What if you sell?" questioned Wilbart. "Where does Guffy's show  come in? Does it go along with the deal?" 

"It don't." The answer came from Cap. "That option is off. I'm  keepin' my show. Tex Larch ain't got nothing

to do with it. That's why  I'm here  to stand up for my rights." 

"Lay off the squawks, Cap," growled Tex. "Nobody's trying to do you  out of anything." 

"You're right they ain't," asserted Cap. "Wilbart might as well  know the facts. That option business was a

fake. Nothin' but a stall to  hold you off, Wilbart." 

"Is that right, Tex?" inquired Wilbart, in surprise. 

"Yeah," acknowledged Tex. "Cap didn't have to come in here and yell  it out. But there's no harm done. He's

just sore because this week's  been a 'bloomer' for him. He can't take it, that's all." 

"I ain't used to squawkin'," put in Cap. "I can take tough sleddin'  any time. But this wasn't a bloomer  this

town wasn't  if you hadn't  made it one, Tex. Them crooks wouldn't have been along with your show  if you'd

been on the job. 

"I'm through with your outfit, that's all. My show is packin' up  tomorrow. I'm takin' the road on my own. I've

got enough dough to  handle the 'nut' for a month, anyway. If I have to hook up with another  guy, I'll find one

that stays on the lot instead of commutin' into New  York. 

"My show won't open tomorrow night. It goes on the trucks and it  moves out when it's packed. Not your

trucks, neither, Tex. I've hired  my own. They'll be in by six o'clock." 

TEX LARCH was wearing a scowl. Cap Guffy's bluff face was  challenging. Jonathan Wilbart prevented

further discussion. Rising, he  approached to shake hands with each man in turn. 

"I shall see you tomorrow night, gentlemen," he remarked. "Let me  suggest that you forget your difficulties in

the meantime. You have  been on the road together for the past season. Why not part good  friends?" 

While Tex and Cap were giving their gruff agreement to Wilbart's  suggestion, The Shadow had turned his

gaze back toward the window from  which he had come. A tiny glow was showing at the opening. It was the

lighted tip of a cigarette. 


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Harry Vincent had come upstairs. His cigarette was a signal that  concerned The Shadow. Slowly, the

blackened shape shifted along the  wall. Then the form moved upward. Following a vertical angle, The

Shadow was rising toward a lighted window on the third floor. 

New voices  low in tone  greeted The Shadow as he reached his  objective. His keen eyes, peering inward

from the blackness of the  night, discerned three men. Two were the federal agents: Dunham and  Slade. The

third was Vic Marquette. 

Harry's signal had announced Vic's arrival. Harry had seen the  secretservice operative pass through the

lobby. Thus The Shadow had  left one finished conference to listen in on another that was just  beginning. 

"So you've been out on the lot again, eh?" Vic was questioning.  "And you'd like to grab the fellow that runs

the knife rack? Well  lay  off him." 

"He's shoving the queer, Vic," insisted Slade. "Doing it just like  the mind readers that we took in." 

"Sure he is," retorted Marquette. "He's a blind, like they were." 

"I was watching him count queer bills," argued Slade. "I stood  there for five minutes, while Dunham was

chucking rings at the knives." 

"Chucking rings?" queried Marquette. "What for?" 

"Trying to land one over the knob of a carving knife," admitted  Dunham. "There was a .45 hanging from it. I

would have won it, if I'd  landed a ring." 

"Just a couple of saps," snorted Vic. "That game's 'gaffed'; yet  you walk in and try to play it." 

"Gaffed?" 

"Sure. The heads of those knobs are turned away from you. You  couldn't drop a ring on one of them in a

million years." 

"The guy did it." 

"Of course he did; but he twisted the knob to the front when he  chucked the rings. But that's not the story.

We're going to forget the  fellow with the knife rack. We're going to get the real people." 

"When?" 

"Tomorrow night." 

Vic spoke with confidence. His statement silenced his companions.  While The Shadow listened, Marquette

began to give the details of a  compact plan. 

"I've been watching that circus lot," he stated. "I've been there  every night. I know the inside of the outfit

that's handing out the  phony mazuma. I told you that before. I told you there was one man in  charge  a

fellow who must be making contact with the big shot. 

"I've located the first man. I'm going to watch him. Tomorrow  night. You fellows be there, alongside the

Ferris wheel. When I slip  you the word, be ready. I'm not going to talk to you. I'll send someone  with a note.


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All he will say is 'Oblay!'" 

"Oblay?" 

"Yes. HogLatin for 'blow.' That word won't sound funny along the  midway. So when some fellow  no

matter how funny he looks  says  'oblay,' you ask him why. Then he'll say 'opskay'." 

"Cops?" asked Slade. 

"You're getting the lingo." Vic laughed. "Then you ask him for the  lay and he'll either tell you or slip you a

note. Follow instructions  and you'll find the queer. If the big shot isn't there, wait for him to  show up. Get

him. I'll join you later. Don't go until I join you." 

"Oblay," muttered Dunham. "Opskay." 

"Stick tight," added Vic. "Because there's a riot due tomorrow  night. lt's liable to come pretty quickly after

you get my word. Do you  understand?" 

"Right," responded Slade. 

Vic Marquette's instructions were complete. Brief words followed;  then a closing door announced the

operative's departure. The Shadow was  already moving along the wall. His creeping form arrived, beetlelike,

at an open window on the third floor. 

A soft laugh sounded from the darkness of Lamont Cranston's room.  The last pieces in the picture had been

set in place. Others had stated  their plans. Others were ready. So was The Shadow! 

CHAPTER XVIII. THE SILENT SHADOW

THE show was on in the big top. It was the last night of the circus  in Hamilcar. Straggling groups were

drifting along the midway. They  were the remnants of the small crowd that had gone into the circus  tent. 

Most of those who had come to the lot were idlers. Some of the  concessions were doing business; but several

of these "joints" were  packing. In this, they were setting the example of Cap Guffy. The spot  where the

TeninOne tent had been now formed a barren stretch of  ground. Idlers were watching Cap superintend the

loading of the trucks  that he had hired. 

