Title:   The Chorus Girl and Other Stories

Subject:  

Author:   Anton Chekhov

Keywords:  

Creator:  

PDF Version:   1.2



Contents:

Page No 1

Page No 2

Page No 3

Page No 4

Page No 5

Page No 6

Page No 7

Page No 8

Page No 9

Page No 10

Page No 11

Page No 12

Page No 13

Page No 14

Page No 15

Page No 16

Page No 17

Page No 18

Page No 19

Page No 20

Page No 21

Page No 22

Page No 23

Page No 24

Page No 25

Page No 26

Page No 27

Page No 28

Page No 29

Page No 30

Page No 31

Page No 32

Page No 33

Page No 34

Page No 35

Page No 36

Page No 37

Page No 38

Page No 39

Page No 40

Page No 41

Page No 42

Page No 43

Page No 44

Page No 45

Page No 46

Page No 47

Page No 48

Page No 49

Page No 50

Page No 51

Page No 52

Page No 53

Page No 54

Page No 55

Page No 56

Page No 57

Page No 58

Page No 59

Page No 60

Page No 61

Page No 62

Page No 63

Page No 64

Page No 65

Page No 66

Page No 67

Page No 68

Page No 69

Page No 70

Page No 71

Page No 72

Page No 73

Page No 74

Page No 75

Page No 76

Page No 77

Page No 78

Page No 79

Page No 80

Page No 81

Page No 82

Page No 83

Page No 84

Page No 85

Page No 86

Page No 87

Page No 88

Page No 89

Page No 90

Page No 91

Page No 92

Page No 93

Page No 94

Page No 95

Page No 96

Page No 97

Page No 98

Page No 99

Page No 100

Page No 101

Page No 102

Page No 103

Page No 104

Page No 105

Page No 106

Page No 107

Page No 108

Page No 109

Page No 110

Page No 111

Page No 112

Page No 113

Bookmarks





Page No 1


The Chorus Girl and Other Stories

Anton Chekhov



Top




Page No 2


Table of Contents

The Chorus Girl and Other Stories ...................................................................................................................1

Anton Chekhov........................................................................................................................................1


The Chorus Girl and Other Stories

i



Top




Page No 3


The Chorus Girl and Other Stories

Anton Chekhov

Translated by Constance Garrett

The Chorus Girl 

Verotchka 

My Life 

At a Country House 

A Father 

On the Road 

Rothschild's Fiddle 

Ivan Matveyitch 

Zinotchka 

Bad Weather 

A Gentleman Friend 

A Trivial Incident  

THE CHORUS GIRL

ONE day when she was younger and betterlooking, and when her voice was stronger, Nikolay Petrovitch

Kolpakov, her adorer, was sitting in the outer room in her summer villa. It was intolerably hot and stifling.

Kolpakov, who had just dined and drunk a whole bottle of inferior port, felt illhumoured and out of sorts.

Both were bored and waiting for the heat of the day to be over in order to go for a walk.

All at once there was a sudden ring at the door. Kolpakov, who was sitting with his coat off, in his slippers,

jumped up and looked inquiringly at Pasha.

"It must be the postman or one of the girls," said the singer.

Kolpakov did not mind being found by the postman or Pasha's lady friends, but by way of precaution

gathered up his clothes and went into the next room, while Pasha ran to open the door. To her great surprise

in the doorway stood, not the postman and not a girl friend, but an unknown woman, young and beautiful,

who was dressed like a lady, and from all outward signs was one.

The stranger was pale and was breathing heavily as though she had been running up a steep flight of stairs.

"What is it?" asked Pasha.

The lady did not at once answer. She took a step forward, slowly looked about the room, and sat down in a

way that suggested that from fatigue, or perhaps illness, she could not stand; then for a long time her pale lips

quivered as she tried in vain to speak.

"Is my husband here?" she asked at last, raising to Pasha her big eyes with their red tearstained lids.

"Husband?" whispered Pasha, and was suddenly so frightened that her hands and feet turned cold. "What

husband?" she repeated, beginning to tremble.

The Chorus Girl and Other Stories 1



Top




Page No 4


"My husband, . . . Nikolay Petrovitch Kolpakov."

"N . . . no, madam. . . . I . . . I don't know any husband."

A minute passed in silence. The stranger several times passed her handkerchief over her pale lips and held her

breath to stop her inward trembling, while Pasha stood before her motionless, like a post, and looked at her

with astonishment and terror.

"So you say he is not here?" the lady asked, this time speaking with a firm voice and smiling oddly.

"I . . . I don't know who it is you are asking about."

"You are horrid, mean, vile . . ." the stranger muttered, scanning Pasha with hatred and repulsion. "Yes, yes . .

. you are horrid. I am very, very glad that at last I can tell you so!"

Pasha felt that on this lady in black with the angry eyes and white slender fingers she produced the

impression of something horrid and unseemly, and she felt ashamed of her chubby red cheeks, the

pockmark on her nose, and the fringe on her forehead, which never could be combed back. And it seemed to

her that if she had been thin, and had had no powder on her face and no fringe on her forehead, then she could

have disguised the fact that she was not "respectable," and she would not have felt so frightened and ashamed

to stand facing this unknown, mysterious lady.

"Where is my husband?" the lady went on. "Though I don't care whether he is here or not, but I ought to tell

you that the money has been missed, and they are looking for Nikolay Petrovitch. . . . They mean to arrest

him. That's your doing!"

The lady got up and walked about the room in great excitement. Pasha looked at her and was so frightened

that she could not understand.

"He'll be found and arrested today," said the lady, and she gave a sob, and in that sound could be heard her

resentment and vexation. "I know who has brought him to this awful position! Low, horrid creature!

Loathsome, mercenary hussy!" The lady's lips worked and her nose wrinkled up with disgust. "I am helpless,

do you hear, you low woman? . . . I am helpless; you are stronger than I am, but there is One to defend me

and my children! God sees all! He is just! He will punish you for every tear I have shed, for all my sleepless

nights! The time will come; you will think of me! . . ."

Silence followed again. The lady walked about the room and wrung her hands, while Pasha still gazed

blankly at her in amazement, not understanding and expecting something terrible.

"I know nothing about it, madam," she said, and suddenly burst into tears.

"You are lying!" cried the lady, and her eyes flashed angrily at her. "I know all about it! I've known you a

long time. I know that for the last month he has been spending every day with you!"

"Yes. What then? What of it? I have a great many visitors, but I don't force anyone to come. He is free to do

as he likes."

"I tell you they have discovered that money is missing! He has embezzled money at the office! For the sake

of such a . . . creature as you, for your sake he has actually committed a crime. Listen," said the lady in a

resolute voice, stopping short, facing Pasha. "You can have no principles; you live simply to do harm 

that's your object; but one can't imagine you have fallen so low that you have no trace of human feeling left!


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 2



Top




Page No 5


He has a wife, children. . . . If he is condemned and sent into exile we shall starve, the children and I. . . .

Understand that! And yet there is a chance of saving him and us from destitution and disgrace. If I take them

nine hundred roubles today they will let him alone. Only nine hundred roubles!"

"What nine hundred roubles?" Pasha asked softly. "I . . . I don't know. . . . I haven't taken it."

"I am not asking you for nine hundred roubles. . . . You have no money, and I don't want your money. I ask

you for something else. . . . Men usually give expensive things to women like you. Only give me back the

things my husband has given you!"

"Madam, he has never made me a present of anything!" Pasha wailed, beginning to understand.

"Where is the money? He has squandered his own and mine and other people's. . . . What has become of it

all? Listen, I beg you! I was carried away by indignation and have said a lot of nasty things to you, but I

apologize. You must hate me, I know, but if you are capable of sympathy, put yourself in my position! I

implore you to give me back the things!"

"H'm!" said Pasha, and she shrugged her shoulders. "I would with pleasure, but God is my witness, he never

made me a present of anything. Believe me, on my conscience. However, you are right, though," said the

singer in confusion, "he did bring me two little things. Certainly I will give them back, if you wish it."

Pasha pulled out one of the drawers in the toilettable and took out of it a hollow gold bracelet and a thin ring

with a ruby in it.

"Here, madam!" she said, handing the visitor these articles.

The lady flushed and her face quivered. She was offended.

"What are you giving me?" she said. "I am not asking for charity, but for what does not belong to you . . .

what you have taken advantage of your position to squeeze out of my husband . . . that weak, unhappy man. .

. . On Thursday, when I saw you with my husband at the harbour you were wearing expensive brooches and

bracelets. So it's no use your playing the innocent lamb to me! I ask you for the last time: will you give me

the things, or not?"

"You are a queer one, upon my word," said Pasha, beginning to feel offended. "I assure you that, except the

bracelet and this little ring, I've never seen a thing from your Nikolay Petrovitch. He brings me nothing but

sweet cakes."

"Sweet cakes!" laughed the stranger. "At home the children have nothing to eat, and here you have sweet

cakes. You absolutely refuse to restore the presents?"

Receiving no answer, the lady sat, down and stared into space, pondering.

"What's to be done now?" she said. "If I don't get nine hundred roubles, he is ruined, and the children and I

am ruined, too. Shall I kill this low woman or go down on my knees to her?"

The lady pressed her handkerchief to her face and broke into sobs.

"I beg you!" Pasha heard through the stranger's sobs. "You see you have plundered and ruined my husband.

Save him. . . . You have no feeling for him, but the children . . . the children . . . What have the children

done?"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 3



Top




Page No 6


Pasha imagined little children standing in the street, crying with hunger, and she, too, sobbed.

"What can I do, madam?" she said. "You say that I am a low woman and that I have ruined Nikolay

Petrovitch, and I assure you . . . before God Almighty, I have had nothing from him whatever. . . . There is

only one girl in our chorus who has a rich admirer; all the rest of us live from hand to mouth on bread and

kvass. Nikolay Petrovitch is a highly educated, refined gentleman, so I've made him welcome. We are bound

to make gentlemen welcome."

"I ask you for the things! Give me the things! I am crying. . . . I am humiliating myself. . . . If you like I will

go down on my knees! If you wish it!"

Pasha shrieked with horror and waved her hands. She felt that this pale, beautiful lady who expressed herself

so grandly, as though she were on the stage, really might go down on her knees to her, simply from pride,

from grandeur, to exalt herself and humiliate the chorus girl.

"Very well, I will give you things!" said Pasha, wiping her eyes and bustling about. "By all means. Only they

are not from Nikolay Petrovitch. . . . I got these from other gentlemen. As you please. . . ."

Pasha pulled out the upper drawer of the chest, took out a diamond brooch, a coral necklace, some rings and

bracelets, and gave them all to the lady.

"Take them if you like, only I've never had anything from your husband. Take them and grow rich," Pasha

went on, offended at the threat to go down on her knees. "And if you are a lady . . . his lawful wife, you

should keep him to yourself. I should think so! I did not ask him to come; he came of himself."

Through her tears the lady scrutinized the articles given her and said:

"This isn't everything. . . . There won't be five hundred roubles' worth here."

Pasha impulsively flung out of the chest a gold watch, a cigarcase and studs, and said, flinging up her hands:

"I've nothing else left. . . . You can search!"

The visitor gave a sigh, with trembling hands twisted the things up in her handkerchief, and went out without

uttering a word, without even nodding her head.

The door from the next room opened and Kolpakov walked in. He was pale and kept shaking his head

nervously, as though he had swallowed something very bitter; tears were glistening in his eyes.

"What presents did you make me?" Pasha asked, pouncing upon him. "When did you, allow me to ask you?"

"Presents . . . that's no matter!" said Kolpakov, and he tossed his head. "My God! She cried before you, she

humbled herself. . . ."

"I am asking you, what presents did you make me?" Pasha cried.

"My God! She, a lady, so proud, so pure. . . . She was ready to go down on her knees to . . . to this wench!

And I've brought her to this! I've allowed it!"

He clutched his head in his hands and moaned.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 4



Top




Page No 7


"No, I shall never forgive myself for this! I shall never forgive myself! Get away from me . . . you low

creature!" he cried with repulsion, backing away from Pasha, and thrusting her off with trembling hands.

"She would have gone down on her knees, and . . . and to you! Oh, my God!"

He rapidly dressed, and pushing Pasha aside contemptuously, made for the door and went out.

Pasha lay down and began wailing aloud. She was already regretting her things which she had given away so

impulsively, and her feelings were hurt. She remembered how three years ago a merchant had beaten her for

no sort of reason, and she wailed more loudly than ever.

VEROTCHKA

IVAN ALEXEYITCH OGNEV remembers how on that August evening he opened the glass door with a

rattle and went out on to the verandah. He was wearing a light Inverness cape and a widebrimmed straw hat,

the very one that was lying with his topboots in the dust under his bed. In one hand he had a big bundle of

books and notebooks, in the other a thick knotted stick.

Behind the door, holding the lamp to show the way, stood the master of the house, Kuznetsov, a bald old man

with a long grey beard, in a snowwhite piqué jacket. The old man was smiling cordially and nodding his

head.

"Goodbye, old fellow!" said Ognev.

Kuznetsov put the lamp on a little table and went out to the verandah. Two long narrow shadows moved

down the steps towards the flowerbeds, swayed to and fro, and leaned their heads on the trunks of the

limetrees.

"Goodbye and once more thank you, my dear fellow!" said Ivan Alexeyitch. "Thank you for your welcome,

for your kindness, for your affection. . . . I shall never forget your hospitality as long as I live. You are so

good, and your daughter is so good, and everyone here is so kind, so goodhumoured and friendly . . . Such a

splendid set of people that I don't know how to say what I feel!"

From excess of feeling and under the influence of the homemade wine he had just drunk, Ognev talked in a

singing voice like a divinity student, and was so touched that he expressed his feelings not so much by words

as by the blinking of his eyes and the twitching of his shoulders. Kuznetsov, who had also drunk a good deal

and was touched, craned forward to the young man and kissed him.

"I've grown as fond of you as if I were your dog," Ognev went on. "I've been turning up here almost every

day; I've stayed the night a dozen times. It's dreadful to think of all the homemade wine I've drunk. And

thank you most of all for your cooperation and help. Without you I should have been busy here over my

statistics till October. I shall put in my preface: 'I think it my duty to express my gratitude to the President of

the District Zemstvo of N, Kuznetsov, for his kind cooperation.' There is a brilliant future before

statistics! My humble respects to Vera Gavrilovna, and tell the doctors, both the lawyers and your secretary,

that I shall never forget their help! And now, old fellow, let us embrace one another and kiss for the last

time!"

Ognev, limp with emotion, kissed the old man once more and began going down the steps. On the last step he

looked round and asked: "Shall we meet again some day?"

"God knows!" said the old man. "Most likely not!"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 5



Top




Page No 8


"Yes, that's true! Nothing will tempt you to Petersburg and I am never likely to turn up in this district again.

Well, goodbye!"

"You had better leave the books behind!" Kuznetsov called after him. "You don't want to drag such a weight

with you. I would send them by a servant tomorrow!"

But Ognev was rapidly walking away from the house and was not listening. His heart, warmed by the wine,

was brimming over with goodhumour, friendliness, and sadness. He walked along thinking how frequently

one met with good people, and what a pity it was that nothing was left of those meetings but memories. At

times one catches a glimpse of cranes on the horizon, and a faint gust of wind brings their plaintive, ecstatic

cry, and a minute later, however greedily one scans the blue distance, one cannot see a speck nor catch a

sound; and like that, people with their faces and their words flit through our lives and are drowned in the past,

leaving nothing except faint traces in the memory. Having been in the N District from the early spring,

and having been almost every day at the friendly Kuznetsovs', Ivan Alexeyitch had become as much at home

with the old man, his daughter, and the servants as though they were his own people; he had grown familiar

with the whole house to the smallest detail, with the cosy verandah, the windings of the avenues, the

silhouettes of the trees over the kitchen and the bathhouse; but as soon as he was out of the gate all this

would be changed to memory and would lose its meaning as reality for ever, and in a year or two all these

dear images would grow as dim in his consciousness as stories he had read or things he had imagined.

"Nothing in life is so precious as people!" Ognev thought in his emotion, as he strode along the avenue to the

gate. "Nothing!"

It was warm and still in the garden. There was a scent of the mignonette, of the tobaccoplants, and of the

heliotrope, which were not yet over in the flowerbeds. The spaces between the bushes and the treetrunks

were filled with a fine soft mist soaked through and through with moonlight, and, as Ognev long

remembered, coils of mist that looked like phantoms slowly but perceptibly followed one another across the

avenue. The moon stood high above the garden, and below it transparent patches of mist were floating

eastward. The whole world seemed to consist of nothing but black silhouettes and wandering white shadows.

Ognev, seeing the mist on a moonlight August evening almost for the first time in his life, imagined he was

seeing, not nature, but a stage effect in which unskilful workmen, trying to light up the garden with white

Bengal fire, hid behind the bushes and let off clouds of white smoke together with the light.

When Ognev reached the garden gate a dark shadow moved away from the low fence and came towards him.

"Vera Gavrilovna!" he said, delighted. "You here? And I have been looking everywhere for you; wanted to

say goodbye. . . . Goodbye; I am going away!"

"So early? Why, it's only eleven o'clock."

"Yes, it's time I was off. I have a fourmile walk and then my packing. I must be up early tomorrow."

Before Ognev stood Kuznetsov's daughter Vera, a girl of oneandtwenty, as usual melancholy, carelessly

dressed, and attractive. Girls who are dreamy and spend whole days lying down, lazily reading whatever they

come across, who are bored and melancholy, are usually careless in their dress. To those of them who have

been endowed by nature with taste and an instinct of beauty, the slight carelessness adds a special charm.

When Ognev later on remembered her, he could not picture pretty Verotchka except in a full blouse which

was crumpled in deep folds at the belt and yet did not touch her waist; without her hair done up high and a

curl that had come loose from it on her forehead; without the knitted red shawl with ball fringe at the edge

which hung disconsolately on Vera's shoulders in the evenings, like a flag on a windless day, and in the

daytime lay about, crushed up, in the hall near the men's hats or on a box in the diningroom, where the old


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 6



Top




Page No 9


cat did not hesitate to sleep on it. This shawl and the folds of her blouse suggested a feeling of freedom and

laziness, of goodnature and sitting at home. Perhaps because Vera attracted Ognev he saw in every frill and

button something warm, naïve, cosy, something nice and poetical, just what is lacking in cold, insincere

women that have no instinct for beauty.

Verotchka had a good figure, a regular profile, and beautiful curly hair. Ognev, who had seen few women in

his life, thought her a beauty.

"I am going away," he said as he took leave of her at the gate. "Don't remember evil against me! Thank you

for everything!"

In the same singing divinity student's voice in which he had talked to her father, with the same blinking and

twitching of his shoulders, he began thanking Vera for her hospitality, kindness, and friendliness.

"I've written about you in every letter to my mother," he said. "If everyone were like you and your dad, what

a jolly place the world would be! You are such a splendid set of people! All such genuine, friendly people

with no nonsense about you."

"Where are you going to now?" asked Vera.

"I am going now to my mother's at Oryol; I shall be a fortnight with her, and then back to Petersburg and

work."

"And then?"

"And then? I shall work all the winter and in the spring go somewhere into the provinces again to collect

material. Well, be happy, live a hundred years . . . don't remember evil against me. We shall not see each

other again."

Ognev stooped down and kissed Vera's hand. Then, in silent emotion, he straightened his cape, shifted his

bundle of books to a more comfortable position, paused, and said:

"What a lot of mist!"

"Yes. Have you left anything behind?"

"No, I don't think so. . . ."

For some seconds Ognev stood in silence, then he moved clumsily towards the gate and went out of the

garden.

"Stay; I'll see you as far as our wood," said Vera, following him out.

They walked along the road. Now the trees did not obscure the view, and one could see the sky and the

distance. As though covered with a veil all nature was hidden in a transparent, colourless haze through which

her beauty peeped gaily; where the mist was thicker and whiter it lay heaped unevenly about the stones,

stalks, and bushes or drifted in coils over the road, clung close to the earth and seemed trying not to conceal

the view. Through the haze they could see all the road as far as the wood, with dark ditches at the sides and

tiny bushes which grew in the ditches and caught the straying wisps of mist. Half a mile from the gate they

saw the dark patch of Kuznetsov's wood.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 7



Top




Page No 10


"Why has she come with me? I shall have to see her back," thought Ognev, but looking at her profile he gave

a friendly smile and said: "One doesn't want to go away in such lovely weather. It's quite a romantic evening,

with the moon, the stillness, and all the etceteras. Do you know, Vera Gavrilovna, here I have lived

twentynine years in the world and never had a romance. No romantic episode in my whole life, so that I

only know by hearsay of rendezvous, 'avenues of sighs,' and kisses. It's not normal! In town, when one sits in

one's lodgings, one does not notice the blank, but here in the fresh air one feels it. . . . One resents it!"

"Why is it?"

"I don't know. I suppose I've never had time, or perhaps it was I have never met women who. . . . In fact, I

have very few acquaintances and never go anywhere."

For some three hundred paces the young people walked on in silence. Ognev kept glancing at Verotchka's

bare head and shawl, and days of spring and summer rose to his mind one after another. It had been a period

when far from his grey Petersburg lodgings, enjoying the friendly warmth of kind people, nature, and the

work he loved, he had not had time to notice how the sunsets followed the glow of dawn, and how, one after

another foretelling the end of summer, first the nightingale ceased singing, then the quail, then a little later the

landrail. The days slipped by unnoticed, so that life must have been happy and easy. He began calling aloud

how reluctantly he, poor and unaccustomed to change of scene and society, had come at the end of April to

the N District, where he had expected dreariness, loneliness, and indifference to statistics, which he

considered was now the foremost among the sciences. When he arrived on an April morning at the little town

of N he had put up at the inn kept by Ryabuhin, the Old Believer, where for twenty kopecks a day they

had given him a light, clean room on condition that he should not smoke indoors. After resting and finding

who was the president of the District Zemstvo, he had set off at once on foot to Kuznetsov. He had to walk

three miles through lush meadows and young copses. Larks were hovering in the clouds, filling the air with

silvery notes, and rooks flapping their wings with sedate dignity floated over the green cornland.

"Good heavens!" Ognev had thought in wonder; can it be that there's always air like this to breathe here, or is

this scent only today, in honour of my coming?"

Expecting a cold businesslike reception, he went in to Kuznetsov's diffidently, looking up from under his

eyebrows and shyly pulling his beard. At first Kuznetsov wrinkled up his brows and could not understand

what use the Zemstvo could be to the young man and his statistics; but when the latter explained at length

what was material for statistics and how such material was collected, Kuznetsov brightened, smiled, and with

childish curiosity began looking at his notebooks. On the evening of the same day Ivan Alexeyitch was

already sitting at supper with the Kuznetsovs, was rapidly becoming exhilarated by their strong homemade

wine, and looking at the calm faces and lazy movements of his new acquaintances, felt all over that sweet,

drowsy indolence which makes one want to sleep and stretch and smile; while his new acquaintances looked

at him goodnaturedly and asked him whether his father and mother were living, how much he earned a

month, how often he went to the theatre. . . .

Ognev recalled his expeditions about the neighbourhood, the picnics, the fishing parties, the visit of the

whole party to the convent to see the Mother Superior Marfa, who had given each of the visitors a bead purse;

he recalled the hot, endless typically Russian arguments in which the opponents, spluttering and banging the

table with their fists, misunderstand and interrupt one another, unconsciously contradict themselves at every

phrase, continually change the subject, and after arguing for two or three hours, laugh and say: "Goodness

knows what we have been arguing about! Beginning with one thing and going on to another!"

"And do you remember how the doctor and you and I rode to Shestovo?" said Ivan Alexeyitch to Vera as

they reached the copse. "It was there that the crazy saint met us: I gave him a fivekopeck piece, and he

crossed himself three times and flung it into the rye. Good heavens! I am carrying away such a mass of


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 8



Top




Page No 11


memories that if I could gather them together into a whole it would make a good nugget of gold! I don't

understand why clever, perceptive people crowd into Petersburg and Moscow and don't come here. Is there

more truth and freedom in the Nevsky and in the big damp houses than here? Really, the idea of artists,

scientific men, and journalists all living crowded together in furnished rooms has always seemed to me a

mistake."

Twenty paces from the copse the road was crossed by a small narrow bridge with posts at the corners, which

had always served as a restingplace for the Kuznetsovs and their guests on their evening walks. From there

those who liked could mimic the forest echo, and one could see the road vanish in the dark woodland track.

"Well, here is the bridge!" said Ognev. "Here you must turn back."

Vera stopped and drew a breath.

"Let us sit down," she said, sitting down on one of the posts. "People generally sit down when they say

goodbye before starting on a journey."

Ognev settled himself beside her on his bundle of books and went on talking. She was breathless from the

walk, and was looking, not at Ivan Alexeyitch, but away into the distance so that he could not see her face.

"And what if we meet in ten years' time?" he said. "What shall we be like then? You will be by then the

respectable mother of a family, and I shall be the author of some weighty statistical work of no use to anyone,

as thick as forty thousand such works. We shall meet and think of old days. . . . Now we are conscious of the

present; it absorbs and excites us, but when we meet we shall not remember the day, nor the month, nor even

the year in which we saw each other for the last time on this bridge. You will be changed, perhaps. . . . Tell

me, will you be different?"

Vera started and turned her face towards him.

"What?" she asked.

"I asked you just now. . . ."

"Excuse me, I did not hear what you were saying."

Only then Ognev noticed a change in Vera. She was pale, breathing fast, and the tremor in her breathing

affected her hands and lips and head, and not one curl as usual, but two, came loose and fell on her forehead. .

. . Evidently she avoided looking him in the face, and, trying to mask her emotion, at one moment fingered

her collar, which seemed to be rasping her neck, at another pulled her red shawl from one shoulder to the

other.

"I am afraid you are cold," said Ognev. "It's not at all wise to sit in the mist. Let me see you back nachhaus."

Vera sat mute.

"What is the matter?" asked Ognev, with a smile. "You sit silent and don't answer my questions. Are you

cross, or don't you feel well?"

Vera pressed the palm of her hand to the cheek nearest to Ognev, and then abruptly jerked it away.

"An awful position!" she murmured, with a look of pain on her face. "Awful!"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 9



Top




Page No 12


"How is it awful?" asked Ognev, shrugging his shoulders and not concealing his surprise. "What's the

matter?"

Still breathing hard and twitching her shoulders, Vera turned her back to him, looked at the sky for half a

minute, and said:

"There is something I must say to you, Ivan Alexeyitch. . . ."

"I am listening."

"It may seem strange to you. . . . You will be surprised, but I don't care. . . ."

Ognev shrugged his shoulders once more and prepared himself to listen.

"You see . . ." Verotchka began, bowing her head and fingering a ball on the fringe of her shawl. "You see . .

. this is what I wanted to tell you. . . . You'll think it strange . . . and silly, but I . . . can't bear it any longer."

Vera's words died away in an indistinct mutter and were suddenly cut short by tears. The girl hid her face in

her handkerchief, bent lower than ever, and wept bitterly. Ivan Alexeyitch cleared his throat in confusion and

looked about him hopelessly, at his wits' end, not knowing what to say or do. Being unused to the sight of

tears, he felt his own eyes, too, beginning to smart.

"Well, what next!" he muttered helplessly. "Vera Gavrilovna, what's this for, I should like to know? My dear

girl, are you . . . are you ill? Or has someone been nasty to you? Tell me, perhaps I could, so to say . . . help

you. . . ."

When, trying to console her, he ventured cautiously to remove her hands from her face, she smiled at him

through her tears and said:

"I . . . love you!"

These words, so simple and ordinary, were uttered in ordinary human language, but Ognev, in acute

embarrassment, turned away from Vera, and got up, while his confusion was followed by terror.

The sad, warm, sentimental mood induced by leavetaking and the homemade wine suddenly vanished, and

gave place to an acute and unpleasant feeling of awkwardness. He felt an inward revulsion; he looked

askance at Vera, and now that by declaring her love for him she had cast off the aloofness which so adds to a

woman's charm, she seemed to him, as it were, shorter, plainer, more ordinary.

"What's the meaning of it?" he thought with horror. "But I . . . do I love her or not? That's the question!"

And she breathed easily and freely now that the worst and most difficult thing was said. She, too, got up, and

looking Ivan Alexeyitch straight in the face, began talking rapidly, warmly, irrepressibly.

As a man suddenly panicstricken cannot afterwards remember the succession of sounds accompanying the

catastrophe that overwhelmed him, so Ognev cannot remember Vera's words and phrases. He can only recall

the meaning of what she said, and the sensation her words evoked in him. He remembers her voice, which

seemed stifled and husky with emotion, and the extraordinary music and passion of her intonation. Laughing,

crying with tears glistening on her eyelashes, she told him that from the first day of their acquaintance he had

struck her by his originality, his intelligence, his kind intelligent eyes, by his work and objects in life; that she

loved him passionately, deeply, madly; that when coming into the house from the garden in the summer she


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 10



Top




Page No 13


saw his cape in the hall or heard his voice in the distance, she felt a cold shudder at her heart, a foreboding of

happiness; even his slightest jokes had made her laugh; in every figure in his notebooks she saw something

extraordinarily wise and grand; his knotted stick seemed to her more beautiful than the trees.

The copse and the wisps of mist and the black ditches at the side of the road seemed hushed listening to her,

whilst something strange and unpleasant was passing in Ognev's heart. . . . Telling him of her love, Vera was

enchantingly beautiful; she spoke eloquently and passionately, but he felt neither pleasure nor gladness, as he

would have liked to; he felt nothing but compassion for Vera, pity and regret that a good girl should be

distressed on his account. Whether he was affected by generalizations from reading or by the insuperable

habit of looking at things objectively, which so often hinders people from living, but Vera's ecstasies and

suffering struck him as affected, not to be taken seriously, and at the same time rebellious feeling whispered

to him that all he was hearing and seeing now, from the point of view of nature and personal happiness, was

more important than any statistics and books and truths. . . . And he raged and blamed himself, though he did

not understand exactly where he was in fault.

To complete his embarrassment, he was absolutely at a loss what to say, and yet something he must say. To

say bluntly, "I don't love you," was beyond him, and he could not bring himself to say "Yes," because

however much he rummaged in his heart he could not find one spark of feeling in it. . . .

He was silent, and she meanwhile was saying that for her there was no greater happiness than to see him, to

follow him wherever he liked this very moment, to be his wife and helper, and that if he went away from her

she would die of misery.

"I cannot stay here!" she said, wringing her hands. "I am sick of the house and this wood and the air. I cannot

bear the everlasting peace and aimless life, I can't endure our colourless, pale people, who are all as like one

another as two drops of water! They are all goodnatured and warmhearted because they are all wellfed

and know nothing of struggle or suffering, . . . I want to be in those big damp houses where people suffer,

embittered by work and need. . ."

And this, too, seemed to Ognev affected and not to be taken seriously. When Vera had finished he still did

not know what to say, but it was impossible to be silent, and he muttered:

"Vera Gavrilovna, I am very grateful to you, though I feel I've done nothing to deserve such . . . feeling . . .

on your part. Besides, as an honest man I ought to tell you that . . . happiness depends on equality  that is,

when both parties are . . . equally in love. . . ."

But he was immediately ashamed of his mutterings and ceased. He felt that his face at that moment looked

stupid, guilty, blank, that it was strained and affected. . . . Vera must have been able to read the truth on his

countenance, for she suddenly became grave, turned pale, and bent her head.

"You must forgive me," Ognev muttered, not able to endure the silence. "I respect you so much that . . . it

pains me. . . ."

Vera turned sharply and walked rapidly homewards. Ognev followed her.

"No, don't!" said Vera, with a wave of her hand. "Don't come; I can go alone."

"Oh, yes . . . I must see you home anyway."

Whatever Ognev said, it all to the last word struck him as loathsome and flat. The feeling of guilt grew

greater at every step. He raged inwardly, clenched his fists, and cursed his coldness and his stupidity with


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 11



Top




Page No 14


women. Trying to stir his feelings, he looked at Verotchka's beautiful figure, at her hair and the traces of her

little feet on the dusty road; he remembered her words and her tears, but all that only touched his heart and

did not quicken his pulse.

"Ach! one can't force oneself to love," he assured himself, and at the same time he thought, "But shall I ever

fall in love without? I am nearly thirty! I have never met anyone better than Vera and I never shall. . . . Oh,

this premature old age! Old age at thirty!"

Vera walked on in front more and more rapidly, without looking back at him or raising her head. It seemed to

him that sorrow had made her thinner and narrower in the shoulders.

"I can imagine what's going on in her heart now!" he thought, looking at her back. "She must be ready to die

with shame and mortification! My God, there's so much life, poetry, and meaning in it that it would move a

stone, and I . . . I am stupid and absurd!"

At the gate Vera stole a glance at him, and, shrugging and wrapping her shawl round her walked rapidly away

down the avenue.

Ivan Alexeyitch was left alone. Going back to the copse, he walked slowly, continually standing still and

looking round at the gate with an expression in his whole figure that suggested that he could not believe his

own memory. He looked for Vera's footprints on the road, and could not believe that the girl who had so

attracted him had just declared her love, and that he had so clumsily and bluntly "refused" her. For the first

time in his life it was his lot to learn by experience how little that a man does depends on his own will, and to

suffer in his own person the feelings of a decent kindly man who has against his will caused his neighbour

cruel, undeserved anguish.

His conscience tormented him, and when Vera disappeared he felt as though he had lost something very

precious, something very near and dear which he could never find again. He felt that with Vera a part of his

youth had slipped away from him, and that the moments which he had passed through so fruitlessly would

never be repeated.

When he reached the bridge he stopped and sank into thought. He wanted to discover the reason of his

strange coldness. That it was due to something within him and not outside himself was clear to him. He

frankly acknowledged to himself that it was not the intellectual coldness of which clever people so often

boast, not the coldness of a conceited fool, but simply impotence of soul, incapacity for being moved by

beauty, premature old age brought on by education, his casual existence, struggling for a livelihood, his

homeless life in lodgings. From the bridge he walked slowly, as it were reluctantly, into the wood. Here,

where in the dense black darkness glaring patches of moonlight gleamed here and there, where he felt nothing

except his thoughts, he longed passionately to regain what he had lost.

And Ivan Alexeyitch remembers that he went back again. Urging himself on with his memories, forcing

himself to picture Vera, he strode rapidly towards the garden. There was no mist by then along the road or in

the garden, and the bright moon looked down from the sky as though it had just been washed; only the

eastern sky was dark and misty. . . . Ognev remembers his cautious steps, the dark windows, the heavy scent

of heliotrope and mignonette. His old friend Karo, wagging his tail amicably, came up to him and sniffed his

hand. This was the one living creature who saw him walk two or three times round the house, stand near

Vera's dark window, and with a deep sigh and a wave of his hand walk out of the garden.

An hour later he was in the town, and, worn out and exhausted, leaned his body and hot face against the

gatepost of the inn as he knocked at the gate. Somewhere in the town a dog barked sleepily, and as though in

response to his knock, someone clanged the hour on an iron plate near the church.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 12



Top




Page No 15


"You prowl about at night," grumbled his host, the Old Believer, opening the door to him, in a long

nightgown like a woman's. "You had better be saying your prayers instead of prowling about."

When Ivan Alexeyitch reached his room he sank on the bed and gazed a long, long time at the light. Then he

tossed his head and began packing.

MY LIFE: THE STORY OF A PROVINCIAL

I

THE Superintendent said to me: "I only keep you out of regard for your worthy father; but for that you would

have been sent flying long ago." I replied to him: "You flatter me too much, your Excellency, in assuming

that I am capable of flying." And then I heard him say: "Take that gentleman away; he gets upon my nerves."

Two days later I was dismissed. And in this way I have, during the years I have been regarded as grown up,

lost nine situations, to the great mortification of my father, the architect of our town. I have served in various

departments, but all these nine jobs have been as alike as one drop of water is to another: I had to sit, write,

listen to rude or stupid observations, and go on doing so till I was dismissed.

When I came in to my father he was sitting buried in a low armchair with his eyes closed. His dry,

emaciated face, with a shade of dark blue where it was shaved (he looked like an old Catholic organist),

expressed meekness and resignation. Without responding to my greeting or opening his eyes, he said:

"If my dear wife and your mother were living, your life would have been a source of continual distress to her.

I see the Divine Providence in her premature death. I beg you, unhappy boy," he continued, opening his eyes,

"tell me: what am I to do with you?"

In the past when I was younger my friends and relations had known what to do with me: some of them used

to advise me to volunteer for the army, others to get a job in a pharmacy, and others in the telegraph

department; now that I am over twentyfive, that grey hairs are beginning to show on my temples, and that I

have been already in the army, and in a pharmacy, and in the telegraph department, it would seem that all

earthly possibilities have been exhausted, and people have given up advising me, and merely sigh or shake

their heads.

"What do you think about yourself?" my father went on. "By the time they are your age, young men have a

secure social position, while look at you: you are a proletarian, a beggar, a burden on your father!"

And as usual he proceeded to declare that the young people of today were on the road to perdition through

infidelity, materialism, and selfconceit, and that amateur theatricals ought to be prohibited, because they

seduced young people from religion and their duties.

"Tomorrow we shall go together, and you shall apologize to the superintendent, and promise him to work

conscientiously," he said in conclusion. "You ought not to remain one single day with no regular position in

society."

"I beg you to listen to me," I said sullenly, expecting nothing good from this conversation. "What you call a

position in society is the privilege of capital and education. Those who have neither wealth nor education

earn their daily bread by manual labour, and I see no grounds for my being an exception."

"When you begin talking about manual labour it is always stupid and vulgar!" said my father with irritation.

"Understand, you dense fellow  understand, you addlepate, that besides coarse physical strength you have


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 13



Top




Page No 16


the divine spirit, a spark of the holy fire, which distinguishes you in the most striking way from the ass or the

reptile, and brings you nearer to the Deity! This fire is the fruit of the efforts of the best of mankind during

thousands of years. Your greatgrandfather Poloznev, the general, fought at Borodino; your grandfather was

a poet, an orator, and a Marshal of Nobility; your uncle is a schoolmaster; and lastly, I, your father, am an

architect! All the Poloznevs have guarded the sacred fire for you to put it out!"

"One must be just," I said. " Millions of people put up with manual labour."

"And let them put up with it! They don't know how to do anything else! Anybody, even the most abject fool

or criminal, is capable of manual labour; such labour is the distinguishing mark of the slave and the

barbarian, while the holy fire is vouchsafed only to a few!"

To continue this conversation was unprofitable. My father worshipped himself, and nothing was convincing

to him but what he said himself. Besides, I knew perfectly well that the disdain with which he talked of

physical toil was founded not so much on reverence for the sacred fire as on a secret dread that I should

become a workman, and should set the whole town talking about me; what was worse, all my contemporaries

had long ago taken their degrees and were getting on well, and the son of the manager of the State Bank was

already a collegiate assessor, while I, his only son, was nothing! To continue the conversation was

unprofitable and unpleasant, but I still sat on and feebly retorted, hoping that I might at last be understood.

The whole question, of course, was clear and simple, and only concerned with the means of my earning my

living; but the simplicity of it was not seen, and I was talked to in mawkishly rounded phrases of Borodino,

of the sacred fire, of my uncle a forgotten poet, who had once written poor and artificial verses; I was rudely

called an addlepate and a dense fellow. And how I longed to be understood! In spite of everything, I loved

my father and my sister and it had been my habit from childhood to consult them  a habit so deeply rooted

that I doubt whether I could ever have got rid of it; whether I were in the right or the wrong, I was in constant

dread of wounding them, constantly afraid that my father's thin neck would turn crimson and that he would

have a stroke.

"To sit in a stuffy room," I began, "to copy, to compete with a typewriter, is shameful and humiliating for a

man of my age. What can the sacred fire have to do with it?"

"It's intellectual work, anyway," said my father. "But that's enough; let us cut short this conversation, and in

any case I warn you: if you don't go back to your work again, but follow your contemptible propensities, then

my daughter and I will banish you from our hearts. I shall strike you out of my will, I swear by the living

God!"

With perfect sincerity to prove the purity of the motives by which I wanted to be guided in all my doings, I

said:

"The question of inheritance does not seem very important to me. I shall renounce it all beforehand."

For some reason or other, quite to my surprise, these words were deeply resented by my father. He turned

crimson.

"Don't dare to talk to me like that, stupid!" he shouted in a thin, shrill voice. "Wastrel!" and with a rapid,

skilful, and habitual movement he slapped me twice in the face. "You are forgetting yourself."

When my father beat me as a child I had to stand up straight, with my hands held stiffly to my trouser seams,

and look him straight in the face. And now when he hit me I was utterly overwhelmed, and, as though I were

still a child, drew myself up and tried to look him in the face. My father was old and very thin but his delicate

muscles must have been as strong as leather, for his blows hurt a good deal.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 14



Top




Page No 17


I staggered back into the passage, and there he snatched up his umbrella, and with it hit me several times on

the head and shoulders; at that moment my sister opened the drawingroom door to find out what the noise

was, but at once turned away with a look of horror and pity without uttering a word in my defence.

My determination not to return to the Government office, but to begin a new life of toil, was not to be shaken.

All that was left for me to do was to fix upon the special employment, and there was no particular difficulty

about that, as it seemed to me that I was very strong and fitted for the very heaviest labour. I was faced with a

monotonous life of toil in the midst of hunger, coarseness, and stench, continually preoccupied with earning

my daily bread. And  who knows?  as I returned from my work along Great Dvoryansky Street, I might

very likely envy Dolzhikov the, engineer, who lived by intellectual work, but, at the moment, thinking over

all my future hardships made me lighthearted. At times I had dreamed of spiritual activity, imagining myself

a teacher, a doctor, or a writer, but these dreams remained dreams. The taste for intellectual pleasures  for

the theatre, for instance, and for reading  was a passion with me, but whether I had any ability for

intellectual work I don't know. At school I had had an unconquerable aversion for Greek, so that I was only in

the fourth class when they had to take me from school. For a long while I had coaches preparing me for the

fifth class. Then I served in various Government offices, spending the greater part of the day in complete

idleness, and I was told that was intellectual work. My activity in the scholastic and official sphere had

required neither mental application nor talent, nor special qualifications, nor creative impulse; it was

mechanical. Such intellectual work I put on a lower level than physical toil; I despise it, and I don't think that

for one moment it could serve as a justification for an idle, careless life, as it is indeed nothing but a sham,

one of the forms of that same idleness. Real intellectual work I have in all probability never known.

Evening came on. We lived in Great Dvoryansky Street; it was the principal street in the town, and in the

absence of decent public gardens our beau monde used to use it as a promenade in the evenings. This

charming street did to some extent take the place of a public garden, as on each side of it there was a row of

poplars which smelt sweet, particularly after rain, and acacias, tall bushes of lilac, wildcherries and

appletrees hung over the fences and palings. The May twilight, the tender young greenery with its shifting

shades, the scent of the lilac, the buzzing of the insects, the stillness, the warmth  how fresh and

marvellous it all is, though spring is repeated every year! I stood at the garden gate and watched the

passersby. With most of them I had grown up and at one time played pranks; now they might have been

disconcerted by my being near them, for I was poorly and unfashionably dressed, and they used to say of my

very narrow trousers and huge, clumsy boots that they were like sticks of macaroni stuck in boats. Besides, I

had a bad reputation in the town because I had no decent social position, and used often to play billiards in

cheap taverns, and also, perhaps, because I had on two occasions been hauled up before an officer of the

police, though I had done nothing whatever to account for this.

In the big house opposite someone was playing the piano at Dolzhikov's. It was beginning to get dark, and

stars were twinkling in the sky. Here my father, in an old tophat with wide upturned brim, walked slowly by

with my sister on his arm, bowing in response to greetings.

"Look up," he said to my sister, pointing to the sky with the same umbrella with which he had beaten me that

afternoon. "Look up at the sky! Even the tiniest stars are all worlds! How insignificant is man in comparison

with the universe!"

And he said this in a tone that suggested that it was particularly agreeable and flattering to him that he was so

insignificant. How absolutely devoid of talent and imagination he was! Sad to say, he was the only architect

in the town, and in the fifteen to twenty years that I could remember not one single decent house had been

built in it. When any one asked him to plan a house, he usually drew first the reception hall and

drawingroom: just as in old days the boardingschool misses always started from the stove when they

danced, so his artistic ideas could only begin and develop from the hall and drawingroom. To them he

tacked on a diningroom, a nursery, a study, linking the rooms together with doors, and so they all inevitably


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 15



Top




Page No 18


turned into passages, and every one of them had two or even three unnecessary doors. His imagination must

have been lacking in clearness, extremely muddled, curtailed. As though feeling that something was lacking,

he invariably had recourse to all sorts of outbuildings, planting one beside another; and I can see now the

narrow entries, the poky little passages, the crooked staircases leading to halflandings where one could not

stand upright, and where, instead of a floor, there were three huge steps like the shelves of a bathhouse; and

the kitchen was invariably in the basement with a brick floor and vaulted ceilings. The front of the house had

a harsh, stubborn expression; the lines of it were stiff and timid; the roof was lowpitched and, as it were,

squashed down; and the fat, wellfedlooking chimneys were invariably crowned by wire caps with

squeaking black cowls. And for some reason all these houses, built by my father exactly like one another,

vaguely reminded me of his tophat and the back of his head, stiff and stubbornlooking. In the course of

years they have grown used in the town to the poverty of my father's imagination. It has taken root and

become our local style.

This same style my father had brought into my sister's life also, beginning with christening her Kleopatra

(just as he had named me Misail). When she was a little girl he scared her by references to the stars, to the

sages of ancient times, to our ancestors, and discoursed at length on the nature of life and duty; and now,

when she was twentysix, he kept up the same habits, allowing her to walk arm in arm with no one but

himself, and imagining for some reason that sooner or later a suitable young man would be sure to appear,

and to desire to enter into matrimony with her from respect for his personal qualities. She adored my father,

feared him, and believed in his exceptional intelligence.

It was quite dark, and gradually the street grew empty. The music had ceased in the house opposite; the gate

was thrown wide open, and a team with three horses trotted frolicking along our street with a soft tinkle of

little bells. That was the engineer going for a drive with his daughter. It was bedtime.

I had my own room in the house, but I lived in a shed in the yard, under the same roof as a brick barn which

had been built some time or other, probably to keep harness in; great hooks were driven into the wall. Now it

was not wanted, and for the last thirty years my father had stowed away in it his newspapers, which for some

reason he had bound in halfyearly volumes and allowed nobody to touch. Living here, I was less liable to be

seen by my father and his visitors, and I fancied that if I did not live in a real room, and did not go into the

house every day to dinner, my father's words that I was a burden upon him did not sound so offensive.

My sister was waiting for me. Unseen by my father, she had brought me some supper: not a very large slice

of cold veal and a piece of bread. In our house such sayings as: "A penny saved is a penny gained," and"

Take care of the pence and the pounds will take care of themselves," and so on, were frequently repeated, and

my sister, weighed down by these vulgar maxims, did her utmost to cut down the expenses, and so we fared

badly. Putting the plate on the table, she sat down on my bed and began to cry.

"Misail," she said, "what a way to treat us!"

She did not cover her face; her tears dropped on her bosom and hands, and there was a look of distress on her

face. She fell back on the pillow, and abandoned herself to her tears, sobbing and quivering all over.

"You have left the service again . . ." she articulated. "Oh, how awful it is!"

"But do understand, sister, do understand . . . ." I said, and I was overcome with despair because she was

crying.

As illluck would have it, the kerosene in my little lamp was exhausted; it began to smoke, and was on the

point of going out, and the old hooks on the walls looked down sullenly, and their shadows flickered.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 16



Top




Page No 19


"Have mercy on us," said my sister, sitting up. "Father is in terrible distress and I am ill; I shall go out of my

mind. What will become of you?" she said, sobbing and stretching out her arms to me. "I beg you, I implore

you, for our dear mother's sake, I beg you to go back to the office!"

"I can't, Kleopatra!" I said, feeling that a little more and I should give way. "I cannot!"

"Why not?" my sister went on. "Why not? Well, if you can't get on with the Head, look out for another post.

Why shouldn't you get a situation on the railway, for instance? I have just been talking to Anyuta Blagovo;

she declares they would take you on the railwayline, and even promised to try and get a post for you. For

God's sake, Misail, think a little! Think a little, I implore you."

We talked a little longer and I gave way. I said that the thought of a job on the railway that was being

constructed had never occurred to me, and that if she liked I was ready to try it.

She smiled joyfully through her tears and squeezed my hand, and then went on crying because she could not

stop, while I went to the kitchen for some kerosene.

II Among the devoted supporters of amateur theatricals, concerts and tableaux vivants for charitable objects

the Azhogins, who lived in their own house in Great Dvoryansky Street, took a foremost place; they always

provided the room, and took upon themselves all the troublesome arrangements and the expenses. They were

a family of wealthy landowners who had an estate of some nine thousand acres in the district and a capital

house, but they did not care for the country, and lived winter and summer alike in the town. The family

consisted of the mother, a tall, spare, refined lady, with short hair, a short jacket, and a flatlooking skirt in

the English fashion, and three daughters who, when they were spoken of, were called not by their names but

simply: the eldest, the middle, and the youngest. They all had ugly sharp chins, and were shortsighted and

roundshouldered. They were dressed like their mother, they lisped disagreeably, and yet, in spite of that,

infallibly took part in every performance and were continually doing something with a charitable object 

acting, reciting, singing. They were very serious and never smiled, and even in a musical comedy they played

without the faintest trace of gaiety, with a businesslike air, as though they were engaged in bookkeeping.

I loved our theatricals, especially the numerous, noisy, and rather incoherent rehearsals, after which they

always gave a supper. In the choice of the plays and the distribution of the parts I had no hand at all. The post

assigned to me lay behind the scenes. I painted the scenes, copied out the parts, prompted, made up the actors'

faces; and I was entrusted, too, with various stage effects such as thunder, the singing of nightingales, and so

on. Since I had no proper social position and no decent clothes, at the rehearsals I held aloof from the rest in

the shadows of the wings and maintained a shy silence.

I painted the scenes at the Azhogins' either in the barn or in the yard. I was assisted by Andrey Ivanov, a

house painter, or, as he called himself, a contractor for all kinds of house decorations, a tall, very thin, pale

man of fifty, with a hollow chest, with sunken temples, with blue rings round his eyes, rather terrible to look

at in fact. He was afflicted with some internal malady, and every autumn and spring people said that he

wouldn't recover, but after being laid up for a while he would get up and say afterwards with surprise: "I have

escaped dying again."

In the town he was called Radish, and they declared that this was his real name. He was as fond of the theatre

as I was, and as soon as rumours reached him that a performance was being got up he threw aside all his work

and went to the Azhogins' to paint scenes.

The day after my talk with my sister, I was working at the Azhogins' from morning till night. The rehearsal

was fixed for seven o'clock in the evening, and an hour before it began all the amateurs were gathered

together in the hall, and the eldest, the middle, and the youngest Azhogins were pacing about the stage,


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 17



Top




Page No 20


reading from manuscript books. Radish, in a long rustyred overcoat and a scarf muffled round his neck,

already stood leaning with his head against the wall, gazing with a devout expression at the stage. Madame

Azhogin went up first to one and then to another guest, saying something agreeable to each. She had a way of

gazing into one's face, and speaking softly as though telling a secret.

"It must be difficult to paint scenery," she said softly, coming up to me. "I was just talking to Madame Mufke

about superstitions when I saw you come in. My goodness, my whole life I have been waging war against

superstitions! To convince the servants what nonsense all their terrors are, I always light three candles, and

begin all my important undertakings on the thirteenth of the month."

Dolzhikov's daughter came in, a plump, fair beauty, dressed, as people said, in everything from Paris. She did

not act, but a chair was set for her on the stage at the rehearsals, and the performances never began till she

had appeared in the front row, dazzling and astounding everyone with her fine clothes. As a product of the

capital she was allowed to make remarks during the rehearsals; and she did so with a sweet indulgent smile,

and one could see that she looked upon our performance as a childish amusement. It was said she had studied

singing at the Petersburg Conservatoire, and even sang for a whole winter in a private opera. I thought her

very charming, and I usually watched her through the rehearsals and performances without taking my eyes

off her.

I had just picked up the manuscript book to begin prompting when my sister suddenly made her appearance.

Without taking off her cloak or hat, she came up to me and said:

"Come along, I beg you."

I went with her. Anyuta Blagovo, also in her hat and wearing a dark veil, was standing behind the scenes at

the door. She was the daughter of the Assistant President of the Court, who had held that office in our town

almost ever since the establishment of the circuit court. Since she was tall and had a good figure, her

assistance was considered indispensable for tableaux vivants, and when she represented a fairy or something

like Glory her face burned with shame; but she took no part in dramatic performances, and came to the

rehearsals only for a moment on some special errand, and did not go into the hall. Now, too, it was evident

that she had only looked in for a minute.

"My father was speaking about you," she said drily, blushing and not looking at me. "Dolzhikov has

promised you a post on the railwayline. Apply to him tomorrow; he will be at home."

I bowed and thanked her for the trouble she had taken.

"And you can give up this," she said, indicating the exercise book.

My sister and she went up to Madame Azhogin and for two minutes they were whispering with her looking

towards me; they were consulting about something.

"Yes, indeed," said Madame Azhogin, softly coming up to me and looking intently into my face. "Yes,

indeed, if this distracts you from serious pursuits"  she took the manuscript book from my hands  "you

can hand it over to someone else; don't distress yourself, my friend, go home, and good luck to you."

I said goodbye to her, and went away overcome with confusion. As I went down the stairs I saw my sister

and Anyuta Blagovo going away; they were hastening along, talking eagerly about something, probably

about my going into the railway service. My sister had never been at a rehearsal before, and now she was

most likely consciencestricken, and afraid her father might find out that, without his permission, she had

been to the Azhogins'!


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 18



Top




Page No 21


I went to Dolzhikov's next day between twelve and one. The footman conducted me into a very beautiful

room, which was the engineer's drawingroom, and, at the same time, his working study. Everything here

was soft and elegant, and, for a man so unaccustomed to luxury as I was, it seemed strange. There were costly

rugs, huge armchairs, bronzes, pictures, gold and plush frames; among the photographs scattered about the

walls there were very beautiful women, clever, lovely faces, easy attitudes; from the drawingroom there was

a door leading straight into the garden on to a verandah: one could see lilactrees; one could see a table laid

for lunch, a number of bottles, a bouquet of roses; there was a fragrance of spring and expensive cigars, a

fragrance of happiness  and everything seemed as though it would say: "Here is a man who has lived and

laboured, and has attained at last the happiness possible on earth." The engineer's daughter was sitting at the

writingtable, reading a newspaper.

"You have come to see my father?" she asked. "He is having a shower bath; he will be here directly. Please

sit down and wait."

I sat down.

"I believe you live opposite?" she questioned me, after a brief silence.

"Yes."

"I am so bored that I watch you every day out of the window; you must excuse me," she went on, looking at

the newspaper, "and I often see your sister; she always has such a look of kindness and concentration."

Dolzhikov came in. He was rubbing his neck with a towel.

"Papa, Monsieur Poloznev," said his daughter.

"Yes, yes, Blagovo was telling me," he turned briskly to me without giving me his hand. "But listen, what can

I give you? What sort of posts have I got? You are a queer set of people!" he went on aloud in a tone as

though he were giving me a lecture. "A score of you keep coming to me every day; you imagine I am the

head of a department! I am constructing a railwayline, my friends; I have employment for heavy labour: I

need mechanics, smiths, navvies, carpenters, wellsinkers, and none of you can do anything but sit and write!

You are all clerks."

And he seemed to me to have the same air of happiness as his rugs and easy chairs. He was stout and healthy,

ruddycheeked and broadchested, in a print cotton shirt and full trousers like a toy china sledgedriver. He

had a curly, round beard  and not a single grey hair  a hooked nose, and clear, dark, guileless eyes.

"What can you do?" he went on. "There is nothing you can do! I am an engineer. I am a man of an assured

position, but before they gave me a railwayline I was for years in harness; I have been a practical mechanic.

For two years I worked in Belgium as an oiler. You can judge for yourself, my dear fellow, what kind of

work can I offer you?"

"Of course that is so . . ." I muttered in extreme confusion, unable to face his clear, guileless eyes.

"Can you work the telegraph, any way?" he asked, after a moment's thought.

"Yes, I have been a telegraph clerk."

"Hm! Well, we will see then. Meanwhile, go to Dubetchnya. I have got a fellow there, but he is a wretched

creature."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 19



Top




Page No 22


"And what will my duties consist of?" I asked.

"We shall see. Go there; meanwhile I will make arrangements. Only please don't get drunk, and don't worry

me with requests of any sort, or I shall send you packing."

He turned away from me without even a nod.

I bowed to him and his daughter who was reading a newspaper, and went away. My heart felt so heavy, that

when my sister began asking me how the engineer had received me, I could not utter a single word.

I got up early in the morning, at sunrise, to go to Dubetchnya. There was not a soul in our Great Dvoryansky

Street; everyone was asleep, and my footsteps rang out with a solitary, hollow sound. The poplars, covered

with dew, filled the air with soft fragrance. I was sad, and did not want to go away from the town. I was fond

of my native town. It seemed to be so beautiful and so snug! I loved the fresh greenery, the still, sunny

morning, the chiming of our bells; but the people with whom I lived in this town were boring, alien to me,

sometimes even repulsive. I did not like them nor understand them.

I did not understand what these sixtyfive thousand people lived for and by. I knew that Kimry lived by

boots, that Tula made samovars and guns, that Odessa was a seaport, but what our town was, and what it

did, I did not know. Great Dvoryansky Street and the two other smartest streets lived on the interest of

capital, or on salaries received by officials from the public treasury; but what the other eight streets, which

ran parallel for over two miles and vanished beyond the hills, lived upon, was always an insoluble riddle to

me. And the way those people lived one is ashamed to describe! No garden, no theatre, no decent band; the

public library and the club library were only visited by Jewish youths, so that the magazines and new books

lay for months uncut; rich and welleducated people slept in close, stuffy bedrooms, on wooden bedsteads

infested with bugs; their children were kept in revoltingly dirty rooms called nurseries, and the servants, even

the old and respected ones, slept on the floor in the kitchen, covered with rags. On ordinary days the houses

smelt of beetroot soup, and on fast days of sturgeon cooked in sunflower oil. The food was not good, and the

drinking water was unwholesome. In the town council, at the governor's, at the head priest's, on all sides in

private houses, people had been saying for years and years that our town had not a good and cheap

watersupply, and that it was necessary to obtain a loan of two hundred thousand from the Treasury for

laying on water; very rich people, of whom three dozen could have been counted up in our town, and who at

times lost whole estates at cards, drank the polluted water, too, and talked all their lives with great excitement

of a loan for the watersupply  and I did not understand that; it seemed to me it would have been simpler

to take the two hundred thousand out of their own pockets and lay it out on that object.

I did not know one honest man in the town. My father took bribes, and imagined that they were given him out

of respect for his moral qualities; at the high school, in order to be moved up rapidly from class to class, the

boys went to board with their teachers, who charged them exorbitant sums; the wife of the military

commander took bribes from the recruits when they were called up before the board and even deigned to

accept refreshments from them, and on one occasion could not get up from her knees in church because she

was drunk; the doctors took bribes, too, when the recruits came up for examination, and the town doctor and

the veterinary surgeon levied a regular tax on the butchers' shops and the restaurants; at the district school

they did a trade in certificates, qualifying for partial exemption from military service; the higher clergy took

bribes from the humbler priests and from the church elders; at the Municipal, the Artisans', and all the other

Boards every petitioner was pursued by a shout: "Don't forget your thanks!" and the petitioner would turn

back to give sixpence or a shilling. And those who did not take bribes, such as the higher officials of the

Department of Justice, were haughty, offered two fingers instead of shaking hands, were distinguished by the

frigidity and narrowness of their judgments, spent a great deal of time over cards, drank to excess, married

heiresses, and undoubtedly had a pernicious corrupting influence on those around them. It was only the girls

who had still the fresh fragrance of moral purity; most of them had higher impulses, pure and honest hearts;


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 20



Top




Page No 23


but they had no understanding of life, and believed that bribes were given out of respect for moral qualities,

and after they were married grew old quickly, let themselves go completely, and sank hopelessly in the mire

of vulgar, petty bourgeois existence.

III A railwayline was being constructed in our neighbourhood. On the eve of feast days the streets were

thronged with ragged fellows whom the townspeople called "navvies," and of whom they were afraid. And

more than once I had seen one of these tatterdemalions with a bloodstained countenance being led to the

police station, while a samovar or some linen, wet from the wash, was carried behind by way of material

evidence. The navvies usually congregated about the taverns and the marketplace; they drank, ate, and used

bad language, and pursued with shrill whistles every woman of light behaviour who passed by. To entertain

this hungry rabble our shopkeepers made cats and dogs drunk with vodka, or tied an old kerosene can to a

dog's tail; a hue and cry was raised, and the dog dashed along the street, jingling the can, squealing with

terror; it fancied some monster was close upon its heels; it would run far out of the town into the open

country and there sink exhausted. There were in the town several dogs who went about trembling with their

tails between their legs; and people said this diversion had been too much for them, and had driven them mad.

A station was being built four miles from the town. It was said that the engineers asked for a bribe of fifty

thousand roubles for bringing the line right up to the town, but the town council would only consent to give

forty thousand; they could not come to an agreement over the difference, and now the townspeople regretted

it, as they had to make a road to the station and that, it was reckoned, would cost more. The sleepers and rails

had been laid throughout the whole length of the line, and trains ran up and down it, bringing building

materials and labourers, and further progress was only delayed on account of the bridges which Dolzhikov

was building, and some of the stations were not yet finished.

Dubetchnya, as our first station was called, was a little under twelve miles from the town. I walked. The

cornfields, bathed in the morning sunshine, were bright green. It was a flat, cheerful country, and in the

distance there were the distinct outlines of the station, of ancient barrows, and faraway homesteads. . . .

How nice it was out there in the open! And how I longed to be filled with the sense of freedom, if only for

that one morning, that I might not think of what was being done in the town, not think of my needs, not feel

hungry! Nothing has so marred my existence as an acute feeling of hunger, which made images of buckwheat

porridge, rissoles, and baked fish mingle strangely with my best thoughts. Here I was standing alone in the

open country, gazing upward at a lark which hovered in the air at the same spot, trilling as though in

hysterics, and meanwhile I was thinking: "How nice it would be to eat a piece of bread and butter!"

Or I would sit down by the roadside to rest, and shut my eyes to listen to the delicious sounds of May, and

what haunted me was the smell of hot potatoes. Though I was tall and strongly built, I had as a rule little to

eat, and so the predominant sensation throughout the day was hunger, and perhaps that was why I knew so

well how it is that such multitudes of people toil merely for their daily bread, and can talk of nothing but

things to eat.

At Dubetchnya they were plastering the inside of the station, and building a wooden upper storey to the

pumping shed. It was hot; there was a smell of lime, and the workmen sauntered listlessly between the heaps

of shavings and mortar rubble. The pointsman lay asleep near his sentry box, and the sun was blazing full on

his face. There was not a single tree. The telegraph wire hummed faintly and hawks were perching on it here

and there. I, wandering, too, among the heaps of rubbish, and not knowing what to do, recalled how the

engineer, in answer to my question what my duties would consist in, had said: "We shall see when you are

there"; but what could one see in that wilderness?

The plasterers spoke of the foreman, and of a certain Fyodot Vasilyev. I did not understand, and gradually I

was overcome by depression  the physical depression in which one is conscious of one's arms and legs and

huge body, and does not know what to do with them or where to put them.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 21



Top




Page No 24


After I had been walking about for at least a couple of hours, I noticed that there were telegraph poles running

off to the right from the station, and that they ended a mile or a mile and a half away at a white stone wall.

The workmen told me the office was there, and at last I reflected that that was where I ought to go.

It was a very old manor house, deserted long ago. The wall round it, of porous white stone, was mouldering

and had fallen away in places, and the lodge, the blank wall of which looked out on the open country, had a

rusty roof with patches of tinplate gleaming here and there on it. Within the gates could be seen a spacious

courtyard overgrown with rough weeds, and an old manor house with sunblinds on the windows, and a high

roof red with rust. Two lodges, exactly alike, stood one on each side of the house to right and to left: one had

its windows nailed up with boards; near the other, of which the windows were open, there was washing on

the line, and there were calves moving about. The last of the telegraph poles stood in the courtyard, and the

wire from it ran to the window of the lodge, of which the blank wall looked out into the open country. The

door stood open; I went in. By the telegraph apparatus a gentleman with a curly dark head, wearing a reefer

coat made of sailcloth, was sitting at a table; he glanced at me morosely from under his brows, but

immediately smiled and said:

"Hullo, Betterthannothing!"

It was Ivan Tcheprakov, an old schoolfellow of mine, who had been expelled from the second class for

smoking. We used at one time, during autumn, to catch goldfinches, finches, and linnets together, and to sell

them in the market early in the morning, while our parents were still in their beds. We watched for flocks of

migrating starlings and shot at them with small shot, then we picked up those that were wounded, and some

of them died in our hands in terrible agonies (I remember to this day how they moaned in the cage at night);

those that recovered we sold, and swore with the utmost effrontery that they were all cocks. On one occasion

at the market I had only one starling left, which I had offered to purchasers in vain, till at last I sold it for a

farthing. "Anyway, it's better than nothing," I said to comfort myself, as I put the farthing in my pocket, and

from that day the street urchins and the schoolboys called after me: "Betterthannothing"; and to this day

the street boys and the shopkeepers mock at me with the nickname, though no one remembers how it arose.

Tcheprakov was not of robust constitution: he was narrowchested, roundshouldered, and longlegged. He

wore a silk cord for a tie, had no trace of a waistcoat, and his boots were worse than mine, with the heels

trodden down on one side. He stared, hardly even blinking, with a strained expression, as though he were just

going to catch something, and he was always in a fuss.

"You wait a minute," he would say fussily. "You listen. . . . Whatever was I talking about?"

We got into conversation. I learned that the estate on which I now was had until recently been the property of

the Tcheprakovs, and had only the autumn before passed into the possession of Dolzhikov, who considered it

more profitable to put his money into land than to keep it in notes, and had already bought up three

goodsized mortgaged estates in our neighbourhood. At the sale Tcheprakov's mother had reserved for

herself the right to live for the next two years in one of the lodges at the side, and had obtained a post for her

son in the office.

"I should think he could buy!" Tcheprakov said of the engineer. "See what he fleeces out of the contractors

alone! He fleeces everyone!"

Then he took me to dinner, deciding fussily that I should live with him in the lodge, and have my meals from

his mother.

"She is a bit stingy," he said, "but she won't charge you much."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 22



Top




Page No 25


It was very cramped in the little rooms in which his mother lived; they were all, even the passage and the

entry, piled up with furniture which had been brought from the big house after the sale; and the furniture was

all oldfashioned mahogany. Madame Tcheprakov, a very stout middleaged lady with slanting Chinese

eyes, was sitting in a big armchair by the window, knitting a stocking. She received me ceremoniously.

"This is Poloznev, mamma," Tcheprakov introduced me. "He is going to serve here."

"Are you a nobleman?" she asked in a strange, disagreeable voice: it seemed to me to sound as though fat

were bubbling in her throat.

"Yes," I answered.

"Sit down."

The dinner was a poor one. Nothing was served but pies filled with bitter curd, and milk soup. Elena

Nikiforovna, who presided, kept blinking in a queer way, first with one eye and then with the other. She

talked, she ate, but yet there was something deathly about her whole figure, and one almost fancied the faint

smell of a corpse. There was only a glimmer of life in her, a glimmer of consciousness that she had been a

lady who had once had her own serfs, that she was the widow of a general whom the servants had to address

as "your Excellency"; and when these feeble relics of life flickered up in her for an instant she would say to

her son:

"Jean, you are not holding your knife properly!"

Or she would say to me, drawing a deep breath, with the mincing air of a hostess trying to entertain a visitor:

"You know we have sold our estate. Of course, it is a pity, we are used to the place, but Dolzhikov has

promised to make Jean stationmaster of Dubetchnya, so we shall not have to go away; we shall live here at

the station, and that is just the same as being on our own property! The engineer is so nice! Don't you think

he is very handsome?"

Until recently the Tcheprakovs had lived in a wealthy style, but since the death of the general everything had

been changed. Elena Nikiforovna had taken to quarrelling with the neighbours, to going to law, and to not

paying her bailiffs or her labourers; she was in constant terror of being robbed, and in some ten years

Dubetchnya had become unrecognizable.

Behind the great house was an old garden which had already run wild, and was overgrown with rough weeds

and bushes. I walked up and down the verandah, which was still solid and beautiful; through the glass doors

one could see a room with parquetted floor, probably the drawingroom; an oldfashioned piano and pictures

in deep mahogany frames  there was nothing else. In the old flowerbeds all that remained were peonies

and poppies, which lifted their white and bright red heads above the grass. Young maples and elms, already

nibbled by the cows, grew beside the paths, drawn up and hindering each other's growth. The garden was

thickly overgrown and seemed impassable, but this was only near the house where there stood poplars,

firtrees, and old limetrees, all of the same age, relics of the former avenues. Further on, beyond them the

garden had been cleared for the sake of hay, and here it was not moist and stuffy, and there were no spiders'

webs in one's mouth and eyes. A light breeze was blowing. The further one went the more open it was, and

here in the open space were cherries, plums, and spreading appletrees, disfigured by props and by canker;

and peartrees so tall that one could not believe they were peartrees. This part of the garden was let to some

shopkeepers of the town, and it was protected from thieves and starlings by a feebleminded peasant who

lived in a shanty in it.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 23



Top




Page No 26


The garden, growing more and more open, till it became definitely a meadow, sloped down to the river,

which was overgrown with green weeds and osiers. Near the milldam was the millpond, deep and full of fish;

a little mill with a thatched roof was working away with a wrathful sound, and frogs croaked furiously.

Circles passed from time to time over the smooth, mirrorlike water, and the waterlilies trembled, stirred by

the lively fish. On the further side of the river was the little village Dubetchnya. The still, blue millpond was

alluring with its promise of coolness and peace. And now all this  the millpond and the mill and the

snuglooking banks  belonged to the engineer!

And so my new work began. I received and forwarded telegrams, wrote various reports, and made fair copies

of the notes of requirements, the complaints, and the reports sent to the office by the illiterate foremen and

workmen. But for the greater part of the day I did nothing but walk about the room waiting for telegrams, or

made a boy sit in the lodge while I went for a walk in the garden, until the boy ran to tell me that there was a

tapping at the operating machine. I had dinner at Madame Tcheprakov's. Meat we had very rarely: our dishes

were all made of milk, and Wednesdays and Fridays were fast days, and on those days we had pink plates

which were called Lenten plates. Madame Tcheprakov was continually blinking  it was her invariable

habit, and I always felt ill at ease in her presence.

As there was not enough work in the lodge for one, Tcheprakov did nothing, but simply dozed, or went with

his gun to shoot ducks on the millpond. In the evenings he drank too much in the village or the station, and

before going to bed stared in the lookingglass and said: "Hullo, Ivan Tcheprakov."

When he was drunk he was very pale, and kept rubbing his hands and laughing with a sound like a neigh:

"heeheehee!" By way of bravado he used to strip and run about the country naked. He used to eat flies and

say they were rather sour.

IV One day, after dinner, he ran breathless into the lodge and said: "Go along, your sister has come."

I went out, and there I found a hired brake from the town standing before the entrance of the great house. My

sister had come in it with Anyuta Blagovo and a gentleman in a military tunic. Going up closer I recognized

the latter: it was the brother of Anyuta Blagovo, the army doctor.

"We have come to you for a picnic," he said; "is that all right?"

My sister and Anyuta wanted to ask how I was getting on here, but both were silent, and simply gazed at me.

I was silent too. They saw that I did not like the place, and tears came into my sister's eyes, while Anyuta

Blagovo turned crimson.

We went into the garden. The doctor walked ahead of us all and said enthusiastically:

"What air! Holy Mother, what air!

In appearance he was still a student. And he walked and talked like a student, and the expression of his grey

eyes was as keen, honest, and frank as a nice student's. Beside his tall and handsome sister he looked frail and

thin; and his beard was thin too, and his voice, too, was a thin but rather agreeable tenor. He was serving in a

regiment somewhere, and had come home to his people for a holiday, and said he was going in the autumn to

Petersburg for his examination as a doctor of medicine. He was already a family man, with a wife and three

children, he had married very young, in his second year at the University, and now people in the town said he

was unhappy in his family life and was not living with his wife.

"What time is it?" my sister asked uneasily. "We must get back in good time. Papa let me come to see my

brother on condition I was back at six."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 24



Top




Page No 27


"Oh, bother your papa!" sighed the doctor.

I set the samovar. We put down a carpet before the verandah of the great house and had our tea there, and the

doctor knelt down, drank out of his saucer, and declared that he now knew what bliss was. Then Tcheprakov

came with the key and opened the glass door, and we all went into the house. There it was half dark and

mysterious, and smelt of mushrooms, and our footsteps had a hollow sound as though there were cellars

under the floor. The doctor stopped and touched the keys of the piano, and it responded faintly with a husky,

quivering, but melodious chord; he tried his voice and sang a song, frowning and tapping impatiently with his

foot when some note was mute. My sister did not talk about going home, but walked about the rooms and

kept saying:

"How happy I am! How happy I am!"

There was a note of astonishment in her voice, as though it seemed to her incredible that she, too, could feel

lighthearted. It was the first time in my life I had seen her so happy. She actually looked prettier. In profile

she did not look nice; her nose and mouth seemed to stick out and had an expression as though she were

pouting, but she had beautiful dark eyes, a pale, very delicate complexion, and a touching expression of

goodness and melancholy, and when she talked she seemed charming and even beautiful. We both, she and I,

took after our mother, were broad shouldered, strongly built, and capable of endurance, but her pallor was a

sign of illhealth; she often had a cough, and I sometimes caught in her face that look one sees in people who

are seriously ill, but for some reason conceal the fact. There was something naïve and childish in her gaiety

now, as though the joy that had been suppressed and smothered in our childhood by harsh education had now

suddenly awakened in her soul and found a free outlet.

But when evening came on and the horses were brought round, my sister sank into silence and looked thin

and shrunken, and she got into the brake as though she were going to the scaffold.

When they had all gone, and the sound had died away . . . I remembered that Anyuta Blagovo had not said a

word to me all day.

"She is a wonderful girl!" I thought. "Wonderful girl!"

St. Peter's fast came, and we had nothing but Lenten dishes every day. I was weighed down by physical

depression due to idleness and my unsettled position, and dissatisfied with myself. Listless and hungry, I

lounged about the garden and only waited for a suitable mood to go away.

Towards evening one day, when Radish was sitting in the lodge, Dolzhikov, very sunburnt and grey with

dust, walked in unexpectedly. He had been spending three days on his land, and had come now to

Dubetchnya by the steamer, and walked to us from the station. While waiting for the carriage, which was to

come for him from the town, he walked round the grounds with his bailiff, giving orders in a loud voice, then

sat for a whole hour in our lodge, writing letters. While he was there telegrams came for him, and he himself

tapped off the answers. We three stood in silence at attention.

"What a muddle!" he said, glancing contemptuously at a record book. "In a fortnight I am transferring the

office to the station, and I don't know what I am to do with you, my friends."

"I do my best, your honour," said Tcheprakov.

"To be sure, I see how you do your best. The only thing you can do is to take your salary," the engineer went

on, looking at me; "you keep relying on patronage to faire le carrière as quickly and as easily as possible.

Well, I don't care for patronage. No one took any trouble on my behalf. Before they gave me a railway


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 25



Top




Page No 28


contract I went about as a mechanic and worked in Belgium as an oiler. And you, Panteley, what are you

doing here?" he asked, turning to Radish. "Drinking with them?"

He, for some reason, always called humble people Panteley, and such as me and Tcheprakov he despised, and

called them drunkards, beasts, and rabble to their faces. Altogether he was cruel to humble subordinates, and

used to fine them and turn them off coldly without explanations.

At last the horses came for him. As he said goodbye he promised to turn us all off in a fortnight; he called

his bailiff a blockhead; and then, lolling at ease in his carriage, drove back to the town.

"Andrey Ivanitch," I said to Radish, "take me on as a workman."

"Oh, all right!"

And we set off together in the direction of the town. When the station and the big house with its buildings

were left behind I asked: "Andrey Ivanitch, why did you come to Dubetchnya this evening?"

"In the first place my fellows are working on the line, and in the second place I came to pay the general's lady

my interest. Last year I borrowed fifty roubles from her, and I pay her now a rouble a month interest."

The painter stopped and took me by the button.

"Misail Alexeyitch, our angel," he went on. "The way I look at it is that if any man, gentle or simple, takes

even the smallest interest, he is doing evil. There cannot be truth and justice in such a man."

Radish, lean, pale, dreadfullooking, shut his eyes, shook his head, and, in the tone of a philosopher,

pronounced:

"Lice consume the grass, rust consumes the iron, and lying the soul. Lord, have mercy upon us sinners."

V Radish was not practical, and was not at all good at forming an estimate; he took more work than he could

get through, and when calculating he was agitated, lost his head, and so was almost always out of pocket over

his jobs. He undertook painting, glazing, paperhanging, and even tiling roofs, and I can remember his running

about for three days to find tilers for the sake of a paltry job. He was a firstrate workman; he sometimes

earned as much as ten roubles a day; and if it had not been for the desire at all costs to be a master, and to be

called a contractor, he would probably have had plenty of money.

He was paid by the job, but he paid me and the other workmen by the day, from one and twopence to two

shillings a day. When it was fine and dry we did all kinds of outside work, chiefly painting roofs. When I was

new to the work it made my feet burn as though I were walking on hot bricks, and when I put on felt boots

they were hotter than ever. But this was only at first; later on I got used to it, and everything went

swimmingly. I was living now among people to whom labour was obligatory, inevitable, and who worked

like carthorses, often with no idea of the moral significance of labour, and, indeed, never using the word

"labour" in conversation at all. Beside them I, too, felt like a carthorse, growing more and more imbued with

the feeling of the obligatory and inevitable character of what I was doing, and this made my life easier,

setting me free from all doubt and uncertainty.

At first everything interested me, everything was new, as though I had been born again. I could sleep on the

ground and go about barefoot, and that was extremely pleasant; I could stand in a crowd of the common

people and be no constraint to anyone, and when a cab horse fell down in the street I ran to help it up without

being afraid of soiling my clothes. And the best of it all was, I was living on my own account and no burden


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 26



Top




Page No 29


to anyone!

Painting roofs, especially with our own oil and colours, was regarded as a particularly profitable job, and so

this rough, dull work was not disdained, even by such good workmen as Radish. In short breeches, and

wasted, purplelooking legs, he used to go about the roofs, looking like a stork, and I used to hear him, as he

plied his brush, breathing heavily and saying: "Woe, woe to us sinners!"

He walked about the roofs as freely as though he were upon the ground. In spite of his being ill and pale as a

corpse, his agility was extraordinary: he used to paint the domes and cupolas of the churches without

scaffolding, like a young man, with only the help of a ladder and a rope, and it was rather horrible when

standing on a height far from the earth; he would draw himself up erect, and for some unknown reason

pronounce:

"Lice consume grass, rust consumes iron, and lying the soul!"

Or, thinking about something, would answer his thoughts aloud:

"Anything may happen! Anything may happen!"

When I went home from my work, all the people who were sitting on benches by the gates, all the shopmen

and boys and their employers, made sneering and spiteful remarks after me, and this upset me at first and

seemed to be simply monstrous.

"Betterthannothing!" I heard on all sides. "House painter! Yellow ochre!"

And none behaved so ungraciously to me as those who had only lately been humble people themselves, and

had earned their bread by hard manual labour. In the streets full of shops I was once passing an ironmonger's

when water was thrown over me as though by accident, and on one occasion someone darted out with a stick

at me, while a fishmonger, a greyheaded old man, barred my way and said, looking at me angrily:

"I am not sorry for you, you fool! It's your father I am sorry for."

And my acquaintances were for some reason overcome with embarrassment when they met me. Some of

them looked upon me as a queer fish and a comic fool; others were sorry for me; others did not know what

attitude to take up to me, and it was difficult to make them out. One day I met Anyuta Blagovo in a side street

near Great Dvoryansky Street. I was going to work, and was carrying two long brushes and a pail of paint.

Recognizing me Anyuta flushed crimson.

"Please do not bow to me in the street," she said nervously, harshly, and in a shaking voice, without offering

me her hand, and tears suddenly gleamed in her eyes. "If to your mind all this is necessary, so be it . . . so be

it, but I beg you not to meet me!"

I no longer lived in Great Dvoryansky Street, but in the suburb with my old nurse Karpovna, a goodnatured

but gloomy old woman, who always foreboded some harm, was afraid of all dreams, and even in the bees and

wasps that flew into her room saw omens of evil, and the fact that I had become a workman, to her thinking,

boded nothing good.

"Your life is ruined," she would say, mournfully shaking her head, "ruined."

Her adopted son Prokofy, a huge, uncouth, redheaded fellow of thirty, with bristling moustaches, a butcher

by trade, lived in the little house with her. When he met me in the passage he would make way for me in


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 27



Top




Page No 30


respectful silence, and if he was drunk he would salute me with all five fingers at once. He used to have

supper in the evening, and through the partition wall of boards I could hear him clear his throat and sigh as he

drank off glass after glass.

"Mamma," he would call in an undertone.

"Well," Karpovna, who was passionately devoted to her adopted son, would respond: "What is it, sonny?"

"I can show you a testimony of my affection, mamma. All this earthly life I will cherish you in your declining

years in this vale of tears, and when you die I will bury you at my expense; I have said it, and you can believe

it."

I got up every morning before sunrise, and went to bed early. We house painters ate a great deal and slept

soundly; the only thing amiss was that my heart used to beat violently at night. I did not quarrel with my

mates. Violent abuse, desperate oaths, and wishes such as, "Blast your eyes," or "Cholera take you," never

ceased all day, but, nevertheless, we lived on very friendly terms. The other fellows suspected me of being

some sort of religious sectary, and made goodnatured jokes at my expense, saying that even my own father

had disowned me, and thereupon would add that they rarely went into the temple of God themselves, and that

many of them had not been to confession for ten years. They justified this laxity on their part by saying that a

painter among men was like a jackdaw among birds.

The men had a good opinion of me, and treated me with respect; it was evident that my not drinking, not

smoking, but leading a quiet, steady life pleased them very much. It was only an unpleasant shock to them

that I took no hand in stealing oil and did not go with them to ask for tips from people on whose property we

were working. Stealing oil and paints from those who employed them was a house painter's custom, and was

not regarded as theft, and it was remarkable that even so upright a man as Radish would always carry away a

little white lead and oil as he went home from work. And even the most respectable old fellows, who owned

the houses in which they lived in the suburb, were not ashamed to ask for a tip, and it made me feel vexed

and ashamed to see the men go in a body to congratulate some nonentity on the commencement or the

completion of the job, and thank him with degrading servility when they had received a few coppers.