Tex Larch had supplied the roughnecks for the loading. Cliff  Marsland was among this crew. He was the only

one who wore the tattooed  red circle. The others were genuine roughnecks, not members of Croaker  Zinn's

mob. A spirit of pessimism dominated their palaver. 

"Cap's started it by pullin' out," one fellow said to Cliff. "Look  over there. Jubo the Geek is packin'. When

that show quits, business  must be lousy." 

Cliff nodded. He saw the ticket taker pulling down the geek's tent.  Jubo was aiding while a wisecracking

group of town boys commented on  the tame appearance of the wild man from the snake pit. 

"There's another 'grifter' foldin'," continued Cliff's companion.  "That guy's been runnin' a twoway joint. Say

when a grifter can't  make nothin' when he's workin' the game strong, it's a sure bet there's  no dough on the

lot." 


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Cliff nodded his understanding. He had picked up the midway lingo.  He knew that a 'grifter' was a

concessionaire. He also knew that by a  'two way joint' was meant a game that could be run on the level or

fixed to trim the suckers. The operation of a 'two way joint' was  called working 'strong.' 

"Say"  the speaker was a concessionaire who had come across the  midway  "can one of you fellows give

me a lift? I'm loading some stuff  aboard a truck. Can't hoist it alone." 

"I'll give you a hand," responded Cliff. 

"Thanks." 

Cliff walked across the midway with the grifter. He had been  looking for a break like this. He wanted to

contact with other members  of the red circle and none of them were near Cap Guffy's trucks. Cliff  knew that

trouble was impending. He wanted to be ready when it broke. 

"I've been running a 'grind,' pal," confided the grifter, as Cliff  helped him hoist a crate aboard a truck. "Get

that? Running a 'grind'   working for a fivecent play. They call me a 'nickel gouger' on account  of it, but I

took in dough until we hit this town. But I've went broke  in this burg. Look"  the crate was aboard the truck

when the grifter  pointed down the midway  "there's a fellow taking down his 'flasher'  When those jumping

lights don't bring the dough, it's time for  everybody to quit." 

STROLLING down the midway, Cliff encountered a roughneck headed in  the opposite direction. The fellow

plucked at his left sleeve. Cliff  did the same. Tattooed circles came in view. The roughneck spoke in a  low

tone. 

"Have your gat ready," he advised Cliff. "When it breaks, the mob  is goin' to cut loose." 

"I'm set," returned Cliff. 

As he turned away, The Shadow's agent ran shoulder to shoulder  against a tall personage who was standing

near a tent. As he stared  into a calm, impassive face, he caught the glare of steady eyes. Lips  that barely

moved gave Cliff a weirdly whispered order. 

"Watch Jubo the Geek." A cigarette moved up to the lips. "Keep him  from the mob." 

Cliff turned toward Jubo's tent. The canvas was down. He saw the  geek staring across the midway. Cliff

turned to nod to the stranger who  had spoken. The tall visitor had moved away. Cliff, however, needed no

further injunction. He had received an order from The Shadow. 

"Watch Jubo the Geek." 

Oddly, The Shadow was not the only one who had uttered that  admonition. Off beyond one of the

TeninOne trucks, Cleed  otherwise  Croaker Zinn  was saying the same words to Luke, the tattooed man.

A  glower was showing on the pasty face of the socalled Cleed as Croaker  studied a list that Luke had

handed him. 

"Watch Jubo?" questioned Luke. 

"Yeah." Croaker was emphatic. "Say  it was a good idea to have  Hank check up on all the crew. When did

you put the circle on Jubo?" 


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"I don't remember usin' the needle on him." 

"You don't eh? Well, that's all I wanted to know. Pass the word  along to watch Jubo." 

Luke moved away to obey. Cap Guffy approached and beckoned. In the  languid fashion of Cleed, Croaker

Zinn arose to follow the owner of the  TeninOne. 

"Forget you're a dope," ordered Cap. "'Give me a hand while I load  this box of rattlers aboard the back of my

coupe. I'm not trusting  these reptiles to no truck. These babies have hot stingers." 

Croaker gave Cleed's sickly grin as he aided with the box. The  rattlers whirred from within the box. Neither

Cap nor Croaker seemed to  be disturbed by the sound. 

"All right, Cleed," said Cap. "Go back and take another nap. Come  on, you roughnecks. Get a hold of some

of those crates. This finishes  the load." 

JUBO THE GEEK was watching from the spot where his tent lay on the  ground. His blinking eyes were

following the form of Cleed. He saw the  pretended cigarette fiend sneak off in the direction of the meeting

tent. 

Dropping a strip of canvas, Jubo followed. 

The trail led in and out among the circus trucks. The lights from  the midway barely showed the outline of

Cleed's form. Jubo moved with  quick paces from truck to truck, anxious not to lose his quarry. They  were

approaching the isolated tent. It was dark. 

Losing temporary sight of Cleed, Jubo made a stooping sprint to  another truck. He arrived there and peered

into the darkness. He was  panting slightly; that was why he did not hear the sound that occurred  behind him.

Before Jubo knew that danger was close by, figures from the  dark pounced upon him and sent him sprawling

to the turf. 

"Drag him into the tent." It was Luke who gave the word to Jubo's  captors. "I want to take a look at him.

Maybe he's a phony." 

Roughnecks obeyed. Jubo's body was limp. Swift blows had knocked  the geek senseless. 

When they reached the tent, Luke turned on the light. Jubo's form  plopped to the ground and lay face up.

Luke studied the brownish  countenance while four roughnecks stood by. 

"A phony all right," decided Luke. "Wait'll I take a look at his  arm." 

He pulled up the sleeve of Jubo's jersey. A red circle showed in  the light. Luke grunted. He strode across the

tent and shoved a big  sponge into a halffilled water bucket. Coming back, he applied the  sponge to the

geek's arm. The red circle began to fade. 