With people on whose work they were engaged they behaved like wily courtiers, and almost every day I was

reminded of Shakespeare's Polonius.

"I fancy it is going to rain," the man whose house was being painted would say, looking at the sky.

"It is, there is not a doubt it is," the painters would agree.

"I don't think it is a raincloud, though. Perhaps it won't rain after all."

"No, it won't, your honour! I am sure it won't."

But their attitude to their patrons behind their backs was usually one of irony, and when they saw, for

instance, a gentleman sitting in the verandah reading a newspaper, they would observe:

"He reads the paper, but I daresay he has nothing to eat."

I never went home to see my own people. When I came back from work I often found waiting for me little

notes, brief and anxious, in which my sister wrote to me about my father; that he had been particularly

preoccupied at dinner and had eaten nothing, or that he had been giddy and staggering, or that he had locked

himself in his room and had not come out for a long time. Such items of news troubled me; I could not sleep,


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 28



Top




Page No 31


and at times even walked up and down Great Dvoryansky Street at night by our house, looking in at the dark

windows and trying to guess whether everything was well at home. On Sundays my sister came to see me,

but came in secret, as though it were not to see me but our nurse. And if she came in to see me she was very

pale, with tearstained eyes, and she began crying at once.

"Our father will never live through this," she would say. "If anything should happen to him  God grant it

may not  your conscience will torment you all your life. It's awful, Misail; for our mother's sake I beseech

you: reform your ways."

"My darling sister," I would say, "how can I reform my ways if I am convinced that I am acting in accordance

with my conscience? Do understand!"

"I know you are acting on your conscience, but perhaps it could be done differently, somehow, so as not to

wound anybody."

"Ah, holy Saints! "the old woman sighed through the door. "Your life is ruined! There will be trouble, my

dears, there will be trouble!"

VI One Sunday Dr. Blagovo turned up unexpectedly. He was wearing a military tunic over a silk shirt and

high boots of patent leather.

"I have come to see you, he began, shaking my hand heartily like a student. "I am hearing about you every

day, and I have been meaning to come and have a hearttoheart talk, as they say. The boredom in the town

is awful, there is not a living soul, no one to say a word to. It's hot, Holy Mother," he went on, taking off his

tunic and sitting in his silk shirt. "My dear fellow, let me talk to you."

I was dull myself, and had for a long time been craving for the society of someone not a house painter. I was

genuinely glad to see him.

"I'll begin by saying," he said, sitting down on my bed, "that I sympathize with you from the bottom of my

heart, and deeply respect the life you are leading. They don't understand you here in the town, and, indeed,

there is no one to understand, seeing that, as you know, they are all, with very few exceptions, regular

Gogolesque pig faces here. But I saw what you were at once that time at the picnic. You are a noble soul, an

honest, highminded man! I respect you, and feel it a great honour to shake hands with you!" he went on

enthusiastically. "To have made such a complete and violent change of life as you have done, you must have

passed through a complicated spiritual crisis, and to continue this manner of life now, and to keep up to the

high standard of your convictions continually, must be a strain on your mind and heart from day to day. Now

to begin our talk, tell me, don't you consider that if you had spent your strength of will, this strained activity,

all these powers on something else, for instance, on gradually becoming a great scientist, or artist, your life

would have been broader and deeper and would have been more productive?"

We talked, and when we got upon manual labour I expressed this idea: that what is wanted is that the strong

should not enslave the weak, that the minority should not be a parasite on the majority, nor a vampire for ever

sucking its vital sap; that is, all, without exception, strong and weak, rich and poor, should take part equally

in the struggle for existence, each one on his own account, and that there was no better means for equalizing

things in that way than manual labour, in the form of universal service, compulsory for all.

"Then do you think everyone without exception ought to engage in manual labour?" asked the doctor.

"Yes."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 29



Top




Page No 32


"And don't you think that if everyone, including the best men, the thinkers and great scientists, taking part in

the struggle for existence, each on his own account, are going to waste their time breaking stones and

painting roofs, may not that threaten a grave danger to progress?"

"Where is the danger?" I asked. "Why, progress is in deeds of love, in fulfilling the moral law; if you don't

enslave anyone, if you don't oppress anyone, what further progress do you want?"

"But, excuse me," Blagovo suddenly fired up, rising to his feet. "But, excuse me! If a snail in its shell busies

itself over perfecting its own personality and muddles about with the moral law, do you call that progress?"

"Why muddles?" I said, offended. "If you don't force your neighbour to feed and clothe you, to transport you

from place to place and defend you from your enemies, surely in the midst of a life entirely resting on

slavery, that is progress, isn't it? To my mind it is the most important progress, and perhaps the only one

possible and necessary for man."

"The limits of universal world progress are in infinity, and to talk of some 'possible' progress limited by our

needs and temporary theories is, excuse my saying so, positively strange."

"If the limits of progress are in infinity as you say, it follows that its aims are not definite," I said. "To live

without knowing definitely what you are living for!"

"So be it! But that 'not knowing' is not so dull as your 'knowing.' I am going up a ladder which is called

progress, civilization, culture; I go on and up without knowing definitely where I am going, but really it is

worth living for the sake of that delightful ladder; while you know what you are living for, you live for the

sake of some people's not enslaving others, that the artist and the man who rubs his paints may dine equally

well. But you know that's the petty, bourgeois, kitchen, grey side of life, and surely it is revolting to live for

that alone? If some insects do enslave others, bother them, let them devour each other! We need not think

about them. You know they will die and decay just the same, however zealously you rescue them from

slavery. We must think of that great millennium which awaits humanity in the remote future."

Blagovo argued warmly with me, but at the same time one could see he was troubled by some irrelevant idea.

"I suppose your sister is not coming?" he said, looking at his watch. "She was at our house yesterday, and

said she would be seeing you today. You keep saying slavery, slavery . . ." he went on. "But you know that

is a special question, and all such questions are solved by humanity gradually."

We began talking of doing things gradually. I said that "the question of doing good or evil every one settles

for himself, without waiting till humanity settles it by the way of gradual development. Moreover, this

gradual process has more than one aspect. Side by side with the gradual development of human ideas the

gradual growth of ideas of another order is observed. Serfdom is no more, but the capitalist system is

growing. And in the very heyday of emancipating ideas, just as in the days of Baty, the majority feeds,

clothes, and defends the minority while remaining hungry, inadequately clad, and defenceless. Such an order

of things can be made to fit in finely with any tendencies and currents of thought you like, because the art of

enslaving is also gradually being cultivated. We no longer flog our servants in the stable, but we give to

slavery refined forms, at least, we succeed in finding a justification for it in each particular case. Ideas are

ideas with us, but if now, at the end of the nineteenth century, it were possible to lay the burden of the most

unpleasant of our physiological functions upon the working class, we should certainly do so, and afterwards,

of course, justify ourselves by saying that if the best people, the thinkers and great scientists, were to waste

their precious time on these functions, progress might be menaced with great danger."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 30



Top




Page No 33


But at this point my sister arrived. Seeing the doctor she was fluttered and troubled, and began saying

immediately that it was time for her to go home to her father.

"Kleopatra Alexyevna," said Blagovo earnestly, pressing both hands to his heart, "what will happen to your

father if you spend half an hour or so with your brother and me?"

He was frank, and knew how to communicate his liveliness to others. After a moment's thought, my sister

laughed, and all at once became suddenly gay as she had been at the picnic. We went out into the country,

and lying in the grass went on with our talk, and looked towards the town where all the windows facing west

were like glittering gold because the sun was setting.

After that, whenever my sister was coming to see me Blagovo turned up too, and they always greeted each

other as though their meeting in my room was accidental. My sister listened while the doctor and I argued,

and at such times her expression was joyfully enthusiastic, full of tenderness and curiosity, and it seemed to

me that a new world she had never dreamed of before, and which she was now striving to fathom, was

gradually opening before her eyes. When the doctor was not there she was quiet and sad, and now if she

sometimes shed tears as she sat on my bed it was for reasons of which she did not speak.

In August Radish ordered us to be ready to go to the railwayline. Two days before we were "banished" from

the town my father came to see me. He sat down and in a leisurely way, without looking at me, wiped his red

face, then took out of his pocket our town Messenger, and deliberately, with emphasis on each word, read out

the news that the son of the branch manager of the State Bank, a young man of my age, had been appointed

head of a Department in the Exchequer.

"And now look at you," he said, folding up the newspaper, "a beggar, in rags, good for nothing! Even

workingclass people and peasants obtain education in order to become men, while you, a Poloznev, with

ancestors of rank and distinction, aspire to the gutter! But I have not come here to talk to you; I have washed

my hands of you " he added in a stifled voice, getting up. "I have come to find out where your sister is, you

worthless fellow. She left home after dinner, and here it is nearly eight and she is not back. She has taken to

going out frequently without telling me; she is less dutiful  and I see in it your evil and degrading

influence. Where is she?"

In his hand he had the umbrella I knew so well, and I was already flustered and drew myself up like a

schoolboy, expecting my father to begin hitting me with it, but he noticed my glance at the umbrella and most

likely that restrained him.

"Live as you please!" he said. "I shall not give you my blessing!"

"Holy Saints!" my nurse muttered behind the door. "You poor, unlucky child! Ah, my heart bodes ill!"

I worked on the railwayline. It rained without stopping all August; it was damp and cold; they had not

carried the corn in the fields, and on big farms where the wheat had been cut by machines it lay not in

sheaves but in heaps, and I remember how those luckless heaps of wheat turned blacker every day and the

grain was sprouting in them. It was hard to work; the pouring rain spoiled everything we managed to do. We

were not allowed to live or to sleep in the railway buildings, and we took refuge in the damp and filthy mud

huts in which the navvies had lived during the summer, and I could not sleep at night for the cold and the

woodlice crawling on my face and hands. And when we worked near the bridges the navvies used to come in

the evenings in a gang, simply in order to beat the painters  it was a form of sport to them. They used to

beat us, to steal our brushes. And to annoy us and rouse us to fight they used to spoil our work; they would,

for instance, smear over the signal boxes with green paint. To complete our troubles, Radish took to paying

us very irregularly. All the painting work on the line was given out to a contractor; he gave it out to another;


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 31



Top




Page No 34


and this subcontractor gave it to Radish after subtracting twenty per cent. for himself. The job was not a

profitable one in itself, and the rain made it worse; time was wasted; we could not work while Radish was

obliged to pay the fellows by the day. The hungry painters almost came to beating him, called him a cheat, a

bloodsucker, a Judas, while he, poor fellow, sighed, lifted up his hand to Heaven in despair, and was

continually going to Madame Tcheprakov for money.

VII Autumn came on, rainy, dark, and muddy. The season of unemployment set in, and I used to sit at home

out of work for three days at a stretch, or did various little jobs, not in the painting line. For instance, I

wheeled earth, earning about fourpence a day by it. Dr. Blagovo had gone away to Petersburg. My sister had

given up coming to see me. Radish was laid up at home ill, expecting death from day to day.

And my mood was autumnal too. Perhaps because, having become a workman, I saw our town life only from

the seamy side, it was my lot almost every day to make discoveries which reduced me almost to despair.

Those of my fellowcitizens, about whom I had no opinion before, or who had externally appeared perfectly

decent, turned out now to be base, cruel people, capable of any dirty action. We common people were

deceived, cheated, and kept waiting for hours together in the cold entry or the kitchen; we were insulted and

treated with the utmost rudeness. In the autumn I papered the readingroom and two other rooms at the club;

I was paid a penny threefarthings the piece, but had to sign a receipt at the rate of twopence halfpenny, and

when I refused to do so, a gentleman of benevolent appearance in goldrimmed spectacles, who must have

been one of the club committee, said to me:

"If you say much more, you blackguard, I'll pound your face into a jelly!"

And when the flunkey whispered to him what I was, the son of Poloznev the architect, he became

embarrassed, turned crimson, but immediately recovered himself and said: "Devil take him."

In the shops they palmed off on us workmen putrid meat, musty flour, and tea that had been used and dried

again; the police hustled us in church, the assistants and nurses in the hospital plundered us, and if we were

too poor to give them a bribe they revenged themselves by bringing us food in dirty vessels. In the

postoffice the pettiest official considered he had a right to treat us like animals, and to shout with coarse

insolence: "You wait!" "Where are you shoving to?" Even the housedogs were unfriendly to us, and fell upon

us with peculiar viciousness. But the thing that struck me most of all in my new position was the complete

lack of justice, what is defined by the peasants in the words: "They have forgotten God." Rarely did a day

pass without swindling. We were swindled by the merchants who sold us oil, by the contractors and the

workmen and the people who employed us. I need not say that there could never be a question of our rights,

and we always had to ask for the money we earned as though it were a charity, and to stand waiting for it at

the back door, cap in hand.

I was papering a room at the club next to the readingroom; in the evening, when I was just getting ready to

go, the daughter of Dolzhikov, the engineer, walked into the room with a bundle of books under her arm.

I bowed to her.

"Oh, how do you do!" she said, recognizing me at once, and holding out her hand. "I'm very glad to see you."

She smiled and looked with curiosity and wonder at my smock, my pail of paste, the paper stretched on the

floor; I was embarrassed, and she, too, felt awkward.

"You must excuse my looking at you like this," she said. "I have been told so much about you. Especially by

Dr. Blagovo; he is simply in love with you. And I have made the acquaintance of your sister too; a sweet,

dear girl, but I can never persuade her that there is nothing awful about your adopting the simple life. On the


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 32



Top




Page No 35


contrary, you have become the most interesting man in the town."

She looked again at the pail of paste and the wallpaper, and went on:

"I asked Dr. Blagovo to make me better acquainted with you, but apparently he forgot, or had not time.

Anyway, we are acquainted all the same, and if you would come and see me quite simply I should be

extremely indebted to you. I so long to have a talk. I am a simple person," she added, holding out her hand to

me, "and I hope that you will feel no constraint with me. My father is not here, he is in Petersburg."

She went off into the readingroom, rustling her skirts, while I went home, and for a long time could not get

to sleep.

That cheerless autumn some kind soul, evidently wishing to alleviate my existence, sent me from time to time

tea and lemons, or biscuits, or roast game. Karpovna told me that they were always brought by a soldier, and

from whom they came she did not know; and the soldier used to enquire whether I was well, and whether I

dined every day, and whether I had warm clothing. When the frosts began I was presented in the same way in

my absence with a soft knitted scarf brought by the soldier. There was a faint elusive smell of scent about it,

and I guessed who my good fairy was. The scarf smelt of liliesofthevalley, the favourite scent of Anyuta

Blagovo.

Towards winter there was more work and it was more cheerful. Radish recovered, and we worked together in

the cemetery church, where we were putting the groundwork on the ikonstand before gilding. It was a

clean, quiet job, and, as our fellows used to say, profitable. One could get through a lot of work in a day, and

the time passed quickly, imperceptibly. There was no swearing, no laughter, no loud talk. The place itself

compelled one to quietness and decent behaviour, and disposed one to quiet, serious thoughts. Absorbed in

our work we stood or sat motionless like statues; there was a deathly silence in keeping with the cemetery, so

that if a tool fell, or a flame spluttered in the lamp, the noise of such sounds rang out abrupt and resonant, and

made us look round. After a long silence we would hear a buzzing like the swarming of bees: it was the

requiem of a baby being chanted slowly in subdued voices in the porch; or an artist, painting a dove with stars

round it on a cupola would begin softly whistling, and recollecting himself with a start would at once relapse

into silence; or Radish, answering his thoughts, would say with a sigh: "Anything is possible! Anything is

possible!" or a slow disconsolate bell would begin ringing over our heads, and the painters would observe

that it must be for the funeral of some wealthy person. . . .

My days I spent in this stillness in the twilight of the church, and in the long evenings I played billiards or

went to the theatre in the gallery wearing the new trousers I had bought out of my own earnings. Concerts and

performances had already begun at the Azhogins'; Radish used to paint the scenes alone now. He used to tell

me the plot of the plays and describe the tableaux vivants which he witnessed. I listened to him with envy. I

felt greatly drawn to the rehearsals, but I could not bring myself to go to the Azhogins'.

A week before Christmas Dr. Blagovo arrived. And again we argued and played billiards in the evenings.

When he played he used to take off his coat and unbutton his shirt over his chest, and for some reason tried

altogether to assume the air of a desperate rake. He did not drink much, but made a great uproar about it, and

had a special faculty for getting through twenty roubles in an evening at such a poor cheap tavern as the

Volga.

My sister began coming to see me again; they both expressed surprise every time on seeing each other, but

from her joyful, guilty face it was evident that these meetings were not accidental. One evening, when we

were playing billiards, the doctor said to me:


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 33



Top




Page No 36


"I say, why don't you go and see Miss Dolzhikov? You don't know Mariya Viktorovna; she is a clever

creature, a charmer, a simple, goodnatured soul."

I described how her father had received me in the spring.

"Nonsense!" laughed the doctor, "the engineer's one thing and she's another. Really, my dear fellow, you

mustn't be nasty to her; go and see her sometimes. For instance, let's go and see her tomorrow evening. What

do you say?"

He persuaded me. The next evening I put on my new serge trousers, and in some agitation I set off to Miss

Dolzhikov's. The footman did not seem so haughty and terrible, nor the furniture so gorgeous, as on that

morning when I had come to ask a favour. Mariya Viktorovna was expecting me, and she received me like an

old acquaintance, shaking hands with me in a friendly way. She was wearing a grey cloth dress with full

sleeves, and had her hair done in the style which we used to call "dogs' ears," when it came into fashion in the

town a year before. The hair was combed down over the ears, and this made Mariya Viktorovna's face look

broader, and she seemed to me this time very much like her father, whose face was broad and red, with

something in its expression like a sledgedriver. She was handsome and elegant, but not youthful looking;

she looked thirty, though in reality she was not more than twentyfive.

"Dear Doctor, how grateful I am to you," she said, making me sit down. "If it hadn't been for him you

wouldn't have come to see me. I am bored to death! My father has gone away and left me alone, and I don't

know what to do with myself in this town."

Then she began asking me where I was working now, how much I earned, where I lived.

"Do you spend on yourself nothing but what you earn?" she asked.

"No."

"Happy man!" she sighed. "All the evil in life, it seems to me, comes from idleness, boredom, and spiritual

emptiness, and all this is inevitable when one is accustomed to living at other people's expense. Don't think I

am showing off, I tell you truthfully: it is not interesting or pleasant to be rich. 'Make to yourselves friends of

the mammon of unrighteousness' is said, because there is not and cannot be a mammon that's righteous."

She looked round at the furniture with a grave, cold expression, as though she wanted to count it over, and

went on:

"Comfort and luxury have a magical power; little by little they draw into their clutches even strongwilled

people. At one time father and I lived simply, not in a rich style, but now you see how! It is something

monstrous," she said, shrugging her shoulders; "we spend up to twenty thousand a year! In the provinces!"

"One comes to look at comfort and luxury as the invariable privilege of capital and education," I said, "and it

seems to me that the comforts of life may be combined with any sort of labour, even the hardest and dirtiest.

Your father is rich, and yet he says himself that it has been his lot to be a mechanic and an oiler."

She smiled and shook her head doubtfully: "My father sometimes eats bread dipped in kvass," she said. "It's a

fancy, a whim!

At that moment there was a ring and she got up.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 34



Top




Page No 37


"The rich and welleducated ought to work like everyone else," she said, "and if there is comfort it ought to

be equal for all. There ought not to be any privileges. But that's enough philosophizing. Tell me something

amusing. Tell me about the painters. What are they like? Funny?"

The doctor came in; I began telling them about the painters, but, being unaccustomed to talking, I was

constrained, and described them like an ethnologist, gravely and tediously. The doctor, too, told us some

anecdotes of working men: he staggered about, shed tears, dropped on his knees, and, even, mimicking a

drunkard, lay on the floor; it was as good as a play, and Mariya Viktorovna laughed till she cried as she

looked at him. Then he played on the piano and sang in his thin, pleasant tenor, while Mariya Viktorovna

stood by and picked out what he was to sing, and corrected him when he made a mistake.

"I've heard that you sing, too?" I enquired.

"Sing, too!" cried the doctor in horror. " She sings exquisitely, a perfect artist, and you talk of her 'singing

too'! What an idea!"

"I did study in earnest at one time," she said, answering my question, "but now I have given it up."

Sitting on a low stool she told us of her life in Petersburg, and mimicked some celebrated singers, imitating

their voice and manner of singing. She made a sketch of the doctor in her album, then of me; she did not draw

well, but both the portraits were like us. She laughed, and was full of mischief and charming grimaces, and

this suited her better than talking about the mammon of unrighteousness, and it seemed to me that she had

been talking just before about wealth and luxury, not in earnest, but in imitation of someone. She was a

superb comic actress. I mentally compared her with our young ladies, and even the handsome, dignified

Anyuta Blagovo could not stand comparison with her; the difference was immense, like the difference

between a beautiful, cultivated rose and a wild briar.

We had supper together, the three of us. The doctor and Mariya Viktorovna drank red wine, champagne, and

coffee with brandy in it; they clinked glasses and drank to friendship, to enlightenment, to progress, to

liberty, and they did not get drunk but only flushed, and were continually, for no reason, laughing till they

cried. So as not to be tiresome I drank claret too.

"Talented, richly endowed natures," said Miss Dolzhikov, "know how to live, and go their own way;

mediocre people, like myself for instance, know nothing and can do nothing of themselves; there is nothing

left for them but to discern some deep social movement, and to float where they are carried by it."

"How can one discern what doesn't exist?" asked the doctor.

"We think so because we don't see it."

"Is that so? The social movements are the invention of the new literature. There are none among us."

An argument began.

"There are no deep social movements among us and never have been," the doctor declared loudly. "There is

no end to what the new literature has invented! It has invented intellectual workers in the country, and you

may search through all our villages and find at the most some lout in a reefer jacket or a black frockcoat

who will make four mistakes in spelling a word of three letters. Cultured life has not yet begun among us.

There's the same savagery, the same uniform boorishness, the same triviality, as five hundred years ago.

Movements, currents there have been, but it has all been petty, paltry, bent upon vulgar and mercenary

interests  and one cannot see anything important in them. If you think you have discerned a deep social


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 35



Top




Page No 38


movement, and in following it you devote yourself to tasks in the modern taste, such as the emancipation of

insects from slavery or abstinence from beef rissoles, I congratulate you, Madam. We must study, and study,

and study and we must wait a bit with our deep social movements; we are not mature enough for them yet;

and to tell the truth, we don't know anything about them."

"You don't know anything about them, but I do," said Mariya Viktorovna. "Goodness, how tiresome you are

today!"

"Our duty is to study and to study, to try to accumulate as much knowledge as possible, for genuine social

movements arise where there is knowledge; and the happiness of mankind in the future lies only in

knowledge. I drink to science!"

"There is no doubt about one thing: one must organize one's life somehow differently," said Mariya

Viktorovna, after a moment's silence and thought. "Life, such as it has been hitherto, is not worth having.

Don't let us talk about it."

As we came away from her the cathedral clock struck two.

"Did you like her?" asked the doctor; "she's nice, isn't she?"

On Christmas day we dined with Mariya Viktorovna, and all through the holidays we went to see her almost

every day. There was never anyone there but ourselves, and she was right when she said that she had no

friends in the town but the doctor and me. We spent our time for the most part in conversation; sometimes the

doctor brought some book or magazine and read aloud to us. In reality he was the first welleducated man I

had met in my life: I cannot judge whether he knew a great deal, but he always displayed his knowledge as

though he wanted other people to share it. When he talked about anything relating to medicine he was not

like any one of the doctors in our town, but made a fresh, peculiar impression upon me, and I fancied that if

he liked he might have become a real man of science. And he was perhaps the only person who had a real

influence upon me at that time. Seeing him, and reading the books he gave me, I began little by little to feel a

thirst for the knowledge which would have given significance to my cheerless labour. It seemed strange to

me, for instance, that I had not known till then that the whole world was made up of sixty elements, I had not

known what oil was, what paints were, and that I could have got on without knowing these things. My

acquaintance with the doctor elevated me morally too. I was continually arguing with him and, though I

usually remained of my own opinion, yet, thanks to him, I began to perceive that everything was not clear to

me, and I began trying to work out as far as I could definite convictions in myself, that the dictates of

conscience might be definite, and that there might be nothing vague in my mind. Yet, though he was the most

cultivated and best man in the town, he was nevertheless far from perfection. In his manners, in his habit of

turning every conversation into an argument, in his pleasant tenor, even in his friendliness, there was

something coarse, like a divinity student, and when he took off his coat and sat in his silk shirt, or flung a tip

to a waiter in the restaurant, I always fancied that culture might be all very well, but the Tatar was fermenting

in him still.

At Epiphany he went back to Petersburg. He went off in the morning, and after dinner my sister came in.

Without taking off her fur coat and her cap she sat down in silence, very pale, and kept her eyes fixed on the

same spot. She was chilled by the frost and one could see that she was upset by it.

"You must have caught cold," I said.

Her eyes filled with tears; she got up and went out to Karpovna without saying a word to me, as though I had

hurt her feelings. And a little later I heard her saying, in a tone of bitter reproach:


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 36



Top




Page No 39


"Nurse, what have I been living for till now? What? Tell me, haven't I wasted my youth? All the best years of

my life to know nothing but keeping accounts, pouring out tea, counting the halfpence, entertaining visitors,

and thinking there was nothing better in the world! Nurse, do understand, I have the cravings of a human

being, and I want to live, and they have turned me into something like a housekeeper. It's horrible, horrible!"

She flung her keys towards the door, and they fell with a jingle into my room. They were the keys of the

sideboard, of the kitchen cupboard, of the cellar, and of the teacaddy, the keys which my mother used to

carry.

"Oh, merciful heavens!" cried the old woman in horror. "Holy Saints above!"

Before going home my sister came into my room to pick up the keys, and said:

"You must forgive me. Something queer has happened to me lately."

VIII On returning home late one evening from Mariya Viktorovna's I found waiting in my room a young

police inspector in a new uniform; he was sitting at my table, looking through my books.

"At last," he said, getting up and stretching himself. "This is the third time I have been to you. The Governor

commands you to present yourself before him at nine o'clock in the morning. Without fail."

He took from me a signed statement that I would act upon his Excellency's command, and went away. This

late visit of the police inspector and unexpected invitation to the Governor's had an overwhelmingly

oppressive effect upon me. From my earliest childhood I have felt terrorstricken in the presence of

gendarmes, policemen, and law court officials, and now I was tormented by uneasiness, as though I were

really guilty in some way. And I could not get to sleep. My nurse and Prokofy were also upset and could not

sleep. My nurse had earache too; she moaned, and several times began crying with pain. Hearing that I was

awake, Prokofy came into my room with a lamp and sat down at the table.

"You ought to have a drink of pepper cordial," he said, after a moment's thought. "If one does have a drink in

this vale of tears it does no harm. And if Mamma were to pour a little pepper cordial in her ear it would do

her a lot of good."

Between two and three he was going to the slaughterhouse for the meat. I knew I should not sleep till

morning now, and to get through the time till nine o'clock I went with him. We walked with a lantern, while

his boy Nikolka, aged thirteen, with blue patches on his cheeks from frostbites, a regular young brigand to

judge by his expression, drove after us in the sledge, urging on the horse in a husky voice.

"I suppose they will punish you at the Governor's," Prokofy said to me on the way. "There are rules of the

trade for governors, and rules for the higher clergy, and rules for the officers, and rules for the doctors, and

every class has its rules. But you haven't kept to your rules, and you can't be allowed."

The slaughterhouse was behind the cemetery, and till then I had only seen it in the distance. It consisted of

three gloomy barns, surrounded by a grey fence, and when the wind blew from that quarter on hot days in

summer, it brought a stifling stench from them. Now going into the yard in the dark I did not see the barns; I

kept coming across horses and sledges, some empty, some loaded up with meat. Men were walking about

with lanterns, swearing in a disgusting way. Prokofy and Nikolka swore just as revoltingly, and the air was in

a continual uproar with swearing, coughing, and the neighing of horses.

There was a smell of dead bodies and of dung. It was thawing, the snow was changing into mud; and in the

darkness it seemed to me that I was walking through pools of blood.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 37



Top




Page No 40


Having piled up the sledges full of meat we set off to the butcher's shop in the market. It began to get light.

Cooks with baskets and elderly ladies in mantles came along one after another, Prokofy, with a chopper in his

hand, in a white apron spattered with blood, swore fearful oaths, crossed himself at the church, shouted aloud

for the whole market to hear, that he was giving away the meat at cost price and even at a loss to himself. He

gave short weight and short change, the cooks saw that, but, deafened by his shouts, did not protest, and only

called him a hangman. Brandishing and bringing down his terrible chopper he threw himself into picturesque

attitudes, and each time uttered the sound "Geck" with a ferocious expression, and I was afraid he really

would chop off somebody's head or hand.

I spent all the morning in the butcher's shop, and when at last I went to the Governor's, my overcoat smelt of

meat and blood. My state of mind was as though I were being sent spear in hand to meet a bear. I remember

the tall staircase with a striped carpet on it, and the young official, with shiny buttons, who mutely motioned

me to the door with both hands, and ran to announce me. I went into a hall luxuriously but frigidly and

tastelessly furnished, and the high, narrow mirrors in the spaces between the walls, and the bright yellow

window curtains, struck the eye particularly unpleasantly. One could see that the governors were changed,

but the furniture remained the same. Again the young official motioned me with both hands to the door, and I

went up to a big green table at which a military general, with the Order of Vladimir on his breast, was

standing.

"Mr. Poloznev, I have asked you to come," he began, holding a letter in his hand, and opening his mouth like

a round "o," "I have asked you to come here to inform you of this. Your highly respected father has appealed

by letter and by word of mouth to the Marshal of the Nobility begging him to summon you, and to lay before

you the inconsistency of your behaviour with the rank of the nobility to which you have the honour to belong.

His Excellency Alexandr Pavlovitch, justly supposing that your conduct might serve as a bad example, and

considering that mere persuasion on his part would not be sufficient, but that official intervention in earnest

was essential, presents me here in this letter with his views in regard to you, which I share."

He said this, quietly, respectfully, standing erect, as though I were his superior officer and looking at me with

no trace of severity. His face looked worn and wizened, and was all wrinkles; there were bags under his eyes;

his hair was dyed; and it was impossible to tell from his appearance how old he was  forty or sixty.

"I trust," he went on, "that you appreciate the delicacy of our honoured Alexandr Pavlovitch, who has

addressed himself to me not officially, but privately. I, too, have asked you to come here unofficially, and I

am speaking to you, not as a Governor, but from a sincere regard for your father. And so I beg you either to

alter your line of conduct and return to duties in keeping with your rank, or to avoid setting a bad example,

remove to another district where you are not known, and where you can follow any occupation you please. In

the other case, I shall be forced to take extreme measures."

He stood for half a minute in silence, looking at me with his mouth open.

"Are you a vegetarian?" he asked.

"No, your Excellency, I eat meat."

He sat down and drew some papers towards him. I bowed and went out.

It was not worth while now to go to work before dinner. I went home to sleep, but could not sleep from an

unpleasant, sickly feeling, induced by the slaughter house and my conversation with the Governor, and when

the evening came I went, gloomy and out of sorts, to Mariya Viktorovna. I told her how I had been at the

Governor's, while she stared at me in perplexity as though she did not believe it, then suddenly began

laughing gaily, loudly, irrepressibly, as only goodnatured laughterloving people can.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 38



Top




Page No 41


"If only one could tell that in Petersburg!" she brought out, almost falling over with laughter, and propping

herself against the table. "If one could tell that in Petersburg!"

IX Now we used to see each other often, sometimes twice a day. She used to come to the cemetery almost

every day after dinner, and read the epitaphs on the crosses and tombstones while she waited for me.

Sometimes she would come into the church, and, standing by me, would look on while I worked. The

stillness, the naïve work of the painters and gilders, Radish's sage reflections, and the fact that I did not differ

externally from the other workmen, and worked just as they did in my waistcoat with no socks on, and that I

was addressed familiarly by them  all this was new to her and touched her. One day a workman, who was

painting a dove on the ceiling, called out to me in her presence:

"Misail, hand me up the white paint."

I took him the white paint, and afterwards, when I let myself down by the frail scaffolding, she looked at me,

touched to tears and smiling.

"What a dear you are!" she said.

I remembered from my childhood how a green parrot, belonging to one of the rich men of the town, had

escaped from its cage, and how for quite a month afterwards the beautiful bird had haunted the town, flying

from garden to garden, homeless and solitary. Mariya Viktorovna reminded me of that bird.

"There is positively nowhere for me to go now but the cemetery," she said to me with a laugh. "The town has

become disgustingly dull. At the Azhogins' they are still reciting, singing, lisping. I have grown to detest

them of late; your sister is an unsociable creature; Mademoiselle Blagovo hates me for some reason. I don't

care for the theatre. Tell me where am I to go?"

When I went to see her I smelt of paint and turpentine, and my hands were stained  and she liked that; she

wanted me to come to her in my ordinary working clothes; but in her drawingroom those clothes made me

feel awkward. I felt embarrassed, as though I were in uniform, so I always put on my new serge trousers

when I went to her. And she did not like that.

"You must own you are not quite at home in your new character," she said to me one day. "Your workman's

dress does not feel natural to you; you are awkward in it. Tell me, isn't that because you haven't a firm

conviction, and are not satisfied? The very kind of work you have chosen  your painting  surely it does

not satisfy you, does it?" she asked, laughing. "I know paint makes things look nicer and last longer, but those

things belong to rich people who live in towns, and after all they are luxuries. Besides, you have often said

yourself that everybody ought to get his bread by the work of his own hands, yet you get money and not

bread. Why shouldn't you keep to the literal sense of your words? You ought to be getting bread, that is, you

ought to be ploughing, sowing, reaping, threshing, or doing something which has a direct connection with

agriculture, for instance, looking after cows, digging, building huts of logs. . . ."

She opened a pretty cupboard that stood near her writingtable, and said:

"I am saying all this to you because I want to let you into my secret. Voilà! This is my agricultural library.

Here I have fields, kitchen garden and orchard, and cattleyard and beehives. I read them greedily, and have

already learnt all the theory to the tiniest detail. My dream, my darling wish, is to go to our Dubetchnya as

soon as March is here. It's marvellous there, exquisite, isn't it? The first year I shall have a look round and get

into things, and the year after I shall begin to work properly myself, putting my back into it as they say. My

father has promised to give me Dubetchnya and I shall do exactly what I like with it."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 39



Top




Page No 42


Flushed, excited to tears, and laughing, she dreamed aloud how she would live at Dubetchnya, and what an

interesting life it would be! I envied her. March was near, the days were growing longer and longer, and on

bright sunny days water dripped from the roofs at midday, and there was a fragrance of spring; I, too, longed

for the country.

And when she said that she should move to Dubetchnya, I realized vividly that I should remain in the town

alone, and I felt that I envied her with her cupboard of books and her agriculture. I knew nothing of work on

the land, and did not like it, and I should have liked to have told her that work on the land was slavish toil,

but I remembered that something similar had been said more than once by my father, and I held my tongue.

Lent began. Viktor Ivanitch, whose existence I had begun to forget, arrived from Petersburg. He arrived

unexpectedly, without even a telegram to say he was coming. When I went in, as usual in the evening, he was

walking about the drawingroom, telling some story with his face freshly washed and shaven, looking ten

years younger: his daughter was kneeling on the floor, taking out of his trunks boxes, bottles, and books, and

handing them to Pavel the footman. I involuntarily drew back a step when I saw the engineer, but he held out

both hands to me and said, smiling, showing his strong white teeth that looked like a sledgedriver's:

"Here he is, here he is! Very glad to see you, Mr. Housepainter! Masha has told me all about it; she has been

singing your praises. I quite understand and approve," he went on, taking my arm. "To be a good workman is

ever so much more honest and more sensible than wasting government paper and wearing a cockade on your

head. I myself worked in Belgium with these very hands and then spent two years as a mechanic. . . ."

He was wearing a short reefer jacket and indoor slippers; he walked like a man with the gout, rolling slightly

from side to side and rubbing his hands. Humming something he softly purred and hugged himself with

satisfaction at being at home again at last, and able to have his beloved shower bath.

"There is no disputing," he said to me at supper, "there is no disputing; you are all nice and charming people,

but for some reason, as soon as you take to manual labour, or go in for saving the peasants, in the long run it

all comes to no more than being a dissenter. Aren't you a dissenter? Here you don't take vodka. What's the

meaning of that if it is not being a dissenter?"

To satisfy him I drank some vodka and I drank some wine, too. We tasted the cheese, the sausage, the pâtés,

the pickles, and the savouries of all sorts that the engineer had brought with him, and the wine that had come

in his absence from abroad. The wine was firstrate. For some reason the engineer got wine and cigars from

abroad without paying duty; the caviare and the dried sturgeon someone sent him for nothing; he did not pay

rent for his flat as the owner of the house provided the kerosene for the line; and altogether he and his

daughter produced on me the impression that all the best in the world was at their service, and provided for

them for nothing.

I went on going to see them, but not with the same eagerness. The engineer made me feel constrained, and in

his presence I did not feel free. I could not face his clear, guileless eyes, his reflections wearied and sickened

me; I was sickened, too, by the memory that so lately I had been in the employment of this redfaced,

wellfed man, and that he had been brutally rude to me. It is true that he put his arm round my waist, slapped

me on the shoulder in a friendly way, approved my manner of life, but I felt that, as before, he despised my

insignificance, and only put up with me to please his daughter, and I couldn't now laugh and talk as I liked,

and I behaved unsociably and kept expecting that in another minute he would address me as Panteley as he

did his footman Pavel. How my pride as a provincial and a working man was revolted. I, a proletarian, a

house painter, went every day to rich people who were alien to me, and whom the whole town regarded as

though they were foreigners, and every day I drank costly wines with them and ate unusual dainties  my

conscience refused to be reconciled to it! On my way to the house I sullenly avoided meeting people, and

looked at them from under my brows as though I really were a dissenter, and when I was going home from


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 40



Top




Page No 43


the engineer's I was ashamed of my wellfed condition.

Above all I was afraid of being carried away. Whether I was walking along the street, or working, or talking

to the other fellows, I was all the time thinking of one thing only, of going in the evening to see Mariya

Viktorovna and was picturing her voice, her laugh, her movements. When I was getting ready to go to her I

always spent a long time before my nurse's warped lookingglass, as I fastened my tie; my serge trousers

were detestable in my eyes, and I suffered torments, and at the same time despised myself for being so trivial.

When she called to me out of the other room that she was not dressed and asked me to wait, I listened to her

dressing; it agitated me, I felt as though the ground were giving way under my feet. And when I saw a

woman's figure in the street, even at a distance, I invariably compared it. It seemed to me that all our girls and

women were vulgar, that they were absurdly dressed, and did not know how to hold themselves; and these

comparisons aroused a feeling of pride in me: Mariya Viktorovna was the best of them all! And I dreamed of

her and myself at night.

One evening at supper with the engineer we ate a whole lobster As I was going home afterwards I

remembered that the engineer twice called me "My dear fellow" at supper, and I reflected that they treated me

very kindly in that house, as they might an unfortunate big dog who had been kicked out by its owners, that

they were amusing themselves with me, and that when they were tired of me they would turn me out like a

dog. I felt ashamed and wounded, wounded to the point of tears as though I had been insulted, and looking up

at the sky I took a vow to put an end to all this.

The next day I did not go to the Dolzhikov's. Late in the evening, when it was quite dark and raining, I

walked along Great Dvoryansky Street, looking up at the windows. Everyone was asleep at the Azhogins',

and the only light was in one of the furthest windows. It was Madame Azhogin in her own room, sewing by

the light of three candles, imagining that she was combating superstition. Our house was in darkness, but at

the Dolzhikovs', on the contrary, the windows were lighted up, but one could distinguish nothing through the

flowers and the curtains. I kept walking up and down the street; the cold March rain drenched me through. I

heard my father come home from the club; he stood knocking at the gate. A minute later a light appeared at

the window, and I saw my sister, who was hastening down with a lamp, while with the other hand she was

twisting her thick hair together as she went. Then my father walked about the drawingroom, talking and

rubbing his hands, while my sister sat in a low chair, thinking and not listening to what he said.

But then they went away; the light went out. . . . I glanced round at the engineer's, and there, too, all was

darkness now. In the dark and the rain I felt hopelessly alone, abandoned to the whims of destiny; I felt that

all my doings, my desires, and everything I had thought and said till then were trivial in comparison with my

loneliness, in comparison with my present suffering, and the suffering that lay before me in the future. Alas,

the thoughts and doings of living creatures are not nearly so significant as their sufferings! And without

clearly realizing what I was doing, I pulled at the bell of the Dolzhikovs' gate, broke it, and ran along the

street like some naughty boy, with a feeling of terror in my heart, expecting every moment that they would

come out and recognize me. When I stopped at the end of the street to take breath I could hear nothing but the

sound of the rain, and somewhere in the distance a watchman striking on a sheet of iron.

For a whole week I did not go to the Dolzhikovs'. My serge trousers were sold. There was nothing doing in

the painting trade. I knew the pangs of hunger again, and earned from twopence to fourpence a day, where I

could, by heavy and unpleasant work. Struggling up to my knees in the cold mud, straining my chest, I tried

to stifle my memories, and, as it were, to punish myself for the cheeses and preserves with which I had been

regaled at the engineer's. But all the same, as soon as I lay in bed, wet and hungry, my sinful imagination

immediately began to paint exquisite, seductive pictures, and with amazement I acknowledged to myself that

I was in love, passionately in love, and I fell into a sound, heavy sleep, feeling that hard labour only made my

body stronger and younger.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 41



Top




Page No 44


One evening snow began falling most inappropriately, and the wind blew from the north as though winter had

come back again. When I returned from work that evening I found Mariya Viktorovna in my room. She was

sitting in her fur coat, and had both hands in her muff.

"Why don't you come to see me?" she asked, raising her clear, clever eyes, and I was utterly confused with

delight and stood stiffly upright before her, as I used to stand facing my father when he was going to beat me;

she looked into my face and I could see from her eyes that she understood why I was confused.

"Why don't you come to see me?" she repeated. "If you don't want to come, you see, I have come to you."

She got up and came close to me.

"Don't desert me," she said, and her eyes filled with tears. "I am alone, utterly alone."

She began crying; and, hiding her face in her muff, articulated:

"Alone! My life is hard, very hard, and in all the world I have no one but you. Don't desert me!"

Looking for a handkerchief to wipe her tears she smiled; we were silent for some time, then I put my arms

round her and kissed her, scratching my cheek till it bled with her hatpin as I did it.

And we began talking to each other as though we had been on the closest terms for ages and ages.

X Two days later she sent me to Dubetchnya and I was unutterably delighted to go. As I walked towards the

station and afterwards, as I was sitting in the train, I kept laughing from no apparent cause, and people looked

at me as though I were drunk. Snow was falling, and there were still frosts in the mornings, but the roads

were already darkcoloured and rooks hovered over them, cawing.

At first I had intended to fit up an abode for us two, Masha and me, in the lodge at the side opposite Madame

Tcheprakov's lodge, but it appeared that the doves and the ducks had been living there for a long time, and it

was impossible to clean it without destroying a great number of nests. There was nothing for it but to live in

the comfortless rooms of the big house with the sunblinds. The peasants called the house the palace; there

were more than twenty rooms in it, and the only furniture was a piano and a child's armchair lying in the

attic. And if Masha had brought all her furniture from the town we should even then have been unable to get

rid of the impression of immense emptiness and cold. I picked out three small rooms with windows looking

into the garden, and worked from early morning till night, setting them to rights, putting in new panes,

papering the walls, filling up the holes and chinks in the floors. It was easy, pleasant work. I was continually

running to the river to see whether the ice were not going; I kept fancying that starlings were flying. And at

night, thinking of Masha, I listened with an unutterably sweet feeling, with clutching delight to the noise of

the rats and the wind droning and knocking above the ceiling. It seemed as though some old house spirit were

coughing in the attic.

The snow was deep; a great deal had fallen even at the end of March, but it melted quickly, as though by

magic, and the spring floods passed in a tumultuous rush, so that by the beginning of April the starlings were

already noisy, and yellow butterflies were flying in the garden. It was exquisite weather. Every day, towards

evening, I used to walk to the town to meet Masha, and what a delight it was to walk with bare feet along the

gradually drying, still soft road. Halfway I used to sit down and look towards the town, not venturing to go

near it. The sight of it troubled me. I kept wondering how the people I knew would behave to me when they

heard of my love. What would my father say? What troubled me particularly was the thought that my life was

more complicated, and that I had completely lost all power to set it right, and that, like a balloon, it was

bearing me away, God knows whither. I no longer considered the problem how to earn my daily bread, how


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 42



Top




Page No 45


to live, but thought about  I really don't know what.

Masha used to come in a carriage; I used to get in with her, and we drove to Dubetchnya, feeling

lighthearted and free. Or, after waiting till the sun had set, I would go back dissatisfied and dreary,

wondering why Masha had not come; at the gate or in the garden I would be met by a sweet, unexpected

apparition  it was she! It would turn out that she had come by rail, and had walked from the station. What a

festival it was! In a simple woollen dress with a kerchief on her head, with a modest sunshade, but laced in,

slender, in expensive foreign boots  it was a talented actress playing the part of a little workgirl. We looked

round our domain and decided which should be her room, and which mine, where we would have our avenue,

our kitchen garden, our beehives.

We already had hens, ducks, and geese, which we loved because they were ours. We had, all ready for

sowing, oats, clover, timothy grass, buckwheat, and vegetable seeds, and we always looked at all these stores

and discussed at length the crop we might get; and everything Masha said to me seemed extraordinarily

clever, and fine. This was the happiest time of my life.

Soon after St. Thomas's week we were married at our parish church in the village of Kurilovka, two miles

from Dubetchnya. Masha wanted everything to be done quietly; at her wish our "best men" were peasant lads,

the sacristan sang alone, and we came back from the church in a small, jolting chaise which she drove herself.

Our only guest from the town was my sister Kleopatra, to whom Masha sent a note three days before the

wedding. My sister came in a white dress and wore gloves. During the wedding she cried quietly from joy

and tenderness. Her expression was motherly and infinitely kind. She was intoxicated with our happiness, and

smiled as though she were absorbing a sweet delirium, and looking at her during our wedding, I realized that

for her there was nothing in the world higher than love, earthly love, and that she was dreaming of it secretly,

timidly, but continually and passionately. She embraced and kissed Masha, and, not knowing how to express

her rapture, said to her of me: "He is good! He is very good!"

Before she went away she changed into her ordinary dress, and drew me into the garden to talk to me alone.

"Father is very much hurt," she said, "that you have written nothing to him. You ought to have asked for his

blessing. But in reality he is very much pleased. He says that this marriage will raise you in the eyes of all

society, and that under the influence of Mariya Viktorovna you will begin to take a more serious view of life.

We talk of nothing but you in the evenings now, and yesterday he actually used the expression: 'Our Misail.'

That pleased me. It seems as though he had some plan in his mind, and I fancy he wants to set you an

example of magnanimity and be the first to speak of reconciliation. It is very possible he may come here to

see you in a day or two."

She hurriedly made the sign of the cross over me several times and said:

"Well, God be with you. Be happy. Anyuta Blagovo is a very clever girl; she says about your marriage that

God is sending you a fresh ordeal. To be sure  married life does not bring only joy but suffering too. That's

bound to be so."

Masha and I walked a couple of miles to see her on her way; we walked back slowly and in silence, as though

we were resting. Masha held my hand, my heart felt light, and I had no inclination to talk about love; we had

become closer and more akin now that we were married, and we felt that nothing now could separate us.

"Your sister is a nice creature," said Masha, "but it seems as though she had been tormented for years. Your

father must be a terrible man."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 43



Top




Page No 46


I began telling her how my sister and I had been brought up, and what a senseless torture our childhood had

really been. When she heard how my father had so lately beaten me, she shuddered and drew closer to me.

"Don't tell me any more," she said. "It's horrible!"

Now she never left me. We lived together in the three rooms in the big house, and in the evenings we bolted

the door which led to the empty part of the house, as though someone were living there whom we did not

know, and were afraid of. I got up early, at dawn, and immediately set to work of some sort. I mended the

carts, made paths in the garden, dug the flower beds, painted the roof of the house. When the time came to

sow the oats I tried to plough the ground over again, to harrow and to sow, and I did it all conscientiously,

keeping up with our labourer; I was worn out, the rain and the cold wind made my face and feet burn for

hours afterwards. I dreamed of ploughed land at night. But field labour did not attract me. I did not

understand farming, and I did not care for it; it was perhaps because my forefathers had not been tillers of the

soil, and the very blood that flowed in my veins was purely of the city. I loved nature tenderly; I loved the

fields and meadows and kitchen gardens, but the peasant who turned up the soil with his plough and urged on

his pitiful horse, wet and tattered, with his craning neck, was to me the expression of coarse, savage, ugly

force, and every time I looked at his uncouth movements I involuntarily began thinking of the legendary life

of the remote past, before men knew the use of fire. The fierce bull that ran with the peasants' herd, and the

horses, when they dashed about the village, stamping their hoofs, moved me to fear, and everything rather

big, strong, and angry, whether it was the ram with its horns, the gander, or the yarddog, seemed to me the

expression of the same coarse, savage force. This mood was particularly strong in me in bad weather, when

heavy clouds were hanging over the black ploughed land. Above all, when I was ploughing or sowing, and

two or three people stood looking how I was doing it, I had not the feeling that this work was inevitable and

obligatory, and it seemed to me that I was amusing myself. I preferred doing something in the yard, and there

was nothing I liked so much as painting the roof.

I used to walk through the garden and the meadow to our mill. It was let to a peasant of Kurilovka called

Stepan, a handsome, dark fellow with a thick black beard, who looked very strong. He did not like the

miller's work, and looked upon it as dreary and unprofitable, and only lived at the mill in order not to live at

home. He was a leatherworker, and was always surrounded by a pleasant smell of tar and leather. He was

not fond of talking, he was listless and sluggish, and was always sitting in the doorway or on the river bank,

humming "oolooloo." His wife and motherinlaw, both whitefaced, languid, and meek, used sometimes

to come from Kurilovka to see him; they made low bows to him and addressed him formally, "Stepan

Petrovitch," while he went on sitting on the river bank, softly humming "oolooloo," without responding by

word or movement to their bows. One hour and then a second would pass in silence. His motherinlaw and

wife, after whispering together, would get up and gaze at him for some time, expecting him to look round;

then they would make a low bow, and in sugary, chanting voices, say:

"Goodbye, Stepan Petrovitch!"

And they would go away. After that Stepan, picking up the parcel they had left, containing cracknels or a

shirt, would heave a sigh and say, winking in their direction:

"The female sex!"

The mill with two sets of millstones worked day and night. I used to help Stepan; I liked the work, and when

he went off I was glad to stay and take his place.

XI After bright warm weather came a spell of wet; all May it rained and was cold. The sound of the

millwheels and of the rain disposed one to indolence and slumber. The floor trembled, there was a smell of

flour, and that, too, induced drowsiness. My wife in a short furlined jacket, and in men s high golosh boots,


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 44



Top




Page No 47


would make her appearance twice a day, and she always said the same thing:

"And this is called summer! Worse than it was in October!"

We used to have tea and make the porridge together, or we would sit for hours at a stretch without speaking,

waiting for the rain to stop. Once, when Stepan had gone off to the fair, Masha stayed all night at the mill.

When we got up we could not tell what time it was, as the rainclouds covered the whole sky; but sleepy cocks

were crowing at Dubetchnya, and landrails were calling in the meadows; it was still very, very early. . . . My

wife and I went down to the millpond and drew out the net which Stepan had thrown in over night in our

presence. A big pike was struggling in it, and a crayfish was twisting about, clawing upwards with its

pincers.

"Let them go," said Masha. "Let them be happy too."

Because we got up so early and afterwards did nothing, that day seemed very long, the longest day in my life.

Towards evening Stepan came back and I went home.

"Your father came today," said Masha.

"Where is he?" I asked.

"He has gone away. I would not see him."

Seeing that I remained standing and silent, that I was sorry for my father, she said:

"One must be consistent. I would not see him, and sent word to him not to trouble to come and see us again."

A minute later I was out at the gate and walking to the town to explain things to my father. It was muddy,

slippery, cold. For the first time since my marriage I felt suddenly sad, and in my brain exhausted by that

long, grey day, there was stirring the thought that perhaps I was not living as I ought. I was worn out; little by

little I was overcome by despondency and indolence, I did not want to move or think, and after going on a

little I gave it up with a wave of my hand and turned back.

The engineer in a leather overcoat with a hood was standing in the middle of the yard.

"Where's the furniture? There used to be lovely furniture in the Empire style: there used to be pictures, there

used to be vases, while now you could play ball in it! I bought the place with the furniture. The devil take

her!"

Moisey, a thin pockmarked fellow of twentyfive, with insolent little eyes, who was in the service of the

general's widow, stood near him crumpling up his cap in his hands; one of his cheeks was bigger than the

other, as though he had lain too long on it.

"Your honour was graciously pleased to buy the place without the furniture," he brought out irresolutely; "I

remember."

"Hold your tongue!" shouted the engineer; he turned crimson and shook with anger . . . and the echo in the

garden loudly repeated his shout.

XII When I was doing anything in the garden or the yard, Moisey would stand beside me, and folding his

arms behind his back he would stand lazily and impudently staring at me with his little eyes. And this


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 45



Top




Page No 48


irritated me to such a degree that I threw up my work and went away.

From Stepan we heard that Moisey was Madame Tcheprakov's lover. I noticed that when people came to her

to borrow money they addressed themselves first to Moisey, and once I saw a peasant, black from head to

foot  he must have been a coalheaver  bow down at Moisey's feet. Sometimes, after a little whispering,

he gave out money himself, without consulting his mistress, from which I concluded that he did a little

business on his own account.

He used to shoot in our garden under our windows, carried off victuals from our cellar, borrowed our horses

without asking permission, and we were indignant and began to feel as though Dubetchnya were not ours,

and Masha would say, turning pale:

"Can we really have to go on living with these reptiles another eighteen months?

Madame Tcheprakov's son, Ivan, was serving as a guard on our railwayline. He had grown much thinner

and feebler during the winter, so that a single glass was enough to make him drunk, and he shivered out of the

sunshine. He wore the guard's uniform with aversion and was ashamed of it, but considered his post a good

one, as he could steal the candles and sell them. My new position excited in him a mixed feeling of wonder,

envy, and a vague hope that something of the same sort might happen to him. He used to watch Masha with

ecstatic eyes, ask me what I had for dinner now, and his lean and ugly face wore a sad and sweetish

expression, and he moved his fingers as though he were feeling my happiness with them.

"Listen, Betterthannothing," he said fussily, relighting his cigarette at every instant; there was always a

litter where he stood, for he wasted dozens of matches, lighting one cigarette. "Listen, my life now is the

nastiest possible. The worst of it is any subaltern can shout: 'Hi, there, guard!' I have overheard all sorts of

things in the train, my boy, and do you know, I have learned that life's a beastly thing! My mother has been

the ruin of me! A doctor in the train told me that if parents are immoral, their children are drunkards or

criminals. Think of that!"

Once he came into the yard, staggering; his eyes gazed about blankly, his breathing was laboured; he laughed

and cried and babbled as though in a high fever, and the only words I could catch in his muddled talk were,

"My mother! Where's my mother?" which he uttered with a wail like a child who has lost his mother in a

crowd. I led him into our garden and laid him down under a tree, and Masha and I took turns to sit by him all

that day and all night. He was very sick, and Masha looked with aversion at his pale, wet face, and said:

"Is it possible these reptiles will go on living another year and a half in our yard? It's awful! it's awful!"

And how many mortifications the peasants caused us! How many bitter disappointments in those early days

in the spring months, when we so longed to be happy. My wife built a school. I drew a plan of a school for

sixty boys, and the Zemstvo Board approved of it, but advised us to build the school at Kurilovka the big

village which was only two miles from us. Moreover, the school at Kurilovka in which children  from four

villages, our Dubetchnya being one of the number  were taught, was old and too small, and the floor was

scarcely safe to walk upon. At the end of March at Masha's wish, she was appointed guardian of the

Kurilovka school, and at the beginning of April we three times summoned the village assembly, and tried to

persuade the peasants that their school was old and overcrowded, and that it was essential to build a new one.

A member of the Zemstvo Board and the Inspector of Peasant Schools came, and they, too, tried to persuade

them. After each meeting the peasants surrounded us, begging for a bucket of vodka; we were hot in the

crowd; we were soon exhausted, and returned home dissatisfied and a little ill at ease. In the end the peasants

set apart a plot of ground for the school, and were obliged to bring all the building material from the town

with their own horses. And the very first Sunday after the spring corn was sown carts set off from Kurilovka

and Dubetchnya to fetch bricks for the foundations. They set off as soon as it was light, and came back late in


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 46



Top




Page No 49


the evening; the peasants were drunk, and said they were worn out.

As illluck would have it, the rain and the cold persisted all through May. The road was in an awful state: it

was deep in mud. The carts usually drove into our yard when they came back from the town  and what a

horrible ordeal it was. A potbellied horse would appear at the gate, setting its front legs wide apart; it would

stumble forward before coming into the yard; a beam, nine yards long, wet and slimylooking, crept in on a

waggon. Beside it, muffled up against the rain, strode a peasant with the skirts of his coat tucked up in his

belt, not looking where he was going, but stepping through the puddles. Another cart would appear with

boards, then a third with a beam, a fourth . and the space before our house was gradually crowded up with

horses, beams, and planks. Men and women, with their heads muffled and their skirts tucked up, would stare

angrily at our windows, make an uproar, and clamour for the mistress to come out to them; coarse oaths were

audible. Meanwhile Moisey stood at one side, and we fancied he was enjoying our discomfiture.

"We are not going to cart any more," the peasants would shout. "We are worn out! Let her go and get the

stuff herself."

Masha, pale and flustered, expecting every minute that they would break into the house, would send them out

a halfpail of vodka; after that the noise would subside and the long beams, one after another, would crawl

slowly out of the yard.

When I was setting off to see the building my wife was worried and said:

"The peasants are spiteful; I only hope they won't do you a mischief. Wait a minute, I'll come with you."

We drove to Kurilovka together, and there the carpenters asked us for a drink. The framework of the house

was ready. It was time to lay the foundation, but the masons had not come; this caused delay, and the

carpenters complained. And when at last the masons did come, it appeared that there was no sand; it had been

somehow overlooked that it would be needed. Taking advantage of our helpless position, the peasants

demanded thirty kopecks for each cartload, though the distance from the building to the river where they got

the sand was less than a quarter of a mile, and more than five hundred cartloads were found to be necessary.

There was no end to the misunderstandings, swearing, and importunity; my wife was indignant, and the

foreman of the masons, Tit Petrov, an old man of seventy, took her by the arm, and said:

"You look here! You look here! You only bring me the sand; I set ten men on at once, and in two days it will

be done! You look here!"

But they brought the sand and two days passed, and four, and a week, and instead of the promised

foundations there was still a yawning hole.

"It's enough to drive one out of one's senses, said my wife, in distress. "What people! What people!"

In the midst of these disorderly doings the engineer arrived; he brought with him parcels of wine and

savouries, and after a prolonged meal lay down for a nap in the verandah and snored so loudly that the

labourers shook their heads and said: "Well!"

Masha was not pleased at his coming, she did not trust him, though at the same time she asked his advice.

When, after sleeping too long after dinner, he got up in a bad humour and said unpleasant things about our

management of the place, or expressed regret that he had bought Dubetchnya, which had already been a loss

to him, poor Masha's face wore an expression of misery. She would complain to him, and he would yawn and

say that the peasants ought to be flogged.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 47



Top




Page No 50


He called our marriage and our life a farce, and said it was a caprice, a whim.

"She has done something of the sort before," he said about Masha. "She once fancied herself a great opera

singer and left me; I was looking for her for two months, and, my dear soul, I spent a thousand roubles on

telegrams alone."

He no longer called me a dissenter or Mr. Painter, and did not as in the past express approval of my living

like a workman, but said:

"You are a strange person! You are not a normal person! I won't venture to prophesy, but you will come to a

bad end!"

And Masha slept badly at night, and was always sitting at our bedroom window thinking. There was no

laughter at supper now, no charming grimaces. I was wretched, and when it rained, every drop that fell

seemed to pierce my heart, like small shot, and I felt ready to fall on my knees before Masha and apologize

for the weather. When the peasants made a noise in the yard I felt guilty also. For hours at a time I sat still in

one place, thinking of nothing but what a splendid person Masha was, what a wonderful person. I loved her

passionately, and I was fascinated by everything she did, everything she said. She had a bent for quiet,

studious pursuits; she was fond of reading for hours together, of studying. Although her knowledge of

farming was only from books she surprised us all by what she knew; and every piece of advice she gave was

of value; not one was ever thrown away; and, with all that, what nobility, what taste, what graciousness, that

graciousness which is only found in welleducated people.

To this woman, with her sound, practical intelligence, the disorderly surroundings with petty cares and sordid

anxieties in which we were living now were an agony: I saw that and could not sleep at night; my brain

worked feverishly and I had a lump in my throat. I rushed about not knowing what to do.

I galloped to the town and brought Masha books, newspapers, sweets, flowers; with Stepan I caught fish,

wading for hours up to my neck in the cold water in the rain to catch eelpout to vary our fare; I demeaned

myself to beg the peasants not to make a noise; I plied them with vodka, bought them off, made all sorts of

promises. And how many other foolish things I did!

At last the rain ceased, the earth dried. One would get up at four o'clock in the morning; one would go out

into the garden  where there was dew sparkling on the flowers, the twitter of birds, the hum of insects, not

one cloud in the sky; and the garden, the meadows, and the river were so lovely, yet there were memories of

the peasants, of their carts, of the engineer. Masha and I drove out together in the racing droshky to the fields

to look at the oats. She used to drive, I sat behind; her shoulders were raised and the wind played with her

hair.

"Keep to the right!" she shouted to those she met.

"You are like a sledgedriver," I said to her one day.

"Maybe! Why, my grandfather, the engineer's father, was a sledgedriver. Didn't you know that?" she asked,

turning to me, and at once she mimicked the way sledgedrivers shout and sing.

"And thank God for that," I thought as I listened to her. "Thank God."

And again memories of the peasants, of the carts, of the engineer. . . .


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 48



Top




Page No 51


XIII Dr. Blagovo arrived on his bicycle. My sister began coming often. Again there were conversations about

manual labour, about progress, about a mysterious millennium awaiting mankind in the remote future. The

doctor did not like our farmwork, because it interfered with arguments, and said that ploughing, reaping,

grazing calves were unworthy of a free man, and all these coarse forms of the struggle for existence men

would in time relegate to animals and machines, while they would devote themselves exclusively to scientific

investigation. My sister kept begging them to let her go home earlier, and if she stayed on till late in the

evening, or spent the night with us, there would be no end to the agitation.

"Good Heavens, what a baby you are still!" said Masha reproachfully. "It is positively absurd."

"Yes, it is absurd," my sister agreed, "I know it's absurd; but what is to be done if I haven't the strength to get

over it? I keep feeling as though I were doing wrong."

At haymaking I ached all over from the unaccustomed labour; in the evening, sitting on the verandah and

talking with the others, I suddenly dropped asleep, and they laughed aloud at me. They waked me up and

made me sit down to supper; I was overpowered with drowsiness and I saw the lights, the faces, and the

plates as it were in a dream, heard the voices, but did not understand them. And getting up early in the

morning, I took up the scythe at once, or went to the building and worked hard all day.

When I remained at home on holidays I noticed that my sister and Masha were concealing something from

me, and even seemed to be avoiding me. My wife was tender to me as before, but she had thoughts of her

own apart, which she did not share with me. There was no doubt that her exasperation with the peasants was

growing, the life was becoming more and more distasteful to her, and yet she did not complain to me. She

talked to the doctor now more readily than she did to me, and I did not understand why it was so.

It was the custom in our province at haymaking and harvest time for the labourers to come to the manor

house in the evening and be regaled with vodka; even young girls drank a glass. We did not keep up this

practice; the mowers and the peasant women stood about in our yard till late in the evening expecting vodka,

and then departed abusing us. And all the time Masha frowned grimly and said nothing, or murmured to the

doctor with exasperation: "Savages! Petchenyegs!"

In the country newcomers are met ungraciously, almost with hostility, as they are at school. And we were

received in this way. At first we were looked upon as stupid, silly people, who had bought an estate simply

because we did not know what to do with our money. We were laughed at. The peasants grazed their cattle in

our wood and even in our garden; they drove away our cows and horses to the village, and then demanded

money for the damage done by them. They came in whole companies into our yard, and loudly clamoured

that at the mowing we had cut some piece of land that did not belong to us; and as we did not yet know the

boundaries of our estate very accurately, we took their word for it and paid damages. Afterwards it turned out

that there had been no mistake at the mowing. They barked the limetrees in our wood. One of the

Dubetchnya peasants, a regular shark, who did a trade in vodka without a licence, bribed our labourers, and in

collaboration with them cheated us in a most treacherous way. They took the new wheels off our carts and

replaced them with old ones, stole our ploughing harness and actually sold them to us, and so on. But what

was most mortifying of all was what happened at the building; the peasant women stole by night boards,

bricks, tiles, pieces of iron. The village elder with witnesses made a search in their huts; the village meeting

fined them two roubles each, and afterwards this money was spent on drink by the whole commune.

When Masha heard about this, she would say to the doctor or my sister indignantly:

"What beasts! It's awful! awful!"

And I heard her more than once express regret that she had ever taken it into her head to build the school.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 49



Top




Page No 52


"You must understand," the doctor tried to persuade her, "that if you build this school and do good in general,

it's not for the sake of the peasants, but in the name of culture, in the name of the future; and the worse the

peasants are the more reason for building the school. Understand that!"

But there was a lack of conviction in his voice, and it seemed to me that both he and Masha hated the

peasants.

Masha often went to the mill, taking my sister with her, and they both said, laughing, that they went to have a

look at Stepan, he was so handsome. Stepan, it appeared, was torpid and taciturn only with men; in feminine

society his manners were free and easy, and he talked incessantly. One day, going down to the river to bathe,

I accidentally overheard a conversation. Masha and Kleopatra, both in white dresses, were sitting on the bank

in the spreading shade of a willow, and Stepan was standing by them with his hands behind his back, and was

saying:

"Are peasants men? They are not men, but, asking your pardon, wild beasts, impostors. What life has a

peasant? Nothing but eating and drinking; all he cares for is victuals to be cheaper and swilling liquor at the

tavern like a fool; and there's no conversation, no manners, no formality, nothing but ignorance! He lives in

filth, his wife lives in filth, and his children live in filth. What he stands up in, he lies down to sleep in; he

picks the potatoes out of the soup with his fingers; he drinks kvass with a cockroach in it, and doesn't bother

to blow it away!"

"It's their poverty, of course," my sister put in.

"Poverty? There is want to be sure, there's different sorts of want, Madam. If a man is in prison, or let us say

blind or crippled, that really is trouble I wouldn't wish anyone, but if a man's free and has all his senses, if he

has his eyes and his hands and his strength and God, what more does he want? It's cockering themselves, and

it's ignorance, Madam, it's not poverty. If you, let us suppose, good gentlefolk, by your education, wish out of

kindness to help him he will drink away your money in his low way; or, what's worse, he will open a

drinkshop, and with your money start robbing the people. You say poverty, but does the rich peasant live

better? He, too, asking your pardon, lives like a swine: coarse, loudmouthed, cudgelheaded, broader than

he is long, fat, redfaced mug, I'd like to swing my fist and send him flying, the scoundrel. There's Larion,

another rich one at Dubetchnya, and I bet he strips the bark off your trees as much as any poor one; and he is

a foulmouthed fellow; his children are the same, and when he has had a drop too much he'll topple with his

nose in a puddle and sleep there. They are all a worthless lot, Madam. If you live in a village with them it is

like hell. It has stuck in my teeth, that village has, and thank the Lord, the King of Heaven, I've plenty to eat

and clothes to wear, I served out my time in the dragoons, I was village elder for three years, and now I am a

free Cossack, I live where I like. I don't want to live in the village, and no one has the right to force me. They

say  my wife. They say you are bound to live in your cottage with your wife. But why so? I am not her

hired man."

"Tell me, Stepan, did you marry for love?" asked Masha.

"Love among us in the village!" answered Stepan, and he gave a laugh. "Properly speaking, Madam, if you

care to know, this is my second marriage. I am not a Kurilovka man, I am from Zalegoshtcho, but afterwards

I was taken into Kurilovka when I married. You see my father did not want to divide the land among us.

There were five of us brothers. I took my leave and went to another village to live with my wife's family, but

my first wife died when she was young."

"What did she die of?"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 50



Top




Page No 53


"Of foolishness. She used to cry and cry and cry for no reason, and so she pined away. She was always

drinking some sort of herbs to make her better looking, and I suppose she damaged her inside. And my

second wife is a Kurilovka woman too, there is nothing in her. She's a village woman, a peasant woman, and

nothing more. I was taken in when they plighted me to her. I thought she was young and fairskinned, and

that they lived in a clean way. Her mother was just like a Flagellant and she drank coffee, and the chief thing,

to be sure, they were clean in their ways. So I married her, and next day we sat down to dinner; I bade my

motherinlaw give me a spoon, and she gives me a spoon, and I see her wipe it out with her finger. So much

for you, thought I; nice sort of cleanliness yours is. I lived a year with them and then I went away. I might

have married a girl from the town," he went on after a pause. "They say a wife is a helpmate to her husband.

What do I want with a helpmate? I help myself; I'd rather she talked to me, and not clack, clack, clack, but

circumstantially, feelingly. What is life without good conversation?"

Stepan suddenly paused, and at once there was the sound of his dreary, monotonous "ooloolooloo." This

meant that he had seen me.

Masha used often to go to the mill, and evidently found pleasure in her conversations with Stepan. Stepan

abused the peasants with such sincerity and conviction, and she was attracted to him. Every time she came

back from the mill the feebleminded peasant, who looked after the garden, shouted at her:

"Wench Palashka! Hulla, wench Palashka!" and he would bark like a dog: "Ga! Ga!"

And she would stop and look at him attentively, as though in that idiot's barking she found an answer to her

thoughts, and probably he attracted her in the same way as Stepan's abuse. At home some piece of news

would await her, such, for instance, as that the geese from the village had ruined our cabbage in the garden,

or that Larion had stolen the reins; and shrugging her shoulders, she would say with a laugh:

"What do you expect of these people?"

She was indignant, and there was rancour in her heart, and meanwhile I was growing used to the peasants,

and I felt more and more drawn to them. For the most part they were nervous, irritable, downtrodden people;

they were people whose imagination had been stifled, ignorant, with a poor, dingy outlook on life, whose

thoughts were ever the same  of the grey earth, of grey days, of black bread, people who cheated, but like

birds hiding nothing but their head behind the tree  people who could not count. They would not come to

mow for us for twenty roubles, but they came for half a pail of vodka, though for twenty roubles they could

have bought four pails. There really was filth and drunkenness and foolishness and deceit, but with all that

one yet felt that the life of the peasants rested on a firm, sound foundation. However uncouth a wild animal

the peasant following the plough seemed, and however he might stupefy himself with vodka, still, looking at

him more closely, one felt that there was in him what was needed, something very important, which was

lacking in Masha and in the doctor, for instance, and that was that he believed the chief thing on earth was

truth and justice, and that his salvation, and that of the whole people, was only to be found in truth and

justice, and so more than anything in the world he loved just dealing. I told my wife she saw the spots on the

glass, but not the glass itself; she said nothing in reply, or hummed like Stepan "ooloolooloo." When this

goodhearted and clever woman turned pale with indignation, and with a quiver in her voice spoke to the

doctor of the drunkenness and dishonesty, it perplexed me, and I was struck by the shortness of her memory.

How could she forget that her father the engineer drank too, and drank heavily, and that the money with

which Dubetchnya had been bought had been acquired by a whole series of shameless, impudent

dishonesties? How could she forget it?

XIV My sister, too, was leading a life of her own which she carefully hid from me. She was often whispering

with Masha. When I went up to her she seemed to shrink into herself, and there was a guilty, imploring look

in her eyes; evidently there was something going on in her heart of which she was afraid or ashamed. So as to


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 51



Top




Page No 54


avoid meeting me in the garden, or being left alone with me, she always kept close to Masha, and I rarely had

an opportunity of talking to her except at dinner.

One evening I was walking quietly through the garden on my way back from the building. It was beginning

to get dark. Without noticing me, or hearing my step, my sister was walking near a spreading old appletree,

absolutely noiselessly as though she were a phantom. She was dressed in black, and was walking rapidly

backwards and forwards on the same track, looking at the ground. An apple fell from the tree; she started at

the sound, stood still and pressed her hands to her temples. At that moment I went up to her.

In a rush of tender affection which suddenly flooded my heart, with tears in my eyes, suddenly remembering

my mother and our childhood, I put my arm round her shoulders and kissed her.

"What is the matter?" I asked her. "You are unhappy; I have seen it for a long time. Tell me what's wrong?"

"I am frightened," she said, trembling.

"What is it?" I insisted. "For God's sake, be open!"

"I will, I will be open; I will tell you the whole truth. To hide it from you is so hard, so agonizing. Misail, I

love . . ." she went on in a whisper, "I love him . . . I love him. . . . I am happy, but why am I so frightened?"

There was the sound of footsteps; between the trees appeared Dr. Blagovo in his silk shirt with his high top

boots. Evidently they had arranged to meet near the appletree. Seeing him, she rushed impulsively towards

him with a cry of pain as though he were being taken from her.

"Vladimir! Vladimir!"

She clung to him and looked greedily into his face, and only then I noticed how pale and thin she had become

of late. It was particularly noticeable from her lace collar which I had known for so long, and which now

hung more loosely than ever before about her thin, long neck. The doctor was disconcerted, but at once

recovered himself, and, stroking her hair, said:

"There, there. . . . Why so nervous? You see, I'm here."

We were silent, looking with embarrassment at each other, then we walked on, the three of us together, and I

heard the doctor say to me:

"Civilized life has not yet begun among us. Old men console themselves by making out that if there is

nothing now, there was something in the forties or the sixties; that's the old: you and I are young; our brains

have not yet been touched by marasmus senilis; we cannot comfort ourselves with such illusions. The

beginning of Russia was in 862, but the beginning of civilized Russia has not come yet."

But I did not grasp the meaning of these reflections. It was somehow strange, I could not believe it, that my

sister was in love, that she was walking and holding the arm of a stranger and looking tenderly at him. My

sister, this nervous, frightened, crushed, fettered creature, loved a man who was married and had children! I

felt sorry for something, but what exactly I don't know; the presence of the doctor was for some reason

distasteful to me now, and I could not imagine what would come of this love of theirs.

XV Masha and I drove to Kurilovka to the dedication of the school.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 52



Top




Page No 55


"Autumn, autumn, autumn, . . ." said Masha softly, looking away. "Summer is over. There are no birds and

nothing is green but the willows."

Yes, summer was over. There were fine, warm days, but it was fresh in the morning, and the shepherds went

out in their sheepskins already; and in our garden the dew did not dry off the asters all day long. There were

plaintive sounds all the time, and one could not make out whether they came from the shutters creaking on

their rusty hinges, or from the flying cranes  and one's heart felt light, and one was eager for life.

"The summer is over," said Masha. "Now you and I can balance our accounts. We have done a lot of work, a

lot of thinking; we are the better for it  all honour and glory to us  we have succeeded in

selfimprovement; but have our successes had any perceptible influence on the life around us, have they

brought any benefit to anyone whatever? No. Ignorance, physical uncleanliness, drunkenness, an appallingly

high infant mortality, everything remains as it was, and no one is the better for your having ploughed and

sown, and my having wasted money and read books. Obviously we have been working only for ourselves and

have had advanced ideas only for ourselves." Such reasonings perplexed me, and I did not know what to

think.

"We have been sincere from beginning to end," said I, "and if anyone is sincere he is right."

"Who disputes it? We were right, but we haven't succeeded in properly accomplishing what we were right in.

To begin with, our external methods themselves  aren't they mistaken? You want to be of use to men, but

by the very fact of your buying an estate, from the very start you cut yourself off from any possibility of

doing anything useful for them. Then if you work, dress, eat like a peasant you sanctify, as it were, by your

authority, their heavy, clumsy dress, their horrible huts, their stupid beards. . . . On the other hand, if we

suppose that you work for long, long years, your whole life, that in the end some practical results are

obtained, yet what are they, your results, what can they do against such elemental forces as wholesale

ignorance, hunger, cold, degeneration? A drop in the ocean! Other methods of struggle are needed, strong,

bold, rapid! If one really wants to be of use one must get out of the narrow circle of ordinary social work, and

try to act direct upon the mass! What is wanted, first of all, is a loud, energetic propaganda. Why is it that art

music, for instance  is so living, so popular, and in reality so powerful? Because the musician or the

singer affects thousands at once. Precious, precious art!" she went on, looking dreamily at the sky. "Art gives

us wings and carries us far, far away! Anyone who is sick of filth, of petty, mercenary interests, anyone who

is revolted, wounded, and indignant, can find peace and satisfaction only in the beautiful."

When we drove into Kurilovka the weather was bright and joyous. Somewhere they were threshing; there

was a smell of rye straw. A mountain ash was bright red behind the hurdle fences, and all the trees wherever

one looked were ruddy or golden. They were ringing the bells, they were carrying the ikons to the school, and

we could hear them sing: "Holy Mother, our Defender," and how limpid the air was, and how high the doves

were flying.

The service was being held in the classroom. Then the peasants of Kurilovka brought Masha the ikon, and the

peasants of Dubetchnya offered her a big loaf and a gilt salt cellar. And Masha broke into sobs.

"If anything has been said that shouldn't have been or anything done not to your liking, forgive us," said an

old man, and he bowed down to her and to me.

As we drove home Masha kept looking round at the school; the green roof, which I had painted, and which

was glistening in the sun, remained in sight for a long while. And I felt that the look Masha turned upon it

now was one of farewell.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 53



Top




Page No 56


XVI In the evening she got ready to go to the town. Of late she had taken to going often to the town and

staying the night there. In her absence I could not work, my hands felt weak and limp; our huge courtyard

seemed a dreary, repulsive, empty hole. The garden was full of angry noises, and without her the house, the

trees, the horses were no longer "ours."

I did not go out of the house, but went on sitting at her table beside her bookshelf with the books on land

work, those old favourites no longer wanted and looking at me now so shamefacedly. For whole hours

together, while it struck seven, eight, nine, while the autumn night, black as soot, came on outside, I kept

examining her old glove, or the pen with which she always wrote, or her little scissors. I did nothing, and

realized clearly that all I had done before, ploughing, mowing, chopping, had only been because she wished

it. And if she had sent me to clean a deep well, where I had to stand up to my waist in deep water, I should

have crawled into the well without considering whether it was necessary or not. And now when she was not

near, Dubetchnya, with its ruins, its untidiness, its banging shutters, with its thieves by day and by night,

seemed to me a chaos in which any work would be useless. Besides, what had I to work for here, why anxiety

and thought about the future, if I felt that the earth was giving way under my feet, that I had played my part in

Dubetchnya, and that the fate of the books on farming was awaiting me too? Oh, what misery it was at night,

in hours of solitude, when I was listening every minute in alarm, as though I were expecting someone to

shout that it was time for me to go away! I did not grieve for Dubetchnya. I grieved for my love which, too,

was threatened with its autumn. What an immense happiness it is to love and be loved, and how awful to feel

that one is slipping down from that high pinnacle!

Masha returned from the town towards the evening of the next day. She was displeased with something, but

she concealed it, and only said, why was it all the window frames had been put in for the winter it was

enough to suffocate one. I took out two frames. We were not hungry, but we sat down to supper.

"Go and wash your hands," said my wife; "you smell of putty."

She had brought some new illustrated papers from the town, and we looked at them together after supper.

There were supplements with fashion plates and patterns. Masha looked through them casually, and was

putting them aside to examine them properly later on; but one dress, with a flat skirt as full as a bell and large

sleeves, interested her, and she looked at it for a minute gravely and attentively.

"That's not bad," she said.

"Yes, that dress would suit you beautifully," I said, "beautifully."

And looking with emotion at the dress, admiring that patch of grey simply because she liked it, I went on

tenderly:

"A charming, exquisite dress! Splendid, glorious, Masha! My precious Masha!"

And tears dropped on the fashion plate.

"Splendid Masha . . ." I muttered; "sweet, precious Masha. . . ."

She went to bed, while I sat another hour looking at the illustrations.

"It's a pity you took out the window frames," she said from the bedroom, "I am afraid it may be cold. Oh,

dear, what a draught there is!"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 54



Top




Page No 57


I read something out of the column of odds and ends, a receipt for making cheap ink, and an account of the

biggest diamond in the world. I came again upon the fashion plate of the dress she liked, and I imagined her

at a ball, with a fan, bare shoulders, brilliant, splendid, with a full understanding of painting, music, literature,

and how small and how brief my part seemed!

Our meeting, our marriage, had been only one of the episodes of which there would be many more in the life

of this vital, richly gifted woman. All the best in the world, as I have said already, was at her service, and she

received it absolutely for nothing, and even ideas and the intellectual movement in vogue served simply for

her recreation, giving variety to her life, and I was only the sledgedriver who drove her from one

entertainment to another. Now she did not need me. She would take flight, and I should be alone.

And as though in response to my thought, there came a despairing scream from the garden.

"Heeelp!"

It was a shrill, womanish voice, and as though to mimic it the wind whistled in the chimney on the same

shrill note. Half a minute passed, and again through the noise of the wind, but coming, it seemed, from the

other end of the yard:

"Heeelp!"

"Misail, do you hear?" my wife asked me softly. "Do you hear?"

She came out from the bedroom in her nightgown, with her hair down, and listened, looking at the dark

window.

"Someone is being murdered," she said. "That is the last straw."

I took my gun and went out. It was very dark outside, the wind was high, and it was difficult to stand. I went

to the gate and listened, the trees roared, the wind whistled and, probably at the feebleminded peasant's, a

dog howled lazily. Outside the gates the darkness was absolute, not a light on the railwayline. And near the

lodge, which a year before had been the office, suddenly sounded a smothered scream:

"Heeelp!"

"Who's there?" I called.

There were two people struggling. One was thrusting the other out, while the other was resisting, and both

were breathing heavily.

"Leave go," said one, and I recognized Ivan Tcheprakov; it was he who was shrieking in a shrill, womanish

voice: "Let go, you damned brute, or I'll bite your hand off."

The other I recognized as Moisey. I separated them, and as I did so I could not resist hitting Moisey two

blows in the face. He fell down, then got up again, and I hit him once more.

"He tried to kill me," he muttered. "He was trying to get at his mamma's chest. . . . I want to lock him up in

the lodge for security."