"Dye," announced Luke. "I knew that was no tattoo job. Say  let's  look at the rest of your arms while I'm

about it." 

The roughnecks raised their sleeves. Luke's inspection made him nod  with approval. The tattooed man was

satisfied with their red circles.  He pointed to Jubo's inert form. 


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"Phony makeup," he announced, "and a wig. But I'm leavin' it on  him. When they find this guy full of lead,

he'll still be Jubo the  Geek. Two of you stay here. If he comes to, tap him another on the  bean. When you

hear the 'Hey Rube,' give him the works. Get me?" 

The roughnecks nodded. 

"Who's stayin' then?" asked Luke. 

"I'll stay." It was Cliff Marsland who spoke. 

"I'll stick," added a roughneck. Luke beckoned to the other two  men. They left the tent. Cliff and his

companion sat down to keep an  eye on Jubo the Geek. 

THERE was motion in the darkness outside the tent. A silent figure  shifted into the night. It was the form of

The Shadow. The tall visitor  had donned his sablehued garments. He, like Cliff, had noted the  capture of

Jubo. With Cliff on the job, The Shadow was satisfied  concerning the helpless geek. 

Reaching the office trailer, The Shadow lurked in darkness. His  keen eyes commanded a broad view of the

midway. Certain figures caught  his immediate attention. The first was that of Cap Guffy. His trucks  loaded,

the owner of the side show was coming toward the office. 

From across the midway, a newcomer was heading for the same  objective. It was Jonathan Wilbart. The

circus magnate was here to make  his final offer for the purchase of the show. 

As the two men neared the office door, The Shadow's gaze turned  toward the big top. There he observed Tex

Larch, coming out through the  turnstile. 

A whispered laugh. The Shadow moved away. He found a space between  two concession tents. The joints

were close together. The front of the  space  not more than two feet in breadth  was blocked by the sturdy

form of a lounger who was watching the varied activities of the midway. 

The Shadow approached. A soft, weird whisper came from his hidden  lips. It brought a nod from the lounger.

The Shadow's form faded back  between the two small tents. Then it merged completely with the  darkness.

The Shadow had become a part of the night itself. 

The lights of the midway showed the face of the lounger who was  standing between the fronts of the

concessions. This man was Harry  Vincent. He had received The Shadow's order. He knew that he was to act

according to instructions already given him. 

Sauntering from the idle spot, Harry strolled across the midway and  approached the clattering Ferris wheel.

He spied two men who were  standing a short distance from the huge device. Harry walked up and  nodded.

The men looked him over in a suspicious manner. 

"Oblay," said Harry, in a low voice. 

The men exchanged glances. Then one put a growled question: 

"What for?" 

"Opskay," added Harry. 


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"What's the lay?" quizzed one of the pair. 

Harry looked about. No one was watching. The Shadow's agent pulled  an envelope from his pocket. It was

Dunham who received it. Harry  turned away and found an opening between two tents. He ducked out of  sight

and started a long, circling course toward the fringe of the  circus lot. 

Slade had opened Harry's envelope. His face became grim as he read  the message. He tore the paper into

shreds and let the pieces float to  the ground. 

"From Vic?" questioned Dunham, in an undertone. 

"You bet," responded Slade. "Come along. Over past those tents.  We've got a job ahead." 

DOWN near the big top, a thickfaced, uglylipped man was standing  alone. He seemed restless as he

watched toward the circus tent. The  wheezing music of the steam calliope came muffled to his ears. The

constant sound made him feel uneasy. 

A winsome figure was coming from the direction of the big top. Red  hair showed in the light. It identified

Lucille Lavan. The queen of the  high wire had finished her act. She was humming as she approached the  tent

and entered. She did not see the uglyfaced stranger who was  waiting. 

"Beef!" The stranger turned at the sound of the growled whisper. He  stared unbelieving at the pasty face of

Cleed. A grin appeared upon the  dopey visage. 

"Hello, Beef," came the repeated whisper. "It's me  Croaker. All  set?" 

"Sure am," responded Beef. "Say, Croaker. I wouldn't have knowed  you by your mug. Was that the moll?" 

"Yeah. Come on." 

Stooping, Croaker cautiously lifted loose canvas at the side of the  tent. He edged beneath and Beef followed.

They were in Lucille Lavan's  private tent. Ten feet away, the girl was sitting at a small dressing  table,

applying cold cream to remove her makeup. 

Croaker Zinn pounced forward. Lucille, staring in the mirror, spied  the face of Cleed. Gamely, the girl swung

to meet the intruder. She was  too late. Croaker's fingers caught her throat. 

Beef Malligan aided in ending Lucille's struggles. Together, they  produced leather thongs and bound her

hands and feet. A large  handkerchief served as an effective gag. Croaker pointed to a couch.  Beef placed the

girl upon it. 

"No rush," chuckled Croaker. "Wait a couple of minutes, Beef, while  I get rid of this punk makeup I've been

using." 

Dipping his fingers in cold cream, Croaker smeared the substance  over his pallid countenance. The job was a

quick one. A mopping towel  finished it. Beef Malligan grinned as he saw the swarthy features of  Croaker

Zinn supplant the pasty visage of Cleed. 

"All right," ordered Croaker. "Out through the back. How far away  is your car?" 

"A hundred feet." 


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"You lead the way. I'll bring the moll." 

Croaker was chuckling as they neared a darkened sedan. Over his  shoulder, he held the bundled form of

Lucille Lavan. In an undertone,  he was telling Beef Malligan the story. 

"They call this jane Lucille Lavan," Croaker was saying. "That's  who she thinks she is  Lucille Lavan. That's

the name she's always  used; but it ain't her right name. She's Lucy Aldon, the milliondollar  moll. 

"Open the back door, Beef. We'll chuck her in there. That's the  stuff." Lucille's huddled form rolled on the

back seat. "You take the  wheel, Beef. We're going places " 

The two mobleaders were side by side as Croaker's speech came to a  sudden end. Something had clicked

from the hood of Beef's car. The two  crooks were standing in the glare of a flashlight. The torch was held  by

Harry Vincent. 

But it was not the glare that caused the two crooks to stop in  their tracks. It was a figure in the range of light

that made them  cower with upraised hands. There, like a living specter, stood a shape  whose power they well

knew. 

Burning eyes blazed from beneath a blackened slouch hat. The mouths  of mammoth automatics loomed like

tunnels that boded death. Silent, The  Shadow had risen from the dark. The master of vengeance had arrived to

conquer crime! 

CHAPTER XIX. MEN ACCUSED

WHILE The Shadow had been laying his trap for the abductors of  Lucille Lavan, a brief meeting was going

on in Tex Larch's office.  Three men  Tex, Cap and Wilbart  had arrived to find the office  occupied by a

single individual: Sheriff Howard. 

The three nodded to the official. The sheriff was persisting in his  vigil merely as a matter of formality. He

had given up hope of  uncovering the missing swag. Tex Larch, worried over matters that  concerned his

circus, had practically ignored the sheriff's presence on  the lot. 

It was plain, too, that Tex had little time for Jonathan Wilbart.  He shook hands hurriedly with the magnate,

then began to take papers  from a drawer in the desk. Wilbart, noting a worried expression on the  showman's

face, was prompt with a question. 

"What is the answer, Tex?" he inquired. "Did you hear from New  York? Do you intend to sell?" 

"No," replied Tex. "That goes for both questions, Wilbart. I didn't  get the wire from New York. I don't know

how I stand. So I'm going  there on the next train. That's all." 

"Leaving the show on the lot?" 

"Yes." 

"With Stuffy in charge?" 

"Yes." 


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"Very well." Wilbart delivered a dry smile. "I shall stay close by.  Send a telegram to the Hamilcar House if

you intend to sell. Then I can  take possession. If I do not hear from you by " 

"What then?" demanded Tex, as Wilbart paused, still smiling. 

"I shall negotiate with our friend the sheriff," remarked Wilbart,  "when he is authorized to put your show up

for sale." 

With this statement, Wilbart turned and stepped from the office.  Tex watched him cross the midway, where

he was joined by his chauffeur.  With a growl, Tex turned back into the office. 

"I don't like that heel," he declared. "So he figures this outfit  is never going to move out of Hamilcar, does

he? Well  I'll show him!  I'll " 

Tex paused. He noted Cap Guffy and turned savagely toward the  proprietor of the TeninOne. 

"Well?" quizzed Tex. "What's on your mind? I thought you'd got that  junk pile of yours off the lot." 

"Ready to pull out now," returned Cap, extending his hand. "I'm  drivin' ahead in my coupe. The trucks are

followin'. So long, Tex." 

THE circus owner lost some of his anger. He shook hands cordially  with Cap. The sideshow owner walked

from the office. At the door, Tex  watched Cap pace along the midway. He saw him enter his coupe. The  little

car prepared to pull away. 

"Cap Guffy ain't a bad sort," confided Tex, as he entered the  office and spoke to the seated sheriff. "The

going got too tough for  him  that was all. Well  I wish him luck." 

The door opened. It was Stuffy Dowson, bringing a pair of heavy  suitcases. Tex turned as the general agent

spoke. 

"Here's your kiesters, Tex," announced Stuffy. "I'm goin' to get a  car. It's time you was startin' for the depot." 

"All right, Stuffy." 

Tex stepped from the office as soon as Stuffy had carried the  suitcases from his path. The sheriff followed.

Like Tex, he stood on  the fringe of the midway, looking here and there. 

The showman was counting the blank spaces where concessions had  been. The sheriff was picking out the

scattered members of his small  posse. A dozen deputies were still on the grounds. 

Up by the trucks that had loaded the TeninOne show, Cap Guffy was  speaking from the driver's seat of his

coupe. He was talking to Luke,  the tattooed man. 

"I'm pullin' out," informed Cap. "Got Marxia's rattlers aboard this  car. You see that everybody gets aboard the

trucks when the drivers are  ready to go." 

"We're all set, Cap." 

Luke turned to Marxia as the coupe rolled from the lot. In a low  voice, the tattooed man gave final

instructions to the snake charmer. 


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"Croaker planted the cash," he stated, "along with what was left of  the queer. The big shot's got it. That settles

that." 

"What about Croaker?" 

"He and Beef just grabbed Lucille Lavan. She was Lucy Aldon." 

"What?" 

"Yep." Luke grinned. "They're on their way. Now it's up to me to  pass the 'Hey Rube.' The mob is waitin' for

the shout. I'm goin' to  slide around a bit first. Might as well give the big shot and Croaker  plenty of time to

get clear." 

Luke was looking down the midway. He saw Tex Larch talking with the  sheriff. Stuffy Dowson had not yet

returned with the car. Luke  sauntered off behind some tents. Marxia remained by the trucks. 

OUTSIDE the office, Stuffy reappeared beside Tex Larch and the  sheriff. He informed Tex that the car was

waiting on the other side of  the lot. Tex pointed to the bags. Stuffy picked them up. Tex shook  hands with the

sheriff; then turned to follow Stuffy. 

Then came an interruption. A grayhaired man came hurrying from a  cluster of idlers. In a crackly voice, he

shouted to the departing  showman. Both Tex and the sheriff turned as the man called. 

"Where are you going, Larch!" came the crackled demand. "Stop! I  want to talk to you." 

The sheriff saw a clouded look appear upon Tex Larch's face. Then  the showman forced a smile to his lips.

He extended his hand toward the  arrival. 

"I was coming into New York to see you, Mr. Towne," declared Tex.  "I was waiting here to get a wire from

you." 

"A likely story!" exclaimed the grayhaired man. "I have lost  patience with your dallying, Larch." 

"Come on in the office," suggested Tex. "I've been having a lot of  poor luck in this burg. I want to tell you

that " 

"I want to see the girl!" challenged Towne. "I can abide no further  with your constant wish for delay." 