Tcheprakov was drunk and did not recognize me; he kept drawing deep breaths, as though he were just going

to shout "help" again.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 55



Top




Page No 58


I left them and went back to the house; my wife was lying on her bed; she had dressed. I told her what had

happened in the yard, and did not conceal the fact that I had hit Moisey.

"It's terrible to live in the country," she said.

"And what a long night it is. Oh dear, if only it were over!"

"Heeelp!" we heard again, a little later.

"I'll go and stop them," I said.

"No, let them bite each other's throats," she said with an expression of disgust.

She was looking up at the ceiling, listening, while I sat beside her, not daring to speak to her, feeling as

though I were to blame for their shouting "help" in the yard and for the night's seeming so long.

We were silent, and I waited impatiently for a gleam of light at the window, and Masha looked all the time as

though she had awakened from a trance and now was marvelling how she, so clever, and welleducated, so

elegant, had come into this pitiful, provincial, empty hole among a crew of petty, insignificant people, and

how she could have so far forgotten herself as ever to be attracted by one of these people, and for more than

six months to have been his wife. It seemed to me that at that moment it did not matter to her whether it was

I, or Moisey, or Tcheprakov; everything for her was merged in that savage drunken "help"  I and our

marriage, and our work together, and the mud and slush of autumn, and when she sighed or moved into a

more comfortable position I read in her face: "Oh, that morning would come quickly!"

In the morning she went away. I spent another three days at Dubetchnya expecting her, then I packed all our

things in one room, locked it, and walked to the town. It was already evening when I rang at the engineer's,

and the street lamps were burning in Great Dvoryansky Street. Pavel told me there was no one at home;

Viktor Ivanitch had gone to Petersburg, and Mariya Viktorovna was probably at the rehearsal at the

Azhogins'. I remember with what emotion I went on to the Azhogins', how my heart throbbed and fluttered as

I mounted the stairs, and stood waiting a long while on the landing at the top, not daring to enter that temple

of the muses! In the big room there were lighted candles everywhere, on a little table, on the piano, and on

the stage, everywhere in threes; and the first performance was fixed for the thirteenth, and now the first

rehearsal was on a Monday, an unlucky day. All part of the war against superstition! All the devotees of the

scenic art were gathered together; the eldest, the middle, and the youngest sisters were walking about the

stage, reading their parts in exercise books. Apart from all the rest stood Radish, motionless, with the side of

his head pressed to the wall as he gazed with adoration at the stage, waiting for the rehearsal to begin.

Everything as it used to be.

I was making my way to my hostess; I had to pay my respects to her, but suddenly everyone said "Hush!" and

waved me to step quietly. There was a silence. The lid of the piano was raised; a lady sat down at it screwing

up her shortsighted eyes at the music, and my Masha walked up to the piano, in a lownecked dress,

looking beautiful, but with a special, new sort of beauty not in the least like the Masha who used to come and

meet me in the spring at the mill. She sang: "Why do I love the radiant night?"

It was the first time during our whole acquaintance that I had heard her sing. She had a fine, mellow,

powerful voice, and while she sang I felt as though I were eating a ripe, sweet, fragrant melon. She ended, the

audience applauded, and she smiled, very much pleased, making play with her eyes, turning over the music,

smoothing her skirts, like a bird that has at last broken out of its cage and preens its wings in freedom. Her

hair was arranged over her ears, and she had an unpleasant, defiant expression in her face, as though she

wanted to throw down a challenge to us all, or to shout to us as she did to her horses: "Hey, there, my


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 56



Top




Page No 59


beauties!"

And she must at that moment have been very much like her grandfather the sledgedriver.

"You here too?" she said, giving me her hand. "Did you hear me sing? Well, what did you think of it?" and

without waiting for my answer she went on: "It's a very good thing you are here. I am going tonight to

Petersburg for a short time. You'll let me go, won't you?"

At midnight I went with her to the station. She embraced me affectionately, probably feeling grateful to me

for not asking unnecessary questions, and she promised to write to me, and I held her hands a long time, and

kissed them, hardly able to restrain my tears and not uttering a word.

And when she had gone I stood watching the retreating lights, caressing her in imagination and softly

murmuring:

"My darling Masha, glorious Masha. . . ."

I spent the night at Karpovna's, and next morning I was at work with Radish, recovering the furniture of a

rich merchant who was marrying his daughter to a doctor.

XVII My sister came after dinner on Sunday and had tea with me.

"I read a great deal now," she said, showing me the books which she had fetched from the public library on

her way to me. "Thanks to your wife and to Vladimir, they have awakened me to selfrealization. They have

been my salvation; they have made me feel myself a human being. In old days I used to lie awake at night

with worries of all sorts, thinking what a lot of sugar we had used in the week, or hoping the cucumbers

would not be too salt. And now, too, I lie awake at night, but I have different thoughts. I am distressed that

half my life has been passed in such a foolish, cowardly way. I despise my past; I am ashamed of it. And I

look upon our father now as my enemy. Oh, how grateful I am to your wife! And Vladimir! He is such a

wonderful person! They have opened my eyes!"

"That's bad that you don't sleep at night," I said.

"Do you think I am ill? Not at all. Vladimir sounded me, and said I was perfectly well. But health is not what

matters, it is not so important. Tell me: am I right?"

She needed moral support, that was obvious. Masha had gone away. Dr. Blagovo was in Petersburg, and

there was no one left in the town but me, to tell her she was right. She looked intently into my face, trying to

read my secret thoughts, and if I were absorbed or silent in her presence she thought this was on her account,

and was grieved. I always had to be on my guard, and when she asked me whether she was right I hastened to

assure her that she was right, and that I had a deep respect for her.

"Do you know they have given me a part at the Azhogins'?" she went on. "I want to act on the stage, I want to

live  in fact, I mean to drain the full cup. I have no talent, none, and the part is only ten lines, but still this

is immeasurably finer and loftier than pouring out tea five times a day, and looking to see if the cook has

eaten too much. Above all, let my father see I am capable of protest."

After tea she lay down on my bed, and lay for a little while with her eyes closed, looking very pale.

"What weakness," she said, getting up. "Vladimir says all citybred women and girls are anæmic from doing

nothing. What a clever man Vladimir is! He is right, absolutely right. We must work!"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 57



Top




Page No 60


Two days later she came to the Azhogins' with her manuscript for the rehearsal. She was wearing a black

dress with a string of coral round her neck, and a brooch that in the distance was like a pastry puff, and in her

ears earrings sparkling with brilliants. When I looked at her I felt uncomfortable. I was struck by her lack of

taste. That she had very inappropriately put on earrings and brilliants, and that she was strangely dressed, was

remarked by other people too; I saw smiles on people's faces, and heard someone say with a laugh:

"Kleopatra of Egypt."

She was trying to assume society manners, to be unconstrained and at her ease, and so seemed artificial and

strange. She had lost simplicity and sweetness.

"I told father just now that I was going to the rehearsal," she began, coming up to me, "and he shouted that he

would not give me his blessing, and actually almost struck me. Only fancy, I don't know my part," she said,

looking at her manuscript. "I am sure to make a mess of it. So be it, the die is cast," she went on in intense

excitement. "The die is cast. . . ."

It seemed to her that everyone was looking at her, and that all were amazed at the momentous step she had

taken, that everyone was expecting something special of her, and it would have been impossible to convince

her that no one was paying attention to people so petty and insignificant as she and I were.

She had nothing to do till the third act, and her part, that of a visitor, a provincial crony, consisted only in

standing at the door as though listening, and then delivering a brief monologue. In the interval before her

appearance, an hour and a half at least, while they were moving about on the stage reading their parts,

drinking tea and arguing, she did not leave my side, and was all the time muttering her part and nervously

crumpling up the manuscript. And imagining that everyone was looking at her and waiting for her

appearance, with a trembling hand she smoothed back her hair and said to me:

"I shall certainly make a mess of it. . . . What a load on my heart, if only you knew! I feel frightened, as

though I were just going to be led to execution."

At last her turn came.

"Kleopatra Alexyevna, it's your cue!" said the stage manager.

She came forward into the middle of the stage with an expression of horror on her face, looking ugly and

angular, and for half a minute stood as though in a trance, perfectly motionless, and only her big earrings

shook in her ears.

"The first time you can read it," said someone.

It was clear to me that she was trembling, and trembling so much that she could not speak, and could not

unfold her manuscript, and that she was incapable of acting her part; and I was already on the point of going

to her and saying something, when she suddenly dropped on her knees in the middle of the stage and broke

into loud sobs.

All was commotion and hubbub. I alone stood still, leaning against the side scene, overwhelmed by what had

happened, not understanding and not knowing what to do. I saw them lift her up and lead her away. I saw

Anyuta Blagovo come up to me; I had not seen her in the room before, and she seemed to have sprung out of

the earth. She was wearing her hat and veil, and, as always, had an air of having come only for a moment.

"I told her not to take a part," she said angrily, jerking out each word abruptly and turning crimson. "It's

insanity! You ought to have prevented her!"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 58



Top




Page No 61


Madame Azhogin, in a short jacket with short sleeves, with cigarette ash on her breast, looking thin and flat,

came rapidly towards me.

"My dear, this is terrible," she brought out, wringing her hands, and, as her habit was, looking intently into

my face. "This is terrible! Your sister is in a condition. . . . She is with child. Take her away, I implore you. . .

."

She was breathless with agitation, while on one side stood her three daughters, exactly like her, thin and flat,

huddling together in a scared way. They were alarmed, overwhelmed, as though a convict had been caught in

their house. What a disgrace, how dreadful! And yet this estimable family had spent its life waging war on

superstition; evidently they imagined that all the superstition and error of humanity was limited to the three

candles, the thirteenth of the month, and to the unluckiness of Monday!

"I beg you. . . I beg," repeated Madame Azhogin, pursing up her lips in the shape of a heart on the syllable

"you." "I beg you to take her home."

XVIII A little later my sister and I were walking along the street. I covered her with the skirts of my coat; we

hastened, choosing back streets where there were no street lamps, avoiding passersby; it was as though we

were running away. She was no longer crying, but looked at me with dry eyes. To Karpovna's, where I took

her, it was only twenty minutes' walk, and, strange to say, in that short time we succeeded in thinking of our

whole life; we talked over everything, considered our position, reflected. . . .

We decided we could not go on living in this town, and that when I had earned a little money we would move

to some other place. In some houses everyone was asleep, in others they were playing cards; we hated these

houses; we were afraid of them. We talked of the fanaticism, the coarseness of feeling, the insignificance of

these respectable families, these amateurs of dramatic art whom we had so alarmed, and I kept asking in what

way these stupid, cruel, lazy, and dishonest people were superior to the drunken and superstitious peasants of

Kurilovka, or in what way they were better than animals, who in the same way are thrown into a panic when

some incident disturbs the monotony of their life limited by their instincts. What would have happened to my

sister now if she had been left to live at home?

What moral agonies would she have experienced, talking with my father, meeting every day with

acquaintances? I imagined this to myself, and at once there came into my mind people, all people I knew,

who had been slowly done to death by their nearest relations. I remembered the tortured dogs, driven mad,

the live sparrows plucked naked by boys and flung into the water, and a long, long series of obscure lingering

miseries which I had looked on continually from early childhood in that town; and I could not understand

what these sixty thousand people lived for, what they read the gospel for, why they prayed, why they read

books and magazines. What good had they gained from all that had been said and written hitherto if they

were still possessed by the same spiritual darkness and hatred of liberty, as they were a hundred and three

hundred years ago? A master carpenter spends his whole life building houses in the town, and always, to the

day of his death, calls a "gallery" a "galdery." So these sixty thousand people have been reading and hearing

of truth, of justice, of mercy, of freedom for generations, and yet from morning till night, till the day of their

death, they are lying, and tormenting each other, and they fear liberty and hate it as a deadly foe.

"And so my fate is decided," said my sister, as we arrived home. "After what has happened I cannot go back

there. Heavens, how good that is! My heart feels lighter."

She went to bed at once. Tears were glittering on her eyelashes, but her expression was happy; she fell into a

sound sweet sleep, and one could see that her heart was lighter and that she was resting. It was a long, long

time since she had slept like that.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 59



Top




Page No 62


And so we began our life together. She was always singing and saying that her life was very happy, and the

books I brought her from the public library I took back unread, as now she could not read; she wanted to do

nothing but dream and talk of the future, mending my linen, or helping Karpovna near the stove; she was

always singing, or talking of her Vladimir, of his cleverness, of his charming manners, of his kindness, of his

extraordinary learning, and I assented to all she said, though by now I disliked her doctor. She wanted to

work, to lead an independent life on her own account, and she used to say that she would become a

schoolteacher or a doctor' s assistant as soon as her health would permit her, and would herself do the

scrubbing and the washing. Already she was passionately devoted to her child; he was not yet born, but she

knew already the colour of his eyes, what his hands would be like, and how he would laugh. She was fond of

talking about education, and as her Vladimir was the best man in the world, all her discussion of education

could be summed up in the question how to make the boy as fascinating as his father. There was no end to her

talk, and everything she said made her intensely joyful. Sometimes I was delighted, too, though I could not

have said why.

I suppose her dreaminess infected me. I, too, gave up reading, and did nothing but dream. In the evenings, in

spite of my fatigue, I walked up and down the room, with my hands in my pockets, talking of Masha.

"What do you think?" I would ask of my sister. "When will she come back? I think she'll come back at

Christmas, not later; what has she to do there?"

"As she doesn't write to you, it's evident she will come back very soon.

"That's true," I assented, though I knew perfectly well that Masha would not return to our town.

I missed her fearfully, and could no longer deceive myself, and tried to get other people to deceive me. My

sister was expecting her doctor, and I  Masha; and both of us talked incessantly, laughed, and did not

notice that we were preventing Karpovna from sleeping. She lay on the stove and kept muttering:

"The samovar hummed this morning, it did hum! Oh, it bodes no good, my dears, it bodes no good!"

No one ever came to see us but the postman, who brought my sister letters from the doctor, and Prokofy, who

sometimes came in to see us in the evening, and after looking at my sister without speaking went away, and

when he was in the kitchen said:

"Every class ought to remember its rules, and anyone, who is so proud that he won't understand that, will find

it a vale of tears."

He was very fond of the phrase "a vale of tears." One day  it was in Christmas week, when I was walking

by the bazaar  he called me into the butcher's shop, and not shaking hands with me, announced that he had

to speak to me about something very important. His face was red from the frost and vodka; near him, behind

the counter, stood Nikolka, with the expression of a brigand, holding a bloodstained knife in his hand.

"I desire to express my word to you," Prokofy began. "This incident cannot continue, because, as you

understand yourself that for such a vale, people will say nothing good of you or of us. Mamma, through pity,

cannot say something unpleasant to you, that your sister should move into another lodging on account of her

condition, but I won't have it any more, because I can't approve of her behaviour."

I understood him, and I went out of the shop. The same day my sister and I moved to Radish's. We had no

money for a cab, and we walked on foot; I carried a parcel of our belongings on my back; my sister had

nothing in her hands, but she gasped for breath and coughed, and kept asking whether we should get there

soon.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 60



Top




Page No 63


XIX At last a letter came from Masha.

"Dear, good M. A." (she wrote), "our kind, gentle 'angel' as the old painter calls you, farewell; I am going

with my father to America for the exhibition. In a few days I shall see the ocean  so far from Dubetchnya,

it's dreadful to think! It's far and unfathomable as the sky, and I long to be there in freedom. I am triumphant,

I am mad, and you see how incoherent my letter is. Dear, good one, give me my freedom, make haste to

break the thread, which still holds, binding you and me together. My meeting and knowing you was a ray

from heaven that lighted up my existence; but my becoming your wife was a mistake, you understand that,

and I am oppressed now by the consciousness of the mistake, and I beseech you, on my knees, my generous

friend, quickly, quickly, before I start for the ocean, telegraph that you consent to correct our common

mistake, to remove the solitary stone from my wings, and my father, who will undertake all the arrangements,

promised me not to burden you too much with formalities. And so I am free to fly whither I will? Yes?

"Be happy, and God bless you; forgive me, a sinner.

"I am well, I am wasting money, doing all sorts of silly things, and I thank God every minute that such a bad

woman as I has no children. I sing and have success, but it's not an infatuation; no, it's my haven, my cell to

which I go for peace. King David had a ring with an inscription on it: 'All things pass.' When one is sad those

words make one cheerful, and when one is cheerful it makes one sad. I have got myself a ring like that with

Hebrew letters on it, and this talisman keeps me from infatuations. All things pass, life will pass, one wants

nothing. Or at least one wants nothing but the sense of freedom, for when anyone is free, he wants nothing,

nothing, nothing. Break the thread. A warm hug to you and your sister. Forgive and forget your M."

My sister used to lie down in one room, and Radish, who had been ill again and was now better, in another.

Just at the moment when I received this letter my sister went softly into the painter's room, sat down beside

him and began reading aloud. She read to him every day, Ostrovsky or Gogol, and he listened, staring at one

point, not laughing, but shaking his head and muttering to himself from time to time:

"Anything may happen! Anything may happen!"

If anything ugly or unseemly were depicted in the play he would say as though vindictively, thrusting his

finger into the book:

"There it is, lying! That's what it does, lying does."

The plays fascinated him, both from their subjects and their moral, and from their skilful, complex

construction, and he marvelled at "him," never calling the author by his name. How neatly he has put it all

together.

This time my sister read softly only one page, and could read no more: her voice would not last out. Radish

took her hand and, moving his parched lips, said, hardly audibly, in a husky voice:

"The soul of a righteous man is white and smooth as chalk, but the soul of a sinful man is like pumice stone.

The soul of a righteous man is like clear oil, but the soul of a sinful man is gas tar. We must labour, we must

sorrow, we must suffer sickness," he went on, "and he who does not labour and sorrow will not gain the

Kingdom of Heaven. Woe, woe to them that are well fed, woe to the mighty, woe to the rich, woe to the

moneylenders! Not for them is the Kingdom of Heaven. Lice eat grass, rust eats iron. . ."

"And lying the soul," my sister added laughing. I read the letter through once more. At that moment there

walked into the kitchen a soldier who had been bringing us twice a week parcels of tea, French bread and

game, which smelt of scent, from some unknown giver. I had no work. I had had to sit at home idle for whole


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 61



Top




Page No 64


days together, and probably whoever sent us the French bread knew that we were in want.

I heard my sister talking to the soldier and laughing gaily. Then, lying down, she ate some French bread and

said to me:

"When you wouldn't go into the service, but became a house painter, Anyuta Blagovo and I knew from the

beginning that you were right, but we were frightened to say so aloud. Tell me what force is it that hinders us

from saying what one thinks? Take Anyuta Blagovo now, for instance. She loves you, she adores you, she

knows you are right, she loves me too, like a sister, and knows that I am right, and I daresay in her soul

envies me, but some force prevents her from coming to see us, she shuns us, she is afraid."

My sister crossed her arms over her breast, and said passionately:

"How she loves you, if only you knew! She has confessed her love to no one but me, and then very secretly in

the dark. She led me into a dark avenue in the garden, and began whispering how precious you were to her.

You will see, she'll never marry, because she loves you. Are you sorry for her?"

"Yes."

"It's she who has sent the bread. She is absurd really, what is the use of being so secret? I used to be absurd

and foolish, but now I have got away from that and am afraid of nobody. I think and say aloud what I like,

and am happy. When I lived at home I hadn't a conception of happiness, and now I wouldn't change with a

queen."

Dr. Blagovo arrived. He had taken his doctor's degree, and was now staying in our town with his father; he

was taking a rest, and said that he would soon go back to Petersburg again. He wanted to study antitoxins

against typhus, and, I believe, cholera; he wanted to go abroad to perfect his training, and then to be

appointed a professor. He had already left the army service, and wore a roomy serge reefer jacket, very full

trousers, and magnificent neckties. My sister was in ecstasies over his scarfpin, his studs, and the red silk

handkerchief which he wore, I suppose from foppishness, sticking out of the breast pocket of his jacket. One

day, having nothing to do, she and I counted up all the suits we remembered him wearing, and came to the

conclusion that he had at least ten. It was clear that he still loved my sister as before, but he never once even

in jest spoke of taking her with him to Petersburg or abroad, and I could not picture to myself clearly what

would become of her if she remained alive and what would become of her child. She did nothing but dream

endlessly, and never thought seriously of the future; she said he might go where he liked, and might abandon

her even, so long as he was happy himself; that what had been was enough for her.

As a rule he used to sound her very carefully on his arrival, and used to insist on her taking milk and drops in

his presence. It was the same on this occasion. He sounded her and made her drink a glass of milk, and there

was a smell of creosote in our room afterwards.

"That's a good girl," he said, taking the glass from her. "You mustn't talk too much now; you've taken to

chattering like a magpie of late. Please hold your tongue."

She laughed. Then he came into Radish's room where I was sitting and affectionately slapped me on the

shoulder.

"Well, how goes it, old man?" he said, bending down to the invalid.

"Your honour," said Radish, moving his lips slowly, "your honour, I venture to submit. . . . We all walk in the

fear of God, we all have to die. . . . Permit me to tell you the truth. . . . Your honour, the Kingdom of Heaven


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 62



Top




Page No 65


will not be for you!"

"There's no help for it," the doctor said jestingly; "there must be somebody in hell, you know."

And all at once something happened with my consciousness; as though I were in a dream, as though I were

standing on a winter night in the slaughterhouse yard, and Prokofy beside me, smelling of pepper cordial; I

made an effort to control myself, and rubbed my eyes, and at once it seemed to me that I was going along the

road to the interview with the Governor. Nothing of the sort had happened to me before, or has happened to

me since, and these strange memories that were like dreams, I ascribed to overexhaustion of my nerves. I

lived through the scene at the slaughterhouse, and the interview with the Governor, and at the same time was

dimly aware that it was not real.

When I came to myself I saw that I was no longer in the house, but in the street, and was standing with the

doctor near a lamppost.

"It's sad, it's sad," he was saying, and tears were trickling down his cheeks. "She is in good spirits, she's

always laughing and hopeful, but her position's hopeless, dear boy. Your Radish hates me, and is always

trying to make me feel that I have treated her badly. He is right from his standpoint, but I have my point of

view too; and I shall never regret all that has happened. One must love; we ought all to love  oughtn't we?

There would be no life without love; anyone who fears and avoids love is not free."

Little by little he passed to other subjects, began talking of science, of his dissertation which had been liked

in Petersburg. He was carried away by his subject, and no longer thought of my sister, nor of his grief, nor of

me. Life was of absorbing interest to him. She has America and her ring with the inscription on it, I thought,

while this fellow has his doctor's degree and a professor's chair to look forward to, and only my sister and I

are left with the old things.

When I said goodbye to him, I went up to the lamppost and read the letter once more. And I remembered, I

remembered vividly how that spring morning she had come to me at the mill, lain down and covered herself

with her jacket  she wanted to be like a simple peasant woman. And how, another time  it was in the

morning also  we drew the net out of the water, and heavy drops of rain fell upon us from the riverside

willows, and we laughed.

It was dark in our house in Great Dvoryansky Street. I got over the fence and, as I used to do in the old days,

went by the back way to the kitchen to borrow a lantern. There was no one in the kitchen. The samovar hissed

near the stove, waiting for my father. "Who pours out my father's tea now?" I thought. Taking the lantern I

went out to the shed, built myself up a bed of old newspapers and lay down. The hooks on the walls looked

forbidding, as they used to of old, and their shadows flickered. It was cold. I felt that my sister would come in

in a minute, and bring me supper, but at once I remembered that she was ill and was lying at Radish's, and it

seemed to me strange that I should have climbed over the fence and be lying here in this unheated shed. My

mind was in a maze, and I saw all sorts of absurd things.

There was a ring. A ring familiar from childhood: first the wire rustled against the wall, then a short plaintive

ring in the kitchen. It was my father come back from the club. I got up and went into the kitchen. Axinya the

cook clasped her hands on seeing me, and for some reason burst into tears.

"My own!" she said softly. "My precious! O Lord!"

And she began crumpling up her apron in her agitation. In the window there were standing jars of berries in

vodka. I poured myself out a teacupful and greedily drank it off, for I was intensely thirsty. Axinya had quite

recently scrubbed the table and benches, and there was that smell in the kitchen which is found in bright, snug


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 63



Top




Page No 66


kitchens kept by tidy cooks. And that smell and the chirp of the cricket used to lure us as children into the

kitchen, and put us in the mood for hearing fairy tales and playing at "Kings" . . .

"Where's Kleopatra?" Axinya asked softly, in a fluster, holding her breath; "and where is your cap, my dear?

Your wife, you say, has gone to Petersburg?"

She had been our servant in our mother's time, and used once to give Kleopatra and me our baths, and to her

we were still children who had to be talked to for their good. For a quarter of an hour or so she laid before me

all the reflections which she had with the sagacity of an old servant been accumulating in the stillness of that

kitchen, all the time since we had seen each other. She said that the doctor could be forced to marry

Kleopatra; he only needed to be thoroughly frightened; and that if an appeal were promptly written the bishop

would annul the first marriage; that it would be a good thing for me to sell Dubetchnya without my wife's

knowledge, and put the money in the bank in my own name; that if my sister and I were to bow down at my

father's feet and ask him properly, he might perhaps forgive us; that we ought to have a service sung to the

Queen of Heaven. . . .

"Come, go along, my dear, and speak to him," she said, when she heard my father's cough. "Go along, speak

to him; bow down, your head won't drop off."

I went in. My father was sitting at the table sketching a plan of a summer villa, with Gothic windows, and

with a fat turret like a fireman's watch tower  something peculiarly stiff and tasteless. Going into the study

I stood still where I could see this drawing. I did not know why I had gone in to my father, but I remember

that when I saw his lean face, his red neck, and his shadow on the wall, I wanted to throw myself on his neck,

and as Axinya had told me, bow down at his feet; but the sight of the summer villa with the Gothic windows,

and the fat turret, restrained me.

"Good evening," I said.

He glanced at me, and at once dropped his eyes on his drawing.

"What do you want?" he asked, after waiting a little.

"I have come to tell you my sister's very ill. She can't live very long," I added in a hollow voice.

"Well," sighed my father, taking off his spectacles, and laying them on the table. "What thou sowest that shalt

thou reap. What thou sowest," he repeated, getting up from the table. "that shalt thou reap. I ask you to

remember how you came to me two years ago, and on this very spot I begged you, I besought you to give up

your errors; I reminded you of your duty, of your honour, of what you owed to your forefathers whose

traditions we ought to preserve as sacred. Did you obey me? You scorned my counsels, and obstinately

persisted in clinging to your false ideals; worse still you drew your sister into the path of error with you, and

led her to lose her moral principles and sense of shame. Now you are both in a bad way. Well, as thou sowest,

so shalt thou reap!"

As he said this he walked up and down the room. He probably imagined that I had come to him to confess my

wrong doings, and he probably expected that I should begin begging him to forgive my sister and me. I was

cold, I was shivering as though I were in a fever, and spoke with difficulty in a husky voice.

"And I beg you, too, to remember," I said, "on this very spot I besought you to understand me, to reflect, to

decide with me how and for what we should live, and in answer you began talking about our forefathers,

about my grandfather who wrote poems. One tells you now that your only daughter is hopelessly ill, and you

go on again about your forefathers, your traditions. . . . And such frivolity in your old age, when death is


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 64



Top




Page No 67


close at hand, and you haven't more than five or ten years left!"

"What have you come here for?" my father asked sternly, evidently offended at my reproaching him for his

frivolity.

"I don't know. I love you, I am unutterably sorry that we are so far apart  so you see I have come. I love

you still, but my sister has broken with you completely. She does not forgive you, and will never forgive you

now. Your very name arouses her aversion for the past, for life."

"And who is to blame for it? " cried my father. "It's your fault, you scoundrel!

"Well, suppose it is my fault?" I said. "I admit I have been to blame in many things, but why is it that this life

of yours, which you think binding upon us, too  why is it so dreary, so barren? How is it that in not one of

these houses you have been building for the last thirty years has there been anyone from whom I might have

learnt how to live, so as not to be to blame? There is not one honest man in the whole town! These houses of

yours are nests of damnation, where mothers and daughters are made away with, where children are tortured.

. . . My poor mother!" I went on in despair. "My poor sister! One has to stupefy oneself with vodka, with

cards, with scandal; one must become a scoundrel, a hypocrite, or go on drawing plans for years and years, so

as not to notice all the horrors that lie hidden in these houses. Our town has existed for hundreds of years, and

all that time it has not produced one man of service to our country  not one. You have stifled in the germ

everything in the least living and bright. It's a town of shopkeepers, publicans, countinghouse clerks, canting

hypocrites; it's a useless, unnecessary town, which not one soul would regret if it suddenly sank through the

earth."

"I don't want to listen to you, you scoundrel!" said my father, and he took up his ruler from the table. "You

are drunk. Don't dare come and see your father in such a state! I tell you for the last time, and you can repeat

it to your depraved sister, that you'll get nothing from me, either of you. I have torn my disobedient children

out of my heart, and if they suffer for their disobedience and obstinacy I do not pity them. You can go

whence you came. It has pleased God to chastise me with you, but I will bear the trial with resignation, and,

like Job, I will find consolation in my sufferings and in unremitting labour. You must not cross my threshold

till you have mended your ways. I am a just man, all I tell you is for your benefit, and if you desire your own

good you ought to remember all your life what I say and have said to you. . . ."

I waved my hand in despair and went away. I don't remember what happened afterwards, that night and next

day.

I am told that I walked about the streets bareheaded, staggering, and singing aloud, while a crowd of boys ran

after me, shouting:

"Betterthannothing!"

XX If I wanted to order a ring for myself, the inscription I should choose would be: "Nothing passes away." I

believe that nothing passes away without leaving a trace, and that every step we take, however small, has

significance for our present and our future existence.

What I have been through has not been for nothing. My great troubles, my patience, have touched people's

hearts, and now they don't call me "Betterthannothing," they don't laugh at me, and when I walk by the

shops they don't throw water over me. They have grown used to my being a workman, and see nothing

strange in my carrying a pail of paint and putting in windows, though I am of noble rank; on the contrary,

people are glad to give me orders, and I am now considered a firstrate workman, and the best foreman after

Radish, who, though he has regained his health, and though, as before, he paints the cupola on the belfry


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 65



Top




Page No 68


without scaffolding, has no longer the force to control the workmen; instead of him I now run about the town

looking for work, I engage the workmen and pay them, borrow money at a high rate of interest, and now that

I myself am a contractor, I understand how it is that one may have to waste three days racing about the town

in search of tilers on account of some twopennyhalfpenny job. People are civil to me, they address me

politely, and in the houses where I work, they offer me tea, and send to enquire whether I wouldn't like

dinner. Children and young girls often come and look at me with curiosity and compassion.

One day I was working in the Governor's garden, painting an arbour there to look like marble. The Governor,

walking in the garden, came up to the arbour and, having nothing to do, entered into conversation with me,

and I reminded him how he had once summoned me to an interview with him. He looked into my face

intently for a minute, then made his mouth like a round "O," flung up his hands, and said: "I don't

remember!"

I have grown older, have become silent, stern, and austere, I rarely laugh, and I am told that I have grown like

Radish, and that like him I bore the workmen by my useless exhortations.

Mariya Viktorovna, my former wife, is living now abroad, while her father is constructing a railway

somewhere in the eastern provinces, and is buying estates there. Dr. Blagovo is also abroad. Dubetchnya has

passed again into the possession of Madame Tcheprakov, who has bought it after forcing the engineer to

knock the price down twenty per cent. Moisey goes about now in a bowler hat; he often drives into the town

in a racing droshky on business of some sort, and stops near the bank. They say he has already bought up a

mortgaged estate, and is constantly making enquiries at the bank about Dubetchnya, which he means to buy

too. Poor Ivan Tcheprakov was for a long while out of work, staggering about the town and drinking. I tried

to get him into our work, and for a time he painted roofs and put in windowpanes in our company, and even

got to like it, and stole oil, asked for tips, and drank like a regular painter. But he soon got sick of the work,

and went back to Dubetchnya, and afterwards the workmen confessed to me that he had tried to persuade

them to join him one night and murder Moisey and rob Madame Tcheprakov.

My father has greatly aged; he is very bent, and in the evenings walks up and down near his house. I never go

to see him.

During an epidemic of cholera Prokofy doctored some of the shopkeepers with pepper cordial and pitch, and

took money for doing so, and, as I learned from the newspapers, was flogged for abusing the doctors as he sat

in his shop. His shop boy Nikolka died of cholera. Karpovna is still alive and, as always, she loves and fears

her Prokofy. When she sees me, she always shakes her head mournfully, and says with a sigh: "Your life is

ruined."

On working days I am busy from morning till night. On holidays, in fine weather, I take my tiny niece (my

sister reckoned on a boy, but the child is a girl) and walk in a leisurely way to the cemetery. There I stand or

sit down, and stay a long time gazing at the grave that is so dear to me, and tell the child that her mother lies

here.

Sometimes, by the graveside, I find Anyuta Blagovo. We greet each other and stand in silence, or talk of

Kleopatra, of her child, of how sad life is in this world; then, going out of the cemetery we walk along in

silence and she slackens her pace on purpose to walk beside me a little longer. The little girl, joyous and

happy, pulls at her hand, laughing and screwing up her eyes in the bright sunlight, and we stand still and join

in caressing the dear child.

When we reach the town Anyuta Blagovo, agitated and flushing crimson, says goodbye to me and walks on

alone, austere and respectable. . . . And no one who met her could, looking at her, imagine that she had just

been walking beside me and even caressing the child.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 66



Top




Page No 69


AT A COUNTRY HOUSE

PAVEL ILYITCH RASHEVITCH walked up and down, stepping softly on the floor covered with little

Russian plaids, and casting a long shadow on the wall and ceiling while his guest, Meier, the deputy

examining magistrate, sat on the sofa with one leg drawn up under him smoking and listening. The clock

already pointed to eleven, and there were sounds of the table being laid in the room next to the study.

"Say what you like," Rashevitch was saying, "from the standpoint of fraternity, equality, and the rest of it,

Mitka, the swineherd, is perhaps a man the same as Goethe and Frederick the Great; but take your stand on a

scientific basis, have the courage to look facts in the face, and it will be obvious to you that blue blood is not

a mere prejudice, that it is not a feminine invention. Blue blood, my dear fellow, has an historical

justification, and to refuse to recognize it is, to my thinking, as strange as to refuse to recognize the antlers on

a stag. One must reckon with facts! You are a law student and have confined your attention to the humane

studies, and you can still flatter yourself with illusions of equality, fraternity, and so on; I am an incorrigible

Darwinian, and for me words such as lineage, aristocracy, noble blood, are not empty sounds."

Rashevitch was roused and spoke with feeling. His eyes sparkled, his pincenez would not stay on his nose,

he kept nervously shrugging his shoulders and blinking, and at the word " Darwinian" he looked jauntily in

the lookingglass and combed his grey beard with both hands. He was wearing a very short and shabby

reefer jacket and narrow trousers; the rapidity of his movements, his jaunty air, and his abbreviated jacket all

seemed out of keeping with him, and his big comely head, with long hair suggestive of a bishop or a veteran

poet, seemed to have been fixed on to the body of a tall, lanky, affected youth. When he stood with his legs

wide apart, his long shadow looked like a pair of scissors.

He was fond of talking, and he always fancied that he was saying something new and original. In the

presence of Meier he was conscious of an unusual flow of spirits and rush of ideas. He found the examining

magistrate sympathetic, and was stimulated by his youth, his health, his good manners, his dignity, and,

above all, by his cordial attitude to himself and his family. Rashevitch was not a favourite with his

acquaintances; as a rule they fought shy of him, and, as he knew, declared that he had driven his wife into her

grave with his talking, and they called him, behind his back, a spiteful creature and a toad. Meier, a man new

to the district and unprejudiced, visited him often and readily and had even been known to say that

Rashevitch and his daughters were the only people in the district with whom he felt as much at home as with

his own people. Rashevitch liked him too, because he was a young man who might be a good match for his

elder daughter, Genya.

And now, enjoying his ideas and the sound of his own voice, and looking with pleasure at the plump but

wellproportioned, neatly cropped, correct Meier, Rashevitch dreamed of how he would arrange his

daughter's marriage with a good man, and then how all his worries over the estate would pass to his

soninlaw. Hateful worries! The interest owing to the bank had not been paid for the last two quarters, and

fines and arrears of all sorts had mounted up to more than two thousand.

"To my mind there can be no doubt," Rashevitch went on, growing more and more enthusiastic, "that if a

Richard CoeurdeLion, or Frederick Barbarossa, for instance, is brave and noble those qualities will pass by

heredity to his son, together with the convolutions and bumps of the brain, and if that courage and nobility of

soul are preserved in the son by means of education and exercise, and if he marries a princess who is also

noble and brave, those qualities will be transmitted to his grandson, and so on, until they become a generic

characteristic and pass organically into the flesh and blood. Thanks to a strict sexual selection, to the fact that

highborn families have instinctively guarded themselves against marriage with their inferiors, and young

men of high rank have not married just anybody, lofty, spiritual qualities have been transmitted from

generation to generation in their full purity, have been preserved, and as time goes on have, through exercise,

become more exalted and lofty. For the fact that there is good in humanity we are indebted to nature, to the


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 67



Top




Page No 70


normal, natural, consistent order of things, which has throughout the ages scrupulously segregated blue blood

from plebeian. Yes, my dear boy, no low lout, no cook's son has given us literature, science, art, law,

conceptions of honour and duty. . . . For all these things mankind is indebted exclusively to the aristocracy,

and from that point of view, the point of view of natural history, an inferior Sobakevitch by the very fact of

his blue blood is superior and more useful than the very best merchant, even though the latter may have built

fifteen museums. Say what you like! And when I refuse to shake hands with a low lout or a cook's son, or to

let him sit down to table with me, by that very act I am safeguarding what is the best thing on earth, and am

carrying out one of Mother Nature's finest designs for leading us up to perfection. . ."

Rashevitch stood still, combing his beard with both hands; his shadow, too, stood still on the wall, looking

like a pair of scissors.

"Take MotherRussia now," he went on, thrusting his hands in his pockets and standing first on his heels and

then on his toes. "Who are her best people? Take our firstrate painters, writers, composers. . . . Who are

they? They were all of aristocratic origin. Pushkin, Lermontov, Turgenev, Gontcharov, Tolstoy, they were

not sexton's children."

"Gontcharov was a merchant," said Meier.

"Well, the exception only proves the rule. Besides, Gontcharov's genius is quite open to dispute. But let us

drop names and turn to facts. What would you say, my good sir, for instance, to this eloquent fact: when one

of the mob forces his way where he has not been permitted before, into society, into the world of learning, of

literature, into the Zemstvo or the law courts, observe, Nature herself, first of all, champions the higher rights

of humanity, and is the first to wage war on the rabble. As soon as the plebeian forces himself into a place he

is not fit for he begins to ail, to go into consumption, to go out of his mind, and to degenerate, and nowhere

do we find so many puny, neurotic wrecks, consumptives, and starvelings of all sorts as among these

darlings. They die like flies in autumn. If it were not for this providential degeneration there would not have

been a stone left standing of our civilization, the rabble would have demolished everything. Tell me, if you

please, what has the inroad of the barbarians given us so far? What has the rabble brought with it?"

Rashevitch assumed a mysterious, frightened expression, and went on: "Never has literature and learning

been at such low ebb among us as now. The men of today, my good sir, have neither ideas nor ideals, and

all their sayings and doings are permeated by one spiritto get all they can and to strip someone to his last

thread. All these men of today who give themselves out as honest and progressive people can be bought at a

rouble a piece, and the distinguishing mark of the 'intellectual' of today is that you have to keep strict watch

over your pocket when you talk to him, or else he will run off with your purse." Rashevitch winked and burst

out laughing. "Upon my soul, he will! he said, in a thin, gleeful voice. "And morals! What of their morals?"

Rashevitch looked round towards the door. "No one is surprised nowadays when a wife robs and leaves her

husband. What's that, a trifle! Nowadays, my dear boy, a chit of a girl of twelve is scheming to get a lover,

and all these amateur theatricals and literary evenings are only invented to make it easier to get a rich

merchant to take a girl on as his mistress. . . . Mothers sell their daughters, and people make no bones about

asking a husband at what price he sells his wife, and one can haggle over the bargain, you know, my dear. . .

."

Meier, who had been sitting motionless and silent all the time, suddenly got up from the sofa and looked at

his watch.

"I beg your pardon, Pavel Ilyitch," he said, "it is time for me to be going."

But Pavel Ilyitch, who had not finished his remarks, put his arm round him and, forcibly reseating him on the

sofa, vowed that he would not let him go without supper. And again Meier sat and listened, but he looked at

Rashevitch with perplexity and uneasiness, as though he were only now beginning to understand him.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 68



Top




Page No 71


Patches of red came into his face. And when at last a maidservant came in to tell them that the young ladies

asked them to go to supper, he gave a sigh of relief and was the first to walk out of the study.

At the table in the next room were Rashevitch's daughters, Genya and Iraida, girls of fourandtwenty and

twoandtwenty respectively, both very pale, with black eyes, and exactly the same height. Genya had her

hair down, and Iraida had hers done up high on her head. Before eating anything they each drank a

wineglassful of bitter liqueur, with an air as though they had drunk it by accident for the first time in their

lives and both were overcome with confusion and burst out laughing.

"Don't be naughty, girls," said Rashevitch.

Genya and Iraida talked French with each other, and Russian with their father and their visitor. Interrupting

one another, and mixing up French words with Russian, they began rapidly describing how just at this time in

August, in previous years, they had set off to the hoarding school and what fun it had been. Now there was

nowhere to go, and they had to stay at their home in the country, summer and winter without change. Such

dreariness!