"Wait a minute, Mr. Towne " 

The sheriff stepped in to stop the argument. With one big hand, he  pressed Tex back. He scented

complications; he wanted to know the  facts. 

"Who are you?" the official asked the grayhaired man. "I'm the  sheriff of this county. I want to know

everything that's happening on  this circus lot." 

"You are the sheriff?" questioned Towne. Then, as he caught the  flash of a badge, he nodded. "Very well, sir.

My name is Adoniram  Towne. I am the lawyer of the Aldon estate. I have come here to claim  Lucy Aldon,

the missing heiress." 

"Lucy Aldon!" exclaimed the sheriff. "What's she doing here?" 


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"Working in the big top," put in Tex, sullenly. "Lucille Lavan   queen of the high wire. She don't know she's

Lucy Aldon." 

"Mr. Larch came to see me in New York," explained Adoniram Towne.  "That was a few months ago. He told

me that he was sure Lucille Lavan  was Lucy Aldon. He requested that I keep the fact from her until the  end

of the season." 

"The show would have folded without her," put in Tex. "She was the  big act. I made a straight deal with Mr.

Towne here. I told him it  wouldn't be fair to Lucille to tell her who she was before the season  ended. She's

happy with the show." 

"I agreed with Larch," admitted Towne. "I even advanced him funds   as reward for finding Lucy Aldon  so

that he could complete his  season. But when I read of trouble in this circus I " 

"You wanted to know if the girl was safe," interposed the sheriff.  "Sure thing. I don't blame you." 

"I want to see Lucille Aldon at once," added Towne. "Without  delay." 

"You'll see her." The sheriff turned to Tex. "Her act's over, ain't  it? Where's her tent?" 

"Over by the big top," growled Tex. "But there's no use talking to  her yet. Let's go in the office " 

"We'll go to her tent," ordered the sheriff. "Come along, both of  you. And you"  he turned to Stuffy, who

was gaping as he held the bags   "come along with us, too. This is something I'm going to find out  about." 

WHILE the four were heading for Lucille's tent, a sudden drama was  budding in an isolated spot behind the

office trailer. Cliff Marsland  and the roughneck with him were talking as they sat beneath the light  of the old

meeting tent. 

Jubo the Geek had opened his eyes. Neither Cliff nor the roughneck  had noticed it. While the two were

chatting in low voices, Jubo moved.  On hands and knees, he began to crawl toward the canvas wall. 

"Look there!" The standing roughneck spied the moving geek. "He's  tryin' a sneak! Get him!" 

Yanking a gun from his pocket, the roughneck aimed for Jubo. Cliff  acted before the fellow could press the

trigger. The Shadow's agent was  pulling his own gun; with a downward stroke, he cracked the roughneck's

wrist. The fellow's revolver dropped to the ground as Jubo made a dive  beneath the side of the tent. 

Fuming oaths, the roughneck pounced on Cliff. The Shadow's agent  grappled with his foe. It was a vicious

struggle that set the two men  back and forth across the tent, their heels digging in the soft turf.  Then Cliff's

hand rose and descended. The steel of his automatic met  the roughneck's skull. The ruffian collapsed. 

Jubo was gone. Stealthily, Cliff turned out the light. Leaving his  adversary unconscious, The Shadow's agent

moved through the darkness,  picking a course toward the midway. He was too late to trail Jubo the  Geek. The

mopheaded wild man had made good his escape. 

IN Lucille's tent, the sheriff was grimly surveying overturned  chairs and upset articles upon the dressing

table. Two of his deputies  had arrived; they were watching Tex and Stuffy. Adoniram Towne was  biting his

lips. 


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"Looks like someone grabbed the girl," decided the sheriff. "You'll  answer for this, Larch. What do you know

about it? Where is Lucy  Aldon?" 

"I don't know," responded Tex. His face was troubled. "I had no  idea " 

"You tried to keep us from coming in this tent," broke in Towne,  his voice indignant. "Come, Larch. Have

you abducted Lucy Aldon?" 

"What do you mean?" Tex's question was savage, "Do you think I'd do  " 

"You were the only one who knew who she was," interposed Towne,  "The burden of proof is upon you,

Larch." 

"Others might have known it," retorted Tex. "She's been a trouper  ever since she was a kid. Brought up by

circus folk. It didn't take no  detective work for me to learn the names of her dead parents " 

Tex broke off as a figure bounded up from the side of the tent. A  deputy swung his revolver to cover the

intruder. A gasp came from  Stuffy Dowson: 

"Jubo the Geek!" 

The wild man had thrust one hand to his forehead. With a quick  sweep, he ripped off his heavy, moplike wig. 

The action brought an instant change to his brownish, madeup  features. With his other hand, Jubo drew up

the bottom of his jersey. A  badge glittered from the shirt that he wore beneath. 

"Who are you?" quizzed the sheriff, as he ordered the deputy to  lower his gun. 

"My name's Marquette," stated the transformed geek, in a steady  voice. "I'm Vic Marquette, of the secret

service." 

"Of the secret service!" 

"Yes. Is this man Larch your prisoner?" 

"He is. Do you want him?" 

"He looks like the fellow I'm after. I need the big shot in a  counterfeiting racket that's been following this

show of his. Are those  Larch's bags?" 

"Yes." 

"Where was he taking them?" 

"To New York." 

Vic grabbed a bag and yanked it open. Clothes, office books and  other assorted articles went spreading on the

ground. Vic seized the  second suitcase and sent its contents flying. 

"What are you looking for?" quizzed the sheriff, as Vic began to  paw through the scattered articles. 


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"Cash," returned Vic. "Real cash and plenty of it. I'm looking for  counterfeit bills, too. The mob that's with

this show pulled in all the  queer that they were shoving. It was going to the big shot, tonight." 

"I'm not the big shot," put in Tex. 

"Looks like you're right," admitted Vic, rising from the ground.  "Do you know who is?" 