"Don't be naughty, girls," Rashevitch said again.

He wanted to be talking himself. If other people talked in his presence, he suffered from a feeling like

jealousy.

"So that's how it is, my dear boy," he began, looking affectionately at Meier. "In the simplicity and goodness

of our hearts, and from fear of being suspected of being behind the times, we fraternize with, excuse me, all

sorts of riffraff, we preach fraternity and equality with moneylenders and innkeepers; but if we would only

think, we should see how criminal that goodnature is. We have brought things to such a pass, that the fate of

civilization is hanging on a hair. My dear fellow, what our forefathers gained in the course of ages will be

tomorrow, if not today, outraged and destroyed by these modern Huns. . . ."

After supper they all went into the drawingroom. Genya and Iraida lighted the candles on the piano, got out

their music. . . . But their father still went on talking, and there was no telling when he would leave off. They

looked with misery and vexation at their egoistfather, to whom the pleasure of chattering and displaying his

intelligence was evidently more precious and important than his daughters' happiness. Meier, the only young

man who ever came to their house, camethey knewfor the sake of their charming, feminine society, but

the irrepressible old man had taken possession of him, and would not let him move a step away.

"Just as the knights of the west repelled the invasions of the Mongols, so we, before it is too late, ought to

unite and strike together against our foe," Rashevitch went on in the tone of a preacher, holding up his right

hand. "May I appear to the riffraff not as Pavel Ilyitch, but as a mighty, menacing Richard CoeurdeLion.

Let us give up sloppy sentimentality; enough of it! Let us all make a compact, that as soon as a plebeian

comes near us we fling some careless phrase straight in his ugly face: 'Paws off! Go back to your kennel, you

cur!' straight in his ugly face," Rashevitch went on gleefully, flicking his crooked finger in front of him. "In

his ugly face!"

"I can't do that," Meier brought out, turning away.

"Why not?" Rashevitch answered briskly, anticipating a prolonged and interesting argument. "Why not?"

"Because I am of the artisan class myself!"

As he said this Meier turned crimson, and his neck seemed to swell, and tears actually gleamed in his eyes.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 69



Top




Page No 72


"My father was a simple workman," he said, in a rough, jerky voice, "but I see no harm in that."

Rashevitch was fearfully confused. Dumbfoundered, as though he had been caught in the act of a crime, he

gazed helplessly at Meier, and did not know what to say. Genya and Iraida flushed crimson, and bent over

their music; they were ashamed of their tactless father. A minute passed in silence, and there was a feeling of

unbearable discomfort, when all at once with a sort of painful stiffness and inappropriateness, there sounded

in the air the words:

"Yes, I am of the artisan class, and I am proud of it!"

Thereupon Meier, stumbling awkwardly among the furniture, took his leave, and walked rapidly into the hall,

though his carriage was not yet at the door.

"You'll have a dark drive tonight," Rashevitch muttered, following him. "The moon does not rise till late

tonight."

They stood together on the steps in the dark, and waited for the horses to be brought. It was cool.

"There's a falling star," said Meier, wrapping himself in his overcoat.

"There are a great many in August."

When the horses were at the door, Rashevitch gazed intently at the sky, and said with a sigh:

"A phenomenon worthy of the pen of Flammarion. . . ."

After seeing his visitor off, he walked up and down the garden, gesticulating in the darkness, reluctant to

believe that such a queer, stupid misunderstanding had only just occurred. He was ashamed and vexed with

himself. In the first place it had been extremely incautious and tactless on his part to raise the damnable

subject of blue blood, without finding out beforehand what his visitor's position was. Something of the same

sort had happened to him before; he had, on one occasion in a railway carriage, begun abusing the Germans,

and it had afterwards appeared that all the persons he had been conversing with were German. In the second

place he felt that Meier would never come and see him again. These intellectuals who have risen from the

people are morbidly sensitive, obstinate and slow to forgive.

"It's bad, it's bad," muttered Rashevitch, spitting; he had a feeling of discomfort and loathing as though he

had eaten soap. "Ah, it's bad!"

He could see from the garden, through the drawingroom window, Genya by the piano, very pale, and

looking scared, with her hair down. She was talking very, very rapidly. . . . Iraida was walking up and down

the room, lost in thought; hut now she, too, began talking rapidly with her face full of indignation. They were

both talking at once. Rashevitch could not hear a word, but he guessed what they were talking about. Genya

was probably complaining that her father drove away every decent person from the house with his talk, and

today he had driven away from them their one acquaintance, perhaps a suitor, and now the poor young man

would not have one place in the whole district where he could find rest for his soul. And judging by the

despairing way in which she threw up her arms, Iraida was talking probably on the subject of their dreary

existence, their wasted youth. . . .

When he reached his own room, Rashevitch sat down on his bed and began to undress. He felt oppressed, and

he was still haunted by the same feeling as though he had eaten soap. He was ashamed. As he undressed he

looked at his long, sinewy, elderly legs, and remembered that in the district they called him the "toad," and


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 70



Top




Page No 73


after every long conversation he always felt ashamed. Somehow or other, by some fatality, it always

happened that he began mildly, amicably, with good intentions, calling himself an old student, an idealist, a

Quixote, but without being himself aware of it, gradually passed into abuse and slander, and what was most

surprising, with perfect sincerity criticized science, art and morals, though he had not read a book for the last

twenty years, had been nowhere farther than their provincial town, and did not really know what was going

on in the world. If he sat down to write anything, if it were only a letter of congratulation, there would

somehow be abuse in the letter. And all this was strange, because in reality he was a man of feeling, given to

tears, Could he be possessed by some devil which hated and slandered in him, apart from his own will?

"It's bad," he sighed, as he lay down under the quilt. "It's bad."

His daughters did not sleep either. There was a sound of laughter and screaming, as though someone was

being pursued; it was Genya in hysterics. A little later Iraida was sobbing too. A maidservant ran barefoot up

and down the passage several times. . . .

"What a business! Good Lord! . . ." muttered Rashevitch, sighing and tossing from side to side. "It's bad."

He had a nightmare. He dreamt he was standing naked, as tall as a giraffe, in the middle of the room, and

saying, as he flicked his finger before him:

"In his ugly face! his ugly face! his ugly face!"

He woke up in a fright, and first of all remembered that a misunderstanding had happened in the evening, and

that Meier would certainly not come again. He remembered, too, that he had to pay the interest at the bank, to

find husbands for his daughters, that one must have food and drink, and close at hand were illness, old age,

unpleasantnesses, that soon it would be winter, and that there was no wood. . . .

It was past nine o'clock in the morning. Rashevitch slowly dressed, drank his tea and ate two hunks of bread

and butter. His daughters did not come down to breakfast; they did not want to meet him, and that wounded

him. He lay down on his sofa in his study, then sat down to his table and began writing a letter to his

daughters. His hand shook and his eyes smarted. He wrote that he was old, and no use to anyone and that

nobody loved him, and he begged his daughters to forget him, and when he died to bury him in a plain, deal

coffin without ceremony, or to send his body to Harkov to the dissecting theatre. He felt that every line he

wrote reeked of malice and affectation, but he could not stop, and went on writing and writing.

"The toad!" he suddenly heard from the next room; it was the voice of his elder daughter, a voice with a hiss

of indignation. "The toad!"

"The toad!" the younger one repeated like an echo. "The toad!"

A FATHER

"I ADMIT I have had a drop. . . . You must excuse me. I went into a beer shop on the way here, and as it was

so hot had a couple of bottles. It's hot, my boy."

Old Musatov took a nondescript rag out of his pocket and wiped his shaven, battered face with it.

"I have come only for a minute, Borenka, my angel," he went on, not looking at his son, "about something

very important. Excuse me, perhaps I am hindering you. Haven't you ten roubles, my dear, you could let me

have till Tuesday? You see, I ought to have paid for my lodging yesterday, and money, you see! . . . None!

Not to save my life!"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 71



Top




Page No 74


Young Musatov went out without a word, and began whispering the other side of the door with the landlady

of the summer villa and his colleagues who had taken the villa with him. Three minutes later he came back,

and without a word gave his father a tenrouble note. The latter thrust it carelessly into his pocket without

looking at it, and said:

"Merci. Well, how are you getting on? It's a long time since we met."

"Yes, a long time, not since Easter."

"Half a dozen times I have been meaning to come to you, but I've never had time. First one thing, then

another. . . . It's simply awful! I am talking nonsense though. . . . All that's nonsense. Don't you believe me,

Borenka. I said I would pay you back the ten roubles on Tuesday, don't believe that either. Don't believe a

word I say. I have nothing to do at all, it's simply laziness, drunkenness, and I am ashamed to be seen in such

clothes in the street. You must excuse me, Borenka. Here I have sent the girl to you three times for money

and written you piteous letters. Thanks for the money, but don't believe the letters; I was telling fibs. I am

ashamed to rob you, my angel; I know that you can scarcely make both ends meet yourself, and feed on

locusts, but my impudence is too much for me. I am such a specimen of impudence  fit for a show! . . .

You must excuse me, Borenka. I tell you the truth, because I can't see your angel face without emotion."

A minute passed in silence. The old man heaved a deep sigh and said:

"You might treat me to a glass of beer perhaps."

His son went out without a word, and again there was a sound of whispering the other side of the door. When

a little later the beer was brought in, the old man seemed to revive at the sight of the bottles and abruptly

changed his tone.

"I was at the races the other day, my boy," he began telling him, assuming a scared expression. "We were a

party of three, and we pooled three roubles on Frisky. And, thanks to that Frisky, we got thirtytwo roubles

each for our rouble. I can't get on without the races, my boy. It's a gentlemanly diversion. My virago always

gives me a dressing over the races, but I go. I love it, and that's all about it."

Boris, a fairhaired young man with a melancholy immobile face, was walking slowly up and down, listening

in silence. When the old man stopped to clear his throat, he went up to him and said:

"I bought myself a pair of boots the other day, father, which turn out to be too tight for me. Won't you take

them? I'll let you have them cheap."

"If you like," said the old man with a grimace, "only for the price you gave for them, without any

cheapening."

"Very well, I'll let you have them on credit."

The son groped under the bed and produced the new boots. The father took off his clumsy, rusty, evidently

secondhand boots and began trying on the new ones.

"A perfect fit," he said. "Right, let me keep them. And on Tuesday, when I get my pension, I'll send you the

money for them. That's not true, though," he went on, suddenly falling into the same tearful tone again. "And

it was a lie about the races, too, and a lie about the pension. And you are deceiving me, Borenka. . . . I feel

your generous tactfulness. I see through you! Your boots were too small, because your heart is too big. Ah,

Borenka, Borenka! I understand it all and feel it!"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 72



Top




Page No 75


"Have you moved into new lodgings?" his son interrupted, to change the conversation.

"Yes, my boy. I move every month. My virago can't stay long in the same place with her temper."

"I went to your lodgings, I meant to ask you to stay here with me. In your state of health it would do you

good to be in the fresh air."

"No," said the old man, with a wave of his hand, "the woman wouldn't let me, and I shouldn't care to myself.

A hundred times you have tried to drag me out of the pit, and I have tried myself, but nothing came of it.

Give it up. I must stick in my filthy hole. This minute, here I am sitting, looking at your angel face, yet

something is drawing me home to my hole. Such is my fate. You can't draw a dungbeetle to a rose. But it's

time I was going, my boy. It's getting dark."

"Wait a minute then, I'll come with you. I have to go to town today myself."

Both put on their overcoats and went out. When a little while afterwards they were driving in a cab, it was

already dark, and lights began to gleam in the windows.

"I've robbed you, Borenka!" the father muttered. "Poor children, poor children! It must be a dreadful trouble

to have such a father! Borenka, my angel, I cannot lie when I see your face. You must excuse me. . . . What

my depravity has come to, my God. Here I have just been robbing you, and put you to shame with my

drunken state; I am robbing your brothers, too, and put them to shame, and you should have seen me

yesterday! I won't conceal it, Borenka. Some neighbours, a wretched crew, came to see my virago; I got

drunk, too, with them, and I blackguarded you poor children for all I was worth. I abused you, and

complained that you had abandoned me. I wanted, you see, to touch the drunken hussies' hearts, and pose as

an unhappy father. It's my way, you know, when I want to screen my vices I throw all the blame on my

innocent children. I can't tell lies and hide things from you, Borenka. I came to see you as proud as a peacock,

but when I saw your gentleness and kind heart, my tongue clave to the roof of my mouth, and it upset my

conscience completely."

"Hush, father, let's talk of something else."

"Mother of God, what children I have," the old man went on, not heeding his son. "What wealth God has

bestowed on me. Such children ought not to have had a black sheep like me for a father, but a real man with

soul and feeling! I am not worthy of you!"

The old man took off his cap with a button at the top and crossed himself several times.

"Thanks be to Thee, O Lord!" he said with a sigh, looking from side to side as though seeking for an ikon.

"Remarkable, exceptional children! I have three sons, and they are all like one. Sober, steady, hardworking,

and what brains! Cabman, what brains! Grigory alone has brains enough for ten. He speaks French, he speaks

German, and talks better than any of your lawyers  one is never tired of listening. My children, my

children, I can't believe that you are mine! I can't believe it! You are a martyr, my Borenka, I am ruining you,

and I shall go on ruining you. . . . You give to me endlessly, though you know your money is thrown away.

The other day I sent you a pitiful letter, I described how ill I was, but you know I was lying, I wanted the

money for rum. And you give to me because you are afraid to wound me by refusing. I know all that, and feel

it. Grisha's a martyr, too. On Thursday I went to his office, drunk, filthy, ragged, reeking of vodka like a

cellar . . . I went straight up, such a figure, I pestered him with nasty talk, while his colleagues and superiors

and petitioners were standing round. I have disgraced him for life. And he wasn't the least confused, only

turned a bit pale, but smiled and came up to me as though there were nothing the matter, even introduced me

to his colleagues. Then he took me all the way home, and not a word of reproach. I rob him worse than you.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 73



Top




Page No 76


Take your brother Sasha now, he's a martyr too! He married, as you know, a colonel's daughter of an

aristocratic circle, and got a dowry with her. . . . You would think he would have nothing to do with me. No,

brother, after his wedding he came with his young wife and paid me the first visit . . . in my hole. . . . Upon

my soul!"

The old man gave a sob and then began laughing.

"And at that moment, as luck would have it, we were eating grated radish with kvass and frying fish, and

there was a stink enough in the flat to make the devil sick. I was lying down  I'd had a drop  my virago

bounced out at the young people with her face crimson, . . . It was a disgrace in fact. But Sasha rose superior

to it all."

"Yes, our Sasha is a good fellow," said Boris.

"The most splendid fellow! You are all pure gold, you and Grisha and Sasha and Sonya. I worry you, torment

you, disgrace you, rob you, and all my life I have not heard one word of reproach from you, you have never

given me one cross look. It would be all very well if I had been a decent father to you  but as it is! You

have had nothing from me but harm. I am a bad, dissipated man. . . . Now, thank God, I am quieter and I have

no strength of will, but in old days when you were little I had determination, will. Whatever I said or did I

always thought it was right. Sometimes I'd come home from the club at night, drunk and illhumoured, and

scold at your poor mother for spending money. The whole night I would be railing at her, and think it the

right thing too; you would get up in the morning and go to school, while I'd still be venting my temper upon

her. Heavens! I did torture her, poor martyr! When you came back from school and I was asleep you didn't

dare to have dinner till I got up. At dinner again there would be a flare up. I daresay you remember. I wish no

one such a father; God sent me to you for a trial. Yes, for a trial! Hold out, children, to the end! Honour thy

father and thy days shall be long. Perhaps for your noble conduct God will grant you long life. Cabman,

stop!"

The old man jumped out of the cab and ran into a tavern. Half an hour later he came back, cleared his throat

in a drunken way, and sat down beside his son.

"Where's Sonya now?" he asked. "Still at boardingschool?"

"No, she left in May, and is living now with Sasha's motherinlaw."

"There!" said the old man in surprise. "She is a jolly good girl! So she is following her brother's example. . . .

Ah, Borenka, she has no mother, no one to rejoice over her! I say, Borenka, does she . . . does she know how

I am living? Eh?"

Boris made no answer. Five minutes passed in profound silence. The old man gave a sob, wiped his face with

a rag and said:

"I love her, Borenka! She is my only daughter, you know, and in one's old age there is no comfort like a

daughter. Could I see her, Borenka?"

"Of course, when you like."

"Really? And she won't mind?"

"Of course not, she has been trying to find you so as to see you."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 74



Top




Page No 77


"Upon my soul! What children! Cabman, eh? Arrange it, Borenka darling! She is a young lady now,

delicatesse, consommé, and all the rest of it in a refined way, and I don't want to show myself to her in such

an abject state. I'll tell you how we'll contrive to work it. For three days I will keep away from spirits, to get

my filthy, drunken phiz into better order. Then I'll come to you, and you shall lend me for the time some suit

of yours; I'll shave and have my hair cut, then you go and bring her to your flat. Will you?"

"Very well."

"Cabman, stop!"

The old man sprang out of the cab again and ran into a tavern. While Boris was driving with him to his

lodging he jumped out twice again, while his son sat silent and waited patiently for him. When, after

dismissing the cab, they made their way across a long, filthy yard to the "virago's" lodging, the old man put

on an utterly shamefaced and guilty air, and began timidly clearing his throat and clicking with his lips.

"Borenka," he said in an ingratiating voice, "if my virago begins saying anything, don't take any notice . . .

and behave to her, you know, affably. She is ignorant and impudent, but she's a good baggage. There is a

good, warm heart beating in her bosom!"

The long yard ended, and Boris found himself in a dark entry. The swing door creaked, there was a smell of

cooking and a smoking samovar. There was a sound of harsh voices. Passing through the passage into the

kitchen Boris could see nothing but thick smoke, a line with washing on it, and the chimney of the samovar

through a crack of which golden sparks were dropping.

"And here is my cell," said the old man, stooping down and going into a little room with a lowpitched

ceiling, and an atmosphere unbearably stifling from the proximity of the kitchen.

Here three women were sitting at the table regaling themselves. Seeing the visitors, they exchanged glances

and left off eating.

"Well, did you get it?" one of them, apparently the "virago" herself, asked abruptly.

"Yes, yes," muttered the old man. "Well, Boris, pray sit down. Everything is plain here, young man . . . we

live in a simple way."

He bustled about in an aimless way. He felt ashamed before his son, and at the same time apparently he

wanted to keep up before the women his dignity as cock of the walk, and as a forsaken, unhappy father.

"Yes, young man, we live simply with no nonsense," he went on muttering. "We are simple people, young

man. . . . We are not like you, we don't want to keep up a show before people. No! . . . Shall we have a drink

of vodka?"

One of the women (she was ashamed to drink before a stranger) heaved a sigh and said:

"Well, I'll have another drink on account of the mushrooms. . . . They are such mushrooms, they make you

drink even if you don't want to. Ivan Gerasimitch, offer the young gentleman, perhaps he will have a drink!"

The last word she pronounced in a mincing drawl.

"Have a drink, young man!" said the father, not looking at his son. "We have no wine or liqueurs, my boy, we

live in a plain way."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 75



Top




Page No 78


"He doesn't like our ways," sighed the "virago." "Never mind, never mind, he'll have a drink."

Not to offend his father by refusing, Boris took a wineglass and drank in silence. When they brought in the

samovar, to satisfy the old man, he drank two cups of disgusting tea in silence, with a melancholy face.

Without a word he listened to the virago dropping hints about there being in this world cruel, heartless

children who abandon their parents.

"I know what you are thinking now!" said the old man, after drinking more and passing into his habitual state

of drunken excitement. "You think I have let myself sink into the mire, that I am to be pitied, but to my

thinking, this simple life is much more normal than your life, . . . I don't need anybody, and . . . and I don't

intend to eat humble pie. . . . I can't endure a wretched boy's looking at me with compassion."

After tea he cleaned a herring and sprinkled it with onion, with such feeling, that tears of emotion stood in his

eyes. He began talking again about the races and his winnings, about some Panama hat for which he had paid

sixteen roubles the day before. He told lies with the same relish with which he ate herring and drank. His son

sat on in silence for an hour, and began to say goodbye.

"I don't venture to keep you," the old man said, haughtily. "You must excuse me, young man, for not living as

you would like!"

He ruffled up his feathers, snorted with dignity, and winked at the women.

"Goodbye, young man," he said, seeing his son into the entry. "Attendez."

In the entry, where it was dark, he suddenly pressed his face against the young man's sleeve and gave a sob.

"I should like to have a look at Sonitchka," he whispered. "Arrange it, Borenka, my angel. I'll shave, I'll put

on your suit . . . I'll put on a straight face . . . I'll hold my tongue while she is there. Yes, yes, I will hold my

tongue! "

He looked round timidly towards the door, through which the women's voices were heard, checked his sobs,

and said aloud:

"Goodbye, young man! Attendez."

ON THE ROAD

"Upon the breast of a gigantic crag, 

A golden cloudlet rested for one night." 

LERMONTOV.

IN the room which the tavern keeper, the Cossack Semyon Tchistopluy, called the "travellers' room," that is

kept exclusively for travellers, a tall, broadshouldered man of forty was sitting at the big unpainted table. He

was asleep with his elbows on the table and his head leaning on his fist. An end of tallow candle, stuck into

an old pomatum pot, lighted up his light brown beard, his thick, broad nose, his sunburnt cheeks, and the

thick, black eyebrows overhanging his closed eyes. . . . The nose and the cheeks and the eyebrows, all the

features, each taken separately, were coarse and heavy, like the furniture and the stove in the "travellers'

room," but taken all together they gave the effect of something harmonious and even beautiful. Such is the

lucky star, as it is called, of the Russian face: the coarser and harsher its features the softer and more

goodnatured it looks. The man was dressed in a gentleman's reefer jacket, shabby, but bound with wide new


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 76



Top




Page No 79


braid, a plush waistcoat, and full black trousers thrust into big high boots.

On one of the benches, which stood in a continuous row along the wall, a girl of eight, in a brown dress and

long black stockings, lay asleep on a coat lined with fox. Her face was pale, her hair was flaxen, her

shoulders were narrow, her whole body was thin and frail, but her nose stood out as thick and ugly a lump as

the man's. She was sound asleep, and unconscious that her semicircular comb had fallen off her head and

was cutting her cheek.

The "travellers' room" had a festive appearance. The air was full of the smell of freshly scrubbed floors, there

were no rags hanging as usual on the line that ran diagonally across the room, and a little lamp was burning in

the corner over the table, casting a patch of red light on the ikon of St. George the Victorious. From the ikon

stretched on each side of the corner a row of cheap oleographs, which maintained a strict and careful

gradation in the transition from the sacred to the profane. In the dim light of the candle end and the red ikon

lamp the pictures looked like one continuous stripe, covered with blurs of black. When the tiled stove, trying

to sing in unison with the weather, drew in the air with a howl, while the logs, as though waking up, burst

into bright flame and hissed angrily, red patches began dancing on the log walls, and over the head of the

sleeping man could be seen first the Elder Seraphim, then the Shah NasiredDin, then a fat, brown baby

with goggle eyes, whispering in the ear of a young girl with an extraordinarily blank, and indifferent face. . . .

Outside a storm was raging. Something frantic and wrathful, but profoundly unhappy, seemed to be flinging

itself about the tavern with the ferocity of a wild beast and trying to break in. Banging at the doors, knocking

at the windows and on the roof, scratching at the walls, it alternately threatened and besought, then subsided

for a brief interval, and then with a gleeful, treacherous howl burst into the chimney, but the wood flared up,

and the fire, like a chained dog, flew wrathfully to meet its foe, a battle began, and after it  sobs, shrieks,

howls of wrath. In all of this there was the sound of angry misery and unsatisfied hate, and the mortified

impatience of something accustomed to triumph.

Bewitched by this wild, inhuman music the "travellers' room" seemed spellbound for ever, but all at once the

door creaked and the potboy, in a new print shirt, came in. Limping on one leg, and blinking his sleepy eyes,

he snuffed the candle with his fingers, put some more wood on the fire and went out. At once from the

church, which was three hundred paces from the tavern, the clock struck midnight. The wind played with the

chimes as with the snowflakes; chasing the sounds of the clock it whirled them round and round over a vast

space, so that some strokes were cut short or drawn out in long, vibrating notes, while others were completely

lost in the general uproar. One stroke sounded as distinctly in the room as though it had chimed just under the

window. The child, sleeping on the foxskin, started and raised her head. For a minute she stared blankly at

the dark window, at NasiredDin over whom a crimson glow from the fire flickered at that moment, then

she turned her eyes upon the sleeping man.

"Daddy," she said.

But the man did not move. The little girl knitted her brow angrily, lay down, and curled up her legs. Someone

in the tavern gave a loud, prolonged yawn. Soon afterwards there was the squeak of the swing door and the

sound of indistinct voices. Someone came in, shaking the snow off, and stamping in felt boots which made a

muffled thud.

"What is it?" a woman s voice asked languidly.

"Mademoiselle Ilovaisky has come, . . ." answered a bass voice.

Again there was the squeak of the swing door. Then came the roar of the wind rushing in. Someone, probably

the lame boy, ran to the door leading to the "travellers' room," coughed deferentially, and lifted the latch.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 77



Top




Page No 80


"This way, lady, please," said a woman's voice in dulcet tones. "It's clean in here, my beauty. . . ."

The door was opened wide and a peasant with a beard appeared in the doorway, in the long coat of a

coachman, plastered all over with snow from head to foot, and carrying a big trunk on his shoulder. He was

followed into the room by a feminine figure, scarcely half his height, with no face and no arms, muffled and

wrapped up like a bundle and also covered with snow. A damp chill, as from a cellar, seemed to come to the

child from the coachman and the bundle, and the fire and the candles flickered.

"What nonsense!" said the bundle angrily, "We could go perfectly well. We have only nine more miles to go,

mostly by the forest, and we should not get lost. . . ."

"As for getting lost, we shouldn't, but the horses can't go on, lady!" answered the coachman. "And it is Thy

Will, O Lord! As though I had done it on purpose!"

"God knows where you have brought me. . . . Well, be quiet. . . . There are people asleep here, it seems. You

can go. . . ."

The coachman put the portmanteau on the floor, and as he did so, a great lump of snow fell off his shoulders.

He gave a sniff and went out.

Then the little girl saw two little hands come out from the middle of the bundle, stretch upwards and begin

angrily disentangling the network of shawls, kerchiefs, and scarves. First a big shawl fell on the ground, then

a hood, then a white knitted kerchief. After freeing her head, the traveller took off her pelisse and at once

shrank to half the size. Now she was in a long, grey coat with big buttons and bulging pockets. From one

pocket she pulled out a paper parcel, from the other a bunch of big, heavy keys, which she put down so

carelessly that the sleeping man started and opened his eyes. For some time he looked blankly round him as

though he didn't know where he was, then he shook his head, went to the corner and sat down. . . . The

newcomer took off her great coat, which made her shrink to half her size again, she took off her big felt

boots, and sat down, too.

By now she no longer resembled a bundle: she was a thin little brunette of twenty, as slim as a snake, with a

long white face and curly hair. Her nose was long and sharp, her chin, too, was long and sharp, her eyelashes

were long, the corners of her mouth were sharp, and, thanks to this general sharpness, the expression of her

face was biting. Swathed in a closely fitting black dress with a mass of lace at her neck and sleeves, with

sharp elbows and long pink fingers, she recalled the portraits of mediæval English ladies. The grave

concentration of her face increased this likeness.

The lady looked round at the room, glanced sideways at the man and the little girl, shrugged her shoulders,

and moved to the window. The dark windows were shaking from the damp west wind. Big flakes of snow

glistening in their whiteness, lay on the window frame, but at once disappeared, borne away by the wind. The

savage music grew louder and louder. . . .

After a long silence the little girl suddenly turned over, and said angrily, emphasizing each word:

"Oh, goodness, goodness, how unhappy I am! Unhappier than anyone!"

The man got up and moved with little steps to the child with a guilty air, which was utterly out of keeping

with his huge figure and big beard.

"You are not asleep, dearie?" he said, in an apologetic voice. "What do you want?"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 78



Top




Page No 81


"I don't want anything, my shoulder aches! You are a wicked man, Daddy, and God will punish you! You'll

see He will punish you."

"My darling, I know your shoulder aches, but what can I do, dearie?" said the man, in the tone in which men

who have been drinking excuse themselves to their stern spouses. "It's the journey has made your shoulder

ache, Sasha. Tomorrow we shall get there and rest, and the pain will go away. . . ."

"Tomorrow, tomorrow. . . . Every day you say tomorrow. We shall be going on another twenty days."

"But we shall arrive tomorrow, dearie, on your father's word of honour. I never tell a lie, but if we are

detained by the snowstorm it is not my fault."

"I can't bear any more, I can't, I can't!"

Sasha jerked her leg abruptly and filled the room with an unpleasant wailing. Her father made a despairing

gesture, and looked hopelessly towards the young lady. The latter shrugged her shoulders, and hesitatingly

went up to Sasha.

"Listen, my dear," she said, "it is no use crying. It's really naughty; if your shoulder aches it can't be helped."

"You see, Madam," said the man quickly, as though defending himself, "we have not slept for two nights, and

have been travelling in a revolting conveyance. Well, of course, it is natural she should be ill and miserable, .

. . and then, you know, we had a drunken driver, our portmanteau has been stolen . . . the snowstorm all the

time, but what's the use of crying, Madam? I am exhausted, though, by sleeping in a sitting position, and I

feel as though I were drunk. Oh, dear! Sasha, and I feel sick as it is, and then you cry!"

The man shook his head, and with a gesture of despair sat down.

"Of course you mustn't cry," said the young lady. "It's only little babies cry. If you are ill, dear, you must

undress and go to sleep. . . . Let us take off your things!"

When the child had been undressed and pacified a silence reigned again. The young lady seated herself at the

window, and looked round wonderingly at the room of the inn, at the ikon, at the stove. . . . Apparently the

room and the little girl with the thick nose, in her short boy's nightgown, and the child's father, all seemed

strange to her. This strange man was sitting in a corner; he kept looking about him helplessly, as though he

were drunk, and rubbing his face with the palm of his hand. He sat silent, blinking, and judging from his

guiltylooking figure it was difficult to imagine that he would soon begin to speak. Yet he was the first to

begin. Stroking his knees, he gave a cough, laughed, and said:

"It's a comedy, it really is. . . . I look and I cannot believe my eyes: for what devilry has destiny driven us to

this accursed inn? What did she want to show by it? Life sometimes performs such 'salto mortale,' one can

only stare and blink in amazement. Have you come from far, Madam?"

"No, not from far," answered the young lady. "I am going from our estate, fifteen miles from here, to our

farm, to my father and brother. My name is Ilovaisky, and the farm is called Ilovaiskoe. It's nine miles away.

What unpleasant weather!"

"It couldn't be worse."

The lame boy came in and stuck a new candle in the pomatum pot.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 79



Top




Page No 82


"You might bring us the samovar, boy," said the man, addressing him.

"Who drinks tea now?" laughed the boy. "It is a sin to drink tea before mass. . . ."

"Never mind boy, you won't burn in hell if we do. . . ."

Over the tea the new acquaintances got into conversation.

Mlle. Ilovaisky learned that her companion was called Grigory Petrovitch Liharev, that he was the brother of

the Liharev who was Marshal of Nobility in one of the neighbouring districts, and he himself had once been a

landowner, but had "run through everything in his time." Liharev learned that her name was Marya

Mihailovna, that her father had a huge estate, but that she was the only one to look after it as her father and

brother looked at life through their fingers, were irresponsible, and were too fond of harriers.

"My father and brother are all alone at the farm," she told him, brandishing her fingers (she had the habit of

moving her fingers before her pointed face as she talked, and after every sentence moistened her lips with her

sharp little tongue). "They, I mean men, are an irresponsible lot, and don't stir a finger for themselves. I can

fancy there will be no one to give them a meal after the fast! We have no mother, and we have such servants

that they can't lay the tablecloth properly when I am away. You can imagine their condition now! They will

be left with nothing to break their fast, while I have to stay here all night. How strange it all is."

She shrugged her shoulders, took a sip from her cup, and said:

"There are festivals that have a special fragrance: at Easter, Trinity and Christmas there is a peculiar scent in

the air. Even unbelievers are fond of those festivals. My brother, for instance, argues that there is no God, but

he is the first to hurry to Matins at Easter."

Liharev raised his eyes to Mlle. Ilovaisky and laughed.

"They argue that there is no God," she went on, laughing too, "but why is it, tell me, all the celebrated

writers, the learned men, clever people generally, in fact, believe towards the end of their life?"

"If a man does not know how to believe when he is young, Madam, he won't believe in his old age if he is

ever so much of a writer."

Judging from Liharev's cough he had a bass voice, but, probably from being afraid to speak aloud, or from

exaggerated shyness, he spoke in a tenor. After a brief pause he heaved a sign and said:

"The way I look at it is that faith is a faculty of the spirit. It is just the same as a talent, one must be born with

it. So far as I can judge by myself, by the people I have seen in my time, and by all that is done around us,

this faculty is present in Russians in its highest degree. Russian life presents us with an uninterrupted

succession of convictions and aspirations, and if you care to know, it has not yet the faintest notion of lack of

faith or scepticism. If a Russian does not believe in God, it means he believes in something else."

Liharev took a cup of tea from Mlle. Ilovaisky, drank off half in one gulp, and went on:

"I will tell you about myself. Nature has implanted in my breast an extraordinary faculty for belief. Whisper it

not to the night, but half my life I was in the ranks of the Atheists and Nihilists, but there was not one hour in

my life in which I ceased to believe. All talents, as a rule, show themselves in early childhood, and so my

faculty showed itself when I could still walk upright under the table. My mother liked her children to eat a

great deal, and when she gave me food she used to say: 'Eat! Soup is the great thing in life!' I believed, and


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 80



Top




Page No 83


ate the soup ten times a day, ate like a shark, ate till I was disgusted and stupefied. My nurse used to tell me

fairy tales, and I believed in housespirits, in woodelves, and in goblins of all kinds. I used sometimes to

steal corrosive sublimate from my father, sprinkle it on cakes, and carry them up to the attic that the

housespirits, you see, might eat them and be killed. And when I was taught to read and understand what I

read, then there was a fine todo. I ran away to America and went off to join the brigands, and wanted to go

into a monastery, and hired boys to torture me for being a Christian. And note that my faith was always

active, never dead. If I was running away to America I was not alone, but seduced someone else, as great a

fool as I was, to go with me, and was delighted when I was nearly frozen outside the town gates and when I

was thrashed; if I went to join the brigands I always came back with my face battered. A most restless

childhood, I assure you! And when they sent me to the high school and pelted me with all sorts of truths 

that is, that the earth goes round the sun, or that white light is not white, but is made up of seven colours 

my poor little head began to go round! Everything was thrown into a whirl in me: Navin who made the sun

stand still, and my mother who in the name of the Prophet Elijah disapproved of lightning conductors, and

my father who was indifferent to the truths I had learned. My enlightenment inspired me. I wandered about

the house and stables like one possessed, preaching my truths, was horrified by ignorance, glowed with

hatred for anyone who saw in white light nothing but white light. . . . But all that's nonsense and childishness.

Serious, so to speak, manly enthusiasms began only at the university. You have, no doubt, Madam, taken

your degree somewhere?"

"I studied at Novotcherkask at the Don Institute."

"Then you have not been to a university? So you don't know what science means. All the sciences in the

world have the same passport, without which they regard themselves as meaningless . . . the striving towards

truth! Every one of them, even pharmacology, has for its aim not utility, not the alleviation of life, but truth.

It's remarkable! When you set to work to study any science, what strikes you first of all is its beginning. I

assure you there is nothing more attractive and grander, nothing is so staggering, nothing takes a man's breath

away like the beginning of any science. From the first five or six lectures you are soaring on wings of the

brightest hopes, you already seem to yourself to be welcoming truth with open arms. And I gave myself up to

science, heart and soul, passionately, as to the woman one loves. I was its slave; I found it the sun of my

existence, and asked for no other. I studied day and night without rest, ruined myself over books, wept when

before my eyes men exploited science for their own personal ends. But my enthusiasm did not last long. The

trouble is that every science has a beginning but not an end, like a recurring decimal. Zoology has discovered

35,000 kinds of insects, chemistry reckons 60 elements. If in time tens of noughts can be written after these

figures. Zoology and chemistry will be just as far from their end as now, and all contemporary scientific work

consists in increasing these numbers. I saw through this trick when I discovered the 35,001st and felt no

satisfaction. Well, I had no time to suffer from disillusionment, as I was soon possessed by a new faith. I

plunged into Nihilism, with its manifestoes, its 'black divisions,' and all the rest of it. I 'went to the people,'

worked in factories, worked as an oiler, as a barge hauler. Afterwards, when wandering over Russia, I had a

taste of Russian life, I turned into a fervent devotee of that life. I loved the Russian people with poignant

intensity; I loved their God and believed in Him, and in their language, their creative genius. . . . And so on,

and so on. . . . I have been a Slavophile in my time, I used to pester Aksakov with letters, and I was a

Ukrainophile, and an archæologist, and a collector of specimens of peasant art. . . . I was enthusiastic over

ideas, people, events, places . . . my enthusiasm was endless! Five years ago I was working for the abolition

of private property; my last creed was nonresistance to evil."

Sasha gave an abrupt sigh and began moving. Liharev got up and went to her.

"Won't you have some tea, dearie?" he asked tenderly.

"Drink it yourself," the child answered rudely. Liharev was disconcerted, and went back to the table with a

guilty step.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 81



Top




Page No 84


"Then you have had a lively time," said Mlle. Ilovaisky; "you have something to remember."

"Well, yes, it's all very lively when one sits over tea and chatters to a kind listener, but you should ask what

that liveliness has cost me! What price have I paid for the variety of my life? You see, Madam, I have not

held my convictions like a German doctor of philosophy, zierlichmännerlich, I have not lived in solitude, but

every conviction I have had has bound my back to the yoke, has torn my body to pieces. Judge, for yourself. I

was wealthy like my brothers, but now I am a beggar. In the delirium of my enthusiasm I smashed up my

own fortune and my wife's  a heap of other people's money. Now I am fortytwo, old age is close upon

me, and I am homeless, like a dog that has dropped behind its waggon at night. All my life I have not known

what peace meant, my soul has been in continual agitation, distressed even by its hopes . . . I have been

wearied out with heavy irregular work, have endured privation, have five times been in prison, have dragged

myself across the provinces of Archangel and of Tobolsk . . . it's painful to think of it! I have lived, but in my

fever I have not even been conscious of the process of life itself. Would you believe it, I don't remember a

single spring, I never noticed how my wife loved me, how my children were born. What more can I tell you?

I have been a misfortune to all who have loved me. . . . My mother has worn mourning for me all these fifteen

years, while my proud brothers, who have had to wince, to blush, to bow their heads, to waste their money on

my account, have come in the end to hate me like poison."

Liharev got up and sat down again.

"If I were simply unhappy I should thank God," he went on without looking at his listener. "My personal

unhappiness sinks into the background when I remember how often in my enthusiasms I have been absurd,

far from the truth, unjust, cruel, dangerous! How often I have hated and despised those whom I ought to have

loved, and vice versa, I have changed a thousand times. One day I believe, fall down and worship, the next I

flee like a coward from the gods and friends of yesterday, and swallow in silence the 'scoundrel!' they hurl

after me. God alone has seen how often I have wept and bitten my pillow in shame for my enthusiasms.

Never once in my life have I intentionally lied or done evil, but my conscience is not clear! I cannot even

boast, Madam, that I have no one's life upon my conscience, for my wife died before my eyes, worn out by

my reckless activity. Yes, my wife! I tell you they have two ways of treating women nowadays. Some

measure women's skulls to prove woman is inferior to man, pick out her defects to mock at her, to look

original in her eyes, and to justify their sensuality. Others do their utmost to raise women to their level, that

is, force them to learn by heart the 35,000 species, to speak and write the same foolish things as they speak

and write themselves."

Liharev's face darkened.

"I tell you that woman has been and always will be the slave of man," he said in a bass voice, striking his fist

on the table. "She is the soft, tender wax which a man always moulds into anything he likes. . . . My God! for

the sake of some trumpery masculine enthusiasm she will cut off her hair, abandon her family, die among

strangers! . . . among the ideas for which she has sacrificed herself there is not a single feminine one. . . . An

unquestioning, devoted slave! I have not measured skulls, but I say this from hard, bitter experience: the

proudest, most independent women, if I have succeeded in communicating to them my enthusiasm, have

followed me without criticism, without question, and done anything I chose; I have turned a nun into a

Nihilist who, as I heard afterwards, shot a gendarme; my wife never left me for a minute in my wanderings,

and like a weathercock changed her faith in step with my changing enthusiasms."

Liharev jumped up and walked up and down the room.

"A noble, sublime slavery!" he said, clasping his hands. "It is just in it that the highest meaning of woman's

life lies! Of all the fearful medley of thoughts and impressions accumulated in my brain from my association

with women my memory, like a filter, has retained no ideas, no clever saying, no philosophy, nothing but that


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 82



Top




Page No 85


extraordinary, resignation to fate, that wonderful mercifulness, forgiveness of everything."

Liharev clenched his fists, stared at a fixed point, and with a sort of passionate intensity, as though he were

savouring each word as he uttered it, hissed through his clenched teeth:

"That . . . that greathearted fortitude, faithfulness unto death, poetry of the heart. . . . The meaning of life lies

in just that unrepining martyrdom, in the tears which would soften a stone, in the boundless, allforgiving

love which brings light and warmth into the chaos of life. . . ."