"I didn't even know there was a racket with the outfit," growled  Tex. "Say  it looks like I'm being framed

plenty here tonight. First  the girl business. Then " 

"Who else went off this lot?" quizzed Vic, turning to the sheriff.  "Who else could have carried the cash and

the queer?" 

"Cap Guffy left," declared the sheriff. "Drove off the lot in his  coupe." 

"He's the man, then!" decided Vic, grimly. "I located the  mainspring of the mob. He's the fellow that called

himself Cleed the  Cigarette Fiend. But his crew grabbed me before I saw him contact with  the big shot. 

"Can you give me a couple of deputies, sheriff? I'm going after Cap  Guffy, before it's too late. Had a couple

of my own men, here on the  lot, but I didn't see them when I came across the midway." 

"Keep guard, men," ordered the sheriff, as he stepped toward the  tent flaps. "I'll get you a couple of deputies,

Marquette. Maybe you'll  still have time to grab Captain Guffy." 

"Who wants Cap Guffy?" 

The tent flaps swept aside before the sheriff could open them. The  voice came in challenging fashion from

the burly speaker who was  entering. The sheriff stepped back and dropped his jaw. Vic Marquette  stared. 

Into the tent had come the very man whom they intended to pursue.  It was Captain Guffy, big as life,

demanding to know why he was wanted! 

CHAPTER XX. THE MOB BREAKS

As Cap Guffy stared in challenge, he found himself looking into the  muzzle of a stubnosed revolver. The

weapon was held by Vic Marquette.  The secretservice operative spoke in a cold, steady voice. 

"Where have you taken the queer stuff, Guffy?" questioned Vic.  "What about the real dough you took in?" 

"The queer stuff?" gasped Guffy. 

"The counterfeit money," affirmed Vic. "The game was working from  your TeninOne tent. I figured you to

be the big shot, if Tex Larch  didn't prove to be the man." 

"Where's the girl?" demanded the sheriff. 

"What girl?" blurted Cap. 

"Lucy Aldon," stated Adoniram Towne. 


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"Lucy Aldon?" questioned Cap. 

"They mean Lucille Lavan," declared Tex Larch, suddenly. He turned  to the sheriff, then to Vic Marquette.

"Listen, you fellows"  Tex was  serious  "it looks like a double racket was working on this lot. You  accused

me of being the big shot. Now you're on Cap Guffy's neck." 

"Well?" quizzed Vic Marquette. 

"You're wrong about Cap," stated Tex, "just as you were wrong about  me. Cap's on the level." 

"He is, eh?" put in the sheriff. "Well, you and him didn't seem to  be such good friends when he was leaving

tonight." 

"Cap and I had our differences," admitted Tex. "But he's a trouper  and a straight shooter. As I get it"  Tex

was concentrating on Vic  Marquette  "you're after some fellow who has gone off the lot." 

"Not just off tonight," insisted Vic. "I want the man who's been on  and off. The fellow who could have

brought in counterfeit bills and  taken away real cash, by contact with his helpers here." 

"The fellow who could have carried away the bank funds," put in the  sheriff, suddenly. "Like you, Larch,

going into New York. Like you,  Guffy, going down to the station with a trunk. I'm just beginning to  see the

game." 

"There are my bags," asserted Tex. "Nothing in them. And if Cap was  crooked, he wouldn't have come back

to this lot, would he? Listen"   Tex narrowed his gaze toward Vic  "I'll tell you who the real crook is  " 

"Jonathan Wilbart!" exclaimed Cap Guffy. 

"Bah!" put in the sheriff. "Say  it looks like both of you are  crooks. Come on, men. We're taking them into

town. Get a car " 

"Wait!" The command came from Vic Marquette. "These men may be  right, sheriff. Where is Jonathan

Wilbart?" 

"He left a while ago. But he " 

"Hold these two men, sheriff. I've seen Wilbart's car around this  lot. I know where he usually parks it. Let me

take a look." 

"But he's gone " 

"I don't know about that. Allow me five minutes, sheriff. Let me  see if Wilbart is still around." 

"All right." 

VIC ducked for the side of the tent as the Sheriff gave his  agreement. Coming out into dim light, he

scrambled off into darkness.  He saw a car parked off the lot. He leveled his gun as he noticed a  crouched

figure. Then came the glimmer of a flashlight. Vic stopped  short, caught by the glare. 

"Vic!" Slade's voice gasped in recognition of the exgeek's  brownish features. "It's you, isn't it, Vic?" 


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"Yeah," returned Vic Marquette. "Where's Dunham?" 

"Right here." Slade spoke with satisfaction. "We got your tip. We  grabbed the bozos when they came back to

the car. Some guy on the lot  must have had a duplicate key to this sedan. It was planted with a tin  box full of

real dough and a couple of packages of queer." 

Slade turned the rays of his flashlight. Vic saw two sourfaced men  standing at the side of the sedan.

Dunham was covering the pair. One  was Jonathan Wilbart; the other his chauffeur, Lennox. 

"So you're the big shot, Wilbart?" questioned Vic. "I guess you've  got the bank swag too, eh?" 

"No," growled Wilbart. "I don't know what this is all about." 

"I'm not in the game," protested Lennox. "I think I can help you  fellows find the swag. It may be in Mr.

Wilbart's safe " 

"Shut up, Lennox," ordered Wilbart. 

"I'll talk," persisted the chauffeur. "I thought you were an honest  man, Mr. Wilbart, until tonight " 

"You can talk later," interposed Vic, grimly. "Hold him here,  Slade. I'm taking Wilbart with me. Wait until I

return." 

Vic planted his gunmuzzle in the center of Wilbart's back. He  ordered the magnate forward. Vic was grim as

he forced the exposed  crook toward the tent where others were waiting. Vic knew that a riot  was due to

break. But he counted on at least a dozen minutes before  Luke gave the call. 

EVENTS had been moving rapidly on the lot. Off in another stretch  of darkness, The Shadow was still

covering Croaker Zinn and Beef  Malligan. There was no flashlight glowing, but The Shadow, shrouded in

darkness, could view the outlines of the crooks before him. Knowing  that they were covered by the

automatics, Croaker and Beef were  standing with upraised hands. 