Mlle. Ilovaisky got up slowly, took a step towards Liharev, and fixed her eyes upon his face. From the tears

that glittered on his eyelashes, from his quivering, passionate voice, from the flush on his cheeks, it was clear

to her that women were not a chance, not a simple subject of conversation. They were the object of his new

enthusiasm, or, as he said himself, his new faith! For the first time in her life she saw a man carried away,

fervently believing. With his gesticulations, with his flashing eyes he seemed to her mad, frantic, but there

was a feeling of such beauty in the fire of his eyes, in his words, in all the movements of his huge body, that

without noticing what she was doing she stood facing him as though rooted to the spot, and gazed into his

face with delight.

"Take my mother," he said, stretching out his hand to her with an imploring expression on his face, "I

poisoned her existence, according to her ideas disgraced the name of Liharev, did her as much harm as the

most malignant enemy, and what do you think? My brothers give her little sums for holy bread and church

services, and outraging her religious feelings, she saves that money and sends it in secret to her erring

Grigory. This trifle alone elevates and ennobles the soul far more than all the theories, all the clever sayings

and the 35,000 species. I can give you thousands of instances. Take you, even, for instance! With tempest and

darkness outside you are going to your father and your brother to cheer them with your affection in the

holiday, though very likely they have forgotten and are not thinking of you. And, wait a bit, and you will love

a man and follow him to the North Pole. You would, wouldn't you?"

"Yes, if I loved him."

"There, you see," cried Liharev delighted, and he even stamped with his foot. "Oh dear! How glad I am that I

have met you! Fate is kind to me, I am always meeting splendid people. Not a day passes but one makes

acquaintance with somebody one would give one's soul for. There are ever so many more good people than

bad in this world. Here, see, for instance, how openly and from our hearts we have been talking as though we

had known each other a hundred years. Sometimes, I assure you, one restrains oneself for ten years and holds

one's tongue, is reserved with one's friends and one's wife, and meets some cadet in a train and babbles one's

whole soul out to him. It is the first time I have the honour of seeing you, and yet I have confessed to you as I

have never confessed in my life. Why is it?"

Rubbing his hands and smiling goodhumouredly Liharev walked up and down the room, and fell to talking

about women again. Meanwhile they began ringing for matins.

"Goodness," wailed Sasha. "He won't let me sleep with his talking!"

"Oh, yes!" said Liharev, startled. "I am sorry, darling, sleep, sleep. . . . I have two boys besides her," he

whispered. "They are living with their uncle, Madam, but this one can't exist a day without her father. She's

wretched, she complains, but she sticks to me like a fly to honey. I have been chattering too much, Madam,

and it would do you no harm to sleep. Wouldn't you like me to make up a bed for you?"

Without waiting for permission he shook the wet pelisse, stretched it on a bench, fur side upwards, collected

various shawls and scarves, put the overcoat folded up into a roll for a pillow, and all this he did in silence


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 83



Top




Page No 86


with a look of devout reverence, as though he were not handling a woman's rags, but the fragments of holy

vessels. There was something apologetic, embarrassed about his whole figure, as though in the presence of a

weak creature he felt ashamed of his height and strength. . . .

When Mlle. Ilovaisky had lain down, he put out the candle and sat down on a stool by the stove.

"So, Madam," he whispered, lighting a fat cigarette and puffing the smoke into the stove. "Nature has put into

the Russian an extraordinary faculty for belief, a searching intelligence, and the gift of speculation, but all

that is reduced to ashes by irresponsibility, laziness, and dreamy frivolity. . . . Yes. . . ."

She gazed wonderingly into the darkness, and saw only a spot of red on the ikon and the flicker of the light of

the stove on Liharev's face. The darkness, the chime of the bells, the roar of the storm, the lame boy, Sasha

with her fretfulness, unhappy Liharev and his sayings  all this was mingled together, and seemed to grow

into one huge impression, and God's world seemed to her fantastic, full of marvels and magical forces. All

that she had heard was ringing in her ears, and human life presented itself to her as a beautiful poetic

fairytale without an end.

The immense impression grew and grew, clouded consciousness, and turned into a sweet dream. She was

asleep, though she saw the little ikon lamp and a big nose with the light playing on it.

She heard the sound of weeping.

"Daddy, darling," a child's voice was tenderly entreating, "let's go back to uncle! There is a Christmastree

there! Styopa and Kolya are there!"

"My darling, what can I do?" a man's bass persuaded softly. "Understand me! Come, understand!"

And the man's weeping blended with the child's. This voice of human sorrow, in the midst of the howling of

the storm, touched the girl's ear with such sweet human music that she could not bear the delight of it, and

wept too. She was conscious afterwards of a big, black shadow coming softly up to her, picking up a shawl

that had dropped on to the floor and carefully wrapping it round her feet.

Mile. Ilovaisky was awakened by a strange uproar. She jumped up and looked about her in astonishment. The

deep blue dawn was looking in at the window halfcovered with snow. In the room there was a grey twilight,

through which the stove and the sleeping child and NasiredDin stood out distinctly. The stove and the

lamp were both out. Through the wideopen door she could see the big tavern room with a counter and

chairs. A man, with a stupid, gipsy face and astonished eyes, was standing in the middle of the room in a

puddle of melting snow, holding a big red star on a stick. He was surrounded by a group of boys, motionless

as statues, and plastered over with snow. The light shone through the red paper of the star, throwing a glow of

red on their wet faces. The crowd was shouting in disorder, and from its uproar Mile. Ilovaisky could make

out only one couplet:

"Hi, you Little Russian lad, Bring your sharp knife, We will kill the Jew, we will kill him, The son of

tribulation. . ."

Liharev was standing near the counter, looking feelingly at the singers and tapping his feet in time. Seeing

Mile. Ilovaisky, he smiled all over his face and came up to her. She smiled too.

"A happy Christmas!" he said. "I saw you slept well."

She looked at him, said nothing, and went on smiling.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 84



Top




Page No 87


After the conversation in the night he seemed to her not tall and broad shouldered, but little, just as the

biggest steamer seems to us a little thing when we hear that it has crossed the ocean.

"Well, it is time for me to set off," she said. "I must put on my things. Tell me where you are going now?"

"I? To the station of Klinushki, from there to Sergievo, and from Sergievo, with horses, thirty miles to the

coal mines that belong to a horrid man, a general called Shashkovsky. My brothers have got me the post of

superintendent there. . . . I am going to be a coal miner."

"Stay, I know those mines. Shashkovsky is my uncle, you know. But . . . what are you going there for?"

asked Mlle. Ilovaisky, looking at Liharev in surprise.

"As superintendent. To superintend the coal mines."

"I don't understand!" she shrugged her shoulders. "You are going to the mines. But you know, it's the bare

steppe, a desert, so dreary that you couldn't exist a day there! It's horrible coal, no one will buy it, and my

uncle's a maniac, a despot, a bankrupt. . . . You won't get your salary!"

"No matter," said Liharev, unconcernedly, "I am thankful even for coal mines."

She shrugged her shoulders, and walked about the room in agitation.

"I don't understand, I don't understand," she said, moving her fingers before her face. "It's impossible, and . . .

and irrational! You must understand that it's . . . it's worse than exile. It is a living tomb! O Heavens!" she

said hotly, going up to Liharev and moving her fingers before his smiling face; her upper lip was quivering,

and her sharp face turned pale, "Come, picture it, the bare steppe, solitude. There is no one to say a word to

there, and you . . . are enthusiastic over women! Coal mines . . . and women!"

Mlle. Ilovaisky was suddenly ashamed of her heat and, turning away from Liharev, walked to the window.

"No, no, you can't go there," she said, moving her fingers rapidly over the pane.

Not only in her heart, but even in her spine she felt that behind her stood an infinitely unhappy man, lost and

outcast, while he, as though he were unaware of his unhappiness, as though he had not shed tears in the night,

was looking at her with a kindly smile. Better he should go on weeping! She walked up and down the room

several times in agitation, then stopped short in a corner and sank into thought. Liharev was saying

something, but she did not hear him. Turning her back on him she took out of her purse a money note, stood

for a long time crumpling it in her hand, and looking round at Liharev, blushed and put it in her pocket.

The coachman's voice was heard through the door. With a stern, concentrated face she began putting on her

things in silence. Liharev wrapped her up, chatting gaily, but every word he said lay on her heart like a

weight. It is not cheering to hear the unhappy or the dying jest.

When the transformation of a live person into a shapeless bundle had been completed, Mlle. Ilovaisky looked

for the last time round the "travellers' room," stood a moment in silence, and slowly walked out. Liharev went

to see her off. . . .

Outside, God alone knows why, the winter was raging still. Whole clouds of big soft snowflakes were

whirling restlessly over the earth, unable to find a restingplace. The horses, the sledge, the trees, a bull tied

to a post, all were white and seemed soft and fluffy.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 85



Top




Page No 88


"Well, God help you," muttered Liharev, tucking her into the sledge. "Don't remember evil against me . . . ."

She was silent. When the sledge started, and had to go round a huge snowdrift, she looked back at Liharev

with an expression as though she wanted to say something to him. He ran up to her, but she did not say a

word to him, she only looked at him through her long eyelashes with little specks of snow on them.

Whether his finely intuitive soul were really able to read that look, or whether his imagination deceived him,

it suddenly began to seem to him that with another touch or two that girl would have forgiven him his

failures, his age, his desolate position, and would have followed him without question or reasonings. He

stood a long while as though rooted to the spot, gazing at the tracks left by the sledge runners. The

snowflakes greedily settled on his hair, his beard, his shoulders. . . . Soon the track of the runners had

vanished, and he himself covered with snow, began to look like a white rock, but still his eyes kept seeking

something in the clouds of snow.

ROTHSCHILD'S FIDDLE

THE town was a little one, worse than a village, and it was inhabited by scarcely any but old people who died

with an infrequency that was really annoying. In the hospital and in the prison fortress very few coffins were

needed. In fact business was bad. If Yakov Ivanov had been an undertaker in the chief town of the province

he would certainly have had a house of his own, and people would have addressed him as Yakov Matveyitch;

here in this wretched little town people called him simply Yakov; his nickname in the street was for some

reason Bronze, and he lived in a poor way like a humble peasant, in a little old hut in which there was only

one room, and in this room he and Marfa, the stove, a double bed, the coffins, his bench, and all their

belongings were crowded together.

Yakov made good, solid coffins. For peasants and working people he made them to fit himself, and this was

never unsuccessful, for there were none taller and stronger than he, even in the prison, though he was

seventy. For gentry and for women he made them to measure, and used an iron footrule for the purpose. He

was very unwilling to take orders for children's coffins, and made them straight off without measurements,

contemptuously, and when he was paid for the work he always said:

"I must confess I don't like trumpery jobs."

Apart from his trade, playing the fiddle brought him in a small income.

The Jews' orchestra conducted by Moisey Ilyitch Shahkes, the tinsmith, who took more than half their

receipts for himself, played as a rule at weddings in the town. As Yakov played very well on the fiddle,

especially Russian songs, Shahkes sometimes invited him to join the orchestra at a fee of half a rouble a day,

in addition to tips from the visitors. When Bronze sat in the orchestra first of all his face became crimson and

perspiring; it was hot, there was a suffocating smell of garlic, the fiddle squeaked, the double bass wheezed

close to his right ear, while the flute wailed at his left, played by a gaunt, redhaired Jew who had a perfect

network of red and blue veins all over his face, and who bore the name of the famous millionaire Rothschild.

And this accursed Jew contrived to play even the liveliest things plaintively. For no apparent reason Yakov

little by little became possessed by hatred and contempt for the Jews, and especially for Rothschild; he began

to pick quarrels with him, rail at him in unseemly language and once even tried to strike him, and Rothschild

was offended and said, looking at him ferociously:

"If it were not that I respect you for your talent, I would have sent you flying out of the window."

Then he began to weep. And because of this Yakov was not often asked to play in the orchestra; he was only

sent for in case of extreme necessity in the absence of one of the Jews.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 86



Top




Page No 89


Yakov was never in a good temper, as he was continually having to put up with terrible losses. For instance,

it was a sin to work on Sundays or Saints' days, and Monday was an unlucky day, so that in the course of the

year there were some two hundred days on which, whether he liked it or not, he had to sit with his hands

folded. And only think, what a loss that meant. If anyone in the town had a wedding without music, or if

Shahkes did not send for Yakov, that was a loss, too. The superintendent of the prison was ill for two years

and was wasting away, and Yakov was impatiently waiting for him to die, but the superintendent went away

to the chief town of the province to be doctored, and there took and died. There's a loss for you, ten roubles at

least, as there would have been an expensive coffin to make, lined with brocade. The thought of his losses

haunted Yakov, especially at night; he laid his fiddle on the bed beside him, and when all sorts of nonsensical

ideas came into his mind he touched a string; the fiddle gave out a sound in the darkness, and he felt better.

On the sixth of May of the previous year Marfa had suddenly been taken ill. The old woman's breathing was

laboured, she drank a great deal of water, and she staggered as she walked, yet she lighted the stove in the

morning and even went herself to get water. Towards evening she lay down. Yakov played his fiddle all day;

when it was quite dark he took the book in which he used every day to put down his losses, and, feeling dull,

he began adding up the total for the year. It came to more than a thousand roubles. This so agitated him that

he flung the reckoning beads down, and trampled them under his feet. Then he picked up the reckoning

beads, and again spent a long time clicking with them and heaving deep, strained sighs. His face was crimson

and wet with perspiration. He thought that if he had put that lost thousand roubles in the bank, the interest for

a year would have been at least forty roubles, so that forty roubles was a loss too. In fact, wherever one

turned there were losses and nothing else.

"Yakov!" Marfa called unexpectedly. "I am dying."

He looked round at his wife. Her face was rosy with fever, unusually bright and joyfullooking. Bronze,

accustomed to seeing her face always pale, timid, and unhappylooking, was bewildered. It looked as if she

really were dying and were glad that she was going away for ever from that hut, from the coffins, and from

Yakov. . . . And she gazed at the ceiling and moved her lips, and her expression was one of happiness, as

though she saw death as her deliverer and were whispering with him.

It was daybreak; from the windows one could see the flush of dawn. Looking at the old woman, Yakov for

some reason reflected that he had not once in his life been affectionate to her, had had no feeling for her, had

never once thought to buy her a kerchief, or to bring her home some dainty from a wedding, but had done

nothing but shout at her, scold her for his losses, shake his fists at her; it is true he had never actually beaten

her, but he had frightened her, and at such times she had always been numb with terror. Why, he had

forbidden her to drink tea because they spent too much without that, and she drank only hot water. And he

understood why she had such a strange, joyful face now, and he was overcome with dread.

As soon as it was morning he borrowed a horse from a neighbour and took Marfa to the hospital. There were

not many patients there, and so he had not long to wait, only three hours. To his great satisfaction the patients

were not being received by the doctor, who was himself ill, but by the assistant, Maxim Nikolaitch, an old

man of whom everyone in the town used to say that, though he drank and was quarrelsome, he knew more

than the doctor.

"I wish you goodday," said Yakov, leading his old woman into the consulting room. "You must excuse us,

Maxim Nikolaitch, we are always troubling you with our trumpery affairs. Here you see my better half is

ailing, the partner of my life, as they say, excuse the expression. . . ."

Knitting his grizzled brows and stroking his whiskers the assistant began to examine the old woman, and she

sat on a stool, a wasted, bent figure with a sharp nose and open mouth, looking like a bird that wants to drink.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 87



Top




Page No 90


"Hm . . . Ah! . . ." the assistant said slowly, and he heaved a sigh. "Influenza and possibly fever.

There's typhus in the town now. Well, the old woman has lived her life, thank God. . . . How old is she?"

"She'll be seventy in another year, Maxim Nikolaitch."

"Well, the old woman has lived her life, it's time to say goodbye."

"You are quite right in what you say, of course, Maxim Nikolaitch," said Yakov, smiling from politeness,

"and we thank you feelingly for your kindness, but allow me to say every insect wants to live."

"To be sure," said the assistant, in a tone which suggested that it depended upon him whether the woman

lived or died. "Well, then, my good fellow, put a cold compress on her head, and give her these powders

twice a day, and so goodbye. Bonjour."

From the expression of his face Yakov saw that it was a bad case, and that no sort of powders would be any

help; it was clear to him that Marfa would die very soon, if not today, tomorrow. He nudged the assistant's

elbow, winked at him, and said in a low voice:

"If you would just cup her, Maxim Nikolaitch."

"I have no time, I have no time, my good fellow. Take your old woman and go in God's name. Goodbye."

"Be so gracious," Yakov besought him. "You know yourself that if, let us say, it were her stomach or her

inside that were bad, then powders or drops, but you see she had got a chill! In a chill the first thing is to let

blood, Maxim Nikolaitch."

But the assistant had already sent for the next patient, and a peasant woman came into the consulting room

with a boy.

"Go along! go along," he said to Yakov, frowning. "It's no use to "

"In that case put on leeches, anyway! Make us pray for you for ever."

The assistant flew into a rage and shouted:

"You speak to me again! You blockhead. . . ."

Yakov flew into a rage too, and he turned crimson all over, but he did not utter a word. He took Marfa on his

arm and led her out of the room. Only when they were sitting in the cart he looked morosely and ironically at

the hospital, and said:

"A nice set of artists they have settled here! No fear, but he would have cupped a rich man, but even a leech

he grudges to the poor. The Herods!"

When they got home and went into the hut, Marfa stood for ten minutes holding on to the stove. It seemed to

her that if she were to lie down Yakov would talk to her about his losses, and scold her for lying down and

not wanting to work. Yakov looked at her drearily and thought that tomorrow was St. John the Divine's, and

next day St. Nikolay the Wonderworker's, and the day after that was Sunday, and then Monday, an unlucky

day. For four days he would not be able to work, and most likely Marfa would die on one of those days; so he

would have to make the coffin today. He picked up his iron rule, went up to the old woman and took her

measure. Then she lay down, and he crossed himself and began making the coffin.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 88



Top




Page No 91


When the coffin was finished Bronze put on his spectacles and wrote in his book: "Marfa Ivanov's coffin, two

roubles, forty kopecks."

And he heaved a sigh. The old woman lay all the time silent with her eyes closed. But in the evening, when it

got dark, she suddenly called the old man.

"Do you remember, Yakov," she asked, looking at him joyfully. "Do you remember fifty years ago God gave

us a little baby with flaxen hair? We used always to be sitting by the river then, singing songs . . . under the

willows," and laughing bitterly, she added: "The baby girl died."

Yakov racked his memory, but could not remember the baby or the willows.

"It's your fancy," he said.

The priest arrived; he administered the sacrament and extreme unction. Then Marfa began muttering

something unintelligible, and towards morning she died. Old women, neighbours, washed her, dressed her,

and laid her in the coffin. To avoid paying the sacristan, Yakov read the psalms over the body himself, and

they got nothing out of him for the grave, as the gravedigger was a crony of his. Four peasants carried the

coffin to the graveyard, not for money, but from respect. The coffin was followed by old women, beggars,

and a couple of crazy saints, and the people who met it crossed themselves piously. . . . And Yakov was very

much pleased that it was so creditable, so decorous, and so cheap, and no offence to anyone. As he took his

last leave of Marfa he touched the coffin and thought: "A good piece of work!"

But as he was going back from the cemetery he was overcome by acute depression. He didn't feel quite well:

his breathing was laboured and feverish, his legs felt weak, and he had a craving for drink. And thoughts of

all sorts forced themselves on his mind. He remembered again that all his life he had never felt for Marfa, had

never been affectionate to her. The fiftytwo years they had lived in the same hut had dragged on a long, long

time, but it had somehow happened that in all that time he had never once thought of her, had paid no

attention to her, as though she had been a cat or a dog. And yet, every day, she had lighted the stove had

cooked and baked, had gone for the water, had chopped the wood, had slept with him in the same bed, and

when he came home drunk from the weddings always reverently hung his fiddle on the wall and put him to

bed, and all this in silence, with a timid, anxious expression.

Rothschild, smiling and bowing, came to meet Yakov.

"I was looking for you, uncle," he said. "Moisey Ilyitch sends you his greetings and bids you come to him at

once."

Yakov felt in no mood for this. He wanted to cry.

"Leave me alone," he said, and walked on.

"How can you," Rothschild said, fluttered, running on in front. "Moisey Ilyitch will be offended! He bade

you come at once!"

Yakov was revolted at the Jew's gasping for breath and blinking, and having so many red freckles on his face.

And it was disgusting to look at his green coat with black patches on it, and all his fragile, refined figure.

"Why are you pestering me, garlic?" shouted Yakov. "Don't persist!"

The Jew got angry and shouted too:


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 89



Top




Page No 92


"Not so noisy, please, or I'll send you flying over the fence!"

"Get out of my sight!" roared Yakov, and rushed at him with his fists. "One can't live for you scabby Jews!"

Rothschild, half dead with terror, crouched down and waved his hands over his head, as though to ward off a

blow; then he leapt up and ran away as fast as his legs could carry him: as he ran he gave little skips and kept

clasping his hands, and Yakov could see how his long thin spine wriggled. Some boys, delighted at the

incident, ran after him shouting "Jew! Jew!" Some dogs joined in the chase barking. Someone burst into a

roar of laughter, then gave a whistle; the dogs barked with even more noise and unanimity. Then a dog must

have bitten Rothschild, as a desperate, sickly scream was heard.

Yakov went for a walk on the grazing ground, then wandered on at random in the outskirts of the town, while

the street boys shouted:

"Here's Bronze! Here's Bronze!"

He came to the river, where the curlews floated in the air uttering shrill cries and the ducks quacked. The sun

was blazing hot, and there was a glitter from the water, so that it hurt the eyes to look at it. Yakov walked by

a path along the bank and saw a plump, rosycheeked lady come out of the bathingshed, and thought about

her: "Ugh! you otter!"

Not far from the bathingshed boys were catching crayfish with bits of meat; seeing him, they began

shouting spitefully, "Bronze! Bronze!" And then he saw an old spreading willowtree with a big hollow in it,

and a crow's nest on it. . . . And suddenly there rose up vividly in Yakov's memory a baby with flaxen hair,

and the willowtree Marfa had spoken of. Why, that is it, the same willowtree  green, still, and

sorrowful. . . . How old it has grown, poor thing!

He sat down under it and began to recall the past. On the other bank, where now there was the water meadow,

in those days there stood a big birchwood, and yonder on the bare hillside that could be seen on the horizon

an old, old pine forest used to be a bluish patch in the distance. Big boats used to sail on the river. But now it

was all smooth and unruffled, and on the other bank there stood now only one birchtree, youthful and

slender like a young lady, and there was nothing on the river but ducks and geese, and it didn't look as though

there had ever been boats on it. It seemed as though even the geese were fewer than of old. Yakov shut his

eyes, and in his imagination huge flocks of white geese soared, meeting one another.

He wondered how it had happened that for the last forty or fifty years of his life he had never once been to the

river, or if he had been by it he had not paid attention to it. Why, it was a decent sized river, not a trumpery

one; he might have gone in for fishing and sold the fish to merchants, officials, and the barkeeper at the

station, and then have put money in the bank; he might have sailed in a boat from one house to another,

playing the fiddle, and people of all classes would have paid to hear him; he might have tried getting big

boats afloat again  that would be better than making coffins; he might have bred geese, killed them and

sent them in the winter to Moscow Why, the feathers alone would very likely mount up to ten roubles in the

year. But he had wasted his time, he had done nothing of this. What losses! Ah! What losses! And if he had

gone in for all those things at once  catching fish and playing the fiddle, and running boats and killing

geese  what a fortune he would have made! But nothing of this had happened, even in his dreams; life had

passed uselessly without any pleasure, had been wasted for nothing, not even a pinch of snuff; there was

nothing left in front, and if one looked back  there was nothing there but losses, and such terrible ones, it

made one cold all over. And why was it a man could not live so as to avoid these losses and misfortunes? One

wondered why they had cut down the birch copse and the pine forest. Why was he walking with no reason on

the grazing ground? Why do people always do what isn't needful? Why had Yakov all his life scolded,

bellowed, shaken his fists, illtreated his wife, and, one might ask, what necessity was there for him to


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 90



Top




Page No 93


frighten and insult the Jew that day? Why did people in general hinder each other from living? What losses

were due to it! what terrible losses! If it were not for hatred and malice people would get immense benefit

from one another.

In the evening and the night he had visions of the baby, of the willow, of fish, of slaughtered geese, and

Marfa looking in profile like a bird that wants to drink, and the pale, pitiful face of Rothschild, and faces

moved down from all sides and muttered of losses. He tossed from side to side, and got out of bed five times

to play the fiddle.

In the morning he got up with an effort and went to the hospital. The same Maxim Nikolaitch told him to put

a cold compress on his head, and gave him some powders, and from his tone and expression of face Yakov

realized that it was a bad case and that no powders would be any use. As he went home afterwards, he

reflected that death would be nothing but a benefit; he would not have to eat or drink, or pay taxes or offend

people, and, as a man lies in his grave not for one year but for hundreds and thousands, if one reckoned it up

the gain would be enormous. A man's life meant loss: death meant gain. This reflection was, of course, a just

one, but yet it was bitter and mortifying; why was the order of the world so strange, that life, which is given

to man only once, passes away without benefit?

He was not sorry to die, but at home, as soon as he saw his fiddle, it sent a pang to his heart and he felt sorry.

He could not take the fiddle with him to the grave, and now it would be left forlorn, and the same thing would

happen to it as to the birch copse and the pine forest. Everything in this world was wasted and would be

wasted! Yakov went out of the hut and sat in the doorway, pressing the fiddle to his bosom. Thinking of his

wasted, profitless life, he began to play, he did not know what, but it was plaintive and touching, and tears

trickled down his cheeks. And the harder he thought, the more mournfully the fiddle wailed.

The latch clicked once and again, and Rothschild appeared at the gate. He walked across half the yard boldly,

but seeing Yakov he stopped short, and seemed to shrink together, and probably from terror, began making

signs with his hands as though he wanted to show on his fingers what o'clock it was.

"Come along, it's all right," said Yakov in a friendly tone, and he beckoned him to come up. "Come along!"

Looking at him mistrustfully and apprehensively, Rothschild began to advance, and stopped seven feet off.

"Be so good as not to beat me," he said, ducking. "Moisey Ilyitch has sent me again. 'Don't be afraid,' he said;

'go to Yakov again and tell him,' he said, 'we can't get on without him.' There is a wedding on Wednesday. . .

. Yees! Mr. Shapovalov is marrying his daughter to a good man. . . . And it will be a grand wedding,

oooo!" added the Jew, screwing up one eye.

"I can't come," said Yakov, breathing hard. "I'm ill, brother."

And he began playing again, and the tears gushed from his eyes on to the fiddle. Rothschild listened

attentively, standing sideways to him and folding his arms on his chest. The scared and perplexed expression

on his face, little by little, changed to a look of woe and suffering; he rolled his eyes as though he were

experiencing an agonizing ecstasy, and articulated, "Vachhh!" and tears slowly ran down his cheeks and

trickled on his greenish coat.

And Yakov lay in bed all the rest of the day grieving. In the evening, when the priest confessing him asked,

Did he remember any special sin he had committed? straining his failing memory he thought again of Marfa's

unhappy face, and the despairing shriek of the Jew when the dog bit him, and said, hardly audibly, "Give the

fiddle to Rothschild."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 91



Top




Page No 94


"Very well," answered the priest.

And now everyone in the town asks where Rothschild got such a fine fiddle. Did he buy it or steal it? Or

perhaps it had come to him as a pledge. He gave up the flute long ago, and now plays nothing but the fiddle.

As plaintive sounds flow now from his bow, as came once from his flute, but when he tries to repeat what

Yakov played, sitting in the doorway, the effect is something so sad and sorrowful that his audience weep,

and he himself rolls his eyes and articulates "Vachhh! . . ." And this new air was so much liked in the town

that the merchants and officials used to be continually sending for Rothschild and making him play it over

and over again a dozen times.

IVAN MATVEYITCH

BETWEEN five and six in the evening. A fairly wellknown man of learning  we will call him simply the

man of learning  is sitting in his study nervously biting his nails.

"It's positively revolting," he says, continually looking at his watch. "It shows the utmost disrespect for

another man's time and work. In England such a person would not earn a farthing, he would die of hunger.

You wait a minute, when you do come . . . ."

And feeling a craving to vent his wrath and impatience upon someone, the man of learning goes to the door

leading to his wife's room and knocks.

"Listen, Katya," he says in an indignant voice. "If you see Pyotr Danilitch, tell him that decent people don't

do such things. It's abominable! He recommends a secretary, and does not know the sort of man he is

recommending! The wretched boy is two or three hours late with unfailing regularity every day. Do you call

that a secretary? Those two or three hours are more precious to me than two or three years to other people.

When he does come I will swear at him like a dog, and won't pay him and will kick him out. It's no use

standing on ceremony with people like that!"

"You say that every day, and yet he goes on coming and coming."

"But today I have made up my mind. I have lost enough through him. You must excuse me, but I shall

swear at him like a cabman."

At last a ring is heard. The man of learning makes a grave face; drawing himself up, and, throwing back his

head, he goes into the entry. There his amanuensis Ivan Matveyitch, a young man of eighteen, with a face

oval as an egg and no moustache, wearing a shabby, mangy overcoat and no goloshes, is already standing by

the hatstand. He is in breathless haste, and scrupulously wipes his huge clumsy boots on the doormat, trying

as he does so to conceal from the maidservant a hole in his boot through which a white sock is peeping.

Seeing the man of learning he smiles with that broad, prolonged, somewhat foolish smile which is seen only

on the faces of children or very goodnatured people.

"Ah, good evening!" he says, holding out a big wet hand. "Has your sore throat gone?"

"Ivan Matveyitch," says the man of learning in a shaking voice, stepping back and clasping his hands

together. "Ivan Matveyitch."

Then he dashes up to the amanuensis, clutches him by the shoulders, and begins feebly shaking him.

"What a way to treat me!" he says with despair in his voice. "You dreadful, horrid fellow, what a way to treat

me! Are you laughing at me, are you jeering at me? Eh?"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 92



Top




Page No 95


Judging from the smile which still lingered on his face Ivan Matveyitch had expected a very different

reception, and so, seeing the man of learning's countenance eloquent of indignation, his oval face grows

longer than ever, and he opens his mouth in amazement.

"What is . . . what is it?" he asks.

"And you ask that?" the man of learning clasps his hands. "You know how precious time is to me, and you

are so late. You are two hours late! . . . Have you no fear of God?"

"I haven't come straight from home," mutters Ivan Matveyitch, untying his scarf irresolutely. "I have been at

my aunt's nameday party, and my aunt lives five miles away. . . . If I had come straight from home, then it

would have been a different thing."

"Come, reflect, Ivan Matveyitch, is there any logic in your conduct? Here you have work to do, work at a

fixed time, and you go flying off after nameday parties and aunts! But do make haste and undo your

wretched scarf! It's beyond endurance, really!"

The man of learning dashes up to the amanuensis again and helps him to disentangle his scarf.

"You are done up like a peasant woman, . . . Come along, . . . Please make haste!"

Blowing his nose in a dirty, crumpledup handkerchief and pulling down his grey reefer jacket, Ivan

Matveyitch goes through the hall and the drawingroom to the study. There a place and paper and even

cigarettes had been put ready for him long ago.

"Sit down, sit down," the man of learning urges him on, rubbing his hands impatiently. "You are an

unsufferable person. . . . You know the work has to be finished by a certain time, and then you are so late.

One is forced to scold you. Come, write, . . . Where did we stop?"

Ivan Matveyitch smooths his bristling cropped hair and takes up his pen. The man of learning walks up and

down the room, concentrates himself, and begins to dictate:

"The fact is . . . comma . . . that so to speak fundamental forms . . . have you written it? . . . forms are

conditioned entirely by the essential nature of those principles . . . comma . . . which find in them their

expression and can only be embodied in them. . . . New line, . . . There's a stop there, of course. . . . More

independence is found . . . is found . . . by the forms which have not so much a political . . . comma . . . as a

social character . ."

"The highschool boys have a different uniform now . . . a grey one," said Ivan Matveyitch, "when I was at

school it was better: they used to wear regular uniforms."

"Oh dear, write please!" says the man of learning wrathfully. "Character . . . have you written it? Speaking of

the forms relating to the organization . . . of administrative functions, and not to the regulation of the life of

the people . . . comma . . . it cannot be said that they are marked by the nationalism of their forms . . . the last

three words in inverted commas. . . . Aie, aie . . . tut, tut . . . so what did you want to say about the high

school?"

"That they used to wear a different uniform in my time."

"Aha! . . . indeed, . . . Is it long since you left the high school?"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 93



Top




Page No 96


"But I told you that yesterday. It is three years since I left school. . . . I left in the fourth class."

"And why did you give up high school?" asks the man of learning, looking at Ivan Matveyitch's writing.

"Oh, through family circumstances."

"Must I speak to you again, Ivan Matveyitch? When will you get over your habit of dragging out the lines?

There ought not to be less than forty letters in a line."

"What, do you suppose I do it on purpose?" says Ivan Matveyitch, offended. "There are more than forty

letters in some of the other lines. . . . You count them. And if you think I don't put enough in the line, you can

take something off my pay."

"Oh dear, that's not the point. You have no delicacy, really. . . . At the least thing you drag in money. The

great thing is to be exact, Ivan Matveyitch, to be exact is the great thing. You ought to train yourself to be

exact."

The maidservant brings in a tray with two glasses of tea on it, and a basket of rusks. . . . Ivan Matveyitch

takes his glass awkwardly with both hands, and at once begins drinking it. The tea is too hot. To avoid

burning his mouth Ivan Matveyitch tries to take a tiny sip. He eats one rusk, then a second, then a third, and,

looking sideways, with embarrassment, at the man of learning, timidly stretches after a fourth. . . . The noise

he makes in swallowing, the relish with which he smacks his lips, and the expression of hungry greed in his

raised eyebrows irritate the man of learning.

"Make haste and finish, time is precious."

"You dictate, I can drink and write at the same time. . . . I must confess I was hungry."

"I should think so after your walk!"

"Yes, and what wretched weather! In our parts there is a scent of spring by now. . . . There are puddles

everywhere; the snow is melting."

"You are a southerner, I suppose?"

"From the Don region. . . . It's quite spring with us by March. Here it is frosty, everyone's in a fur coat, . . .

but there you can see the grass . . . it's dry everywhere, and one can even catch tarantulas."

"And what do you catch tarantulas for?"

"Oh! . . . to pass the time . . ." says Ivan Matveyitch, and he sighs. "It's fun catching them. You fix a bit of

pitch on a thread, let it down into their hole and begin hitting the tarantula on the back with the pitch, and the

brute gets cross, catches hold of the pitch with his claws, and gets stuck. . . . And what we used to do with

them! We used to put a basinful of them together and drop a bihorka in with them."

"What is a bihorka?"

"That's another spider, very much the same as a tarantula. In a fight one of them can kill a hundred

tarantulas."

"H'm! . . . But we must write, . . . Where did we stop?"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 94



Top




Page No 97


The man of learning dictates another twenty lines, then sits plunged in meditation.

Ivan Matveyitch, waiting while the other cogitates, sits and, craning his neck, puts the collar of his shirt to

rights. His tie will not set properly, the stud has come out, and the collar keeps coming apart.

"H'm! . . ." says the man of learning. "Well, haven't you found a job yet, Ivan Matveyitch?"

"No. And how is one to find one? I am thinking, you know, of volunteering for the army. But my father

advises my going into a chemist's."

"H'm! . . . But it would be better for you to go into the university. The examination is difficult, but with

patience and hard work you could get through. Study, read more. . . . Do you read much?"

"Not much, I must own . . ." says Ivan Matveyitch, lighting a cigarette.

"Have you read Turgenev?"

"Nno. . . ."

"And Gogol?"

"Gogol. H'm! . . . Gogol. . . . No, I haven't read him!"

"Ivan Matveyitch! Aren't you ashamed? Aie! aie! You are such a nice fellow, so much that is original in you .

. . you haven't even read Gogol! You must read him! I will give you his works! It's essential to read him! We

shall quarrel if you don't!"

Again a silence follows. The man of learning meditates, half reclining on a soft lounge, and Ivan Matveyitch,

leaving his collar in peace, concentrates his whole attention on his boots. He has not till then noticed that two

big puddles have been made by the snow melting off his boots on the floor. He is ashamed.

"I can't get on today . . ." mutters the man of learning. "I suppose you are fond of catching birds, too, Ivan

Matveyitch?"

"That's in autumn, . . . I don't catch them here, but there at home I always did."

"To be sure . . . very good. But we must write, though."

The man of learning gets up resolutely and begins dictating, but after ten lines sits down on the lounge again.

"No. . . . Perhaps we had better put it off till tomorrow morning," he says. "Come tomorrow morning, only

come early, at nine o'clock. God preserve you from being late!"

Ivan Matveyitch lays down his pen, gets up from the table and sits in another chair. Five minutes pass in

silence, and he begins to feel it is time for him to go, that he is in the way; but in the man of learning's study it

is so snug and light and warm, and the impression of the nice rusks and sweet tea is still so fresh that there is

a pang at his heart at the mere thought of home. At home there is poverty, hunger, cold, his grumbling father,

scoldings, and here it is so quiet and unruffled, and interest even is taken in his tarantulas and birds.

The man of learning looks at his watch and takes up a book.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 95



Top




Page No 98


"So you will give me Gogol?' says Ivan Matveyitch, getting up.

"Yes, yes! But why are you in such a hurry, my dear boy? Sit down and tell me something . . ."

Ivan Matveyitch sits down and smiles broadly. Almost every evening he sits in this study and always feels

something extraordinarily soft, attracting him, as it were akin, in the voice and the glance of the man of

learning. There are moments when he even fancies that the man of learning is becoming attached to him, used

to him, and that if he scolds him for being late, it's simply because he misses his chatter about tarantulas and

how they catch goldfinches on the Don.

ZINOTCHKA

THE party of sportsmen spent the night in a peasant's hut on some newly mown hay. The moon peeped in at

the window; from the street came the mournful wheezing of a concertina; from the hay came a sickly sweet,

faintly troubling scent. The sportsmen talked about dogs, about women, about first love, and about snipe.

After all the ladies of their acquaintance had been picked to pieces, and hundreds of stories had been told, the

stoutest of the sportsmen, who looked in the darkness like a haycock, and who talked in the mellow bass of a

staff officer, gave a loud yawn and said:

"It is nothing much to be loved; the ladies are created for the purpose of loving us men. But, tell me, has any

one of you fellows been hated  passionately, furiously hated? Has any one of you watched the ecstasies of

hatred? Eh?"

No answer followed.

"Has no one, gentlemen?" asked the staff officer's bass voice. "But I, now, have been hated, hated by a pretty

girl, and have been able to study the symptoms of first hatred directed against myself. It was the first, because

it was something exactly the converse of first love. What I am going to tell, however, happened when I knew

nothing about love or hate. I was eight at the time, but that made no difference; in this case it was not he but

she that mattered. Well, I beg your attention. One fine summer evening, just before sunset, I was sitting in the

nursery, doing my lesson with my governess, Zinotchka, a very charming and poetical creature who had left

boarding school not long before. Zinotchka looked absentmindedly towards the window and said:

" 'Yes. We breathe in oxygen; now tell me, Petya, what do we breathe out?'

" 'Carbonic acid gas,' I answered, looking towards the same window.

" 'Right,' assented Zinotchka. 'Plants, on the contrary, breathe in carbonic acid gas, and breathe out oxygen.

Carbonic acid gas is contained in seltzer water, and in the fumes from the samovar. . . . It is a very noxious

gas. Near Naples there is the socalled Cave of Dogs, which contains carbonic acid gas; a dog dropped into it

is suffocated and dies.'

"This luckless Cave of Dogs near Naples is a chemical marvel beyond which no governess ventures to go.

Zinotchka always hotly maintained the usefulness of natural science, but I doubt if she knew any chemistry

beyond this Cave.

"Well, she told me to repeat it. I repeated it. She asked me what was meant by the horizon. I answered. And

meantime, while we were ruminating over the horizon and the Cave, in the yard below, my father was just

getting ready to go shooting. The dogs yapped, the trace horses shifted from one leg to another impatiently

and coquetted with the coachman, the footman packed the waggonette with parcels and all sorts of things.

Beside the waggonette stood a brake in which my mother and sisters were sitting to drive to a nameday


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 96



Top




Page No 99


party at the Ivanetskys'. No one was left in the house but Zinotchka, me, and my eldest brother, a student,

who had toothache. You can imagine my envy and my boredom.

" 'Well, what do we breathe in?' asked Zinotchka, looking at the window.

" 'Oxygen. . .'

" 'Yes. And the horizon is the name given to the place where it seems to us as though the earth meets the sky.'

"Then the waggonette drove off, and after it the brake. . . . I saw Zinotchka take a note out of her pocket,

crumple it up convulsively and press it to her temple, then she flushed crimson and looked at her watch.

" 'So, remember,' she said, 'that near Naples is the socalled Cave of Dogs. . . .' She glanced at her watch

again and went on: 'where the sky seems to us to meet the earth. . . .'

"The poor girl in violent agitation walked about the room, and once more glanced at her watch. There was

another halfhour before the end of our lesson.

" 'Now arithmetic,' she said, breathing hard and turning over the pages of the sumbook with a trembling

hand. 'Come, you work out problem 325 and I . . . will be back directly.'