Harry Vincent was releasing Lucille Lavan. He had taken the gag  from the girl's mouth. He was working on

the thongs that bound her.  Lucille, half senseless, was propped upon the rear seat of the car, and  Harry was

finding difficulty in working loose the leather bonds. 

"Her hands are free," Harry informed The Shadow, in an undertone.  "I'm working on the anklestraps. All

right  they're cut " 

Harry stopped short. A long, wailing cry was coming through the  night. It was the signal that no one had

expected at this early minute   Luke's order  the chaos that was to sweep the circus lot. 

"Heeey Ruuuube!" 

Profound stillness followed the long call. Then, like automatic  echoes, came answered cries from other

portions of the lot. A dozen men  had taken up the shout. A revolver shot sounded in the distance. 

Hey Rube! 

It was the battle cry of the circus lot. It meant that all would  rally to a common cause. The real circus folk,

not knowing that crooks  had started the riot call, would join forces with the mobsters who had  prepared this


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climax of violence. 

The Shadow was motionless in the darkness. His silence, together  with the cry, was inspiration for Croaker

Zinn and Beef Malligan.  Gleaming eyes had turned toward the tents. With one accord, the two  crooks shot

hands to pockets and leaped forward, drawing their  revolvers. 

The Shadow whirled to meet them. Fingers pressed triggers as his  black form dropped. Croaker's revolver

barked. Its bullet whistled over  The Shadow's head. Beef, aiming low, was ready to pump lead into the  fading

foeman. 

Croaker had been too quick. Beef was too slow. As crooks closed  with The Shadow, automatics flared from

gloved fists. Spitting bullets  did double duty. Croaker Zinn slumped before he could take new aim.  Beef

Malligan collapsed before he could press revolver trigger. 

The Shadow hissed an order to Harry Vincent. His tall form rose  from beside the sprawled mobleaders. The

cloak swished as The Shadow  glided swiftly toward the tents along the midway. 

LUKE had been watching Lucille's tent. That was the reason for the  early cry. From a distance, the tattooed

man had seen Jonathan Wilbart  coming into the range of light, with Vic Marquette behind him. Luke   like

Marxia  shared Cleed's knowledge of the big shot's identity. To  aid Wilbart, Luke had given the "Hey

Rube." 

With that cry, Wilbart had swung. Before Vic could fire, the  magnate delivered a punch that sent the

operative sprawling. Leaping  toward the midway, Wilbart cried to Luke and pointed off in the  direction of his

car. Luke sent mobsters scurrying in that direction. 

Revolvers barked in the darkness. Vic, coming to his feet, opened  fire on those who had headed for Wilbart's

car. Shots came from the  sedan. Vic felt grim satisfaction. He could tell that both Slade and  Dunham were

shooting. They had given Lennox a chance to prove himself  on the level. Lennox was making good. 

Mobsters dropped back at the steady fire which came from two  directions. The Shadow, passing Vic, knew

that the sharpshooting  secretservice men could hold their own. He headed for Lucille's tent,  where shouts

proclaimed excitement. His tall form raised the canvas at  the rear. 

Of the men gathered in that tent, only the sheriff and his deputies  were armed. The deputies had still been

covering Tex and Cap. The  sheriff had been watching Stuffy. Thus, a surprise from the front flaps  had caught

them helpless. 

Jonathan Wilbart and Luke had pulled back the tent flaps. Five  mobsters  all pretended roughnecks  had

leaped in at their bidding.  These gorillas had covered the sheriff and the deputies. They were  waiting for

orders. 

A harsh laugh was on Wilbart's lips. The officers had dropped their  guns. The archcrook saw no menace. In

a sneering, evil voice, he  announced his prompt intention. His statement was a revelation of the  fiendish

nature that lay behind his gentlemanly mask. 

"Shoot them down," ordered Wilbart. "Fire when I give the word.  Leave none alive. Ready " 

The shape of The Shadow loomed up within the rear canvas. A weird,  taunting laugh stilled Wilbart's savage

lips. Burning eyes were steady  above the barrels of leveled automatics. As mobsters swung startled to  face

the blackclad menace, the automatics spoke. 


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TWO mobsters staggered as the first shots flashed. The Shadow aimed  for others of the squad. Crooks fired

hasty shots that tore holes in  the canvas. A third mobster sprawled. A fourth wavered. He saw Wilbart  and

Luke diving for the midway. 

Sheriff and deputies were grabbing up their guns. Their shots  turned the aim of the mobsters. The fight in the

big top was being  duplicated on a miniature scale. As The Shadow's laugh pealed forth its  gibing challenge,

the last two gorillas became the targets of two  fires. 

The Shadow's automatics  the revolvers of the law  these were the  weapons that dropped the last pair of

crooks. The sheriff and his men  leaped forward. Tex and Cap followed, grabbing guns from dying  mobsters.

While Stuffy Dowson and Adoniram Towne stood rooted, five  armed men sprang forth to join the fray on the

midway. 

Pretended roughnecks  bare arms flashing to show their red circles   were exchanging shots with the rest of

the deputies. Circus folk,  armed with clubs and iron bars, were joining battle with townsfolk  still upon the lot. 

Shot were coming from beside Lucille's tent. The Shadow had gone  outside the canvas. Cutting along the

fringe of the midway, he was  dropping members of the red circle. From beside the office, Cliff  Marsland was

doing the same. 

Tex Larch bellowed an order from in front of Lucille's tent. Circus  folk stopped as they heard the showman's

voice. It rose above the spat  of guns that the sheriff and his deputies were employing. 

"Get those roughnecks!" shouted Tex. "Get the ones with the guns!  They're crooks! Get them!" 

In a trice, the scene was changed. Circus folk who had responded to  the "Hey Rube" ceased their battle with

the townies. They became  avengers as they smothered the mobsters. Members of the red circle went  down

under the attack of clubs and rods. 