"She went out. I heard her scurry down the stairs, and then I saw her dart across the yard in her blue dress and

vanish through the garden gate. The rapidity of her movements, the flush on her cheeks and her excitement,

aroused my curiosity. Where had she run, and what for? Being intelligent beyond my years I soon put two

and two together, and understood it all: she had run into the garden, taking advantage of the absence of my

stern parents, to steal in among the raspberry bushes, or to pick herself some cherries. If that were so, dash it

all, I would go and have some cherries too. I threw aside the sumbook and ran into the garden. I ran to the

cherry orchard, but she was not there. Passing by the raspberries, the gooseberries, and the watchman's

shanty, she crossed the kitchen garden and reached the pond, pale, and starting at every sound. I stole after

her, and what I saw, my friends, was this. At the edge of the pond, between the thick stumps of two old

willows, stood my elder brother, Sasha; one could not see from his face that he had toothache. He looked

towards Zinotchka as she approached him, and his whole figure was lighted up by an expression of happiness

as though by sunshine. And Zinotchka, as though she were being driven into the Cave of Dogs, and were

being forced to breathe carbonic acid gas, walked towards him, scarcely able to move one leg before the

other, breathing hard, with her head thrown back. . . . To judge from appearances she was going to a

rendezous for the first time in her life. But at last she reached him. . . . For half a minute they gazed at each

other in silence, as though they could not believe their eyes. Thereupon some force seemed to shove

Zinotchka; she laid her hands on Sasha's shoulders and let her head droop upon his waistcoat. Sasha laughed,

muttered something incoherent, and with the clumsiness of a man head over ears in love, laid both hands on

Zinotchka's face. And the weather, gentlemen, was exquisite. . . . The hill behind which the sun was setting,

the two willows, the green bank, the sky  all together with Sasha and Zinotchka were reflected in the pond

. . . perfect stillness . . . you can imagine it. Millions of butterflies with long whiskers gleamed golden above

the reeds; beyond the garden they were driving the cattle. In fact, it was a perfect picture.

"Of all I had seen the only thing I understood was that Sasha was kissing Zinotchka. That was improper. If

maman heard of it they would both catch it. Feeling for some reason ashamed I went back to the nursery, not

waiting for the end of the rendezvous. There I sat over the sumbook, pondered and reflected. A triumphant

smile strayed upon my countenance. On one side it was agreeable to be the possessor of another person's

secret; on the other it was also very agreeable that such authorities as Sasha and Zinotchka might at any

moment be convicted by me of ignorance of the social proprieties. Now they were in my power, and their

peace was entirely dependent on my magnanimity. I'd let them know.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 97



Top




Page No 100


"When I went to bed, Zinotchka came into the nursery as usual to find out whether I had dropped asleep

without undressing and whether I had said my prayers. I looked at her pretty, happy face and grinned. I was

bursting with my secret and itching to let it out. I had to drop a hint and enjoy the effect.

" 'I know,' I said, grinning. 'Gyy.'

" 'What do you know?'

" 'Gyy! I saw you near the willows kissing Sasha. I followed you and saw it all.'

"Zinotchka started, flushed all over, and overwhelmed by 'my hint' she sank down on the chair, on which

stood a glass of water and a candlestick.

" 'I saw you . . . kissing . . .' I repeated, sniggering and enjoying her confusion. 'Aha! I'll tell mamma!'

"Cowardly Zinotchka gazed at me intently, and convincing herself that I really did know all about it, clutched

my hand in despair and muttered in a trembling whisper:

" 'Petya, it is low. . . . I beg of you, for God's sake. . . . Be a man . . . don't tell anyone. . . . Decent people don't

spy. . . . It's low. . . . I entreat you.'

"The poor girl was terribly afraid of my mother, a stern and virtuous lady  that was one thing; and the

second was that my grinning countenance could not but outrage her first love so pure and poetical, and you

can imagine the state of her heart. Thanks to me, she did not sleep a wink all night, and in the morning she

appeared at breakfast with blue rings round her eyes. When I met Sasha after breakfast I could not refrain

from grinning and boasting:

" 'I know! I saw you yesterday kissing Mademoiselle Zina!'

"Sasha looked at me and said:

" 'You are a fool.'

"He was not so cowardly as Zinotchka, and so my effect did not come off. That provoked me to further

efforts. If Sasha was not frightened it was evident that he did not believe that I had seen and knew all about it;

wait a bit, I would show him.

"At our lessons before dinner Zinotchka did not look at me, and her voice faltered. Instead of trying to scare

me she tried to propitiate me in every way, giving me full marks, and not complaining to my father of my

naughtiness. Being intelligent beyond my years I exploited her secret: I did not learn my lessons, walked into

the schoolroom on my head, and said all sorts of rude things. In fact, if I had remained in that vein till today

I should have become a famous blackmailer. Well, a week passed. Another person's secret irritated and

fretted me like a splinter in my soul. I longed at all costs to blurt it out and gloat over the effect. And one day

at dinner, when we had a lot of visitors, I gave a stupid snigger, looked fiendishly at Zinotchka and said:

" 'I know. Gyy! I saw! . . .'

" 'What do you know?' asked my mother.

"I looked still more fiendishly at Zinotchka and Sasha. You ought to have seen how the girl flushed up, and

how furious Sasha's eyes were! I bit my tongue and did not go on. Zinotchka gradually turned pale, clenched


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 98



Top




Page No 101


her teeth, and ate no more dinner. At our evening lessons that day I noticed a striking change in Zinotchka's

face. It looked sterner, colder, as it were, more like marble, while her eyes gazed strangely straight into my

face, and I give you my word of honour I have never seen such terrible, annihilating eyes, even in hounds

when they overtake the wolf. I understood their expression perfectly, when in the middle of a lesson she

suddenly clenched her teeth and hissed through them:

" 'I hate you! Oh, you vile, loathsome creature, if you knew how I hate you, how I detest your cropped head,

your vulgar, prominent ears!'

"But at once she took fright and said:

" 'I am not speaking to you, I am repeating a part out of a play. . . .'

"Then, my friends, at night I saw her come to my bedside and gaze a long time into my face. She hated me

passionately, and could not exist away from me. The contemplation of my hated pug of a face had become a

necessity to her. I remember a lovely summer evening . . . with the scent of hay, perfect stillness, and so on.

The moon was shining. I was walking up and down the avenue, thinking of cherry jam. Suddenly Zinotchka,

looking pale and lovely, came up to me, she caught hold of my hand, and breathlessly began expressing

herself:

" 'Oh, how I hate you! I wish no one harm as I do you! Let me tell you that! I want you to understand that!'

"You understand, moonlight, her pale face, breathless with passion, the stillness . . . little pig as I was I

actually enjoyed it. I listened to her, looked at her eyes. . . . At first I liked it, and enjoyed the novelty. Then I

was suddenly seized with terror, I gave a scream, and ran into the house at breakneck speed.

"I made up my mind that the best thing to do was to complain to maman. And I did complain, mentioning

incidentally how Sasha had kissed Zinotchka. I was stupid, and did not know what would follow, or I should

have kept the secret to myself. . . . After hearing my story maman flushed with indignation and said:

" 'It is not your business to speak about that, you are still very young. . . . But, what an example for children.'

"My maman was not only virtuous but diplomatic. To avoid a scandal she did not get rid of Zinotchka at

once, but set to work gradually, systematically, to pave the way for her departure, as one does with wellbred

but intolerable people. I remember that when Zinotchka did leave us the last glance she cast at the house was

directed at the window at which I was sitting, and I assure you, I remember that glance to this day.

"Zinotchka soon afterwards became my brother's wife. She is the Zinaida Nikolaevna whom you know. The

next time I met her I was already an ensign. In spite of all her efforts she could not recognize the hated Petya

in the ensign with his moustache, but still she did not treat me quite like a relation. . . . And even now, in spite

of my goodhumoured baldness, meek corpulence, and unassuming air, she still looks askance at me, and

feels put out when I go to see my brother. Hatred it seems can no more be forgotten than love. . . .

"Tchoo! I hear the cock crowing! Goodnight. Milord! Lie down!"

BAD WEATHER

BIG raindrops were pattering on the dark windows. It was one of those disgusting summer holiday rains

which, when they have begun, last a long time  for weeks, till the frozen holiday maker grows used to it,

and sinks into complete apathy. It was cold; there was a feeling of raw, unpleasant dampness. The

motherinlaw of a lawyer, called Kvashin, and his wife, Nadyezhda Filippovna, dressed in waterproofs and


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 99



Top




Page No 102


shawls, were sitting over the dinner table in the diningroom. It was written on the countenance of the elder

lady that she was, thank God, wellfed, wellclothed and in good health, that she had married her only

daughter to a good man, and now could play her game of patience with an easy conscience; her daughter, a

rather short, plump, fair young woman of twenty, with a gentle anæmic face, was reading a book with her

elbows on the table; judging from her eyes she was not so much reading as thinking her own thoughts, which

were not in the book. Neither of them spoke. There was the sound of the pattering rain, and from the kitchen

they could hear the prolonged yawns of the cook.

Kvashin himself was not at home. On rainy days he did not come to the summer villa, but stayed in town;

damp, rainy weather affected his bronchitis and prevented him from working. He was of the opinion that the

sight of the grey sky and the tears of rain on the windows deprived one of energy and induced the spleen. In

the town, where there was greater comfort, bad weather was scarcely noticed.

After two games of patience, the old lady shuffled the cards and took a glance at her daughter.

"I have been trying with the cards whether it will be fine tomorrow, and whether our Alexey Stepanovitch

will come," she said. "It is five days since he was here. . . . The weather is a chastisement from God."

Nadyezhda Filippovna looked indifferently at her mother, got up, and began walking up and down the room.

"The barometer was rising yesterday," she said doubtfully, "but they say it is falling again today."

The old lady laid out the cards in three long rows and shook her head.

"Do you miss him?" she asked, glancing at her daughter.

"Of course."

"I see you do. I should think so. He hasn't been here for five days. In May the utmost was two, or at most

three days, and now it is serious, five days! I am not his wife, and yet I miss him. And yesterday, when I

heard the barometer was rising, I ordered them to kill a chicken and prepare a carp for Alexey Stepanovitch.

He likes them. Your poor father couldn't bear fish, but he likes it. He always eats it with relish."

"My heart aches for him," said the daughter. "We are dull, but it is duller still for him, you know, mamma."

"I should think so! In the lawcourts day in and day out, and in the empty flat at night alone like an owl."

"And what is so awful, mamma, he is alone there without servants; there is no one to set the samovar or bring

him water. Why didn't he engage a valet for the summer months? And what use is the summer villa at all if

he does not care for it? I told him there was no need to have it, but no, 'It is for the sake of your health,' he

said, and what is wrong with my health? It makes me ill that he should have to put up with so much on my

account."

Looking over her mother's shoulder, the daughter noticed a mistake in the patience, bent down to the table

and began correcting it. A silence followed. Both looked at the cards and imagined how their Alexey

Stepanovitch, utterly forlorn, was sitting now in the town in his gloomy, empty study and working, hungry,

exhausted, yearning for his family. . . .

"Do you know what, mamma?" said Nadyezhda Filippovna suddenly, and her eyes began to shine. "If the

weather is the same tomorrow I'll go by the first train and see him in town! Anyway, I shall find out how he

is, have a look at him, and pour out his tea."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 100



Top




Page No 103


And both of them began to wonder how it was that this idea, so simple and easy to carry out, had not

occurred to them before. It was only half an hour in the train to the town, and then twenty minutes in a cab.

They said a little more, and went off to bed in the same room, feeling more contented.

"Ohohoho. . . . Lord, forgive us sinners!" sighed the old lady when the clock in the hall struck two. "There

is no sleeping."

"You are not asleep, mamma?" the daughter asked in a whisper. "I keep thinking of Alyosha. I only hope he

won't ruin his health in town. Goodness knows where he dines and lunches. In restaurants and taverns."

"I have thought of that myself," sighed the old lady. "The Heavenly Mother save and preserve him. But the

rain, the rain!"

In the morning the rain was not pattering on the panes, but the sky was still grey. The trees stood looking

mournful, and at every gust of wind they scattered drops. The footprints on the muddy path, the ditches and

the ruts were full of water. Nadyezhda Filippovna made up her mind to go.

"Give him my love," said the old lady, wrapping her daughter up. "Tell him not to think too much about his

cases. . . . And he must rest. Let him wrap his throat up when he goes out: the weather  God help us! And

take him the chicken; food from home, even if cold, is better than at a restaurant."

The daughter went away, saying that she would come back by an evening train or else next morning.

But she came back long before dinnertime, when the old lady was sitting on her trunk in her bedroom and

drowsily thinking what to cook for her soninlaw's supper.

Going into the room her daughter, pale and agitated, sank on the bed without uttering a word or taking off her

hat, and pressed her head into the pillow.

"But what is the matter," said the old lady in surprise, "why back so soon? Where is Alexey Stepanovitch?"

Nadyezhda Filippovna raised her head and gazed at her mother with dry, imploring eyes.

"He is deceiving us, mamma," she said.

"What are you saying? Christ be with you!" cried the old lady in alarm, and her cap slipped off her head.

"Who is going to deceive us? Lord, have mercy on us!"

"He is deceiving us, mamma!" repeated her daughter, and her chin began to quiver.

"How do you know?" cried the old lady, turning pale.

"Our flat is locked up. The porter tells me that Alyosha has not been home once for these five days. He is not

living at home! He is not at home, not at home!"

She waved her hands and burst into loud weeping. uttering nothing but: "Not at home! Not at home!"

She began to be hysterical.

"What's the meaning of it?" muttered the old woman in horror. "Why, he wrote the day before yesterday that

he never leaves the flat! Where is he sleeping? Holy Saints!"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 101



Top




Page No 104


Nadyezhda Filippovna felt so faint that she could not take off her hat. She looked about her blankly, as

though she had been drugged, and convulsively clutched at her mother's arms.

"What a person to trust: a porter!" said the old lady, fussing round her daughter and crying. "What a jealous

girl you are! He is not going to deceive you, and how dare he? We are not just anybody. Though we are of the

merchant class, yet he has no right, for you are his lawful wife! We can take proceedings! I gave twenty

thousand roubles with you! You did not want for a dowry!"

And the old lady herself sobbed and gesticulated, and she felt faint, too, and lay down on her trunk. Neither

of them noticed that patches of blue had made their appearance in the sky, that the clouds were more

transparent, that the first sunbeam was cautiously gliding over the wet grass in the garden, that with renewed

gaiety the sparrows were hopping about the puddles which reflected the racing clouds.

Towards evening Kvashin arrived. Before leaving town he had gone to his flat and had learned from the

porter that his wife had come in his absence.

"Here I am," he said gaily, coming into his motherinlaw's room and pretending not to notice their stern and

tearstained faces. "Here I am! It's five days since we have seen each other!"

He rapidly kissed his wife's hand and his motherinlaw's, and with the air of man delighted at having

finished a difficult task, he lolled in an armchair.

"Ough!" he said, puffing out all the air from his lungs. "Here I have been worried to death. I have scarcely sat

down. For almost five days now I have been, as it were, bivouacking. I haven't been to the flat once, would

you believe it? I have been busy the whole time with the meeting of Shipunov's and Ivantchikov's creditors; I

had to work in Galdeyev's office at the shop. . . . I've had nothing to eat or to drink, and slept on a bench, I

was chilled through. . . . I hadn't a free minute. I hadn't even time to go to the flat. That's how I came not to be

at home, Nadyusha, . . And Kvashin, holding his sides as though his back were aching, glanced stealthily at

his wife and motherinlaw to see the effect of his lie, or as he called it, diplomacy. The motherinlaw and

wife were looking at each other in joyful astonishment, as though beyond all hope and expectation they had

found something precious, which they had lost. . . . Their faces beamed, their eyes glowed. . . .

"My dear man," cried the old lady, jumping up, "why am I sitting here? Tea! Tea at once! Perhaps you are

hungry?"

"Of course he is hungry," cried his wife, pulling off her head a bandage soaked in vinegar. "Mamma, bring

the wine, and the savouries. Natalya, lay the table! Oh, my goodness, nothing is ready!"

And both of them, frightened, happy, and bustling, ran about the room. The old lady could not look without

laughing at her daughter who had slandered an innocent man, and the daughter felt ashamed. . . .

The table was soon laid. Kvashin, who smelt of madeira and liqueurs and who could scarcely breathe from

repletion, complained of being hungry, forced himself to munch and kept on talking of the meeting of

Shipunov's and Ivantchikov's creditors, while his wife and motherinlaw could not take their eyes off his

face, and both thought:

"How clever and kind he is! How handsome!"

"All serene," thought Kvashin, as he lay down on the wellfilled feather bed. "Though they are regular

tradesmen's wives, though they are Philistines, yet they have a charm of their own, and one can spend a day

or two of the week here with enjoyment. . . ."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 102



Top




Page No 105


He wrapped himself up, got warm, and as he dozed off, he said to himself:

"All serene!"

A GENTLEMAN FRIEND

THE charming Vanda, or, as she was described in her passport, the "Honourable Citizen Nastasya Kanavkin,"

found herself, on leaving the hospital, in a position she had never been in before: without a home to go to or a

farthing in her pocket. What was she to do?

The first thing she did was to visit a pawnbroker's and pawn her turquoise ring, her one piece of jewellery.

They gave her a rouble for the ring . . . but what can you get for a rouble? You can't buy for that sum a

fashionable short jacket, nor a big hat, nor a pair of bronze shoes, and without those things she had a feeling

of being, as it were, undressed. She felt as though the very horses and dogs were staring and laughing at the

plainness of her dress. And clothes were all she thought about: the question what she should eat and where

she should sleep did not trouble her in the least.

"If only I could meet a gentleman friend," she thought to herself, "I could get some money. . . . There isn't

one who would refuse me, I know. . ."

But no gentleman she knew came her way. It would be easy enough to meet them in the evening at the

"Renaissance," but they wouldn't let her in at the "Renaissance "in that shabby dress and with no hat. What

was she to do?

After long hesitation, when she was sick of walking and sitting and thinking, Vanda made up her mind to fall

back on her last resource: to go straight to the lodgings of some gentleman friend and ask for money.

She pondered which to go to. "Misha is out of the question; he's a married man. . . . The old chap with the red

hair will be at his office at this time. . ."

Vanda remembered a dentist, called Finkel, a converted Jew, who six months ago had given her a bracelet,

and on whose head she had once emptied a glass of beer at the supper at the German Club. She was awfully

pleased at the thought of Finkel.

"He'll be sure to give it me, if only I find him at home," she thought, as she walked in his direction. "If he

doesn't, I'll smash all the lamps in the house."

Before she reached the dentist's door she thought out her plan of action: she would run laughing up the stairs,

dash into the dentist's room and demand twentyfive roubles. But as she touched the bell, this plan seemed to

vanish from her mind of itself. Vanda began suddenly feeling frightened and nervous, which was not at all

her way. She was bold and saucy enough at drinking parties, but now, dressed in everyday clothes, feeling

herself in the position of an ordinary person asking a favour, who might be refused admittance, she felt

suddenly timid and humiliated. She was ashamed and frightened.

"Perhaps he has forgotten me by now," she thought, hardly daring to pull the bell. "And how can I go up to

him in such a dress, looking like a beggar or some working girl?"

And she rang the bell irresolutely.

She heard steps coming: it was the porter.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 103



Top




Page No 106


"Is the doctor at home?" she asked.

She would have been glad now if the porter had said "No," but the latter, instead of answering ushered her

into the hall, and helped her off with her coat. The staircase impressed her as luxurious, and magnificent, but

of all its splendours what caught her eye most was an immense lookingglass, in which she saw a ragged

figure without a fashionable jacket, without a big hat, and without bronze shoes. And it seemed strange to

Vanda that, now that she was humbly dressed and looked like a laundress or sewing girl, she felt ashamed,

and no trace of her usual boldness and sauciness remained, and in her own mind she no longer thought of

herself as Vanda, but as the Nastasya Kanavkin she used to be in the old days. . . .

"Walk in, please," said a maidservant, showing her into the consultingroom. "The doctor will be here in a

minute. Sit down."

Vanda sank into a soft armchair.

"I'll ask him to lend it me," she thought; "that will be quite proper, for, after all, I do know him. If only that

servant would go. I don't like to ask before her. What does she want to stand there for?"

Five minutes later the door opened and Finkel came in. He was a tall, dark Jew, with fat cheeks and bulging

eyes. His cheeks, his eyes, his chest, his body, all of him was so well fed, so loathsome and repellent! At the

"Renaissance" and the German Club he had usually been rather tipsy, and would spend his money freely on

women, and be very longsuffering and patient with their pranks (when Vanda, for instance, poured the beer

over his head, he simply smiled and shook his finger at her): now he had a cross, sleepy expression and

looked solemn and frigid like a police captain, and he kept chewing something.

"What can I do for you?" he asked, without looking at Vanda.

Vanda looked at the serious countenance of the maid and the smug figure of Finkel, who apparently did not

recognize her, and she turned red.

"What can I do for you?" repeated the dentist a little irritably.

"I've got toothache," murmured Vanda.

"Aha! . . . Which is the tooth? Where?"

Vanda remembered she had a hole in one of her teeth.

"At the bottom . . . on the right . . ." she said.

"Hm! . . . Open your mouth."

Finkel frowned and, holding his breath, began examining the tooth.

"Does it hurt?" he asked, digging into it with a steel instrument.

"Yes," Vanda replied, untruthfully.

"Shall I remind him?" she was wondering. "He would be sure to remember me. But that servant! Why will

she stand there?"


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 104



Top




Page No 107


Finkel suddenly snorted like a steamengine right into her mouth, and said:

"I don't advise you to have it stopped. That tooth will never be worth keeping anyhow."

After probing the tooth a little more and soiling Vanda's lips and gums with his tobaccostained fingers, he

held his breath again, and put something cold into her mouth. Vanda suddenly felt a sharp pain, cried out, and

clutched at Finkel's hand.

"It's all right, it's all right," he muttered; "don't you be frightened! That tooth would have been no use to you,

anyway . . . you must be brave. . ."

And his tobaccostained fingers, smeared with blood, held up the tooth to her eyes, while the maid

approached and put a basin to her mouth.

"You wash out your mouth with cold water when you get home, and that will stop the bleeding," said Finkel.

He stood before her with the air of a man expecting her to go, waiting to be left in peace.

"Goodday," she said, turning towards the door.

"Hm! . . . and how about my fee?" enquired Finkel, in a jesting tone.

"Oh, yes!" Vanda remembered, blushing, and she handed the Jew the rouble that had been given her for her

ring.

When she got out into the street she felt more overwhelmed with shame than before, but now it was not her

poverty she was ashamed of. She was unconscious now of not having a big hat and a fashionable jacket. She

walked along the street, spitting blood, and brooding on her life, her ugly, wretched life, and the insults she

had endured, and would have to endure tomorrow, and next week, and all her life, up to the very day of her

death.

"Oh! how awful it is! My God, how fearful!"

Next day, however, she was back at the "Renaissance," and dancing there. She had on an enormous new red

hat, a new fashionable jacket, and bronze shoes. And she was taken out to supper by a young merchant up

from Kazan.

A TRIVIAL INCIDENT

IT was a sunny August midday as, in company with a Russian prince who had come down in the world, I

drove into the immense socalled Shabelsky pineforest where we were intending to look for W.s. In

virtue of the part he plays in this story my poor prince deserves a detailed description. He was a tall, dark

man, still youngish, though already somewhat battered by life; with long moustaches like a police captain's;

with prominent black eyes, and with the manners of a retired army man. He was a man of Oriental type, not

very intelligent, but straightforward and honest, not a bully, not a fop, and not a rake  virtues which, in the

eyes of the general public, are equivalent to a certificate of being a nonentity and a poor creature. People

generally did not like him (he was never spoken of in the district, except as "the illustrious duffer"). I

personally found the poor prince extremely nice with his misfortunes and failures, which made up indeed his

whole life. First of all he was poor. He did not play cards, did not drink, had no occupation, did not poke his

nose into anything, and maintained a perpetual silence but yet he had somehow succeeded in getting through

thirty to forty thousand roubles left him at his father's death. God only knows what had become of the money.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 105



Top




Page No 108


All that I can say is that owing to lack of supervision a great deal was stolen by stewards, bailiffs, and even

footmen; a great deal went on lending money, giving bail, and standing security. There were few landowners

in the district who did not owe him money. He gave to all who asked, and not so much from good nature or

confidence in people as from exaggerated gentlemanliness as though he would say: "Take it and feel how

comme il faut I am!" By the time I made his acquaintance he had got into debt himself, had learned what it

was like to have a second mortgage on his land, and had sunk so deeply into difficulties that there was no

chance of his ever getting out of them again. There were days when he had no dinner, and went about with an

empty cigarholder, but he was always seen clean and fashionably dressed, and always smelt strongly of

ylangylang.

The prince's second misfortune was his absolute solitariness. He was not married, he had no friends nor

relations. His silent and reserved character and his comme il faut deportment, which became the more

conspicuous the more anxious he was to conceal his poverty, prevented him from becoming intimate with

people. For love affairs he was too heavy, spiritless, and cold, and so rarely got on with women. . . .

When we reached the forest this prince and I got out of the chaise and walked along a narrow woodland path

which was hidden among huge ferns. But before we had gone a hundred paces a tall, lank figure with a long

oval face, wearing a shabby reefer jacket, a straw hat, and patent leather boots, rose up from behind a young

firtree some three feet high, as though he had sprung out of the ground. The stranger held in one hand a

basket of mushrooms, with the other he playfully fingered a cheap watchchain on his waistcoat. On seeing

us he was taken aback, smoothed his waistcoat, coughed politely, and gave an agreeable smile, as though he

were delighted to see such nice people as us. Then, to our complete surprise, he came up to us, scraping with

his long feet on the grass, bending his whole person, and, still smiling agreeably, lifted his hat and

pronounced in a sugary voice with the intonations of a whining dog:

"Aie, aie . . . gentlemen, painful as it is, it is my duty to warn you that shooting is forbidden in this wood.

Pardon me for venturing to disturb you, though unacquainted, but . . . allow me to present myself. I am

Grontovsky, the head clerk on Madame Kandurin's estate."

"Pleased to make your acquaintance, but why can't we shoot?"

"Such is the wish of the owner of this forest!"

The prince and I exchanged glances. A moment passed in silence. The prince stood looking pensively at a big

fly agaric at his feet, which he had crushed with his stick. Grontovsky went on smiling agreeably. His whole

face was twitching, exuding honey, and even the watchchain on his waistcoat seemed to be smiling and

trying to impress us all with its refinement. A shade of embarrassment passed over us like an angel passing;

all three of us felt awkward.

"Nonsense!" I said. "Only last week I was shooting here!"

"Very possible!" Grontovsky sniggered through his teeth. "As a matter of fact everyone shoots here

regardless of the prohibition. But once I have met you, it is my duty . . . my sacred duty to warn you. I am a

man in a dependent position. If the forest were mine, on the word of honour of a Grontovsky, I should not

oppose your agreeable pleasure. But whose fault is it that I am in a dependent position?"

The lanky individual sighed and shrugged his shoulders. I began arguing, getting hot and protesting, but the

more loudly and impressively I spoke the more mawkish and sugary Grontovsky's face became. Evidently the

consciousness of a certain power over us afforded him the greatest gratification. He was enjoying his

condescending tone, his politeness, his manners, and with peculiar relish pronounced his sonorous surname,

of which he was probably very fond. Standing before us he felt more than at ease, but judging from the


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 106



Top




Page No 109


confused sideway glances he cast from time to time at his basket, only one thing was spoiling his satisfaction

the mushrooms, womanish, peasantish, prose, derogatory to his dignity.

"We can't go back!" I said. "We have come over ten miles!"

"What's to be done?" sighed Grontovsky. "If you had come not ten but a hundred thousand miles, if the king

even had come from America or from some other distant land, even then I should think it my duty . . . sacred,

so to say, obligation . . ."

"Does the forest belong to Nadyezhda Lvovna?" asked the prince.

"Yes, Nadyezhda Lvovna . . ."

"Is she at home now?"

"Yes . . . I tell you what, you go to her, it is not more than half a mile from here; if she gives you a note, then

I. . . . I needn't say! Ha  ha . . . he  he  !"

"By all means," I agreed. "It's much nearer than to go back. . . . You go to her, Sergey Ivanitch," I said,

addressing the prince. "You know her."

The prince, who had been gazing the whole time at the crushed agaric, raised his eyes to me, thought a

minute, and said:

"I used to know her at one time, but . . . it's rather awkward for me to go to her. Besides, I am in shabby

clothes. . . . You go, you don't know her. . . . It's more suitable for you to go."

I agreed. We got into our chaise and, followed by Grontovsky's smiles, drove along the edge of the forest to

the manor house. I was not acquainted with Nadyezhda Lvovna Kandurin, née Shabelsky. I had never seen

her at close quarters, and knew her only by hearsay. I knew that she was incredibly wealthy, richer than

anyone else in the province. After the death of her father, Shabelsky, who was a landowner with no other

children, she was left with several estates, a stud farm, and a lot of money. I had heard that, though she was

only twentyfive or twentysix, she was ugly, uninteresting, and as insignificant as anybody, and was only

distinguished from the ordinary ladies of the district by her immense wealth.

It has always seemed to me that wealth is felt, and that the rich must have special feelings unknown to the

poor. Often as I passed by Nadyezhda Lvovna's big fruit garden, in which stood the large, heavy house with

its windows always curtained, I thought: "What is she thinking at this moment? Is there happiness behind

those blinds?" and so on. Once I saw her from a distance in a fine light cabriolet, driving a handsome white

horse, and, sinful man that I am, I not only envied her, but even thought that in her poses, in her movements,

there was something special, not to be found in people who are not rich, just as persons of a servile nature

succeed in discovering "good family" at the first glance in people of the most ordinary exterior, if they are a

little more distinguished than themselves. Nadyezhda Lvovna's inner life was only known to me by scandal.

It was said in the district that five or six years ago, before she was married, during her father's lifetime, she

had been passionately in love with Prince Sergey Ivanitch, who was now beside me in the chaise. The prince

had been fond of visiting her father, and used to spend whole days in his billiard room, where he played

pyramids indefatigably till his arms and legs ached. Six months before the old man's death he had suddenly

given up visiting the Shabelskys. The gossip of the district having no positive facts to go upon explained this

abrupt change in their relations in various ways. Some said that the prince, having observed the plain

daughter's feeling for him and being unable to reciprocate it, considered it the duty of a gentleman to cut short

his visits. Others maintained that old Shabelsky had discovered why his daughter was pining away, and had


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 107



Top




Page No 110


proposed to the povertystricken prince that he should marry her; the prince, imagining in his

narrowminded way that they were trying to buy him together with his title, was indignant, said foolish

things, and quarrelled with them. What was true and what was false in this nonsense was difficult to say. But

that there was a portion of truth in it was evident, from the fact that the prince always avoided conversation

about Nadyezhda Lvovna.

I knew that soon after her father's death Nadyezhda Lvovna had married one Kandurin, a bachelor of law, not

wealthy, but adroit, who had come on a visit to the neighbourhood. She married him not from love, but

because she was touched by the love of the legal gentleman who, so it was said, had cleverly played the

lovesick swain. At the time I am describing, Kandurin was for some reason living in Cairo, and writing

thence to his friend, the marshal of the district, "Notes of Travel," while she sat languishing behind lowered

blinds, surrounded by idle parasites, and whiled away her dreary days in petty philanthropy.

On the way to the house the prince fell to talking.

"It's three days since I have been at home," he said in a half whisper, with a sidelong glance at the driver. "I

am not a child, nor a silly woman, and I have no prejudices, but I can't stand the bailiffs. When I see a bailiff

in my house I turn pale and tremble, and even have a twitching in the calves of my legs. Do you know

Rogozhin refused to honour my note?"

The prince did not, as a rule, like to complain of his straitened circumstances; where poverty was concerned

he was reserved and exceedingly proud and sensitive, and so this announcement surprised me. He stared a

long time at the yellow clearing, warmed by the sun, watched a long string of cranes float in the azure sky,

and turned facing me.

"And by the sixth of September I must have the money ready for the bank . . . the interest for my estate," he

said aloud, by now regardless of the coachman. "And where am I to get it? Altogether, old man, I am in a

tight fix! An awfully tight fix!"

The prince examined the cock of his gun, blew on it for some reason, and began looking for the cranes which

by now were out of sight.

"Sergey Ivanitch," I asked, after a minute's silence, "imagine if they sell your Shatilovka, what will you do?"

"I? I don't know! Shatilovka can't be saved, that's clear as daylight, but I cannot imagine such a calamity. I

can't imagine myself without my daily bread secure. What can I do? I have had hardly any education; I have

not tried working yet; for government service it is late to begin, . . . Besides, where could I serve? Where

could I be of use? Admitting that no great cleverness is needed for serving in our Zemstvo, for example, yet I

suffer from . . . the devil knows what, a sort of faintheartedness, I haven't a ha'p'orth of pluck. If I went into

the Service I should always feel I was not in my right place. I am not an idealist; I am not a Utopian; I haven't

any special principles; but am simply, I suppose, stupid and thoroughly incompetent, a neurotic and a coward.

Altogether not like other people. All other people are like other people, only I seem to be something . . . a

poor thing. . . . I met Naryagin last Wednesday  you know him?  drunken, slovenly . . . doesn't pay his

debts, stupid" (the prince frowned and tossed his head) . . . "a horrible person! He said to me, staggering: 'I'm

being balloted for as a justice of the peace!' Of course, they won't elect him, but, you see, he believes he is fit

to be a justice of the peace and considers that position within his capacity. He has boldness and

selfconfidence. I went to see our investigating magistrate too. The man gets two hundred and fifty roubles a

month, and does scarcely anything. All he can do is to stride backwards and forwards for days together in

nothing but his underclothes, but, ask him, he is convinced he is doing his work and honourably performing

his duty. I couldn't go on like that! I should be ashamed to look the clerk in the face."


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 108



Top




Page No 111


At that moment Grontovsky, on a chestnut horse, galloped by us with a flourish. On his left arm the basket

bobbed up and down with the mushrooms dancing in it. As he passed us he grinned and waved his hand, as

though we were old friends.

"Blockhead!" the prince filtered through his teeth, looking after him. "It's wonderful how disgusting it

sometimes is to see satisfied faces. A stupid, animal feeling due to hunger, I expect. . . . What was I saying?

Oh, yes, about going into the Service, . . . I should be ashamed to take the salary, and yet, to tell the truth, it is

stupid. If one looks at it from a broader point of view, more seriously, I am eating what isn't mine now. Am I

not? But why am I not ashamed of that. . . . It is a case of habit, I suppose . . . and not being able to realize

one's true position. . . . But that position is most likely awful. . ."

I looked at him, wondering if the prince were showing off. But his face was mild and his eyes were

mournfully following the movements of the chestnut horse racing away, as though his happiness were racing

away with it.

Apparently he was in that mood of irritation and sadness when women weep quietly for no reason, and men

feel a craving to complain of themselves, of life, of God. . . .

When I got out of the chaise at the gates of the house the prince said to me:

"A man once said, wanting to annoy me, that I have the face of a cardsharper. I have noticed that

cardsharpers are usually dark. Do you know, it seems that if I really had been born a cardsharper I should

have remained a decent person to the day of my death, for I should never have had the boldness to do wrong.

I tell you frankly I have had the chance once in my life of getting rich if I had told a lie, a lie to myself and

one woman . . . and one other person whom I know would have forgiven me for lying; I should have put into

my pocket a million. But I could not. I hadn't the pluck!"

From the gates we had to go to the house through the copse by a long road, level as a ruler, and planted on

each side with thick, lopped lilacs. The house looked somewhat heavy, tasteless, like a façade on the stage. It

rose clumsily out of a mass of greenery, and caught the eye like a great stone thrown on the velvety turf. At

the chief entrance I was met by a fat old footman in a green swallowtail coat and big silverrimmed

spectacles; without making any announcement, only looking contemptuously at my dusty figure, he showed

me in. As I mounted the soft carpeted stairs there was, for some reason, a strong smell of indiarubber. At the

top I was enveloped in an atmosphere found only in museums, in signorial mansions and oldfashioned

merchant houses; it seemed like the smell of something long past, which had once lived and died and had left

its soul in the rooms. I passed through three or four rooms on my way from the entry to the drawingroom. I

remember bright yellow, shining floors, lustres wrapped in stiff muslin, narrow, striped rugs which stretched

not straight from door to door, as they usually do, but along the walls, so that not venturing to touch the

bright floor with my muddy boots I had to describe a rectangle in each room. In the drawingroom, where the

footman left me, stood oldfashioned ancestral furniture in white covers, shrouded in twilight. It looked surly

and elderly, and, as though out of respect for its repose, not a sound was audible.

Even the clock was silent . . . it seemed as though the Princess Tarakanov had fallen asleep in the golden

frame, and the water and the rats were still and motionless through magic. The daylight, afraid of disturbing

the universal tranquillity, scarcely pierced through the lowered blinds, and lay on the soft rugs in pale,

slumbering streaks.

Three minutes passed and a big, elderly woman in black, with her cheek bandaged up, walked noiselessly

into the drawingroom. She bowed to me and pulled up the blinds. At once, enveloped in the bright sunlight,

the rats and water in the picture came to life and movement, Princess Tarakanov was awakened, and the old

chairs frowned gloomily.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 109



Top




Page No 112


"Her honour will be here in a minute, sir . . ." sighed the old lady, frowning too.

A few more minutes of waiting and I saw Nadyezhda Lvovna. What struck me first of all was that she

certainly was ugly, short, scraggy, and roundshouldered. Her thick, chestnut hair was magnificent; her face,

pure and with a look of culture in it, was aglow with youth; there was a clear and intelligent expression in her

eyes; but the whole charm of her head was lost through the thickness of her lips and the overacute facial

angle.

I mentioned my name, and announced the object of my visit.

"I really don't know what I am to say!" she said, in hesitation, dropping her eyes and smiling. "I don't like to

refuse, and at the same time. . . ."

"Do, please," I begged.

Nadyezhda Lvovna looked at me and laughed. I laughed too. She was probably amused by what Grontovsky

had so enjoyed  that is, the right of giving or withholding permission; my visit suddenly struck me as queer

and strange.

"I don't like to break the longestablished rules," said Madame Kandurin. "Shooting has been forbidden on

our estate for the last six years. No!" she shook her head resolutely. "Excuse me, I must refuse you. If I allow

you I must allow others. I don't like unfairness. Either let all or no one."

"I am sorry!" I sighed. "It's all the sadder because we have come more than ten miles. I am not alone," I

added, "Prince Sergey Ivanitch is with me."

I uttered the prince's name with no arrière pensée, not prompted by any special motive or aim; I simply

blurted it out without thinking, in the simplicity of my heart. Hearing the familiar name Madame Kandurin

started, and bent a prolonged gaze upon me. I noticed her nose turn pale.

"That makes no difference . . ." she said, dropping her eyes.

As I talked to her I stood at the window that looked out on the shrubbery. I could see the whole shrubbery

with the avenues and the ponds and the road by which I had come. At the end of the road, beyond the gates,

the back of our chaise made a dark patch. Near the gate, with his back to the house, the prince was standing

with his legs apart, talking to the lanky Grontovsky.

Madame Kandurin had been standing all the time at the other window. She looked from time to time towards

the shrubbery, and from the moment I mentioned the prince's name she did not turn away from the window.

"Excuse me," she said, screwing up her eyes as she looked towards the road and the gate, "but it would be

unfair to allow you only to shoot. . . . And, besides, what pleasure is there in shooting birds? What's it for?

Are they in your way?"

A solitary life, immured within four walls, with its indoor twilight and heavy smell of decaying furniture,

disposes people to sentimentality. Madame Kandurin's idea did her credit, but I could not resist saying:

"If one takes that line one ought to go barefoot. Boots are made out of the leather of slaughtered animals."

"One must distinguish between a necessity and a caprice," Madame Kandurin answered in a toneless voice.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 110



Top




Page No 113


She had by now recognized the prince, and did not take her eyes off his figure. It is hard to describe the

delight and the suffering with which her ugly face was radiant! Her eyes were smiling and shining, her lips

were quivering and laughing, while her face craned closer to the panes. Keeping hold of a flowerpot with

both hands, with bated breath and with one foot slightly lifted, she reminded me of a dog pointing and

waiting with passionate impatience for "Fetch it!"

I looked at her and at the prince who could not tell a lie once in his life, and I felt angry and bitter against

truth and falsehood, which play such an elemental part in the personal happiness of men.

The prince started suddenly, took aim and fired. A hawk, flying over him, fluttered its wings and flew like an

arrow far away.

"He aimed too high!" I said. "And so, Nadyezhda Lvovna," I sighed, moving away from the window, "you

will not permit . . ."  Madame Kandurin was silent.

"I have the honour to take my leave," I said, "and I beg you to forgive my disturbing you. . ."

Madame Kandurin would have turned facing me, and had already moved through a quarter of the angle, when

she suddenly hid her face behind the hangings, as though she felt tears in her eyes that she wanted to conceal.

"Goodbye. . . . Forgive me . . ." she said softly.

I bowed to her back, and strode away across the bright yellow floors, no longer keeping to the carpet. I was

glad to get away from this little domain of gilded boredom and sadness, and I hastened as though anxious to

shake off a heavy, fantastic dream with its twilight, its enchanted princess, its lustres. . . .

At the front door a maidservant overtook me and thrust a note into my hand: "Shooting is permitted on

showing this. N. K.," I read.


The Chorus Girl and Other Stories

The Chorus Girl and Other Stories 111



Top





Bookmarks



1. Table of Contents, page = 3

2. The Chorus Girl and Other Stories, page = 4

   3. Anton Chekhov, page = 4