Tex Larch had used his head. Guns seldom appeared in fights on  circus lots. His cry, passing along the line,

had given immediate  understanding. Townsmen, seeing that the real circus people were aiding  the

outnumbered deputies, came to give further aid. As the sheriff  strode out into the midway, the fierce fight was

coming to a sudden  finish. Men of crime were conquered. 

CLIFF MARSLAND had hurried toward the trucks of the TeninOne. He  had seen two men running in that

direction: Jonathan Wilbart and Luke,  the tattooed man. Princess Marxia was in the rumble seat of Cap

Guffy's  coupe. With one arm clinging to the snake box, she was beckoning with  the other. 

Wilbart reached the car and leaped aboard. Luke clambered to the  wheel. Cliff fired wild shots as he cut

across the midway. He saw the  coupe roll from the lot. Cliff turned toward a sedan that was coming  from

rough ground. He shouted to the driver. The door opened. 

Cliff leaped aboard to find Harry Vincent at the wheel. Lucille  Lavan was in the back. Harry shot the sedan

forward, to take up the  pursuit. They reached the roadway a hundred feet behind the fleeing  coupe. Cliff

leaned outward with ready automatic. Then he uttered a  wild exclamation. 

"Look!" 

The coupe had slowed to take the first turn in the road. Cliff  stayed his fire. For as the sedan shot forward, he

saw a blackcloaked  figure spring from an embankment and land on the running board of the  fleeing car,

clinging on to it. 


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It was The Shadow! He had sped to intercept the flight. His leap  had brought him to the side of the car, face

to face with Jonathan  Wilbart. 

THE thud of The Shadow's form brought swinging guns in his  direction. One was gripped by Wilbart; the

other by Luke. 

Fingers pressed triggers. With splitsecond speed, The Shadow beat  Wilbart to the shot. The archcrook

slumped; his unfired revolver  dropped from his hand, while the echo of The Shadow's shot sounded  within

the coupe. 

With one hand swinging the coupe to the straight road, Luke aimed  with the other. The tattooed man had

acted with less speed than  Wilbart. That proved his undoing. 

The Shadow shifted as Luke fired. The shot whistled through a fold  of the cloak as The Shadow moved

sidewise from the door. The automatic  barked its answer. Luke crumpled behind the wheel. 

From the pursuing sedan, Cliff Marsland uttered a grim exclamation  as the coupe left the road. Crashing

through a fence, the light car  toppled sidewise into darkness as its wheels skidded on the side of an

embankment and went down the incline. 

As Harry jammed the brakes, Cliff leaped from the sedan. He sprang  to the embankment and stared toward

the wreck of the overturned coupe.  His flashlight showed one moving form. It was that of Princess Marxia,

hurled from the smashed car. Beside her lay the snake box, its top  broken. 

Horror showed on Cliff's face as he saw what happened twenty feet  below. Marxia, crippled by the crash, was

trying to rise. Rattling  noises brought a scream from the woman's lips. Cliff saw the striking  heads of

poisonous snakes. Moaning, Marxia rolled upon the ground and  lay still. 

The rattlers, poison unremoved from their fangs, had completed this  grim tragedy. Jonathan Wilbart had died.

So had Luke. Marxia  as  murderous as the two men  had joined her companions in death. 

A voice spoke beside Cliff Marsland. It was Harry Vincent's. Cliff  turned his flashlight. Harry was nodding

and pointing to the sedan. 

"The Shadow?" questioned Cliff. 

"He's all right," answered Harry. "He landed clear when the coupe  took the ditch. He's in the car." 

"What about the girl?" 

"She has left. I helped her up the embankment. She is cutting  across to the lot, to inform them that she is

safe." 

Cliff followed Harry to the car and joined him in the front seat.  The sedan pulled away. Cliff, glancing into

the rear, saw only  blackness. 

But as the car rolled on its way, a weird, whispered sound came to  the ears of The Shadow's agents. It made

them tremble, even though its  author was their friend. 

The laugh of The Shadow! 


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Shrouded in blackness, traveling away from the scenes where he had  conquered crime, the master of the night

had uttered his grim triumph. 

Mirthless, the laugh rose upon the silence of the countryside; then  broke with quivering echoes that seemed to

linger with the sighing  breeze. 

Evil schemes had ended. Minions of crime had died. Their insidious  leader had perished. Justice had gained

the victory over crosspurposes  of crime. 

Justice  through The Shadow! 

THE END 


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Bookmarks



1. Table of Contents, page = 3

2. CRIME CIRCUS, page = 4

   3. Maxwell Grant, page = 4

   4. CHAPTER I. THE SHADOW'S SEARCH, page = 4

   5. CHAPTER II. THE SHADOW'S AGENT, page = 9

   6. CHAPTER III. ON THE LOT, page = 16

   7. CHAPTER IV. THE PASSWORD, page = 22

   8. CHAPTER V. THE RED CIRCLE, page = 26

   9. CHAPTER VI. SPIES OF THE NIGHT, page = 31

   10. CHAPTER VII. THE GAME BEGINS, page = 36

   11. CHAPTER VIII. AT THE HOTEL, page = 40

   12. CHAPTER IX. WORD TO THE SHADOW, page = 44

   13. CHAPTER X. MOBSMEN MOVE, page = 49

   14. CHAPTER XI. CRIME'S AFTERMATH, page = 54

   15. CHAPTER XII. ONE MAN MISSING, page = 59

   16. CHAPTER XIII. THE SHADOW'S CHANCE, page = 64

   17. CHAPTER XIV. SAWDUST AND SHOTS, page = 68

   18. CHAPTER XV. GATHERING CLOUDS, page = 73

   19. CHAPTER XVI. PLANS FOR CRIME, page = 78

   20. CHAPTER XVII. THE NIGHT BEFORE, page = 82

   21. CHAPTER XVIII. THE SILENT SHADOW, page = 86

   22. CHAPTER XIX. MEN ACCUSED, page = 91

   23. CHAPTER XX. THE MOB BREAKS, page = 96